IN THE PRESENT | MIA MORETTI
We're excited that this month's issue is covered by DJ/Producer, songwriter, and poet, Mia Moretti. She sits at the intersectionality of music, nightlife, art, design, and fashion. She began her career spinning vinyl in LA before moving here to NYC in the LES. She has amassed a curated record collection that serves as the driving force behind her production. We have spent many nights listening to her play at our favorite clubs and events. Her approach to what she plays is due to her discerning taste, and is a foundation in performing at exclusive events in the halls of the Louvre, residences in Las Vegas, and composing runway shows for fashion designers. As an It Artist, we're always interested in seeing where she will pop up next, and what sounds she'll spin and produce.
Her ability to sample iconic house sounds from the US, while embracing strong women who are known to have something to say from all over the world, can be found in her debut single, You & Me; reworking the infectious South African disco bop Sweet Juju by Letta Mbulu; and collaborating with Colombia’s legendary Totó La Momposina on her highly anticipated debut dance EP, TAMBOR. We wanted to know more about how she fell in love with DJing, how she approaches her work, creating her tracks, and more.
ATHLEISURE MAG: We last saw you at Bungalow 8 and have enjoyed seeing you at a number of editor and special events. When did you first fall in love with music?
MIA MORETTI: When I was a kid my dad would play the guitar at the dinner table every night – they became my two greatest joys in life, food and music. It must be my way to keep him with me always.
AM: When did you realize that you wanted to be a DJ and how did you get your start initially?
MM: I remember the exact moment. I was at a club in Los Angeles called AD and DJ AM was playing. He wasn't on the dance floor like I had always seen DJs before, he was up in a booth that looked like it was floating over the crowd. He was in complete control of the room. He looked like a composer orchestrating the perfect journey for everyone under him. I wanted to do that.
AM: How do you approach your set list when you're doing an event?
MM: I don’t prepare a set list for an event unless it’s something very specific like a fashion show that I am curating the music for. For most of the shows I do have an idea of what I think I might play, but when I arrive I try to let that go and use my feelings a bit more. I like to see who is there and try to understand what sort of mood they are in. I like to see if they are coming from work, or coming from another party, or if they look like they are ready to stay all night, or just passing through - all these things make my job so different every night. Like life, you can't go around planning it, most of the time you just have to be present in it. That’s when it gets fun.
AM: Do you have any routines that you do prior to playing a set to get in the right frame of mind?
MM: Mmm that's an interesting question I always think I want all my friends with me or a big group around, but the truth is I really just like a few moments of silence so I can pull myself together and do that thing you know “get in the zone” - for me that means I give myself a mental check in. "I'm good, I got this, let's go to work now." It's really important for me to shake whatever day is left over on me and go into the booth clean and clear headed.
AM: Do you have any routines that you do after playing your set to come down?
MM: I love to go out and hear other DJs. I can't go to bed because my ears are ringing, so I may as well go out and absorb some creativity while all the portals are open. Also, pizza.
“For most of the shows I do I have an idea of what I think I might play, but when I arrive I try to let that go and use my feelings a bit more. I like to see who is there and try to understand what sort of mood they are in... Like life, you can’t go around planning it, most of the time you just have to be present in it. That’s when it gets fun.”
AM: Who are your musical inspirations?
MM: Strong females with strong voices. Artists with words they aren't afraid to use. All the women I sample, women that sing and pass down the traditional songs of their communities. Women that share those with us. Totó La Momposina, Petrona Martinez, Letta Mbulu, Crystal Waters. Those are the artists I sampled in the first 4 songs I produced. There are also many female voices in house music that were never credited, I am working on locating some of these lost voices, to make sure they get their credit, if it’s 30 years late.
AM: Where do you get inspiration to create your music as a DJ, producer, and songwriter?
MM: I've been a DJ for 20 years (!!!) I get all my inspiration in music. From collecting records, going to shows, traveling, meeting new people in every city I go, digging, trading, befriending local DJs, it's all there - the songs are already there, my job is 99% to find the right ones - the rest, anyone could do.
AM: We've been enjoying SWEET JUJU. We love the vibes of this song. Can you tell us about it and the vocal samples that were used?
MM: For my second release SWEET JUJU, I wanted to take it back to the origins of house: disco. In South Africa in the mid-80s musicians like Letta Mbulu were putting their own swing on the genre that had swept the globe. Mbulu’s music is funky, jazzy and brings everyone together. As a DJ, I have played Mbulu's record in many sets and always saw the crowd light up, so when I began this producing chapter of my career, I knew Sweet Juju was gonna be something I sampled. I hope this new single is as much an anthem of rhythm, love, joy, and "gettin' your man!" as it was in 1983.
AM: In addition to being a DJ, you're also a poet. Why do you want to share your creativity in this way and can you tell us about your collection of poems, Low Touch Economy?
MM: During the pandemic I found it very difficult to DJ at home. It was probably something I was going through personally, but djing to no audience felt soulless, not feeling and bouncing off of energy in the room made it nearly impossible for me to be creative and have fun with records. I stopped djing entirely for almost a year. I still craved connection to people, so I started writing poetry and sharing it online. I decided to gather all the little notes and pieces of scrap paper that I had random poems on from over the years and compile them into a book. I was listening to a business podcast that must have just shuffled into my rotation and the person speaking used the term
“Low Touch Economy” to describe the future of businesses. At this point, it being mid lockdown, I was pretty fragile like most of us, and I just sat there with that thought in my head horrified. I knew that would be the title of my poetry book because I wanted my poems to be that touch we all need. I ended up writing four volumes of poetry in the end. All four volumes of Low Touch Economy were letter pressed on 100% cotton paper and made here in Los Angeles.
AM: How would you describe your personal style?
MM: I don't take fashion very seriously even though it might seem that way. I don't overthink it, if it feels good when you put it on - go for it. That’s all that matters.
“[As to musical inspirations] Strong females with strong voices. Artists with words they aren’t afraid to use. All the women I sample, women that sing and pass down the traditional songs of their communities. Women that share those with us... There are also many female voices in house music that were never credited, I am working on locating some of these lost voices, to make sure they get their credit, if it’s 30 years late.”
AM: As someone that travels all over the globe, how do you find ways to make your environment feel like you're at home?
MM: Oh that isn't hard, every corner of the world has a bottle of wine. That’s just about all I need to feel at home.
AM: When you're not traveling or working on a project, how do you take time for yourself?
MM: Whenever I get home from a trip I go to the Korean Spa. I steam, sauna and cold plunge - I also love the himalayan sea salt room, it has the same relaxation properties as spending a day at the beach. The jade floor is also so nice. I'm pretty good at pampering myself, I have no qualms about going for a massage two or three days in a row.
AM: In terms of working out, meditation, etc how do you stay in shape?
MM: I have no self discipline and will only work out if I go to a personal trainer, so I go to my trainer Armando in Glendale. He stretches me out and massages me for the first half of the session, which is the only way he can get me to do anything. In general I prefer to exercise in my day to day life, I walk whenever possible, take the stairs instead of the elevator, carry shit all the time and just try to move around a bit. Dancing counts, too.
AM: If we were at your home for a dinner party, what music would you have to set the mood and what would you serve as we know you enjoy cooking?
MM: I have a beautiful Thorens turntable that I rarely get to enjoy, mostly because I'm too lazy or tired to get up and flip a record when I'm home alone, so when I have guests over, I always put something from my vinyl collection on, or I'll have a guest choose. I did quite a dig when I was recording in Colombia, so there is a beautiful Bullerengue selection that sets a perfect tone for a dinner party. I love to go to the Armenian market in Valley Village and get homemade lavash and spreads, if I'm having friends over it's usually 2 or 3, then 5 or 6, then 10 to 12, so I'll roast a big pan of vegetables, maybe grill some fish and put out loads of bowls with all the side dishes.
AM: What do you want your legacy to be?
MM: I want someone to dance to my music, feel the earth under their feet and remember where they came from.
IG @miamoretti
PHOTO CREDITS | Andrew Arthur
Read the SEP ISSUE #43 of Athleisure Mag and see IN THE PRESENT | Mia Moretti in mag.
Featured
DROPPING BANGERS | JOEL CORRY
We're always looking for the right vibes for music that will let us navigate our day from commuting, workflow, and nights out! This month, our cover is 5X platinum UK records, 5X BRIT Awards nominee, Joel Corry who has residencies at Ibiza Rocks, TAO Group Hospitality (Hakkasan, Marquee) and who has performed in an array of festivals from Creamfields, Ultra, Tomorrowland, EDC Las Vegas, and Lollapalooza to name a few. His remixes have been part of our playlists and have included collaborations with Saweetie, Charlie XCX, David Guetta, and Bryson Tiller as just a few of the highlights. His remixes have transformed tracks by Megan Thee Stallion, Ed Sheeran, Elton John, and Nina Simone. When it's about good vibes with beats that make you want to stay on the dance floor banger after banger, Joel always has something up his sleeve!
We caught up with him hours before the release of his latest single, Drinkin' with MK and Rita Ora which already has been on repeat for the past few days! This single as well as yet to be released and some of his epic records will be on the upcoming album, Another Friday Night which drips on Oct 6th. We wanted to know more about Joel from his passion for music, how raving in London grew to him collaborarting with artists and creating his music, and what he has coming up as he continues to make his mark.
We also wanted to know more about his approach to creating his music, working with his favorite artists, and more. We also wanted to find out about his time as a professional body builder, winning a number of competitions, and how he navigates his life while he's constantly on the go going from one city to the next.
ATHLEISURE MAG: When did you first fall in love with music?
JOEL CORRY: When I was a young boy that was 12 or 13, that’s when I got my first pair of turntables. My older brother was a DJ actually, he’s 3 years older than me so when I was growing up, the music that everyone was playing was garage music back in London. It was all part of the DJing and MCing scene so my brother, he was like an MC and his mates would come over and do DJing and I was like, I just wanted to be cool like my older brother basically. So I said, “mom, get me some decks, I want to do some garage music. I want to be a DJ as well!”
