During MFW SS23 presentations, Plein Sport unveiled their collection of men’s and women’s pieces that take you from studio to street. In addition, they dropped a digital presentation as well.
Here in NY, the qualifying rounds for the US Open are currently underway! Starting Aug 29th - Sep 11th, the tennis tournament is bound to give us a number of major moments that we will be talking about! Ralph Lauren has been the official outfitter for this tournament since 2005. The Ralph Lauren U.S. Open Collection includes the ball crew and courtside official uniforms as well as a limited edition tennis-inspired collection. This campaign was shot at the USTA Billie King Jean National Tennis Center and featured 5 of the U.S. Open Ball Crew members as well as Ralph Lauren models.
As is the case when Ralph Lauren creates uniforms for a sporting event, you can also purchase these items as well to be part of the festivities while watching on-site, at home or when you’re out and about going about your day!
Read the latest issue of Athleisure Mag.
We can’t say enough how much we enjoyed Thom Browne’s SS23 Menswear show that took place in Paris! From seeing his classic pieces, twists on his classics having some of the models “arriving late” to watch the show and more - it was a fun whimsical way to showcase the latest collection!
Read the latest issue of Athleisure Mag.
PHOTO COURTESY | Louis Vuitton
If you have yet to check out Louis Vuitton Men’s SS23 show, it’s worth watching as not only does it show a number of looks from the house but it is also another tribute to Virgil Abloh. The show kicks off with HBCU FAMU’s Marching 100 who walks and performs (Enlightment, If You Are Not a Myth, Mighty Rattlers, Rattler to the Bone, Get Up, S.O.S.) from a rooftop to a “yellow brick road” which brings an array of models highlighting the looks for next season.
This collection and show focuses on the belief that imagination can heal, regenerate and uplift us all. The show takes place at the Cour Carrée of the Louvre. Kendrick Lamar performed Savior, Rich Spirit, Count Me Out, N95 seated next to Naomi Campbell s the looks hit the runway.
The balance between Louis Vuitton and culture in its impact on design has been one that has always existed with this fashion house.
We love a good coffee table book and Whiz Limited: The Finest of Tokyo Street looks at the past 20 years of the brand's collaborations with iconic people/brands as well as their designs. This Japanese streetwear brand was launched by Hiroaki Shitano in 2000 with a following from Japan, Hong Kong and the mainland of China. He is know for his influences by Hiroshi Fujiwara.
From its origins of handmade and painted tees, the label includes an array of items that incorporate eccentric Japanese aesthetics. Growing up in the entertainment district of Shinjuku, you can see the influence of this area within the palette and style of his pieces.
In addition to the history of the brand, we are reminded of collaborations with A Bathing Ape, Hello Kitty, Disney, Kappa and the estate of Keith Haring to name a few.
There are also images of the sneaker collaborations that include Puma, Mizuno, Converse and more. This is a new fave for our coffee tables.
In Love the Foods That Love You Back: Clean, Healthy, Vegan Recipes for Everyone, we have a recipe book that although it focuses on vegan cuisine, it aims to please herbivores, carnivores, omnivores and flexitarians.
Recipes reinvent a number of our global favorite foods in a plant-based way. She provides tips on how to stock our pantry, illustrating the building blocks of the recipes and keeping us inspired. In addition to our favorite dishes, there are those that are new to us which allows us find our next must-eat meal. We think this is a necessary book for your collection whether you're plant-based or simply like to include this in your meals throughout the week.
Here in NY, Serafina has always been a great place for a business meal, celebrating with friends over cocktails and more editor dinners than we can count. The Italian comfort food and ambiance is always one that we enjoy when we dine here. Serafina: Modern Italian Cuisine for Everyday Home Cooking allows us to enjoy our favorite dishes from home!
We get the inside scoop from Vittorio and Fabio on secrets of regional Italian food and modern takes on these dishes!
We also learn about the Serafina story where a survival pact birthed the launch of their first location in NYC in 1995 and includes restaurants around the world from Dubai to Japan.
With over 100 recipes, recipes are easy to follow and you get a culinary education from regional to local traditional history as well as learning about quality ingredients. There is also a knowledgebase from farmers, fisherman, orchard planters and more.
If we can't make it to our favorite location in the city, we know that we can make something incredibly comforting at home for friends and family.
Read the APR ISSUE #76 of Athleisure Mag and see Bingely Books in mag.
International Women's Day, International Women's Week and Women's Month are moments to celebrate and empower women who continue to push the envelope by being present and taking charge in the areas that they reside in around the world. It's also a time to reflect and assist those should also lend their voice to this effort. We caught up with the co-founder of gorjana, Gorjana Reidel who is known for her accessible and fine jewelry line that oozes SoCal cool girl style and has been worn by a number of celebrities and those in the know. We wanted to find out about how she created this brand, pieces we should have in our collections and the capsule collection that she has with her sister, Iva Pawling, co-founder of Richer Poorer.
ATHLEISURE MAG: I have been a fan of your brand for a number of years. As a celebrity fashion stylist and accessory expert, I like the aesthetic that you have brought into the jewelry industry. What led you to want to launch this jewelry brand?
GORJANA REIDEL: My childhood home in Serbia was extremely creative and that “DIY” attitude had a lasting impact on me. When I went to college, I knew I wanted to continue to channel that creativity in fashion. Although I studied marketing in college, I landed an internship in cosmetics at Neiman Marcus. After I graduated, I worked as an assistant manager in the jewelry department and that’s where I discovered my passion for jewelry design. I fell in love with jewelry because it’s intimate and timeless. You can wear a piece of jewelry every day and it eventually becomes a part of you.
AM: You and your husband created and are co-founders of this brand, and you are the Chief Creative Officer, what is your day-to-day like?
GR: Every day is different - which keeps it fun and exciting. From design ideation to product meetings….
AM: How do you go about getting inspiration for your jewelry line?
GR: I am really influenced by the Southern California lifestyle and the more relaxed vibe. I get inspired from different things all the time. It could be a cool shape I see, or I will look at something I want to wear and come up with the perfect jewelry piece to complete the look.
AM: Who is the gorjana woman?
GR: There really isn’t one type of woman - we see women from their 20s to late 50s or 60s wearing our jewelry. Our collections are timeless and so versatile - from chains to charms and daintier styles in our fine collection there truly is something for everyone.
AM: What is your process in terms of designing and creating new collections?
GR: This is always a fun process and never really the same. Sometimes we get inspired by a certain gemstone, sometimes it's a fun outfit we want to accessorize or a cool pattern we see and want to incorporate into a design. The process is never the same but that's what keeps us motivated and creative.
AM: How much does Laguna Beach play into your designs?
GR: I am always inspired but the beauty around me and Laguna is certainly one of the most beautiful places in the world. It’s so eclectic and so authentic. There’s a sense of community. I obviously love the beach and the whole topography of Laguna. We live up on a hill. I see the water every day. It’s just one of the most beautiful places I’ve ever been to.
AM: I’ve always loved the fact that your pieces are meant for layering – for those that may not do this, what should they keep in mind when doing this?
GR: Honestly, the more the merrier when it comes to layering…but I do feel like you should wear the jewelry, the jewelry shouldn’t wear you! Start with a couple of simple, classic pieces like our Parker or Venice Necklace and build your layered look to make it your own. We have some beautiful, daintier styles in our Fine Collection - including cool diamonds and 14k solid gold. I love to mix and match all of our styles to create the perfect neck mess!
AM: What are 3 pieces that you’re excited about in the line right now that we should consider including into our personal collections?
GR: We just launched our first fine signet ring with pavé diamonds - I love adding it to my everyday stack, it adds serious shine. I also love layering our Diamond Evil Eye Necklace and Parker Mini Layering Set.
AM: We know that the Tuscon Gem Show just took place a few weeks back, are there gemstones or other materials that you have yet to include in the line that you’re thinking about for future collections?
GR: We only source large gemstones for our stores at the Tucson Gem Show. They have such a wonderful grouping of vendors and some really unique items. In terms of future collections, we are really into exploring precious gemstone options for our fine collection.
AM: We’ve visited your stores here in NY and in DC. With nearly 30 stores, what is the ambiance that you bring into your locations and are there additional locations/cities that you will launch this year?
GR: Each store has a cool, quintessentially Californian vibe and a clean backdrop to highlight the jewelry. Guests are meant to feel as if they’re walking into a welcoming, coastal bungalow in our hometown of Laguna Beach, California. We are excited to open stores in Portland Oregon, and Nashville next month with Carlsbad, Houston, Philadelphia, and Studio City to follow in Q2.
AM: You and your sister created a capsule collaboration for International Women’s Day between gorjana and Richer Poorer. Can you tell me more about what is in the capsule and why you came together to create this?
GR: As female entrepreneurs, we know first-hand that entering the business world can be difficult. In doing this collaboration we are determined to provide support for those who are just starting out. In true collaborative nature, I worked with Iva to create a tank top with the perfect necklace neckline, and Iva pushed me to create a necklace to symbolize our individuality and showcase our bond. The capsule includes the necklace, tank top and then an option to purchase as a bundle with both pieces.
AM: Being a co-founder of Athleisure Mag, we love sharing stories of those that are empowered who make their mark in the world. How important is it for women to be inspired and encouraged to start their own businesses?
GR: I could name a thousand reasons why women should be inspired to start their own businesses. One reason that sticks out is to ensure diversity and balance across businesses. Genders from all different backgrounds bring their own unique perspective to the table and having a healthy mixture is highly effective - we’ve found - at continuing to have a well-rounded outlook on where the business goes next. Jason and I run the company together, and being a male/female team, we truly balance each other out with our differing opinions and viewpoints. All perspectives have value and when you truly listen to incorporate each other into decision making, it can only help to better capture your target customer and grow your business.
AM: 100% of the sales from this capsule collection will be donated to Dress for Success. Why did you want funds to go there?
GR: We always try to inspire others to follow their dreams, and hope that by donating 100% of proceeds, we can help those dreams go a little further. Giving back has always been of major interest to us personally, and both gorjana and Richer Poorer. We are proud and honored to support charitable organizations and communities large and small, nationwide.
AM: Will there be future collaborations of this nature between you and your sister?
GR: I hope so! We had so much fun working together on this.
AM: How do you take time for yourself when you want to make sure that you have the reset that you need?
GR: I love spending time with my family - going on hikes, going to the beach or being out on our boat.
IG @gorjana
PHOTOGRAPHY COURTESY | Gorjana Reidel
Read the APR ISSUE #76 of Athleisure Mag and see INSPIRING WOMEN | Gorjana Reidel in mag.
A few years ago, we had the pleasure of meeting Maria Brito who is an award winning NY based contemporary art advisor, author and curator. She is known as a Power Players in the Art World and in 2020 she was named by ARTNEWS as one of the visionaries who gets to shape the art world. With her finger on the pulse of noted and rising artists, we wanted to catch up with her to talk about how she came to this industry, what it's like to build a personal collection versus when she is working with her clientele who includes A-list celebrities, demistifying art, the impact of NFTs on art, what her Art Basel experiences are and finding out about her book which is available next month!
ATHLEISURE MAG: You are a noted and well-respected power player in the art world. Prior to working in this industry, you graduated from Harvard Law School and practiced corporate law for a period of time. How did you come to the world of art and realize that this was an industry that you wanted to work in?
MARIA BRITO: I grew up in a family that prioritized art as a cultivation tool, like a hobby, but not a career. I went to every art exhibition, museum, gallery and artist studio my parents took me to, and it was really a very hands-on training for me. I continued furthering my passion when I moved to New York City in 2000 as a newly-minted attorney and started going to galleries and buying for myself.
AM: When you began building your personal collection of art work, what were you drawn to initially?
MB: I have always been drawn toward figuration, the human form, saturated colors, narratives that move me. I started collecting the work of Black artists way before all the galleries went crazy for them in the past 5 years. I am very proud of that.
AM: Can you tell us the difference between being a curator and an art advisor and why you love working in these areas?
MB: An art advisor is someone who makes suggestions as to what to acquire and why. It brings access and an eye to a client and it’s the eyes and ears of the art collectors who can’t possibly navigate the art market which is a global $300 billion market. A curator is someone who makes sense of how a collection looks together or envisions an art exhibition that has a theme that is coherent. The curator is an editor, the advisor is a strategist.
AM: Why is the concept of buying art and ultimately curating a collection intimidating to those that are outside of the art world?
MB: I think for too long people have had the wrong idea because what gets written in the big newspapers or reported on mainstream TV are the insanely high numbers that happen when a piece of art sells at auction for $200 million - that is intimidating. Or when people go to a gallery and the environment feels sterile and impersonal - that is intimidating. But that’s just the surface, there are thousands of galleries around the world as well as websites and art fairs that sell art priced under $5000 - people have no problem saving up money to buy a handbag for that amount of money or more. But a piece of art bought with a little bit of an understanding of the market can not only multiply its value 100x but also stay with you forever.
AM: How do you demystify the experience so that it’s more approachable to those that want to obtain art for their pieces?
MB: As I mentioned above, there are all sorts of levels in the art market. People take bets in emerging artists because they see the potential. There has never been a better time to collect or to be an artist. Besides, it’s all a cultural dialogue that is formed between the art and the collectors.
AM: I know that you have been an art advisor to Sean Combs, Gwyneth Paltrow and Tracy Anderson – what is the client relationship like in terms of making them aware of pieces, educating them about collections and ensuring that that it meets the requirements that they are looking for?
MB: I have hundreds of clients and they are all important to me. Every client gets a tailored approach with offerings that resonate to who they are and what moves them. That happens because I spend a really good amount of time getting to know my clients’ tastes and their objectives.
AM: Art Basel took place a few weeks back, what’s that time of year like for you and can you give us insight into how you navigate this show personally as well as when you’re doing it with/for your clients?
MB: That’s the busiest and most intense time of the year. It’s an insane amount of work because physically you have to go not only to Art Basel which can easily take 4 or 5 hours to see but to all the satellite fairs like NADA and Untitled which is where all the new talent gets to be shown. Clients come and walk around the aisles with me but the thing is that for the most part almost all of these galleries have circulated PDFs with all the images and the previews of what they will be showing so much of the good stuff has already been sold. That’s why an art advisor is so important for people who want to collect if they can’t dedicate themselves to building all these relationships with galleries.
AM: You curate art shows such as Greek Gotham in Mykonos a few years back with NY based artists such KAWS, Nir Hod, and Erik Parker, what do you look for when you are putting shows together like this?
MB: First I have an idea and then I let the idea marinate inside my head. Then I discuss it with the person who hired me to do the exhibition and then I go for the most talented artists I can approach who actually fit the idea or theme I had.
AM: How do you keep your pulse to the ground in terms of finding new artists and phenomenal pieces?
MB: By pounding the pavement! It’s easy to get complacent and more so now in a world that has gotten so digital but I still go to as many art galleries as I can every week, every art fair I can attend and artists studios when I can.
AM: Your firm Maria Brito LLC, includes your work as an advisor, but it also includes being an interior designer which seems like a natural progression with lifestyling as well as your fashion accessory design collaborations. Tell me about your firm and what your day-to-day is like.
MB: I actually don’t do interior design anymore because as a creative entrepreneur I know when to pivot - that business is good for the money but my mission in this life isn’t to place rugs in people’s homes. With accessories that was a very fun time but I did it for several years as an extension of my relationships with the artists and because there was nothing like it in the market. However, when my advisory practice grew and grew, and the headaches with factories and retailers also grew, I knew it was time to end that too. I still get called to consult with companies on product collaborations and I do that from time-to-time. Last year I launched two fine-porcelain collections with Showfields in collaboration with artists Cydne Coleby and Allison Zuckerman.
AM: Last year, NFTs became the conversation across all sectors of business. What does it mean to the art world and how are you navigating NFTs with artists you work with and clients that you curate/advise for?
MB: NFTs are a very important development in terms of digital ownership and because society is moving more and more toward a digital world, this movement found the perfect timing to flourish. Like everything that's new, right now it’s a lot of confusion, gray areas, speculation, like the wild west. My clients mostly collect art that is tangible, to live with in their homes or their offices, so while NFTs are a lot of fun, they will never replace physical art.
AM: Who are 3 artists that are currently on your radar that you’re looking at that we should be aware of?
MB: Cydne Coleby, Ryan Wilde and Cristina BanBan.
AM: Next month, your book, How Creativity Rules the World: The Art and Business of Turning Your Ideas into Gold drops. What was your motivation behind writing this book and what is it about?
There has never been a more crucial time than now to develop your creativity and your ability to innovate. Coming up with original ideas of value is today’s most precious skill.
MB: I wanted to debunk the myth that creativity is only for the few chosen ones or that it is genetic. Creativity is not about arts and crafts and cutouts or technical wizardry. Creativity is about fostering specific habits, making associations, and standing behind the ideas that come out of them. Whether you are an entrepreneur, an artist, or an employee, your creativity will help you turn the mundane into the extraordinary.
This is a book that helps leaders access their creative potential and profit from their ideas. It took me 13 years to be able to gather all the information that is here, and it’s a comprehensive, practical and actionable blueprint that will get you there even if you don’t think you can be creative and innovative.
I used every technique and everything that’s in this book to transition from a miserable corporate attorney to building an industry-leader seven-figure art advisory business and I have taught the same methods to people in companies as well as to hundreds of entrepreneurs, freelancers, managers, and artists through my online program Jumpstart.
I know these methods work and the time was right to bring them to a greater group of people through a book that is timely and timeless.
AM: Are there any projects that you’re working on that we should keep an eye out for that you’re working on?
MB: Writing a book, selling it at auction to a major publishing house and launching it is like having a full-time job on top of your full-time job. The book is the biggest project that I have worked on in a long time.
PHOTOGRAPHY COURTESY | Maria Brito
Read the FEB ISSUE #75 of Athleisure Mag and see CREATIVITY RULES | Maria Brito in mag.
In Tom Ford 002, this coffee table book takes us through his billion-dollar luxury empire which launched in 2005. The book highlights how his brand includes cosmetics, eyewear, menswear and womenswear. This book follows his 2004 release, Tom Ford, which talked about his time at Gucci as the creative director of the Italian label.