That’s how I started and then I got my decks and I would go into the record shop every weekend and find vinyls. It just became a hobby growing up and then eventually, I started DJing people’s parties and it developed from there!
AM: So, when did you realize that you wanted to do it professionally?
JC: So it was kind of like a slow progress over the years. So I was DJing in my bedroom, and then I started DJing at people’s birthday parties, weddings, and like even DJing at my mom’s friend’s, birthday parties – just wherever! I was sort of the DJ at school and then when I was 17/18, I started playing the nightclubs. You know, at one point in my early 20’s, I was doing 5 residencies a week around London so I was really busy around the circuit and then it was like, “right, I’m doing that thing that I love to do, I’m making money from it, how can I take it to the next level?” That’s what I started to focus on music production and started to release my own music and that’s how eventually – I mean it took awhile so fast forward another 10 years when I got my first hit record, that’s when it really took off to another level.
AM: How do you define your sound?
JC: My sound has changed over the years to be honest with you. It’s kind of been like a progression as I have been through the journey of my love of dance music. But I would say that the sound that people know me from for my productions from my first hit records would be commercial piano house, feel good vibes – you know, my records, I think that they have really defined my career so far, tracks like Head & Heart, BED, Lonely, Sorry – they’re all kind of piano house. Just really uplifting, feel good vibe records that have sort of connected with people, tracks that you want to hear on the dance floor and also tracks that sort of hit you in the feels as well. It’s that nice balance that are records that you want to dance to and also those that you want to put in your car when you’re driving alone and to have an emotional connection with.
AM: I love listening to it when I’m spinning.
JC: A lot of people actually use my records and my tracks for gym playlists. I get that all the time, but I love that, because I’m really into my gym stuff as well! So I’m glad that my tunes are helping people like get those extra reps or cycle those extra miles.
AM: What is your process in terms of when you’re creating music? Are there certain things that you focus on first?
JC: I’d say that there are 2 different ways that the creative process works. The 1st way would be that I’m in my studio and we have a songwriter or an artist come in for the day, we’ll just start with some basic chords going, some loops going, and I’ll just be vibing with the artists or the songwriter and a kind of an idea will come out of nothing. You’re kind of really starting from scratch and I love working that way, it’s so much fun!
Another way things happen is that I get sent a lot of music, so I get sent acappellas or song ideas or demos and if there is something that I hear in it that I really like, then I will take that and develop it myself. So then, I already have a starting point there. So there are 2 different ways really – and I love being in the studio though and sort of being there from the birth of an idea which is always great!
AM: Where do you get your inspiration from?
JC: I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess, taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s kind of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.
AM: Well, your remixes have included a number of amazing people from Tïesto, Charlie XCX, Elton John, Saweetie – how do you work on that when you’re working with material that already exists that you have the opportunity to present it in another way?
JC: As a DJ, I guess I have been remixing things since I was a teenager. I just use to make edits and mash ups and stuff like that. Crazy mad edits for my sets and remixing and creating my own versions of records is just an important part of DJing and it’s something that I have always done. It’s a way of me putting my own spin on something. So when I play it in my own sets, it’s right for my sound and how I envision that record and I love remixing! So, when I get asked to do a big remix with a big artist like Ed Sheeran, Tïesto – you know it’s such a pleasure to do those things. I’ll listen to the original record and I’ll just think, “what can I add to this to make it different and also to make it fit in with my sound?” Yeah, it just kind of naturally happens when I just hear something, I just kind of get that vision for it straight away and I go from there!
AM: Do you have artists on your bucket list that you would like to work with or do their remixes that you have yet to do?
JC: Well I just mentioned 2 and every time I get asked this question, I always say Ed Sheeran would be my dream collaboration because I am a huge fan of his. He did Bad Habits last year, which is kind of a dance record which I remixed, but I still don’t think that Ed has done a full on dance banger yet. I would love to do that with him! Ed Sheeran would definitely be someone that I would love to work with in the future as a dream! He’s the biggest pop star in the world! You just mentioned Tïesto, I have remixed with Tïesto, but I haven’t collaborated with him yet. But we’re really good friends and I actually played with him in Ibiza last week and I supported him in Ushuaïa and we have already talked about doing a record together so it’s just the timing that needs to be right and the record needs to be right. But I'm sure that that will happen in the future. He's a great guy and a great inspiration to me!
AM: I love his music and remember the first time I saw him was back in 2007 here in NY at the Limelight – he was amazing!
JC: Of yeah, he’s a G man!
AM: Absolutely!
You have your debut album coming out Another Friday Night, dropping Oct 6th. I love OUT OUT, 0800 Heaven, Head & Heart. Tell us about this album and what are you excited about it?
JC: The album is literally what I have been building towards for the last 4 or 5 years of my life. The album is going to have all of the records that you just mentioned on there, all of the hits from over the years, plus my new music like 0800 Heaven that you mentioned and my new single that comes out in a few hours (Aug 25th), Drinkin’ with Rita Ora and MK. It’s also got another 3 new tracks that are on there as well that will come out when the album comes out. So yeah, it’s going to have all the hits that people love, plus my new music, and I’m just really proud of this body of work that’s kind of been my life for the last 5 years. Coming together in one playlist of bangers!
AM: It’s amazing. Like you said, Drinkin’ is out in a few hours with you, Rita Ora and also MK, how did this come about? You performed it live last week in Ibiza at Ibiza Rocks. It’s such a fun song, I’ve played it at least 20 times today!
“I feel like I get my inspiration from the dance floor because I’m DJing so much. I’m always on tour and I’m always playing in front of crowds and I guess taking crowds from a journey, trying to create those moments on a dance floor. So when it comes to my own music, I’m trying to make those records that people are going to dance to and have a great time to, you know? Being a DJ, it’s king of staying ahead of the game of the trends that are going to work on the dance floor and kind of being on the pulse of those sort of things.”
JC: Aww thank you, thank you! Drinkin’ actually samples a Chance the Rapper record called All Night which is a banger! I started on this record about a year ago. When I flipped the sample and put that chorus over a house beat, it just sounded so sick for the pianos behind it and I was like, “oh my God, this just really works!”
At that point, it was very much a demo and we wrote like the verses and the pre chorus for it and kind of made this really cool sounding demo.
Me and MK had been chatting about doing a record together for ages and I’m a big fan of MK of course you know, he’s a legend in the game. I was like, “this tune sounds like an MK track.” So I sent it to him and I was like, "bro, what do you think of this?" He hit me back he said he loved it! He loved the sample, he loved the vibe of it, and I sent him my parts that I had done so far and then he did his work on it and then sent it back to me. What he added to it was sick and I was like, “yeah, this is kind of what I envisioned!” Then I was like, “right, now I need to get a vocalist on it.”
When I listened to the track, it just felt like a Rita Ora banger and me and Rita have been chatting for years actually. We had been mates and had worked together on other bits that didn’t quite materialize, but we both really wanted to do a track together. So I texted her and I said, “Rita, I think that I’ve got the one!” I sent it to her and straight away she said, “that’s me, I love it – let’s do it!” At the time, I remember when I texted her, I think that she was in India and then she had to fly to NY and she was like, “I’m going to fit in a day to get this recorded.” Then she ended up flying to London and she got into the studio Sun day afternoon and got the whole thing done. You know what? Fair play to Rita - I respect her so much. Her when you mentioned that we performed in Ibiza Rocks last week, she was on holiday and she took the whole day out of her holiday to do that with me. I love her for that and I’m so excited to be doing this record with her and MK. It’s a great feeling!
AM: That’s amazing!
Clearly, you’ve had a busy summer! All of your performances – you were just here in NY headlining at the Brooklyn Mirage which is awesome. What are some of your favorite cities to do your performances in?
JC: NY is definitely up there! I love NY, NY has always been a great spot for me over the last 3 years. I remember that my first headline show in Webster Hall sold out, then I did the Great Hall last year, I did Brooklyn Mirage this year. So every year, I have sort of stepped it up. The NY crowd always comes out for me. I absolutely love it.
I love Miami, Miami is such a good vibe. I feel that if I lived in America, that’s where I would choose to live. It’s just a bit of me. I love the outdoors, the sort of gym lifestyle as well, the good weather, and the clubs and the vibe. Dance music is just thriving in Miami.
Of course, I have to shout out Ibiza, where I am right now! This is like my second home, it’s a magical island and this place is just different man. It’s just something is special in the air here and I pray that I have a residency here in Ibiza when I’m past 80 years old!
So yeah, Ibiza, Miami, and NY. I love Australia – Australia is always a good time when I go out there on tour in Sydney and Melbourne. Last year, I did Japan for NYE in Tokyo which was a really good experience. So there’s a few good spots that I love.
AM: Next month you’re headlining at London’s iconic Ministry of Sound. How excited are you for this show?
JC: Yeah I’m so excited! I mean, obviously, I’m from London – that’s my home city. I haven’t had a headline show in London in over 2 years. The last one was Printworks back in 2021. It’s a big deal for me! Headlining a show in my own city and then in an iconic club like Ministry of Sound – this is a legendary club. I used to go there as a raver when I was 18 and I remember going to the Defected Records Raves there. So going back there and headlining my own show is so special. It’s also the week before my album comes out so a lot of friends are going to come, family, a lot of people from my label, and people from my label, and people that have worked on my projects over the last few years. I have invited everybody so it’s not just a headline show, I feel like it’s a celebration as well so I’m really excited!
AM: Do you have a set of routines that you do before you perform? Things that you just have to do to get into that mindset?
JC: What I like to do is like, in the hours building up to the show, I always like to have a bit of peace with my laptop, look over my set, listen to music that I am going to be playing in the set and to have a think about what the crowd might be like, how I think that the set is going to go and to just get into that mindset of mental preparation for the set. To get that clarity in my head, I need to be on my own for that and just with my music. When I feel like I’m prepared and I have my USBs loaded up, I get fresh – have a shower, do my hair, put on a twin set -
AM: King Twin Set!
JC: Haha you know that already! They call me the Twin Set King! I get to the show and maybe have a little bit of tequila and then I’m ready to go!
AM: Once the show is over, do you do anything to come down from all of that energy?