His namesake label has a globally devout following that catapulted the house to receive awards from the Council of Fashion Designers of America, Best Designer of the Year via Time Magazine and being worn on a number of red carpets with a loyal fanbase from Pat Cleveland, Julianne Moore and Lauren Hutton to name a few that have been in his runway shows and campaigns.
This book includes images from his clothing and accessory line, stunning editorials from Gigi Hadid, Joan Smalls and more.
Like many, it's always interesting to hear about news or see special ceremonies from the Royal Family. Over the years, we have seen how later generations have embraced their duties and how in many ways, they have modernized their approach to them.
If you have always wondered about certain facts and anecdotes about the British Monarchy, this is a book to have on hand for sure. You'll be able to converse with others over drinks on Slack about their weddings, major fashion moments and the history behind why they go about their lives in the way that they do.
After reading this book, you'll be able to talk about the coronation of Queen Elizabeth II, facts and Princess Diana and so much more. If you find yourself loving shows like Netflix's The Crown, Royal Trivia: Your Guide to the Modern British Family, is a must for your coffee table.
There's something that's welcoming about comfort food. In The Comfortable Kitchen: 105 Laid-Back Healthy and Wholesome Recipes, this kind of food is redefined so that everyone can enjoy these dishes!
Bestselling NY Times author, Alex Snodgrass includes 105 recipes that have a number of fully paleo compliant or are paleo-ish. In addition, she has others that are simple and have flexible ingredient swaps so that you can have a cleaner meal. For those that have dietary restrictions, she marks whether a dish is gluten-free, dairy-free, grain-free and paleo so that you know how that works with your food journey.
As we continue to navigate the holiday season and the winter, we're already thinking about: Cajun Chicken and Wild Rice Soup, Green Curry Poached Halibut with Herbs and Herby Green Olive Pasta with Feta.
Read the DEC ISSUE #72 of Athleisure Mag and read Bingely Books in mag.
Read the NOV ISSUE #71 of Athleisure Mag and see 9LIST in mag.
Read AUG ISSUE #68 Athleisure Mag and see 9LOOKS | SETA in mag.
Tim Gunn is known well for his career at Parsons School of Design which started in 1982, he served as Associate Dean from 1989 - 2000 and would go on to becoming the Fashion Design Department Chair in August 2000. He is noted for retooling and invigorating the curriculum for the 21st century. His mentorship went mainstream as we watched him and supermodel Heidi Klum for 16 seasons on BRAVO's Project Runway. Last year, this fashionable duo debuted Amazon Original's Making the Cut and its 2nd season premiers this month. We chatted with Tim about his career, the show and how we "make it work."
ATHLEISURE MAG: We have been such a fan of yours for years. Looking at the depth of your career and how you have helmed the careers of so many people in the fashion industry, did you ever think that you would be doing what you are doing now?
TIM GUNN: Oh, never in a million years, never! This entire television phenomenon didn’t happen to me until after I turned 50. I had had a very satisfying career as an educator. I never dreamed that this would happen, it’s completely and totally surreal. I still pinch myself!
AM: It’s absolutely amazing and it’s also great to see how you have been such a powerhouse in the industry by sharing your insights. How important is it to you to be able to be such a mentor to so many designers that you’ve dealt with directly as well as to those that you may not have known that you have?
TG: I have to say that it’s a great honor and it’s a role that I take very very seriously. As a teacher for many many years, the greatest satisfaction for me was watching my students bearing witness to them having that kind of epiphany for what they can achieve, what they can do and having that “ah ha moment.” To be able to nurture that and to cultivate that and then to be able to actually see that happen, it’s just hugely satisfying and rewarding. I have the same thrill when I’m working with the Making the Cut designers. I don’t take any credit for their successes and I also don’t blame myself for things that go awry, but I do take great pleasure and honor in being a kindred spirit of sorts and kind of an angel on their soldier that’s there to tell them the truth, to be a cheerleader and to be a shoulder to cry on if necessary. It’s extremely satisfying for me and it’s a huge honor.
AM: We enjoyed the inaugural season of Making the Cut last year. What initially drew you to the format of this show and what did you want viewers to take away from it?
TG: Well, the concept of the show, the format is a concept that Heidi and Sara Rea, uber Executive Producer and I have had for a very long time. We had been forming it, we had been developing it – owing to the success of the other show that Heidi, Sara and I had did – Sara was the showrunner the last 10 seasons of Project Runway. We couldn’t do this, we couldn’t execute this vision. So when Heidi, Sara and I decided to leave, we shopped the show and our dream was to be with Amazon because of the creative flexibility that Amazon provides and the potential of the shoppability aspect. So we wanted first of all, to show a broader view of what the fashion industry is like rather than just showing the making of clothes.
We wanted to talk about branding because without that aspect, it’s just a pretty dress, who cares? For the viewers, we wanted them to be able to shop that look immediately as opposed to, “well you’ll get it in 6 months.”
All of that came into fruition and it was rather miraculous! I still pinch myself when I think about it. We’re just savoring this experience. It’s been phenomenal.
AM: It’s really great to hear that as my background was in Visual Merchandising as well as in Wholesale and I have worked corporate at a number of brands including Lacoste. What you shared is exactly what I love about this show - that perfect balance between creating something beautiful, but also understanding the business behind it which is so important!
TG: Yes!
AM: How do you decide the cast that’s on the show? Last season there were those that I was familiar with and others that were new to me. What are you looking for in terms of that dynamic?
TG: Well, we’re looking for people that have that vision, that have something to say visually, spiritually and practically! We’re looking for – in terms of the group of designers, we’re looking for diversity and points of view. We don’t want a sameness as that wouldn’t be very interesting for the viewers. We’re certainly looking for people who are hungry and really know that this is an amazing experience for them whether they win or they don’t - because of the exposure and because of the profound link of being a part of the Amazon family.
At the same time Kimmie, I have to say that you don’t know, you’re throwing the dice. You don’t know how exactly people are going to perform on the show. You don’t know how they are going to respond to the intensity of the environment and the fact that there are no breaks, we just keep go-go-going. You don’t know and when things do go awry, you hope that you’re able to pick people up and help them along so that they can self-correct in some kind of way. It’s never a dull moment I’ll say that!
AM: With the second season, what are you excited about as I’m sure it was challenging in terms of filming during a pandemic. Here at Athleisure Mag, we went to virtual photoshoots and found a different way to continue. So what are you excited about?
TG: I’m just excited to get the show out and up and to get people watching it! I want to learn things from their feedback. As we know, Season 1, we traveled around the world. Season 2, we stayed put and we were on a ranch in Malibu, California, but the venues that that ranch presented were all so incredibly different, it looks as though we had traveled. It’s hard to believe that we didn’t. We knew that we had to be very diligent and responsible in how we conducted ourselves during that very intense COVID period and we were successful I’m thrilled to say! But it took a lot of diligence and very responsible behavior.
AM: We’re definitely looking forward to seeing you and Heidi as we love your dynamic together. What is it like working with her and having that synergy that you guys naturally seem to have together?
TG: You know, working with Heidi, she’s like a safety valve for me. I relax when I see her, I know that everything is going to be ok, I know that we’re going to have a lot of fun and laugh a lot. She’s like my great antidote to everything that’s bad or unhappy in the world. She brings happiness, she brings light, she brings her incredible spirit – she’s a joy! I’m the luckiest guy in the world!
AM: Tim, it’s been such an honor to be able to talk with you and to hear your insights. I know around Athleisure Mag, whenever there are a number of projects going on from a photoshoot, releasing an issue, organizing schedules etc, I do think about you saying, “make it work” and it just kind of begins to organize the priorities as we approach deadlines.
TG: Absolutely, get that issue out and make it work!
IG @TimGunn
PHOTOS COURTESY | Amazon
Read the JUL ISSUE #67 of Athleisure Mag and see Make it Work with Tim Gunn in mag.
We've been a fan of Mark Wahlberg since we first saw his music video for Good Vibrations and as a model for Calvin Klein underwear. We knew then that he would transcend his popstar status as a multi-hyphenated brand that we would continue to see. As he began to make the jump to the big screen in The Basketball Diaries and Boogie Nights, we knew that we would continue to see him taking on additional cool projects.
Since those early days, we have enjoyed Mark's range of characters in our favorite films from Martin Scorsese's The Departed, Patriot Day, Ted/2, 2 Guns, Transformer franchise and All the Money in the World. With the ability to oscillate between dramatic and comedic roles, Mark has proven to be a powerhouse and received A Best Supporting Actor Oscar for his role in The Departed. He has been equally as dominant behind the screen as an Executive Producer of HBO's Entourage, Ballers, McMillions, Boardwalk Empire, How to Make it in America, A&E's Wahlburgers, USA's Shooter (which he was the main character in the movie version) just to name a few.
We know him to be a man who has a work ethic and commitment to all of his projects whether it's an upcoming role, as an entrepreneur, his passion for his family and his ability to get up early to get his workout in so that he is in shape for whatever life throws at him.
We're excited to have Mark as the cover for this month's issue where he shares his words of wisdom that he has learned as he navigates life and the business. He shares how he continues to optimize his efforts, how he approached his roles, his upcoming film Arthur the King, his apparel brand, MUNICIPAL, and Wahl Street on HBO Max.
ATHLEISURE MAG: When we look at your career as an actor, producer, entrepreneur and investor what has been your mantra as you navigate these areas?
MARK WAHLBERG: Just get going. So many people get stuck over thinking whatever it is. But the key is just to get going. Any momentum is better than no momentum.
AM: You are known as a man with a number of optimized habits. What’s the best way that one can approach that?
MW: Get into a routine that allows you to be the best version of yourself.
AM: What’s the first 3 things that you do in the morning when you wake up?
MW: Pray. Then eat and workout.
AM: Obviously, you’re in great shape and we know that you get up pretty early to get your work in. What is the simplest, but most effective piece of workout equipment that you own?
MW: That’s got to be my PowerPlate Pulse. I feel like I have one in every room in my house. Soreness goes away in just a few mins.
AM: You have been in a number of our favorite movies, from Boogie Nights, The Departed and Transformers franchise. What has been the most physically taxing role that you’ve played on screen?
MW: There are so many because I love the physical aspect of some roles. People pushing themselves to the limit. The Fighter, Lone Survivor were like that. And my new movie I just finished shooting, Arthur the King, does the same.
AM: Which role that you’ve played — Tommy Saunders (Patriots Day), Marcus Luttrell (Lone Survivor), Mike Williams (Deepwater Horizon) — inspired you most personally?
MW: They’re all so different but the one thing that they have in common was they are all real people committed to something bigger than themselves.
That’s as inspiring as it gets.
AM: When you began as an entrepreneur, what was the best piece of advice that you received?
MW: Things never go exactly as you planned. But if you’ve put a great team together, and are persistent, you’ll find creative solutions together.
AM: Since last Oct, we became aware of your fashion brand MUNICIPAL and included it in our cover shoot with EDM DJ/producer duo SOFI TUKKER as well as in our cover shoot with Twilight's Peter Facinelli. We love that the line takes you from day to night. What’s your go-to pieces of MUNICIPAL gear?
MW: SuperBlend tees, Sport Utility Jogger, Everyday Boxer Brief, ICON Trucker Hat – can’t pick just one!
AM: So what’s your favorite new discovery?
MW: MUNICIPAL SuperBlend tees. I live in these things.
AM: When you’re not on set, brokering your deals or thinking of your next project, what is your ideal day?
MW: Spending time with my family.
AM: We love your commitment to your health and fitness, but when it comes to a splurge are you drinking wine, beer or liquor?
MW: Wine
AM: When it comes to athletes, who influenced you the most?
MW: I grew up in the 80’s so it was Larry, Michael, and Magic.
AM: So what music are you listening to right now?
MW: Lately I’ve been watching a bunch of old school hip hop videos with my kids. The stuff holds up!
AM: We’re all streaming a number of shows on various streaming platforms. Any suggestions on what we need to be bingeing?
MW: How about HBO Max? Netflix is Spenser Confidential. And on HBO Max, check out the Wahl Street series airing April 2021.
PHOTOS COURTESY | Mark Wahlberg
Read the Apr Issue #64 of Athleisure Mag and see Momentum is Key with Mark Wahlberg in mag.
This month's cover story features 2 X GRAMMY-nominated musical duo that we have been a fan of for awhile now. SOFITUKKER's music can be heard in some of your favorite Apple commercials, TV shows and even when you're hopping on your Peleton. This group is known for their jungle pop vibes and continuing to expand their footprint in the world through their creativity. We talked with them about how they began working with one another, how they got into the industry, their body of work and what they have been doing as they have navigated this time of quarantine.
ATHLEISURE MAG: Prior to becoming the powerhouse duo that you are, when did you fall in love with just music in general?
TUCKER HALPERN: I have always been in love with music. I played the drums and I was in garage bands growing up. But it al-ways took a backseat to basketball. That was my whole life for such a long time until I was like 20 – 22. For me, I didn’t really fall in love until the way that I am today until I got sick in college. That’s when I started turning my attention to something else. I really just fell in love with dance music and house music and stuff.
SOPHIE HAWLEY-WELD: I can’t really point to a specific period in time where I fell in love with music. It’s always been something that I have enjoyed listening to and I have always been dancing. I would always dance and be in musical theater as a kid. I started writing as a means of music therapy actually in middle school. I would play the guitar and I would write about my feelings. I found it so therapeutic to honestly just write about my experiences as opposed to thinking about it. It was my primary way of getting through my angst.
I was really into jazz and I took jazz singing lessons. I started to realize that I liked Brazilian jazz more than any other kind of jazz. I started taking Portuguese and I said, “hey, if I love this music so much, I should probably start taking lessons in it."So I really started loving the music and moved to Brazil for a bit and I just kept it going. I think it’s a long story but music is just such an experience in the way that you fall in love with it.
AM: We’re big fans of jazz music in our team and our co-founder’s great uncle was Joe Henderson, tenor saxophonist.
SHW: Cool!
AM: We love bossa nova as a form as well, what is it about this genre of music that pulls you in?
SHW: I just find it so intimate and sexy and soothing. I think that the language is perfect for jazz and singing. I think that it’s very vowel-y. I think it’s perfect and when you’re listening to it, the singers are whispering into the microphone.
AM: Pretty much.
SHW: Yeah and I just really enjoy that whole vibe.
AM: How did you guys meet one another and was the moment when you realized that you wanted to work together and that you had those traits that would be really beneficial together?
TH: Well, I think that I had to convince Sophie to do that – that I had traits to add to her repertoire. But the story goes, I was DJing after my basketball life in college during my senior year. I was DJing tons of house parties – like college stuff, but it was cool under-ground stuff. One of my friends asked me to DJ after this art show. We went to Brown and it was at this show in Providence in downtown like at a warehouse thing. I went early to set up and Sophie was the acoustical per-former at the art show and I think that there was only 10 people there. But I was sort of setting up and watching her perform with a couple of friends that I knew from my music classes at school. She was amazing and she was only singing in Portuguese and it was really beautiful bossa nova music which I had never really heard much of before.I thought that it was really cool but it was really slow. Like REALLY slow – like 4BPMs – I swear! I was like, man this would be so much cooler if it was more upbeat and had a house beat behind it. When she sort of finished and it was supposed to be my turn to play, I actually said casually,“hey keep playing and I’m going to bringing a beat with it.” So like, looping the intro with a house music track and I put it really slow at the tempo that they were playing at and then I started speeding it up and I said, “just follow the tempo.” She start-ed singing the song at a faster beat that was behind it. So I said, “ok this is going to work.
After that, I think she stayed for my set – did she?
HW: I did.
TH: You must have – you had to. She was probably hitting on a guy that was there ha.
SHW: Of course haha.
TH: So the role reversed. I had to introduce myself to her after I played and I was like, what were you singing. She told me that they were original songs that she made. I asked her if I could do a remix of the last one that she was singing. She agreed but told me that there was no real recording of it. I said, “cool, come over to my apartment tomorrow – a dorm apartment and let’s rerecord it and I’ll make an electronic version of the song. She did come over and we did start making a different version of the song and –
SHW: We just started working every day and making new projects. It was so easy to work together. Were we even friends? We started working with each other for a long time but we weren’t hanging out socially. We just had a great work friendship.
AM: That’s mind-boggling! You’d think that the two of you started this as being best friends or at least really good acquaintances.
SHW: Yeah we didn’t even hang out with one another outside of making our music. We were just making music. Eventually, Tucker convinced me that I should come to NY. Then I thought, “wait, who is this guy?” I talked to people that I knew that we had in common and I was like, “do you vouch for him and should I move to NY with him to create a band with him?” They were like, “oh yeah, he’s a great guy – you should go with him.”
AM: What is your process like when you do sit down and create music together? Do you guys have designated roles?
SHW: Yeah. Every song is very different. But for the most part, Tucker is at the computer and I’m on the guitar and writing most of the lyrics. Now he’s singing a lot more which is cool. It’s also because as the band has evolved we have done the same as well.
AM: You guys have worked with so many artists over the past few years, what are you guys looking for when you are deciding on collaborating with people outside of yourselves?
TH: Honestly, I think that we’re just looking at people with good vibes. We love working with friends and people that we admire and look up to. That actually has a lot to do with the vibe that they are putting out into the world. We enjoy working together. One of the coolest things about collaboration is about putting out like a baby into the world that you created together and then being able to celebrate that together. Then being able to perform it together. You’re sort of bonded with that group forever. It will sort of always be a part of who you are. It’s just fun and it also gets you to have that opportunity for that music to have a little more freedom.
Because you’re able to work with another artist who has their musical sound, we don’t have to worry about whether that music has the SOFI TUKKER sound and if itis really in our world, having that aesthetic and that palette because it’s a collab-oration. So it can also live in Icona Pop’s world or someone else’s world. So it can have a little more risk and it can be a little more out there. Maybe not more out there as I think SOFI TUKKER songs are out there.
AM: Oh yes in the best possible way!
TH: Right I love out there. In a way – the collaboration has a way of being able to be out there – you know what I mean?
AM: Yeah. It’s about blending. When you have two collaborators that you know their work separately, come together it’s a hybrid that’s undefined and gives you the space to create. That’s so exciting when you see that come together.