JC: I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something – ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off sometimes so you have to do just really normal things. Whether that's having a bath or putting something on on YouTube to just try to separate your mind from all of the madness that just happened and to get back to a normal level again!
AM: Absolutely!
Once again, you have so much going on that is so amazing to see. From the residencies in Ibiza, Tao Hospitality, what are some big upcoming projects besides the album coming out and obviously the Ministry of Sound that we should keep an eye out for?
JC: I guess aside from that, it would just be my touring. I’m back in America quite a lot between now and the end of the year. I’m also about to announce a big tour in Australia. I haven’t been to Australia since the start of 2021. So it’s going to be great to go back down under and also I have some more Asia dates coming up. I mean, I played in Tokyo for NYE, but that’s the only day that I have ever done in Asia so I’m going back to Tokyo and adding a few more in there as well. So between now and the end of the year, it’s like non-stop touring, we have the album coming out, it’s just going to be go go go go go and then I think in Jan, I might have a little week off – ha!
AM: Obviously at Athleisure Mag, we love fitness and you’re like a fitness king as well as you were a body builder before. How did you get into that and why did you want to do that?
JC: So going back to when I was a teenager, I was telling you about when I got my decks and I was DJing in my bedroom, I was also going to the gym a lot. They were my 2 hobbies. If I wasn’t on my decks tearing the house down with my mom screaming to turn the music off, I was down at the gym on the bench press lifting weights trying to get a 6-pack.
I just think that the gym became a hobby and I used to play football a lot. But then I started going to the gym and that became how my sort of love for fitness grew! It just slowly became more and more and more, when I started to see the results from training and I was becoming 18/19 years old, I really started seeing the results coming through, I just got hooked on it. I kind of I guess got obsessed with it as well. But I took it to another level. I wondered how I could take this thing that I loved and go a step further and it was like, I want to go on stage and compete. It was just something inside me saying that this was a box that I wanted to be able to tick off. I wanted to see how far I could push this thing that I loved doing. So in my early 20’s I was competing in male physique competitions. I did that for about 3 years and I did really well in them. I won quite a few of them. I won the Miami Pro, I won the Pure Elite Competition, I got a Pro Card in WBFF so I was really doing it seriously and getting into crazy condition for those shows. It got to a point where I was like, the music is going to be my career so I kind of had to put that competing on the back burner to really focus on the music. Because the thing with the body building and the competitions is that you have to be 100% all in and it’s so much commitment, dedication, and focus to do those competitions, that I didn’t have the capacity to then focus as much on the music. I had to make a decision where I said, “the music is my future, that’s my dream, that’s what I really want to do. I love to do the fitness thing, but I need to reign it in a bit,” and to enjoy it as a hobby and to focus on the music. I also felt like that I had completed what I wanted to do in fitness. I had won the competitions, I had done the cover of Muscle & Fitness Magazine, and I just thought that this is it now. I had done that and now let's focus back on music. But, it still remains a big part of my life. I still go to the gym everyday and it's more so the mental benefit now and the physical just helps me keep on point and keeps me feeling good while I’m touring.
“[After a show] “I always like having a bubble bath watching some YouTube and maybe a bit of Gordon Ramsay or something - ha! It’s a bit weird I know! But I just feel like, after a show when you need to be able to go to bed, it’s kind of hard to switch off...”
AM: What are 3 workouts for your abs that we should think about putting into our routines?
JC: So my favorite ab exercise is the hanging leg raise where you kind of hang up on a bar and you just lift your legs up and down. It’s the hardest one, but it’s definitely the best one. You can also kind of add a variation there by twisting your legs and really sort of hitting the obliques. So that has always been my favorite ab exercise. Also doing – you know when you have a bench and you lie down flat on it and then you put the dumbbell between your legs and you raise your legs up and down? I find that that one really hits your sort of lower abs because that’s always the hardest bit to get that bottom bit! That definitely targets that! What else do I do for my abs that I think is really good? Obviously, you’ve got your sit-ups and sort of decline crunches that you can mix that up by using a ball so you can come up further and then to be able to come down. So those are probably my top 3 ab workouts.
But you know what I would say is that definitely, to sort of get your abs to really start popping, it’s true what they say about abs being made in the kitchen – because they are! You can do all of the exercises that you want, but you have to get the diet on lock if you want to get the 6-pack.
AM: We mentioned before that you’re the Twin Set King, where does that come from that you love twin sets?
JC: I know, it’s an addiction – a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on and you know, when I’m touring around in the summer, it’s so hot a lot of the places that I go to. You can’t really wear trousers because it’s so hot so you need to wear a pair of shorts and if you have the top that matches, it's easy! It's become my thing as well isn't it?
AM: Oh yeah, when I was scrolling through your IG, I thought, “this man loves some twin sets.”
You do travel so much, what are 3 things that you always travel with?
JC: My Dyson hair dryer, so good!
AM: Love it!
JC: Obviously my headphones and my USB sticks – very, very important as a DJ and one other thing that I travel around with is a neck pillow! It’s an essential for the flights! Especially the sort of short flights where you’re sitting kind of like this for 3 hours – this is needed!
AM: How do you take time for yourself? Being so busy, how do you make sure that you get the reset that you need?
JC: Do you know what? That’s probably something that I need to work more on. There’s not really a lot of time to myself, but I think that with what I do, I’m kind of 100% all in on it. It’s my hobby, it’s my passion, and there’s not any work separation where it’s like, ok work is over for the day, I’m going to over and chill out. It never stops, it's around the clock, there's always something to do and I just feel like that in this industry, with what I want to do and where I want to get to, I really believe that what I put into it is what I am going to get out of it. I’ve learned that over the years. I’m always scared of taking my foot up off of the gas. I just feel like everyday that I need to be as productive as possible and keep going. I actually feel guilty inside if I have time off. I always feel like I should be working to try to get to that next step. So that’s probably something that I need to work on. My mom is always like, “Joel, you need to take holiday, you need to take a day off.” But I find that hard. I think that when you find something that you love to do, it’s not work, it’s just life! I enjoy it!
“I know, it’s an addiction - a twin set addiction! I love them! It’s easy! I mean, for boys, we sometimes don’t know what to wear! So if you get a twin set, you’ve got the bottom bit and the top bit! It matches and then it’s job done and you put a pair of trainers on ... It’s become my thing as well isn’t it?”
AM: What do you want your legacy to be in this industry?
JC: Oh, that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can and I guess when I look back over the years, I want to be able to have these big moments with these big records records that really connected with people and made a difference in people’s lives.
There are certain records that I have released over the years and I get messages still to this day, like, this record meant so much to me, it came out at a time when I needed it, and I connected with it. When I read these messages, forget about chart positions or like statistics, to know that like the music that I worked on is connected to people and brought happiness to them means so much to me. I want to keep doing that for years and years and years! Then I can look back on all of these records that had special moments. I want to tour the world and I already am, but there are certain places that I have never been. I’ve never been to South America before, there’s so many places as well just starting to really being able to go into Asia, there’s still places in America that I haven’t been able to be in and states that I haven’t played in. I guess I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on – I guess that kind of is the legacy isn’t it? It’s having that big career! When I think of some of my idols like Calvin Harris, David Guetta, and Tïesto – like we mentioned, when you look at their careers, it’s just years and years and years of doing it and big records and big moments and that’s just what I want!
“Oh that’s a big question man! I guess I want to be able to look back and to be honest, I have already been able to achieve my dreams of having hit records, touring the world, and I just want to be able to keep it going and to take it as far as I can ... have these big moments with these big records that really connected with people and make a difference in people’s lives.
I want to be able to look back and be like, I toured the world, played at some of the biggest festivals, had these huge moments in front of massive crowds, played all of these records that I put my heart and soul into working on ... it’s just years and years and years of doing it and big records and big moments and that’s just what I want!”
IG @joelcorry
PHOTOGRAPHY CREDITS | Front Cover, Back Cover, PG 36, 39 + PG 42 63MIX ROUTIN3S Courtesy of Joel Corry | PG 16, 20 - 35, 40, 63MIX ROUTIN3S PG42 + 9PLAYLIST PG 122 Ibiza Rocks/Gabriel Vazquez | PG 19 USHUAÏA IBIZA |
Read the AUG ISSUE #92 of Athleisure Mag and see DROPPING BANGERS | Joel Corry in mag.
Featured
63MIX ROUTIN3S | FERRY CORSTEN
START WITH THE MELODY | OVY ON THE DRUMS
This month, our JUN ISSUE #90 cover comes from producer, composer, singer/songwriter, 2X Billboard Latin Music Awards nominee, 4X Latin Grammy Award nominee and Premios Juventud winner, Ovy on the Drums! If you have enjoyed a number of Karol G's music whether it's her solo or collaborations that she has done with Shakira, Becky G, Future, and more - you have enjoyed the disctinctive sound that merges EDM, pop, and Reggaeton to make a sound all of its own. In addition to his work with this artist, this much in demand artist from Medellin, Columbia has also worked with Nicki Minaj, Steve Aoki, Bad Bunny, and Maluma to name a few.
While we wait for his much anticipated album as a solo artist signed to Warner Music, we wanted to find out a bit about how he approaches creating his music, how he got his start, sharing his sound and how we can define it, as well as working with Karol G.
ATHLEISURE MAG: You’re a producer and singer/songwriter, when did you fall in love with music?
OVY ON THE DRUMS: How did I fall in love with music? Well, the truth is, I fell in love with music... I had never really thought about becoming a music producer or dedicating myself to music, but one day I discovered the program I currently work with and use for all my productions, which is FL Studio. I believe that from that moment on, I fell in love with this whole music thing, creating rhythms, and beats. Since the first day I discovered this program I've felt a passion and love for creating music.
AM: From your love of music, to creating your music. How did you initially break into the into the industry?
You have a creative partnership with Karol G as you produced all but one song on her debut album Unstoppable, Ocean, KG0516 and you were one of the producers on her 4th album, Mañana Será Bonito. How did this partnership come about and what do you enjoy about working with her?
OOTD: Once I started making beats and fell in love with music well, in terms of the industry itself, my first steps were thanks to the university where I studied a bit more about music.