TH: You get me.
AM: Yes! Our team has done fun projects outside of Athleisure Mag. Our Style Director had the opportunity to style Nile Rodgers a few years ago and her style has its signature and Nile is known for his. So the two coming together to create a look really took the pressure off of her as they both had a united vision without her wondering how it would go against her aesthetic. She could just sit back and enjoy the work and embrace his vibes and interests while adding in her touches.
TH: Exactly, it’s fun to have the other create fingerprints on it as well.
AM: Prior to COVID-19, you guys had a number of tours that you were on and creating a number of amazing shows. In prep for this interview, when we have told people that you guys are the cover, everyone would tell us about their show experience when jamming out with you guys and how it was the best night of their lives. So many people have painted a picture for us about your shows, but for those that have yet to go, what is it like for one of your in-person shows?
TH: I don’t remember.
AM: It feels like so long ago!
SHW: It’s like an electric orgasm!
TH: It’s all that energy coming together on one wavelength. It’s like losing your shit. You know when you’re like 13 with your friends and you’re listening to music on your boombox in your room and you’re like dancing on your bed – like losing it? I try to bring the adult back to that – to that primal nature.
AM: Do you guys have pre-show things that you do to get your mind ready for the show and then things that you do when the show is over? You guys are pushing through so much energy that it’s unimaginable how much you guys must hype yourselves up and then come down from that whole effect.
SHW: It is a p-r-o-c-e-s-s.
TH: We have different processes.
AM: Assumed!
TH: I’m going to let Sophie go as it’s such a process.
SHW: I’m really sensitive to stimulus as a person. I have to warm up to and then cool down from it or else I would never be able to survive. Basically, hours before the show my prep begins. 4 hours prior to the show, I will have my last meal. About an hour before the show, I start my vocal exercises. They are very physical and funny. That will go for about an hour and a half. Down to the hour, I know exactly what I am doing. After my vocal warm-up, I will do my physical warm-up. It’s about rolling out my body and it’s intricate. For the last 5 mins, we will dance around and psych each other up. You know, just jumping around with nervous energy.
After the show, then I have a vocal cooldown and then ideally, there’s a bathtub or a shower that also helps me to come down.
AM: Although that was an unexpected answer, love hearing this and knowing that there is such a thing as a vocal cool down is something new to us!
SHW: It doesn’t take that long. It’s just learning about putting the vocal in the right place in your mouth if that makes sense. That way you don’t get hoarse. When you talk right after singing, it can be really draining on the voice.
AM: Totally. Tucker?
TH: Mine is a little simpler. Before the show, we both pretty much treat it like a basketball game. It’s all about the warmup, being able to blast music – usually, dance music. It gets more intense as it goes. The first hour maybe a bit more chiller. By the end, it could be trance by the time we’re ready to go out so we're losing it. I’m really big into warming up because if we don’t do it or don’t do it long enough, my hamstrings will just bedone and then it’s all over. Right before we go out, we really hype each other up and Sophie gives me a 5-star on the back, like a really hard one. And it always hurts, but it stings and it gives me a little extra jolt which I like – but I don’t miss it that much haha!
SHW: What?
TH: I call it the 5-star. Sophie didn’t know that that’s what I call it until now! It’s a big slap on your back – it’s a 5-star. Afterwards, I ice up my knees and my feet with bags of ice or an ice bath type of situation.
AM: Um truly like a basketball player!
TH: Yeah, it’s very similar to my routine when I was a basketball player. We kind of run around and go nuts on stage. When I come off stage, my shirt is entirely dripping in sweat. It’s like a full hour and a half of going nuts. So I really have to ice but I don’t have to do the wind-down when we go back to the ho-tel after shows, I can just lie on the bed and fall asleep a minute after raving. Sophie has to do like a full 2-hour yoga wind down. When we used to share a hotel room for the first couple of years because we had smaller budgets, it was not ideal to share a room. I’d want to put the TV on so that I could watch SportsCenter and fall asleep to it and she could not have any light stimulation or noise or she would not be able to fall asleep. She has like earplugs and an eyemask. If I had the TV on even in silent, she’d be like, “nope the light flickering is fucking me up.” I was like, “this is ridiculous.
AM: You guys have had such a successful career, you have 2 GRAMMY nominations, you’ve played a number of festivals, I al-ways love hearing your music when it's an Apple (Best Friend) or Peleton (Purple Hat) commercial – we’re huge fans of HBO’s The New Pope. So when we heard, Good Time Girls the opening song –that was amazing. What does it mean to you guys to have so much of your music placed into so many pop culture areas?
SHW: I think that we feel really lucky to be able to be in that space! It’s a great way for people to be able to connect to our music and it’s just such a great opportunity.
AM: Even as we navigate COVID-19, you guys have continued to stay connected with your fans. How did your daily con-certs from home start and how impactful has it been to be able to provide this to your fans? Especially when we’re in a moment where you can’t really, travel, tour etc.?
SHW: It started very organically and by accident. Tucker was DJing and I was working out. Our friend came down and started live-streaming what was happening. People were watching and it was really fun and we said let’s do it again. I think on the 3rd day, Tucker was like, we’re going to do this every day until COVID-19 is over. Obviously, little did we know that we would still be at it. What we’re doing is different than our live shows as this is a DJ set and has been so much fun. Honestly, it’s been one of the most meaningful moments that I would say of my life. We're in this moment in time right now where people are feeling loneliness and are suffering and we are able to bring people together every single day. Everybody that is coming together are our friends and our community is now called the Freak Famand it’s grown to be this big community outside of ourselves. They have come together and they’re so inclusive and warm– it’s been great to see and gives us hope. This year, we’ve seen a lot of things about our world that hasn’t been great so to see that there are people like this has really been something that I have loved being able to be a part of.
AM: Are these shows thematic by genre, country or dedicated to specific portions of your fan base? Do you guys just freeflow every day?
TH: The Freak Fam is really so world wide that our music is really for everyone out there. It’s interesting because there are so many different time zones and languages that for those, it would feel odd to be specifically towards just one place because it's so diverse. We have done specific shows like an all Australia set for Australian radio where it live-streamed and it only featured artists from Australia. We’ve done some Mexico specific ones – we’ve done it. But for the daily streams, we just try to keep it inclusive for everyone.
AM: When you guys createdTreehouse, there are so many good songs on it. How long did it take you to make it and what was that like?
SHW: It’s so different now versus then.
When we madeTreehouse, we didnt have real time off. We basically used the time in between our tours. We would go to the studio, work on the songs, etc. Since it was done that way, it probably took a year to get that album out. There would be gaps where we couldn’t work on songs for a number of months as it would be a couple of days here and a couple of days there.
AM: Last month we interviewed you andIcona Pop about the release of SPA which we loved. We just caught the video recently as we have it on repeat. What was the thought behind having Jordan Firstman and Mia Khalifa also being included in this video and how did that come about?
SHW: I think it started out with Icona Pop as they were friends with him. We’re so lucky that we were able to have them in their as they are so iconic and I love their videos. They’re both so cool and iconic in their own way.
AM: You guys have the interactive e-con-cert coming up on Yoop on Mar 12, 2021 at- live from their eSPACE in Nashville. How did this come together and how are you working in terms of being prepared for that one?
TH: We’re so excited about this one. We’ve been waiting for the right kind of virtual experience that would fit what we would want that would be really unique and would be different from going and watching one of our live shows from YouTube or something. We were looking for a platform that had a real two-way traction. One of the main parts about our show is the connection between us and the fans and the real give and take and not just for our enjoyment although we definitely do have that. But the shows have a real live effect as it gets everyone on the same wavelength which is an important part about our show. To try to do that in a virtual world through technology, we thought that this platform would be a great way to do that. It has no lag between communication. People can clap at the end of shows or scream and we can hear that. There are these 3 big movie like screens in front of us where the crowd would normally be and there’s the ability to scroll through thousands of people who are listening in from their house. We can even pick them out and hear them with no lag time.
It’s the first thing that we have seen that is close to a real show and being able to get that real energy. We watched a couple of them as they were getting their plat-form going and just watching the kinds of interaction between the artist and their fans, talking through the songs and see-ing everyone interacts – it was such a cool experience. It made me really thing that you were there in that experience altogether. You know it’s live. I’ve seen some live streams and it looks like it was just pre-recorded shows that you’re watching. That’s cool, but for us we want to try to really have that live feel.
AM: In these times that we’re living in right now, how are you spending your time in quarantine when you’re not doing your daily shows? Are you working on your next album or finding new hobbies that you didn’t know that you had?
SHW: We’ve never had this much time be-fore ever! It’s really interesting. We have been working on a lot of new music. I'm not going to announce anything specific.
AM: Thought so.
SHW: But, there is a body of work!
AM: Nice.
SHW: But we have never had this amount of time where we could work on songs like this. So we’re really excited about that process. I mean, we try to get outside a lot. I’ve been DJing every day. I wasn’t really DJing before this time. So I spend a lot of time practicing DJing now and I spend a lot of time doing tutorials. I take guitar lessons as well to take the time to work on my craft. I love being able to do that and I also play things in our DJ set of things that our Freak Fam is doing. It could be poetry or things that they are doing and so I will work on that. There’s a ton to do!