I met some friends called "La Compañía" from San Andres, a beautiful island in Colombia. It was thanks to them that I had a strong approach to the music industry. They opened the doors of their studios to me, and it was through them that I also met Karol G. I am forever grateful to them because it was there that I had my entry into the music industry.
AM: What do you like about the sounds and beats associated with reggaeton, hip-hop, pop, and EDM?
OOTD: Well, what I like the most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.
AM: You’re a producer and singer/songwriter, how do you define the Ovy sound?
OOTD: The sound of On the Drums today, in any of its three facets, is going to have a very distinctive sound that I have been evolving and refining for a long time. Right now, I consider my sound to be very minimalist, a very simple sound. Within the few elements I use in a production, I strive to make it sound grand.
It has been a bit challenging because, initially, my productions were very saturated, overloaded with sound. Over time, I have learned to select certain sounds to avoid saturating it too much in a production.
AM: When you begin working on a song, where do you start first?
“Well, what I like most about the sounds themselves are the percussion and the changes, the cuts that each genre has. I really enjoy analyzing the slicers in each song and the different types and changes in percussion.”
OOTD: When I start working on a song, most of the time I like to begin with the melody. Before creating a song, the first thing I do is sit at the piano and let it convey or evoke whatever mood I'm feeling at that moment. It's what guides me. That's why I love starting from there.
AM: You have worked with several artists such as Karol G, Nicki Minaj, Becky G, Bad Bunny, Ed Sheeran, Steve Aoki, and Maluma to name a few. Where do you get inspiration when it comes to creating music for the artists that you have worked with?
OOTD: I believe that inspiration should always come from within the artist. It starts with creating a rhythm or sound that I personally enjoy and being able to convey that beautiful energy I'm creating musically. Transmitting it to the artists I've worked with is important to me. I want them to appreciate what I do, connect with what I'm creating, and work together as a team. That's how I flow, and I think it's the key to finding inspiration when creating music. It's about transmitting that energy, whether I'm with the artist or working alone, and sharing it with others
PHOTOGRAPHY CREDITS | Ovy On The Drums
Read the JUN ISSUE #90 of Athleisure Mag and see START WITH THE MELODY | Ovy on the Drums in mag.
Featured
CONNECT THIS SUMMER | FERRY CORSTEN
This time of year is always fun as a number of our favorite DJs are all over sharing their music and creations with a number of fans. Whether you see them in person or stream them on your favorite platform, you have the opportunity to experience their sound and what they're working on at that time!
This month, we caught up with Ferry Corsten who shared his 9PLAYLIST with us last year and with so many projects going on and a busy schedule ahead, we wanted to find out more about his artistry as well as what he's been working on. With a career that spans over 2 decades, we wanted to know more about how he got into the industry, what his creative process is, how he decides which alias will embrace his sound and so much more. We also talk about his upcoming album under his name with it's single Connect.
ATHLEISURE MAG: When did you fall in love with music?
FERRY CORSTEN: This must have been when I was about 9 or 10 years old. My dad installed a car cassette played in my room and that’s when I became fascinated with music.
AM: When did you realize that you wanted to be a DJ/producer?
FC: When I was about 15 years old, I had already learned that you could do all these cool things with cutting and pasting tape and make edits of songs. I also had learned that with 2 turntables and mixing 2 songs together you could create something new. Soon after that I started clubbing and that’s when I met some guys who had a little studio. They asked me to come by one day and from that point on I was hooked on making or producing music. To be honest, I never really wanted to be a DJ but after my first few successes in the UK the opportunity arose for me to play at the biggest clubs and festivals. Obviously, I grabbed it with both hands and I’ve never looked back.
AM: In your career that spans over 2 decades, you have performed under a number of aliases and have had chart-topping success while also embracing an array of genres, how do you decide what project will go under what name or the need to create another name?
FC: My interests in music or electronic music as a whole have a pretty wide range, so I love to go into the studio and keep myself pumped and challenged by not always making the same type of music. This may be easy for me to understand, but not always as easy to follow for my fans. Therefore, I created these aliases so I can keep making different music without confusing my fans. They now know what to expect when they see a new Ferry Corsten track is coming or when a new Gouryella or FERR track is coming. Each project has it’s own distinct sound, one is more techy, deeper, more diverse and the other is either more trancy or more ambient.
AM: How would you define the Ferry Corsten sound?
FC: I’m always on the hunt for a very strong and recognisable melodic hook. That is the main thing. But I also look for opposites. For example, a beautiful melody played with a nasty sound or with a tougher drive underneath. Combining elements from different genres and blending them together is also something you can expect in a Ferry Corsten track.
AM: What's your process when you're creating new music and where do you look for inspiration?
FC: I always go for the melody first. When I have my hook, the rest of the track builds itself around it. I know a lot of other producers who go for the groove first, but for me its melody first.
I get inspired by all kinds of things. Of course, from new synths and sounds when I’m in the studio, but also from other music, from people, places, happy accidents and wherever the universe takes me.
AM: You have collaborated with a number of DJ's including Paul Oakenfold as well as Armin van Buuren - when you're approaching working with other artists, what is that process?
FC: It’s always great to work on something together. The one thing you need for this however, is an open mind. Being set on your idea without the willingness to compromise is not going to work. Usually, it starts by goofing around in the studio and bouncing ideas off of each other until something sticks. If being in the studio together physically is not possible, sending ideas back and forth is also an option, but not quite the same fun.
AM: Tell me about your latest single that you dropped this month, Connect. The futuristic sound of this song has been one that we have enjoyed listening to!
FC: Thank you. I like where music is going at the moment. It’s an amazing blend of techno, trance, and house. All the sounds I personally love to listen to as well.
AM: What is the meaning behind the name Connect for this song?
FC: I am fascinated with what music does to people, how it connects us all, what it does to our mood and its ability to connect one’s creative outburst with the world. It can also instantly turn a bad day into a good one. Everything is strung together and that is what is being reflected in Connect. Connect is also the first single of my next album which will see the light early next year.
AM: Connect is the debut single from your upcoming album, what can you tell us about the album and will you have any other songs that you will be releasing this summer?
FC: It will be an album full of tracks blending the above mentioned genres of music emphasising the togetherness music brings to us all. Over the next month’s various singles will be released leading up to the final release of the album. Towards the end of the year, you can also expect a new tour in light of this upcoming album release.
AM: With the summer officially starting in a few weeks, what festivals will you be part of and where will you tour?
FC: I will be playing most of the big festivals in Europe, North America and Asia. I will also host my first Resonation Radio stage at Dance Valley in The Netherlands this summer.
AM: Tell me about What the F which allows your fans to enjoy your music reimagined, remixed, and with a futuristic approach?
FC: What The F is a must for everyone who has been following my career. It is an open to close set in which I will only play my own music including crazy mashups of my tracks, updated versions, and remixed versions of certain tracks which you can only hear at this show. Obviously, I will play music from my biggest aliases as well. The name What The F stems from the idea of someone being on the dance floor hearing me play a track he or she didn’t know was mine and thinking…’He did this too????……What The F!!!’ …..F for Ferry of course ;-p
AM: You also have your weekly radio show, Resonation Radio! Why did you want to do this and what can fans hear when they tune in?
FC: I have been doing radio since 2007. My first show was called Corsten’s Countdown but after episode 700 this was changed into Resonation Radio. This name change was because of the change in format of the show giving me more freedom to play a larger variety of genres. Expect the best in melodic house, melodic techno, and progressive trance.
AM: You released Connect on your imprint, Flashover Recordings. Tell me about this label and what artists or projects that you're excited about that will be released?
FC: Flashover is a label releasing progressive trance, melodic house, and melodic techno. We also like to tease our audience with a quirky release occasionally. Our current focus is on US based DJ/Producer Dustin Hussain and hot new Ukrainian talent Cubicore.
PHOTOS COURTESY| Ferry Corsten
Read the MAY ISSUE #89 of Athleisure Mag and see CONNECT THIS SUMMER | Ferry Corsten in mag.
Featured
FEEL THE MUSIC | JOHN NEWMAN
This month, our cover is Tomorrowland artist, EDM DJ/Producer, Singer/Songwriter and Composer, John Newman. Coming off of his recent Tomorrowland Winter performance when he debuted his latest song, Hold On To My Love which has been added to our playlist, we wanted to know more about how he came to the music industry, his sound, how he approaches his projects, his collaborations and of course what we can keep on eye out for as we continue into the Spring and the Summer.
ATHLEISURE MAG: When did you first fall in love with music?
JOHN NEWMAN: I grew up with music around me as a kid. I was introduced to Motown and soul by my family and once I hit my teens I was obsessed with hard-hitting house and Clubland productions.
AM: When did you realize that you wanted to work in the industry?
JN: I had a pretty tough upbringing to be honest mainly from social issues and fitting in and being totally different to others in the town I grew up in. I didn’t come from money in any way at all either so, yeah, music was my escape, creativity was a way of releasing everything.
AM: You have an amazing background as you are a singer/songwriter, composer, DJ and producer! Musically, where do your inspirations come from and how did you hone your skills for each one?
JN: Thanks! DJing and producing dance music was something that I had spent a lot of time practicing as a teenager, so it was almost like revisiting that younger version of myself and just brushing up on my skills.
Inspiration varies, but I’ve always admired the 90s rave sound, with a touch of soul, which I think came through on Holy Love.
AM: How would you describe the John Newman sound?
JN: My sound is always evolving but, right now, I want creative emotively charged dance bangers. I want people to hear a track and feel a surge of energy and euphoria where they can’t help but move their body.
AM: How do you approach your projects in terms of seeking inspiration for your solo projects?
JN: These days I have a new set up, my at-home studio is tailored to electronic music production and it’s somewhere I can lock myself away to for hours kinda just see what happens. Inspiration can hit anywhere really. I try not to stick to the sitting at a piano vibe, funny fact I wrote Love Me Again and If You Really Love Me both whilst having a shower.
AM: You have collaborated with Calvin Harris, Kygo, David Guetta, Nile Rodgers, and more, how do you approach collaborations?
JN: Each collaboration comes about differently. The link-up with David Guetta and MistaJam on If You Really Love Me (How Will I Know) was particularly crazy as Guetta himself reached out to make the first move for us to work together, I had been a fan of his work since being a little kid! He’d wanted to collaborate on something for a while, so I sent him the early version of the track, he loved it, and the rest is history.
AM: You just performed and released your latest single, Hold On To My Love at Tomorrowland Winter where you DJ and have live vocals. Tell me about this song and what was it like to perform there?
JN: Hold On To My Love came about backstage at Ushuaïa Ibiza. I sang the melody and some lyrics into a voice note on my phone as a rough idea, so to see the track go full circle and perform the final version at Tomorrowland Winter was incredible. It was an unforgettable weekend.
AM: This song was released on Tomorrowland Music and you have already confirmed that you will be at Tomorrowland Brasil later this year on the mainstage. What does this mean to you to be on such a platform?
JN: I’m incredibly grateful to be starting this journey with the Tomorrowland Music team. They have so many talented DJs and producers on the roster so I can’t wait to see what the future holds.
To then also have the opportunity to perform at their world-renowned events is huge.
AM: With the summer around the corner, what other festivals or clubs are you excited to be performing?
JN: This summer is going to be so much fun. In July, I make my Tomorrowland mainstage debut in Belgium alongside the biggest names in dance music which is surreal but very exciting. It’s the holy-grail of festivals so I plan on bringing my absolute A-game to the stage.
AM: We’re based in NY, but will you be performing in the US this year?
JN: You’ll have to stay tuned for that one! I really do love the US and the amazing crowds over there so hopefully I’ll be back soon.
AM: When it comes to touring and being on the road, are there any routines that you do prior to a show when you’re a few hours or moments ahead of hitting the stage?
JN: There is a routine, I don’t eat one and a half hours previous to a show so that I don’t throw up whilst on stage, hah! The next big one is I generally like to chill and stretch and listen to classical music, then get hyped to Limp Bizkit and Rage Against the Machine about 15 minutes before show time.
AM: When you have finished your set, are there any routines that you do to come down from all of the energy and adrenaline from performing?
JN: Hmmm not really, I do struggle with the silence after being full of that adrenaline, usually a beer takes the edge off.
AM: Are there additional projects that you have that we should keep an eye out for?
JN: My focus right now is on really immersing myself in the dance music sphere, continuing to work on new tunes and honing my live hybrid set of DJing and vocals to make it bigger and better with every show.
AM: Are there 3 artists on your bucket list that you are interested in collaborating with that you can share?
JN: Honestly my interest is totally varied, Florence Welch would be amazing, Fred Again, Swedish House Mafia, another Calvin Harris collar, just throwing ideas out there really.
AM: What do you want your legacy to be in the industry?
JN: I guess, as an artist who made music on my own terms. For the pure joy of making people feel good, feel elevated, and be able to escape reality for just a moment. Whether that’s through my tracks, or the energy people absorb at a live show.
AM: When you’re not on stage or in the studio, what do you do to take time for yourself as self-care and mental health is something that we prioritize here at Athleisure Mag?
JN: It’s different for everyone, but I find taking a break from social media to be a big help for mental wellness. We consume so much information, a lot of it pointless, so it’s no wonder it can leave you feeling overwhelmed.
I now work closely with a therapist on a weekly basis which I cannot recommend enough and my main thing is getting in cold water.
Also spending time with my wife and family helps to keep me grounded and makes it all worthwhile.
AM: In terms of working out, what are 3 workouts that you do that we can consider to include in our routines?
JN: Each to their own I guess and I’m not really the picture of the pinnacle of fitness, however, for me personally I like to get out with music in my ears and do whatever I can. Whether that be hiking, running or cycling. I also used to love that Shaun T exercise video, I used to do it before every show!
PHOTOGRAPHY COURTESY | COVERS Front/Back, INTERVIEW + PG PG 26 9DRIP Tomorrowland
Read the APR ISSUE #88 of Athleisure Mag and see FEEL THE MUSIC | John Newman in mag.
Featured
9PLAYLIST | MARTIN JENSEN
Read the FEB ISSUE #86 of Athleisure Mag and see 9PLAYLIST | DJ/Producer Martin Jensen in mag.
Featured
DROP THE BEAT | MARTIN JENSEN
With a number of festivals already on our list to attend, it's always good to catch up with DJs that we will see throughout this year. We caught up with DJ/Producer Martin Jensen to find out how he turned his love of music into a career, how his production background assists him when he is in the studio or about to perform, who he has collaborated with and his latest release with Days Like This with Jay Sean.
ATHLEISURE MAG: When did you first fall in love with music?
MARTIN JENSEN: From a very young age, music was always around me and playing in my home growing up. I never knew what direction I wanted to take – if it was in the industry behind the scenes or even being a DJ or lighting engineer or whatever – was doable. It was only when I first started playing smaller parties that I really got the bug.
AM: In terms of working in the music industry, I know that initially you thought that you would be behind the scenes in terms of lighting engineering and stage design; however, what made you decide that you wanted to DJ?
MJ: That is true! I think it was just a passion for the music, that is something you can’t bottle or capture, only try your best to communicate through your music, whether that be in person at a party or through your productions that people can enjoy. I originally went to go into my fathers family business to work, so taking a step back from that to pursue music as a full-time career felt a little challenging at first but if anything, it made me strive to want to succeed even more as I knew I had the self-belief.
AM: Because of your production background, how involved are you in the design of your show in terms of aesthetics?
MJ: As much as I can be! I always have the final sign off on design, my logos, my press shots, how I want a live show to come across from the concept to the finished product.
AM: How do you describe your sound?
MJ: Feel-good, fun, ready for the party!
AM: What’s your creative process like when you are working on a song?
MJ: It really can vary, inspiration can first come from a melody or even a direction of genre that I want to go in – I might want to go big-room and bombastic one day, or work with a really cool vocalist or writing partner, and take a more house or radio-ready pop route. Its all relative and I let each bit of inspiration, both solo and with collaborators, guide me.
AM: You have collaborated with Nicki Minaj, ALOK, Jason Derulo and more. Do you approach these creative projects differently than those that are solo?
MJ: With Nicki Minaj it was a remix I did, but I have worked directly with ALOK and Jason on our track Don’t Cry For Me. Each project is going to be different, not just in sound but depending on each artists outlook, how we individually want to approach it, so yes. With collaborations its important to have your own signature sound present but for every artist to collaborate in a way that’s effective and brings new ideas to the table.
AM: Days Like This was released with you and Jay Sean. Tell us more about this song and what was it like working together on this with him?
MJ: We really wanted this track to be a feel-good, as we say on it “No one can fuck with me on days like this!”, so we wanted people to feel that essence exactly how we aimed to deliver it. Energetic, confident and unapologetic! It was so much fun to work with Jay, he’s a real veteran in the industry and has worked with so many great artists before so to have him jump on the track with a great collaboration.
AM: Tell us about Me, Myself, Online which was the biggest livestream worldwide as well as a mini documentary.
MJ: It was! It was an idea born out of the pandemic as it was originally meant to be ‘Me, Myself, Live’ where we livestreamed shows around the world but obviously, coronavirus put a stop to that. We decided to bring the shows to people online instead, we streamed on Facebook, Twitch and had some super cool brands involved from amazing locations. Our first edition was from the Telia Parken stadium which is the national stadium in Denmark and we were blown away by the response… so we kept going! It’s definitely something we want to continue on in another direction in the future.
AM: Are you working on songs?
MJ: Yes! I have a brand new single out this February with VAMERO and Gibbs called What A Night, lots more will be revealed soon and I’ll also be announcing more tour dates as we move out of the Winter and into Spring.
AM: You were the first judge that is a DJ to be on X Factor’s Denmark! What is it like to be on this show and to see the talent that hits the stage?
MJ: It was a brilliant experience, to be the first DJ/ producer to ever hold the role of a judge also blew my mind, it was such an honor. When it comes down to it though, it's a really crazy concept when you think about it. The music industry is for sure fast paced and for these young talents to go through such a fast process full or pressure is for sure difficult and I see a lot of those come out stronger, but some don’t. It’s a fine line you really have to balance in ensuring everyone can work together in harmony to do the best they can in their roles. But yeah, it was a crazy time for sure.
AM: Critiques are a major part of success regardless of the industry you work in. When you have your judge hat on, what are you looking for and how do you approach telling people what you liked and didn’t like for each performance?
MJ: Being a judge it is not so much about personal taste, its about breaking down the talent, the attitude, the work ethic and so much more of an act. Sure, one judge mightn’t be a huge rock fan, or another pop, another electronic and so on, but to be able to look at an artist on an elevated level as someone in the industry, helps you to then guide them with exactly what they need – even if that might mean good news or bad news.
AM: We’re looking forward to hitting the festival circuit what are your favorites to play at and where will you be performing this year so that we can keep an eye out?
MJ: I’ll be announcing all my tour dates nearer the time as we still have some finalizing to do but my social media is where you’ll be the first to find out!
AM: Do you have any routines that you do prior to or after a show?
MJ: Its not very “rock n roll” but, no! I like to relax, have a beer, think about what direction I might want to take my sound in during the set (depending on if I’m headlining a club or playing a festival, for example), but its important to also let the crowd guide me too.
AM: As someone who is always on the go and travels a lot for what you do, how do you take time for self-care so that you’re taking time for yourself and getting a bit of a reset?
MJ: I like to play sports, see a chiropractor when I can – 'cos it can be crazy on your body touring all the time! – and mostly just spend time with my friends and family, work on music. Just pretty normal stuff nothing too crazy.
PHOTOS COURTESY | Martin Jensen
Read the FEB ISSUE #86 of Athleisure Mag and see DROP THE BEAT | Martin Jensen in mag.