AM: How do you guys stay inspired?
SHW: I’d say that the DJ sets that we're doing right now are really inspired. It’s energizing and it’s fun to try out a set or song and see how it works. Then we can go back and work on it more and then try it out on a set again. It’s really cool to be able to have that feedback when we're working on something. We can go directly from studio to set to play it.
AM: A lot of people are thinking about what next year will look like in terms of returning to IRL events and things of that nature. Have you guys begun to sketch out what plans to doing something like that will look like? Or are you looking at circling that date in hopes that you can actually do that show or particular event?
SHW: I would say that we’re trying not to get our hopes up!
AM: Same!
SHW: I think that we actually haven’t even gone there. Like obviously our team is there creating plans, but in our hearts, we just believe that today is what today is and tomorrow is what tomorrow is. But it’s really hard mentally to go past anything like a month. I mean how the world is right now and what it will be, we know it’s really unpredictable right now and that’s all we can predict!
AM: We’ve literally had the same conversations on this end. When can we do IRL shoots, attend events etc. To be able to think about that and to think about the safety around those elements is just a lot to take in because the plans become so fluid and it’s definitely hard to predict. It’s too soon!
SHW: Yeah.
AM: What do you guys think about the fact that because you have had so much virtual/digital engagement and even hearing about this new platform that your show on the 4th will be on, everyone regardless of their vertical has embraced these concepts. When things at some point in life do get back to being in person, will you guys maintain some of these virtual nuggets that you have been playing around with and that people have enjoyed even when they can move around more freely?
TH: For sure! I think that he whole world has definitely embraced the virtual element in all industries. I’m sure a lot of companies are saying, “you know, we don’t really need that office space. We can do it from home and save all of this money.” I think that it will be the same in the music industry. We can’t get everywhere and there are still places that we have never been able to go. We have played in a lot of places but there are so many places that we haven’t been able to play for many reasons. Sometimes it’s just as simple as the currency of that country as doing it would mean that we would financially lose money and people can’t afford the show. I think there is such a good use of virtual shows and our DJ sets whether it’s geotargeted or geo-locked and can only be seen in certain places, I think it’s going to be really useful.
You can have people watching you from all over the world and be united and that doesn’t have when we have our in person shows. Only people in that space/that town get to be in that moment. It can accomplish something sometimes bigger and sometimes more broad. Because it’s free (not the Yoop show,) but what we have been doing is, hopefully, it’s just a 1-click for free mouse move as the barrier into entry. Those who may not have known us well enough to pay for a ticket or two to make a plan in their week to see us can do it now because of this platform when they wouldn’t have prior to. So there is always a good use for something like this and I think it will get creative when the world is back to the new normal or whatever it is.
AM: What do you guys see as being next in terms of the SOFI TUKKER brand? Launching a fashion line, getting into acting – are there other areas that you want to be able to embrace in addition to your successful music career?
SHW: Tucker is a thespian!
TH: No not really! Haha
SHW: Haha I don’t think my sarcasm translates well to print haha!
AM: Haha we caught it!
SHW: So we have our body of work that we are working on right now and I don’t think that we have ever been so proud of the music that we are making. We definitely are interested in launching projects of course.
TH: If you have anything in mind, we’re around!
AM: Of course!
SHW: We don’t have any booking plans right now to get in the way of that.
TH: We want to be able to continue to do what we’re doing and to grow the FreakFam as well! When live shows return, we want to be able to do it in a hopefully big-ger and more exciting place than where we left off. It’s exciting and we’ve loved being able to find ways to keep growing and to work with so many great people.
SHW: It’s been a really tough time as I’m really far away from my family. So that’s tough so to have the work that we do –our music and our purpose and to have a community that is so vibrant it really helps. It takes a time that is really tough and difficult and helps me and others get through it. It makes it a lot easier to focus on things and to be able to be excited about them.
AM: Clearly you guys inspire people with everything that you do. So we always like asking people who are 3 people that you know or admire from afar that have in-spired who you are today?
TH: There are so many people and I think when you think about the people that we have learned from – when we started the group or band or duo – still don’t know what to call it 5 years later ha! We start-ed, we were really uncomfortable taking photos, being on social media and we wouldn’t take selfies because we thought it was lame. Then something as simple as seeing other friends of ours do what they did and were amazing at social media, that was inspiring to us.
For me in short, it would be Larry Bird.
AM: Yes! Our Co-Founder loves Larry Bird!
TH: Is she from French Lick?
AM: No, Indianapolis but she’s all about him and you can never say anything wrong about him – his work ethic and focus is amazing.
TH: Exactly. I’m from Boston and as a sports guy, I grew up idolizing his work ethic, how hard he played and how hard he practiced. When I watched him play, that was always instilled in me and I learned it from sports. I knew that if you’re not working, someone else is getting better. It’s not like everything is a competition but it is competitive and that is motivating for me.
AM: In our Style Director’s home state, they believe in Life is Sports and Sports is life. How you are in sports is how you're going to go about life. So it is a competition and in many ways, that competition will be with yourself. And the reality is that someone else is also doing what you are doing so you need to be ready to perform. It’s a great point!
TH: A lot of what I learned there, we have brought into our world here. Being a captain on a college basketball team and working together – a lot of those skills are also applicable in what we do now and it was great to bring it in here.
SH: I’m going to give you an emotional answer because my grandfather passed away recently. I would say that he is one of the reasons why I am who I am today and he inspired me. A – he always treated me like I was the most special person in the world. The thing about him is that I think he actually treated a lot of people that way so it wasn’t just about me. That’s how he was with people and when he interacted with them, he made them feel that way. Feeling seen and having that kind of love in my life made me believe in myself and made me want to give that back to other people so that others could be seen and feel special. The other thing is that he was always jolly and I never heard him complain and I think that that value is something that we have also brought into the community and the band.
IG @SOFITUKKER
PHOTOGRAPHY CREDITS
Athleisure Mag's virtual cover shoot was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone 11 Pro, iPad Air 2, Facetime and Clos.
STYLE CREDITS
Athleisure Mag's Celeb Fashion Stylist, Co-Founder, Creative + Style Director Kimmie Smith shares what she used to create the cover editorial with SOFI TUK-KER for a number of fun vibrant looks.
LOOK I | LOUNGE STYLE
FRONT COVER, PG 16 + 19 | SOPHIE: DIPPIN' DAISY'S Show Off Bralette + Friday Night Pant | MAISON MIRU Halo Oval Hoop Earrings in Sterling | EXPERIMENTAL JEWELLERY CLUB Gold Pyramid Stud Bracelet | NIKE Sneakers | TUCKER: RUSSELL ATHLETIC Tie Dye French Terry Hoodie + Short | PUMA RS-2K Messaging Sneakers | SOFI TUKKER Yellow Choker Chain |
LOOK II | SPORTY STYLE
BACK COVER + PG 20 - 25 | SOPHIE: L'OEUFPOCHE Cloud 9 Crop Pullover | L'ETOILE SPORT A-Line Skort | MAISON MIRU Halo Oval Hoop Earrings in Sterling | Nike Sneakers | BABOLAT Pure Aero Tennis Racket | TUCKER: ALO YOGA Idol Hooded Runner + Chill Short | MATADOR MEGGINGS Cubed Meggings | PUMA RS-2K Messaging Sneakers | SOFI TUKKER Yellow Choker Chain |
LOOK III | WEEKEND STYLE
PG 27 - 32 | SOPHIE: BALANCE ATHLETICA Tie Dye Hoodie | PANGAIA Lightweight Recycled Cotton Track Pants | MAISON MIRU Halo Oval Hoop Earrings in Sterling | PUMA RS-Fast Sneaker |TUCKER: MUNICIPAL Standard Issue 300 Hoodie | PUMA X KIDSUPER STUDIOS Track Pants | Nike Sneakers | SOFI TUKKER Yellow Choker Chain |
LOOK IV | STUDIO STYLE
PG 35 - 39 | MUNICIPAL Sport Utility Hoodie + Jogger |
LOOK V | CASUAL STYLE
PG 40 + 41 | KALORE Ivory Satin Top + Stretch Pants | MAISON MIRU Halo Oval Hoop Earrings in Sterling | STELLA MCCARTNEY Holographic Sneakers |
LOOK VI | CHILL STYLE
PG 42 + 43 | BALANCE ATHLETICA Tie Dye Hoodie | MUNICIPAL Crossover Short |
IG @PVFarkas
Hear EDM musical duo SOFI TUKKER on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Nov Issue #59 of Athleisure Mag and see SOFI TUKKER in mag as well as their 9PLAYLIST 9MIX.