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NEW YEAR, N3W YOU
NEW YEAR, N3W YOU
S3. E3 | #TRIBEGOALS WITH STARZ'S POWER BOOK II: GHOST WITH METHOD MAN + LARENZ TATE
On today’s episode of #TRIBEGOALS, I catch up with 2 co-stars from STARZ’s 2nd season of POWER BOOK II: GHOST which premieres on Nov 21st! We sat down with Method Man and Larenz Tate. In the first half of the podcast, we catch up with the legendary performer of the Wu-Tang Clan and actor in a number of TV series and films, Method Man. We talk about his diverse career and what we can expect on the latest season. We delve into the writer’s room and the phenomenal cast which includes his co-stars and musical collaborators – Mary J. Blige and Redman. We also talk about his commitment to fitness and how he continues to increase expanding his business into the cannabis industry and NFTs.
After catching up with Method Man and finding out more about how his character, Davis MacLean ended the last season and what we can expect from this season, we had to talk to Larenz Tate to find out about Councilman Rashad Tate! Larenz joined the original series of POWER in the last 2 seasons of this show. He talks with us about how his character continued in the premiere season and what we can expect in this season! We also talk about what drew him to this show, his character and how he has maintained longevity in this career.
This episode will also be in the NOV ISSUE #71 of Athleisure Mag which will drop on Nov 30th. #TRIBEGOALS is hosted by Kimmie Smith and is Executive Produced by Paul Farkas and Kimmie Smith. Our theme music Rough and Deep is performed by JGRLNG.
Read the latest issue of Athleisure Mag.
Featured #TRIBEGOALS Podcast
S3. E2. | #TRIBEGOALS WITH DJ/PRODUCER + FOUNDER OF CLUB QUARANTINE D-NICE
On today’s episode of #TRIBEGOALS, I catch up with D-Nice in between soundchecks for his performance with Mary J Blige at the Apollo Theater. When we think back to the dark days of the pandemic there were a number of constants that we looked forward to, thanking our healthcare workers at 7pm, embracing hobbies that we didn’t know that we had and heading to the biggest global couch party that happened every night for hours on end with Club Quarantine! In those moments we could connect with friends, enjoy amazing music and see some of the biggest celebs in the room from Michelle Obama, Rihanna, Madonna, Nile Rodgers and more!
D-Nice rocked it out and shared his sense and need for a community with us while we navigated those uncertain times. 20 months later, he’s still keeping us connected virtually and in person. As the cover of our OCT ISSUE #70, we talk about his legendary career that started as a founding member of Boogie Down Productions with the late Scott La Rock and KRS-One, we talk about how he came up with Club Quarantine and its evolution from being the party to attend, as an amplifier for initiatives he is passionate about to taking it on the road to the Hollywood Bowl and what he has in store for the Club Quarantine Fest taking place in 2022 in LA. We also talk about the brand, how he picks his projects, the full circle moments that music has created in his life and maintaining the power of connection within this community.
Read the latest issue of Athleisure Mag.
Featured #TRIBEGOALS Podcast
GET HYPED WITH WILL SPARKS
It's always fun to check in with those that we enjoy listening to their songs when we're working out, getting work done or simply passing the time. As we begin to add more events to our schedules from music festivals, concerts of our favorite artists and those that we can still enjoy virtually, it's exciting to see how we're continuing to transition into a new normal about the past 18 months that we have navigated.
We caught up with EDM DJ/Producer, Will Sparks to talk about the Melbourne Bounce, how he connected with music and made it his career, his upcoming EP and more.
ATHLEISURE MAG: When did you first fall in love with music?
WILL SPARKS: I became properly obsessed with heavy metal at around 14, then Dance music at 16.
AM: When did you realize that you wanted to produce/DJ?
WS: Back then, many songs were unattainable. I was so fixated on the Melbourne Underground sound, that I figured, if I can't have them, then i'll make my own.
As a DJ, experimenting on my friend's set of decks. After a while I finally beat matched and transitioned a song perfectly. That's when I knew.
AM: You’re known for pioneering the “Melbourne Bounce” sound. Can you tell us more about what this is?
WS: Melbourne had it's own nightlife community. It was a family. There were so many clubs, none which tried to compete. The DJ's made their own music, unique to them. The sound was like nothing else in the world, ahead of it's time. The guys I look up to Kalus, Orkestrated, Stevie Mink, Joel Fletcher, Chardy & Heath Renata just to name a few. They influenced me to how I approached my sound. They were the real creators and pioneers of the original Melbourne underground. You can identify it as a 'kick & low bass, driving leads and large builds' but you have to hear to fall in love with it. I was in love with it - but I also had my own taste and swing on what it then evolved toward. I was placed in the perfect timing when the Melbourne sound became global and tracks i was making were getting played by the biggest DJs in the world.
AM: What’s it like when you are producing? How do you approach creating and ultimately creating a new sound? Where does your inspiration come from?
WS: What’s it like? There isn't a better feeling in the world when you're onto something you're absolutely loving.
I tend to blur out anything else that's going on, i don't listen to any music. I have my original hero's & always reminisce on my favourite records. This allows me to always create something that no one else is doing because it organically comes directly from within. People are so distracted by 'whats working' and therefore make what everyone else is making.
AM: We all have our COVID stories in terms of what we did while we had quite a lot of time to focus on various areas of our lives, what did you do during this time musically as well as staying in contact with your fans?
WS: I made an EP. I changed my sound completely. It was grounding having so much time instead of being away constantly. I always respond to as many fans as i can on Instagram but in terms of live streams, I like to keep them at a low. As I said, I don't really listen to any one else's music, so my sets are very unique and mostly full of ID's. I'd rather save it for the live shows to come.
AM: You released “Nothing More, Nothing Less” via Armada Music – tell us about this EP and what we can expect from it?
WS: As I said, I changed my sound. You would call it very techno inspired. I love the genre, but I also love being different to the genre, but I also love being different to the pack. If you like getting hyped, than expect some energy.
AM: Do you have any projects that you’re working on that you can share with us?
WS: So many, it's an endless roll out of records when you make music every day. It's too bad releases have to be a minimum of 4 weeks apart. If you see my catalogue you'd notice I don't collaborate much. I've decided to change that.
AM: What’s your schedule look like in terms of hitting the road as there’s nothing like being able to play live with an audience?
WS: I'm in Australia. It's never a certainty of what's ahead. I am so over it. shows come up and are then ruined by lockdowns. I just hope the whole world is back to normality as a whole ASAP.
AM: When you’re not making music, clearly you’re in great shape, what are you go-to workouts that you enjoy doing?
WS: Lifting heavy & eating like a freak. To be honest, I've had some injuries lately due to working out too much! I have too much time on my hands these days. My go to work outs are strength training but I tend to enjoy the odd HIIT.
IG: @Will_Sparks
PHOTOGRAPHY COURTESY | Will Sparks
Read the AUG ISSUE #68 of Athleisure Mag and see Get Hyped with Will Sparks in mag.
Featured
IN THE ZONE WITH RIOT TEN
Over the past few weeks, we've started to see a number of our favorite artists hitting the road to perform at residencies, events and more! It's so exciting to see how we have begun getting into a modified new normal. We caught up with RIOT TEN, a producer and DJ who we have enjoyed including his songs in our playlist. We wanted to find out how he got into the industry, how he stays inspired when making his music, about his new album that launches next month on Dim Mak's label and his upcoming performance at Lollapalooza.
ATHLEISURE MAG: When did you first fall in love with music and when did you realize that you wanted to work in the industry?
RIOT TEN: For as long as I can remember I always loved music. But it wasn't until the start of high school that I began experimenting with it. That's really where it all started. From then on, I knew I wanted to make music for the rest of my life and there was no one that could tell me otherwise.
AM: How did you get your start?
RT: Well, I guess it depends how you would define "start", but I'd say mine was when I first downloaded FL Studio. I was introduced to it by a friend of mine, Jack Bass, during my sophomore year of High School. The rest is just history.
AM: How would you define your style of music?
RT: I'd describe my style as loud, obnoxious, and high energy. Haha I know it doesn't sound very inviting, but when you're playing in front of thousands of people, and you feel the energy, it makes a bit more sense.
AM: Who would you identify as your mentors musically?
RT: That's a hard one to be honest. As far as producer mentors, I never really had anyone take me under their wing so to speak, but influences are a completely different ferent story. I still draw influence from so many artists, all different genres and different sizes. I also had some artists supporting my music early on that played a big role in my growth. I toured with Yellow Claw, Adventure Club, Excision, and others early on.
AM: You’ve been producing music since you were 15, when did you realize that you wanted to DJ and at what point did you feel that you made it in the industry?
RT: I was around 18 I believe, playing at house parties, when I realized I wanted to DJ. The energy from those parties was something I'd never felt and I was addicted to it. And I'd say I was around 25 when I began feeling "legitimate" in the scene. I know I still have a long way to go, so even though I may be on a larger stage, I still don't necessarily feel like I've "made it"... If that makes sense. When I start headlining festivals, and my music hits #1 on Billboard, maybe then I can rest.
AM: You’re known for dubstep and hardtrap, when you’re not making music, who do you enjoy listening to when you’re just relaxing at home?
RT: I'm a big fan of rap and hiphop, so when I'm driving I'm usually listening to that. Some Smokepurpp, DaBaby, Ludacris, Lil Jon, etc. If I'm relaxing at home, some chill house music does the job. Artists like Kaskade, Deadmau5, stuff like that. But if I'm in my feels, I love some Hans Zimmer, Jóhann Jóhannsson, Ryuichi Sakamoto. That might come as a surprise to some.
AM: Creatively, what’s your process like when you’re creating your music?
RT: It really varies. Sometimes I have a concept of what i want to do and other times I just play around with sounds and see if something cool comes out of it. There are also times where i'll just sit there for hours and nothing good comes out of it. Patience is key.
AM: This past year or so has been one that we couldn’t have scripted. With the lack of being able to tour and with plans being in the air, how did you approach continuing to make music?
RT: It was a hard time for so many of us, but I really do think I wrote some of the best music I've ever made. It gave me so much more time to really experiment, hone in on my craft with different sounds and styles, etc... Although financially difficult, in hindsight it was everything I really needed to continue my career.
AM: What did you learn about yourself during the pandemic?
RT: I realized that I wanted to help others more. I wanted to do more good deeds and be a better person overall. I've always believed in good energy, so the time off at home really helped me actualize it.
AM: We have been playing “Don’t You” on loop as it’s cool to listen to when you’re relaxing but is also awesome for working out. This song has such an ethereal quality to it, what inspired you in creating this?
RT: Honestly, this song was a bit of an accident. It was just one of those times when I was messing around with random sounds while warming up. I started to catch a groove and it literally all came together in the same session. For me, the vocals really opened up a lot of possibilities in the song and sort of became the glue.
AM: You’re releasing your latest album, Hype or Die: Homecoming in July on Dim Mak, tell us about the album and what can we expect?
RT: It's my best body of work, hands down. As far as expectations, you can expect a lot of different styles of bass music. Some of the songs are slow, some fast, some high energy, some more melodic, some aggressive, some tame. I think overall the listening experience is the best I've put out and I am beyond excited for this release.
AM: Who are 3 people that you have yet to work with that are on your list?
RT: Honestly an easy #1 for me is Meek Mill. The energy and rawness he has is something I've always wanted on a song of mine. For the more melodic stuff that I make I would love to work with Maroon 5, or at least Adam. His voice is A1. And on the production side, however cliche it seems, Skrillex would be the ultimate collaboration.
AM: With things reopening again, you’re back on the road performing and you have a number of festivals coming up – you’re playing Lollapalooza – how excited are you to play this festival as well as to get back to juggling a schedule?
RT: I think excited would be the understatement of the century. Haha playing at Lollapalooza has been a bucket lister of mine since I began touring and I'm going to make a major statement with that set. Overall though, don't get me wrong, I did enjoy being at home with the family, so I'm going to miss that a lot. But nothing beats delayed flights, airport food, and crying babies on a plane every week. I'm so ready for it all again. haha
AM: Are there additional projects that you have coming up that we should keep an eye out for?
RT: Sitting on A LOT of unreleased music right now. We have a new single this month with a music video, a full length album in July, and I just about have the follow up EP finished as well. In addition, I have a side project that I'll be announcing soon as well. We've released a handful of singles already under the alias, but I've yet to disclose my involvement. Excited to see the reaction to this!
AM: When you’re not making music or hitting the road, what do you do in your downtime?
RT: I'm at home with my 2 boys and my girlfriend. I really don't like to go anywhere when I'm not traveling, so you can catch me spending time with the family or playing Xbox with friends. I'd consider myself a gamer, so I definitely like to escape sometimes and play some Apex Legends and Rocket League.
PHOTOS COURTESY | RIOT TEN
Read the Jun Issue #66 of Athleisure Mag and see In the Zone with RIOT TEN in mag.
Featured
9PLAYLIST | VALENTINO KHAN
Read the Feb Issue #62 of Athleisure Mag and see 9PLAYLIST | Valentino Khan in mag.
Featured
PUSH THE SOUND FORWARD WITH VALENTINO KHAN
Valentino Khan is a DJ/Producer with a lot of personality and a passion for his favorite teams - LA Dodgers and LA Lakers, where he had an epic concert celebrating their wins last year! In addition, last fall, he re-leased his EP on Diplo's label, Mad Decent. We caught up with him to find out about his passion for the industry, how he works creatively and more!
ATHLEISURE MAG: When did you first fall in love with music and when did you realize that you wanted to create music?
VALENTINO KHAN: I think my earliest exposure to who and what a producer was came through listening to stuff that The Neptunes, Dr. Dre and Timbaland were making. It gave me an understanding that there was a lane for people that “make the beat.” I became fascinated with the idea of creating something that gave people a wow factor in some way.
AM: You started in the music industry as a hip hop producer and have worked with artists such as T.I., 2 Chainz and B.o.B, when did you transition into doing music for yourself?
VK: It all happened for me at the same time more or less. I discovered dance music and began taking a shot at creating my own interpretation of it around the same time I started getting placements on rap projects. The artist side has just kept growing in such a great way for me and I’m thankful I still have my hands indifferent things both as a producer and an artist.
AM: Who were your mentors or sources of inspiration when you began your journey as DJ?
VK: I was inspired by nothing and every-thing at the same time. I’ve always want-ed to be versatile and try whatever I was feeling at the moment. So I gravitated to-ward having a catalog like someone like Diplo who has been involved with so many different genres. I wanted to be able to showcase a wide spectrum of sounds that I could create.
AM: What would you say is the Valentino Khan sound?
VK: I think a lot of people associate me with a very bass driven house music sound and that’s fine. But I think people that actually have listened to my discography know I’ve done many things outside of that too. I try to not get too caught up in that and just put out dope music.
AM: When you begin working on a new song or album, what’s your process in terms of how you begin to create it?
VK: It all depends on what the first point of inspiration is. I think I’ve been doing this long enough and I’ve put myself in situations where I can jump off from a number of different points. It could be the vocals, a synth line, the drums, whatever. I think the ability to take that original component and be able to have a vision for what the rest of the track will sound like is so important.
AM: How do you go about deciding to collaborate with others and what do you look for?
VK: I think it’s gotta be organic. I just look for people that try to push the sound forward because that’s huge for me. I want to continue to make music that raises the bar and pushes the envelope for every-one. It’s so important because that’s the same energy that has inspired me to do what I do.
AM: From a creative standpoint, is there a difference between when you’re doing a remix versus collaborating with an artist on a new song?
VK: I think the biggest difference when working with an artist is the focus on building a track around their vocal to let them shine. A huge part of it is giving your beat an identity but leaving space within your track for the artist. Otherwise, it can end up sounding too convoluted. I always try to keep that in mind when I’m doing a session or producing for someone else.
AM: When did you realize that you had made it?
VK: I don’t think I’ve ever had that moment. My career seems to have the most gradual steady climb but I’m fine with that. There’s more value in longevity.
AM: How have you been spending 2020 and how have you stayed inspired?
VK: Mostly making music and cooking at home. Or learning how to be a better cook at least. I think my goal is that I want to come out of this a better artist and a better person. Hopefully, I can achieve both of those things.
AM: How have you stayed connected to your fans to continue sharing your music with them?
VK: Streaming has been a huge way that has allowed me to stay connected with fans. Most of us haven’t been doing itas often as we were back when this first started, but I think it’s been cool to provide people with a brief distraction from the craziness that has been going on in this past year. Social media as a whole really helps me connect with my fans in the most organic way.
AM: I know you’re a Laker and Dodger fan and you did sold out shows for the Lakers Championship Victory Stream as well as one for the Dodgers! How did this come about and why did you want to do it?
VK: The new normal for now has been doing drive-in shows that are socially distant. And unfortunately, we never got to have proper parades for the Lakers and Dodgers winning it all in 2020. So I thought what better way to do the closest thing to a parade in a safe environment? I did back to back shows at the NOS Center in SoCal and sold out both nights. It was great to have that theme with those shows and celebrate together. It really gave perspective as to how important live music is and I’ve tried to not take for granted that it gives people a bit of joy.
AM: You’ve been doing drive in shows which is a great way to still be on stage and to have a version of fan inclusivity as well, how has that been and do you have more planned.
VK: It’s been an awesome experience. It’s a bit trickier to organize those but it’s become the solution for now until things get back under control. I’m definitely looking forward to doing more of these whenever the opportunity arises.
AM: We look forward to seeing you at E-Zoo later this year, what is your favorite festival to play?
VK: Fingers crossed on the festivals later this year. My favorites include all the Lollapaloozas and EDC of course because it feels like the Super Bowl of all of them.
AM: When you’re about to perform, do you have a routine that gets you ready for the show and do you have things you do after the show?
VK: I just stretch because I move around a lot, that’s it. I don’t really get any pre-show jitters so things are pretty simple for me.
AM: What have you learned about yourself this year as we have all had time for self reflection?
VK: I’ve learned that I can’t take for granted that I have a unique career that provides people with fun every night. There’s very few people that can say that, so I'm blessed I’m in that position. It’s also been a gut check in many ways and I’ve learned I can be alright when touring suddenly comes to a halt.
PHOTOS COURTESY | Valentino Khan
Read the Jan Issue #62 of Athleisure Mag and see Push the Sound Forward with Valentino Khan in mag.
Featured Music
NATURAL PROGRESSION WITH KASKADE
We kick off the New Year with one of our favorite DJ/Producer and Grammy nominated artists, Kaskade. We have a number of his mixes in our playlists to enjoy for activities that we do throughout the day and night. He ended the year with a fantastic NYE show that was socially distanced at a drive-in that was an extension of a number of the shows that he was able to safely perform at as we navigated 2020. We caught up with him to talk about how he got his start, his passion for music, how he stays inspired and what he's working on.
ATHLEISURE MAG: We’ve been a fan of your music for a number of years as it’s on a number of my playlists, love working out to it at home, spinning to it at SoulCycle and seeing you at a number of shows most recently at Electric Zoo here in NY in 2019. When did you first fall in love with music and when did you realize that you wanted to create music?
KASKADE: Wow well thank you for the support over the years! I’ve been under the influence of music my whole life, not sure when it took over. I guess the obvious answer is when I was growing up in Chicago, getting educated in these clubs by the world’s best teachers. At some point I just decided I didn’t want a safety net, it was going to be music or nothing.
AM: You have had an amazing background in music from being a record store owner, an A&R director, DJ, songwriter and producer. How have these roles fueled the way that you approach music?
K: Every experience colored the story, gave it some texture. Running a record store is not an easy way to make any money at all but it’s an embarrassment of riches if you think about the fact that you just need to listen to music all day, know who wrote it and what other songs it might reference so you can recommend more music to the person who loves that one song. Working for a label was a huge deal because I got to be inside the machine and see what made it tick. Moving forward from there to playing out and producing and songwriting were just natural progressions like playing on monkey bars. Let go of one and it leads you to the next. They were all important to get me here.
AM: Who were your mentors or sources of inspiration when you began your journey as DJ?
K: I really looked up to the Chicago guys, naturally. They were untouchable and wildly cool. I began by listening to the Hot Mix 5, where they played old disco and B-boy mixes. Frankie Knuckles, Jesse Saunders, and when Steve “Silk” Hurley put out “Jack Your Body” it was over, I was done for. There was never an option to not love this music and make it my house.