ATHLEISURE MAG | NOV ISSUE #59
In this month’s issue as we continue into the fall, our Nov Issue #59 is covered by one of Athleisure Mag’s favorite EDM artists, SOFI TUKKER. Our virtual cover shoot showcases fun vibrant fashion worn by the duo ranging from varying forms of lounge and WFH looks. We talk to them about their musical background, how they came to working with one another, a number of their achievements and how they have navigated these past few months by continuing to stay connected with their fans and their upcoming econcert that takes place on Dec 4th! This month we interviewed Miss USA 2019 Cheslie Kryst who is also a full time correspondent for EXTRA. We talked about her competing in the pageant system, recently crowning Miss USA 2020 at Graceland earlier this month. In addition we talk about her work in law, her focus on social justice and the importance for empowering women. We’re fans of BRAVO’s Million Dollar Listing franchise and this month, we interviewed Million Dollar Listing LA’s Tracy Tutor to talk about her work in the residential luxury market, being a broker in a competitive industry, how she balances her life as a mom, her focus on fitness and how she empowers women. Just in time for Thanksgiving and the upcoming holidays, we talked with Chef David Rose, Food Network Personality and Executive Chef of Omaha Steaks. He talks about how we can still celebrate even thought our holidays will look a little different. He provides tips and his go to meals that he enjoys smoking and grilling. We also talk with Chef Ruben Rodriguez in this month’s The Art of the Snack about his latest restaurant, Amigo Nia. He shares his culinary influence, what you can expect when enjoying pickup and delivery as well as his plans as he heads into 2021.
This month, our cover SOFI TUKKER shares their 9PLAYLIST as well as providing a fun video of their 9MIX. Normani shares her favorites and why in our 9LIST STORI3S.
Read the Nov Issue #59 of Athleisure Mag here.
We're sure that we have all been listening to a lot more music as we have navigated these past few months as it's a way to transport ourselves to another level even when our environment may look way to familiar at this point. This month's cover of Athleisure Mag is entertainer, DJ, record producer, music executive and entrepreneur Steve Aoki. We've always been fans of the energy that he creates when he's at his shows, his music as well as his focus on putting good into the world with The AOKI FOUNDATION whose primary goal is supporting organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation.
In addition to our virtual cover editorial shoot with Steve, we delved into his career, his label DIM MAK, his placement in the Smithsonian Museum, the importance of diversification while being true to the core of business, Neon Future series, Blue: The Color of Noise and his process in music and collaborative projects.
ATHLEISURE MAG: What was the moment when you realized that you wanted to be in the entertainment industry?
STEVE AOKI: Oh man entertainment is such a broad word and some of these answers are probably not going to be straight forward. I got into music when I was a teenager and then that became my whole life blood. Everything I did was involving music in every facet of life. It just became my lifestyle. From the friends I chose, to the food I ate – when I was growing up as a teenager – there was a very specific kind of music that I listened to and everyone was vegetarian. Pretty much everything down to the way that I dressed. It just became – it just became me so. So once I figured out what I wanted to devote my life to, that of course, changes over time. So from when I was a teenager, to college, to post college, young adult – my music style changed and the way that I interpreted music and played music changed as well.
So, I was in bands in the beginning and then I became a DJ and then at that point, in the early 2000’s, I actually started seeing that what I was doing with music was actually making a profit. It was making money. Because up until then, I never looked at music as a profitable enterprise. I never thought about it that way because you give so much to something, if you really care about, it’s not like you care about getting something back. What you get back is the love that it gives you, the feelings that it gives you, the community that it brings to you. As I started DJing, I started realizing that at that point I was DJing small clubs and festivals. That’s really when that major moment came when I was like, “wow I’m on a big stage and I need to not just play records and music” – which some of them were my own and a lot at that time, were of the culture. It then became, how do I engage with these people and entertain these people?
So then that term, “entertainment” came into the fold much later in my career. I would say that it came into the fold when I played Coachella the second time in 2009, not even the first time. It was that moment when I had the budget and I could build out the stage design and I could think about ideas that could present to different parts of my show like stage diving. These stage dives aren’t like a moment where you are methodical, you feel the moment, everyone’s ready for it and you jump into the crowd. There are moments when you think, this is going to engage with people, this is going to be entertaining. I bring my raft out and I start floating on the people, they haven’t seen that yet – that’s entertaining. There’s all these little things that I did with the people like the cakes. It’s an entertaining part of a Steve Aoki show. People remember for the rest of their lives and they’ll say, “40 years ago I saw a Steve Aoki show, I don’t remember the songs but he did cake my friend in the face and it was the best day of her life!" You know what I mean?
AM: Exactly yeah!
SA: I would say 2009 it all came together. Long answer for you!
AM: But that’s a great answer though. It’s all about a progression and just how things come together.
How would you define your musical style?
SA: My musical style is very fluid and of the moment and I like that. I like that like, it’s very much a gut and it’s based on feelings and it’s always going to change. It’s always going to change with my feelings and however way I feel about things or the moment on how I internalize that and not just consume, but how do I create that and how do I create from that?
I think that that’s something that I learned at a young age. When you are inspired or when you absorb something that makes you feel a certain way that it hasn’t made you feel before, like you know the best way for me to engage with that feeling is to create from it. It’s like anything, when you do it over and over again, you just get better at the process of doing it. You might not be great at it in terms of the output, but you get better at the process and that’s what’s more important than the output because the output is entirely subjective. Whether someone likes it or not is not what’s important. That’s another thing that I learned through this whole thing – whether people like my music or my output shouldn’t reflect why I did it and why I liked the process of it. I think about that question and it’s very complex. It’s not just I’m EDM or I’m this. Music is always going to change and it’s based on feelings. If you take down all the identities, all the titles and the genres – if there was no such thing as hip hop or rock or EDM and people were just like, “yo I just like the song.” When you hear a song for the first time and you’re listening to something that is totally different – you shouldn’t be limited to, “this is weird that I like it.” It shouldn’t make you feel weird. If it makes you feel really good, then that’s the whole point of it.
AM: Right and sometimes listening to the same artist and the same song at different points in your life, have a different connection and you can enjoy it. Our co-founder’s great uncle was tenor saxophonist, Joe Henderson and as a kid hearing him, she didn’t respect the fullness of his work.
SA: Yeah.
AM: And then in college, there was a whole other world of understanding that gave those songs meaning.
SA: Right right!
AM: You are someone who has worked with so many artists across so many different genres as a DJ, musician, producer, music exec – what is that process like for you when you’re thinking of collaborating with somebody?
SA: Yeah, when I’m collaborating with different artists, I think that one of the biggest lessons that I have learned is to just go in there and go in with a blank slate. A lot of people want you to come in there with all of your ammunition and basically all of your knowledge base. I’d rather go in there as a student. You know, they want to work with you and at this point in my career, they want to work with you too! I know what I can bring to the table, but it’s almost like when you watch an improv comedy skit, you never know what’s going to happen. Like, “hey someone say an action – running, someone say a sport – wrestling,” and then you kind of take those moments and you just be free on where it will go. That journey is really exciting to come from that place. Of course, your intuition and experience in terms of how and the way you process and supply chain your music and the way you work your music – how you’re going to work all of that – it’s innately going to come out. Sometimes you need the structure, but I prefer having the blank slate for the most part. Unless if you’re on a time crunch – a time crunch is a whole other story. Because then I’m like, “ok I just need to have the hook.” From the hook, I’m able to build you know – I can build that idea. I generally start from there if I can’t get into the studio with the artist. I just need a hook. I just need that part that gets stuck in my head and I will allow that to just linger in my head for a long time and then melodies start coming out in the studio and then I pick the best one. You stay on that melody for a day or two to make sure that it’s the right melody – because sometimes the first time you’ve heard it, it’s the best thing that you have ever heard and then you realize a day later, “oh my God, it’s awful.”
AM: Definitely! What’s that like when you have something that’s already existed. We love Michael Jackson – Thriller (Steve Aoki Midnight Hour Remix) and I also like Steve Aoki & Darren Criss - Crash Into Me cover of Dave Matthews Band. When people already know the songs, do you have a different approach when you’re deconstructing it to make it your own?
SA: Yeah, yeah exactly. When I do remixes of my own tracks – like in the case of Crash Into Me with Darren Criss (Glee, Hollywood, The Assassination of Gianni Versace), I can’t play the original at my own shows because it’s too mellow. When I’m playing an EDM show, I need that energy bursting at the seams and I need that drop to do exactly that. I need the dance floor to be bouncing. It’s all about Darren’s voice, Dave Matthews incredible lyrics, the melody and you combine that with a huge drop that’s signature to my sound and people will just lose their minds you know? You want to push purposeful.
AM: Are there genres that you've yet to do that you want to place the Aoki touch on?
SA: Yes. I mean there is no genre that can limit me. I just – I want to work with every genre and I really want to keep spanning the globe. That’s the other thing to, I travel so much and I’m so fortunate to be able to hear and know and learn about not just what’s happening in different parts of the world that are already popular, but also like what’s brewing. What’s brewing in South Africa, when I was out there, I was listening to some music and it was like, “yo this is the next wave in South Africa.” I want to know about it and I want to meet them. I want to hear the songs and I want to get the vibe, the flow and the dance culture that’s with it. You know, music brings people together so you have to understand what kind of dance moves that they are doing to it. How are they bringing it to their culture. Basically, I just want to keep expanding, keep exploring and it’s limitless. There’s always something new out there.
AM: How did you feel being the first EDM artist to be included in the Smithsonian? How impactful was it to see your gear housed in the same space as DJ Bob Casey’s from the 50's as well as Grand Masterflash’s turntables and now you’re literally being enshrined in such a historical place?
SA: Even when you say that out loud …
AM: It’s mindblowing.
SA: It’s totally wild you know? I remember when I went to the Smithsonian after they asked if we would be part of it. I met with them and did the interview there and walked through it and I felt like I was leaving my body and watching myself and I was like, “holy shit!” I just freaked out. I mean, it’s incredible you know – an incredible feeling. It’s the kind of thing that you’ll say, “wow in 60 years someone is going to say in the 2010’s there was an Asian DJ and there was a thing called EDM and this is what people did when they went out to festivals. And here is a typical show.” It was really cool to think that wow, 60 or 70 years later, someone is going to look at that and say, “that’s cool.” And you know, in that regard to, I’m proud that you know, I’m representing for Asians in that way too.
AM: As someone who is as busy as you are, who does travel so much, why is fitness, health and wellness so important to you?
SA: Oh God, it’s so crucial and integral. You have to train your body and mind to be able to run the marathon over and over again. You can’t just wake up – before you get out and run, you have to stretch. Before you do anything – I mean, I’m stretching constantly and that stretch is mindfulness. And as I do more mindfulness, actively, and I start learning more about myself – my mind, my body rhythms – it’s really fun. When you’re sitting there meditating, some people think, “oh it’s so boring.” When you get into that space, you get into where you’re finally supposed to be – it’s incredible to get into that space where nothing else really matters. That phone call, that schedule – all these things in life – comparing yourself to this person to that person – that thing – the anxieties of the world. If you can calm all of those things, it’s a really wonderful place to learn to get to. I think that it’s not just for someone like me that was running around like I was prior to COVID-19 like I did, I think it’s really helpful for everybody. For me especially, I need to absolutely make sure that I’m on the practice and I just love having it.
AM: Just looking at your portfolio, it’s so expansive between your music, Pizzaoki, your label DIM MAK as well as DIM MAK En Fuego, your clothing lines, companies that you have invested in like Liquid I.V. which we are huge fans of. How important was it for you that regardless of the vertical, to diversify your portfolio beyond your industry that you work in whether it’s creating ventures or investing?
SA: I mean, yeah, in life, I think that diversification is always a positive. Of course, you know it says a lot when you see someone that dives into their craft 110%. I’ve seen that in Japan especially, with artists that’s into their craft whether it’s even sushi chefs that spend their entire life just focusing on that and I love that – I love that. I’m such a fan of that and I admire and I respect that. It’s important that I have that too because my main core the whole of my operation is music. Music creation, music production and playing – playing my music out to the world. That has to be grounded. That has to be an anchor and platform and if I don’t have that, I can’t diversify. I think what the important lesson is here – is that diversification is always positive. You need to have your main business, whatever it is, whatever your main passion is – it has to be grounded so deeply into what you do and you have to be a craftsman in that space. Once you have that, then you can start building outward. You know, we only have one life, experience it. Experience as much as you can. All of these different things that were created in all of these different worlds is extremely fun for me. I enjoy it. I love it and if I didn’t love it, I wouldn’t be doing it. You have to love what you do and you have to love the process – not what is actually going to be in the end result. It’s always about the process.
AM: With so many artists, because of COVID-19 doing their performances virtually and I know that you’re known as a Techno Futurist Optimist with an interest in the intersectionality between humanity and technology, how do you think this digital reliance will impact the industry long term once we’re able to get back into a new normal.
SA: I think that in a hopeful sense that we will all get back to what we all love. You can’t deny live experiences and live shows. There is nothing that compares to that. A virtual show is like 1/10th of the experience and not a 100% of the experience. That’s why they were so big all around the world. We’re social creatures and beings. We love being around people and experiencing things together. We’re not a solo species. We need to feel energy and those feelings with other people. You can’t deny that and I think that hopefully, there will be a vaccine that will be administered around the world where we don’t have to worry about COVID deaths and COVID tragedies that are happening. But until then, the digital space is what I had to do. I think that all of us have had to take that because now there is an infrastructure being built around the digital space of experience and it’s evolving quite quickly. You know, I just played an Oculus show where you put on an Oculus headset and you’re talking to people from all around the world. As a fan watching the show, you can look to your right and your left and there’s another fan watching that same show from a different country. You can actually socially engage with them. The infrastructure is being built in such a way that there’s going to be more of a catch and they will be able to bring more of a better experience. I think that once we get back to IRL shows, there will still be that people will want to do that and be apart of that. I think that at least with COVID and people being in that business, it has created a space for it to grow. But, you can’t compare that when you’re talking about a live show.
AM: Last year, you published your memoir Blue: The Color of Noise, why did you want to write this and what was that process like for you?
SA: It took me about 6 years. It took me a long long time. It definitely wasn’t like, “ok, I’m going to get this done – I just need to do this.” It was an ongoing process and it started out being like the history of DIM MAK first. So I was like, DIM MAK is going to hit 20 years – we’re at almost 25 now. I thought I would do the history of DIM MAK, a 20 year book and I started writing stories about when I started DIM MAK back in ’96 when I was in college. I wrote about the struggles and all of the good stuff that you want to read – incredible stories. Then I realized, this was more about a memoir about my life and DIM MAK is a part of my life. It’s a big part of my life, but I felt that I should expand more and at that point, a few years after as I was touching on the history of my label, I started talking about the harder things that were very difficult to open up about like the death of my father (editors note: Hiroaki "Rocky" Aoki, a wrestler and restaurateur who founded the restaurant chain Benihana), the death of some of my friends that made a huge impact on my life and then as I got deeper, I started seeing a therapist that helped me to actually bring out some more of my introspective feelings that had to be kind of unearthed. You know, it was therapeutic to be able to write the book and a lot of that went into it. I also – you know when a lot of people think about the history of Steve Aoki, they say, “oh yeah, he’s the guy that throws cakes at people at shows.” Well I just wanted people to know that there is a lot more than just that.
AM: You dropped Neon Future IV this spring which I know is part of the Neon Future series that you began in 2015, tell us about the series in general and what can you share about the 27 track album that you just dropped?
SA: Neon Future is a concept that I came up with and is exactly what you said earlier. I really look at the future as an optimist and I look at technology with an optimist lens. I look at tech in a way that can help us and enhance us to be more of a creative or imaginative species. At the end of the day, we want to save ourselves and saving ourselves will be saving our planet as well. With tech, we can advance that and become more of an intelligent species. That’s why Neon Future is a colorful future. And so really making sure that for me personally, the musical concept, I wanted to educate it by having scientists on the album. So it’s not just about having a collection of songs for each album, but to really validate my point, I reached out to scientists that were very difficult to get a hold of. Some of the people were harder to get a hold of than some of the biggest talents that I have worked with. I had to do a lot of explaining, fly and meet people and do a lot of work in that regard because I care so much about that space and I also love bridging the science community and the electronic dance music community in a way that hasn’t been done before.
Like Ray Kurzweil to Yuval Harari to J.J. Abrams to Bill Nye and so forth and so forth. It started off as one album and the second album was going and then I said, you know what, it’s too good to end. Then the third and then I built the studio between the second and the third and I call it Neon Future Cave and then between the third and the fourth album, I started creating the comic Neon Future with Tom Bilyeu because Neon Future really deserves to be graphically laid out with its storyline. Which presents a world that we can imagine and with every comic book story, you need to have conflict so we had to make it like a dystopia that we want to make it like a utopia instead of the opposite. It just kept on growing and it had a mind of it’s own and it became AI! It became its own thing. It’s almost funny that this project almost became it’s own powerhouse that I couldn’t even stop which is kind of cool. We’ll see. Because of my next project, this puts Neon Future IV as the last of the series so far. We’ll see if it continues as I have a few other concepts that I want to develop. My main baby is Neon Future that’s for sure.
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PHOTOGRAPHY CREDITS
Athleisure Mag's virtual cover shoot was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone XR, iPad Air 2, Facetime and Clos.
STYLE & GROOMING CREDITS
Athleisure Mag's Celeb Fashion Stylist, Co-Founder/Creative + Style Director Kimmie Smith and Groomer Sheena Zargari share what they used to create this fall menswear style editorial of Out & About Style, WFH and Fitness.
LOOK I | OUT & ABOUT STYLE
FRONT/BACK COVER PG 26 - 37 | DIM MAK COLLECTION X DIAMOND SUPPLY CO Denim Jacket | SIKSILK X STEVE AOKI S/S Oversized Essential Tee + Loose Fit Riot Denim | LACOSTE Storm 96 Lo Sneakers |
LOOK II | WFH
PG 22 - 25 | SIKSILK X STEVE AOKI Oversized Hoodie + Relaxed Short | LACOSTE Storm 96 Lo Textile Sneakers |
LOOK III | FITNESS
PG 16 -21 | ALPHA INDUSTRIES Apollo II Hoodie | DIM MAK COLLECTION Leggings | DECKERS X LAB S/S K-ST 21 Sneakers |
IG @PVFarkas
Hear DJ/Producer Steve Aoki on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Oct Issue #58 of Athleisure Mag and see The Drop with Steve Aoki in mag.
Read the Aug Issue of Athleisure Mag #56 and see 9LIST STORI3S | KIM KIMBLE in mag.
Read the April Issue of Athleisure Mag and see We Salute Our Healthcare Workers on the Frontlines in mag.