AM: How do you define the Kaskadesound?
K: Yeh, I really try not to. Let the music speak and so forth.
AM: How do you stay inspired when it comes to creating new sounds?
K: I try not to overthink it. If you go looking for inspiration it just slaps you around. Is the sky pretty enough to write about? Is the way the ocean is moving lyrical? That girl that just fell down rollerskating, is she my muse? I can’t search for it or I come up empty. But if I leave myself open to remember what’s happening around me, the experiences I’m hearing about and sharing with friends, taking in memories of beauty instead of filming them, I find that they come to me at the times when I need them.
AM: When you begin working on a new song or album, what’s your process in terms of how you begin to create it?
K: I have a hard drive full of ideas, songs that are not right for other projects but needed to live. Usually, I'll go there and start pulling things apart I try not to ever think “this song will begin here, move there and then finish all the way at that point." I put it together in the way that makes sense at the time, then let it rest. Sometimes when I pick it up again, there’s one line that stands out or a lick I hadn’t really felt that suddenly punches me in the stomach. Music is so subjective, always just a reflection of what is happening to a person in that moment. So the idea factory might be full of stuff I hated3 months ago but after my last trip to the supermarket is going to really speak to me.
AM: How do you decide on new projects that you want to take on or those who you wish to collaborate with?
K: It’s usually friends of friends of friends. I can reach out to an artist I think is doing something interesting but there are so many gatekeepers, even in my own camp. It’s trickier than you’d think just to get a conversation. So I like to keep it close, with up and coming people who are working hard in the same way I did. Putting in the time, putting the product out there and hustling in all the ways. If someone hits me up with a line or vocal that rings my bell I’ll always say yes. I don’t really need them to be “the next big thing." I just need them to bring it for our collaboration.
AM: Is there a collaboration that you have yet to do that you would like to see happen and is there a song or album that you would have liked to have been on?
K: Of course everyone has their dream collabs. If Sade hit me up I would have to say no because I would actually die, RIP. I’ve been watching new talent like Gus Dapperton who is interesting as well as someone like Kaytranada and feel like if everything lined up there would be an interesting tapestry there.
AM: There are a number of songs that are on our playlists like Sexy with Kosha Dillz, Lick It with Skrillex, Room For Happiness with Skylar Grey, Move For Me with Deadmaus, Sometimes and your remix of Imag-ine Dragons’ Believer – to name a few. What have been some of your favorite songs that you have created and/or people that you have collaborated with?
K: I get asked this question a lot and never have found the right answer. Honestly, I’ve listened to and played all of my music so much over the years that my favorite ones become whichever ones I haven't heard recently.
AM: What was the moment when you realized that you had made it?
K: In my mind I’ve made it and blown it so many times that it’s just a blur of trying. Always putting in the time, sometimes it works and sometimes it doesn’t. I guess making it just means that you have the opportunity to continue to work.
AM: You have played a number of festivals and were a pioneer in the concept of Las Vegas residencies, what is it about these environments and playing live shows that you love?
K: It all comes down to the energy of the audience. The show will live and die by what they’re feeling.
AM: What is your favorite festival to play?
K: Sun Soaked.
AM: You’ve been performing via your Road Trip series. How did this come about and how did you decide what cities would be included?
K: It was the most literal instance of necessity being the mother of invention. Obviously with COVID we had to get creative about performances. It was safety first, timing and location second, then the logistics of how can we make this cool and a really new experience for everyone. There were a lot of challenges and I think as we move forward it will only get better but I'm really proud of how we rolled it out and crazy impressed with the audience for respecting the safety guidelines the way they have. We all want what we had before but we all are appreciating what we can get now.
AM: We're assuming that because of the success of that series, that your recent NYE performance was an extension of this as well?
K: Absolutely. When Road Trip succeeded like it did we knew that we could pull NYE off safely as well. Even with the strict guidelines and a curfew before midnight, we got our party.
AM: Are there plans for future Road Trips?
K: Absolutely.
AM: What do you want your legacy to be when people think about the impact that you have had in music?
K: I just hope that people will understand my true love for music. Whether they dig what I created or not, if a person can look at what I’ve done and pull the true intent out of it, we are good.
IG @Kaskade
PHOTOGRAPHY CREDITS | Mark Owens
Read the Jan Issue #61 of Athleisure Mag and see Natural Progression with Kaskade in mag.
Featured
THE DROP WITH STEVE AOKI
We're sure that we have all been listening to a lot more music as we have navigated these past few months as it's a way to transport ourselves to another level even when our environment may look way to familiar at this point. This month's cover of Athleisure Mag is entertainer, DJ, record producer, music executive and entrepreneur Steve Aoki. We've always been fans of the energy that he creates when he's at his shows, his music as well as his focus on putting good into the world with The AOKI FOUNDATION whose primary goal is supporting organizations in the brain science and research areas with a specific focus on regenerative medicine and brain preservation.
In addition to our virtual cover editorial shoot with Steve, we delved into his career, his label DIM MAK, his placement in the Smithsonian Museum, the importance of diversification while being true to the core of business, Neon Future series, Blue: The Color of Noise and his process in music and collaborative projects.
ATHLEISURE MAG: What was the moment when you realized that you wanted to be in the entertainment industry?
STEVE AOKI: Oh man entertainment is such a broad word and some of these answers are probably not going to be straight forward. I got into music when I was a teenager and then that became my whole life blood. Everything I did was involving music in every facet of life. It just became my lifestyle. From the friends I chose, to the food I ate – when I was growing up as a teenager – there was a very specific kind of music that I listened to and everyone was vegetarian. Pretty much everything down to the way that I dressed. It just became – it just became me so. So once I figured out what I wanted to devote my life to, that of course, changes over time. So from when I was a teenager, to college, to post college, young adult – my music style changed and the way that I interpreted music and played music changed as well.
So, I was in bands in the beginning and then I became a DJ and then at that point, in the early 2000’s, I actually started seeing that what I was doing with music was actually making a profit. It was making money. Because up until then, I never looked at music as a profitable enterprise. I never thought about it that way because you give so much to something, if you really care about, it’s not like you care about getting something back. What you get back is the love that it gives you, the feelings that it gives you, the community that it brings to you. As I started DJing, I started realizing that at that point I was DJing small clubs and festivals. That’s really when that major moment came when I was like, “wow I’m on a big stage and I need to not just play records and music” – which some of them were my own and a lot at that time, were of the culture. It then became, how do I engage with these people and entertain these people?
So then that term, “entertainment” came into the fold much later in my career. I would say that it came into the fold when I played Coachella the second time in 2009, not even the first time. It was that moment when I had the budget and I could build out the stage design and I could think about ideas that could present to different parts of my show like stage diving. These stage dives aren’t like a moment where you are methodical, you feel the moment, everyone’s ready for it and you jump into the crowd. There are moments when you think, this is going to engage with people, this is going to be entertaining. I bring my raft out and I start floating on the people, they haven’t seen that yet – that’s entertaining. There’s all these little things that I did with the people like the cakes. It’s an entertaining part of a Steve Aoki show. People remember for the rest of their lives and they’ll say, “40 years ago I saw a Steve Aoki show, I don’t remember the songs but he did cake my friend in the face and it was the best day of her life!" You know what I mean?
AM: Exactly yeah!
SA: I would say 2009 it all came together. Long answer for you!
AM: But that’s a great answer though. It’s all about a progression and just how things come together.
How would you define your musical style?
SA: My musical style is very fluid and of the moment and I like that. I like that like, it’s very much a gut and it’s based on feelings and it’s always going to change. It’s always going to change with my feelings and however way I feel about things or the moment on how I internalize that and not just consume, but how do I create that and how do I create from that?
I think that that’s something that I learned at a young age. When you are inspired or when you absorb something that makes you feel a certain way that it hasn’t made you feel before, like you know the best way for me to engage with that feeling is to create from it. It’s like anything, when you do it over and over again, you just get better at the process of doing it. You might not be great at it in terms of the output, but you get better at the process and that’s what’s more important than the output because the output is entirely subjective. Whether someone likes it or not is not what’s important. That’s another thing that I learned through this whole thing – whether people like my music or my output shouldn’t reflect why I did it and why I liked the process of it. I think about that question and it’s very complex. It’s not just I’m EDM or I’m this. Music is always going to change and it’s based on feelings. If you take down all the identities, all the titles and the genres – if there was no such thing as hip hop or rock or EDM and people were just like, “yo I just like the song.” When you hear a song for the first time and you’re listening to something that is totally different – you shouldn’t be limited to, “this is weird that I like it.” It shouldn’t make you feel weird. If it makes you feel really good, then that’s the whole point of it.
AM: Right and sometimes listening to the same artist and the same song at different points in your life, have a different connection and you can enjoy it. Our co-founder’s great uncle was tenor saxophonist, Joe Henderson and as a kid hearing him, she didn’t respect the fullness of his work.
SA: Yeah.
AM: And then in college, there was a whole other world of understanding that gave those songs meaning.
SA: Right right!
AM: You are someone who has worked with so many artists across so many different genres as a DJ, musician, producer, music exec – what is that process like for you when you’re thinking of collaborating with somebody?
SA: Yeah, when I’m collaborating with different artists, I think that one of the biggest lessons that I have learned is to just go in there and go in with a blank slate. A lot of people want you to come in there with all of your ammunition and basically all of your knowledge base. I’d rather go in there as a student. You know, they want to work with you and at this point in my career, they want to work with you too! I know what I can bring to the table, but it’s almost like when you watch an improv comedy skit, you never know what’s going to happen. Like, “hey someone say an action – running, someone say a sport – wrestling,” and then you kind of take those moments and you just be free on where it will go. That journey is really exciting to come from that place. Of course, your intuition and experience in terms of how and the way you process and supply chain your music and the way you work your music – how you’re going to work all of that – it’s innately going to come out. Sometimes you need the structure, but I prefer having the blank slate for the most part. Unless if you’re on a time crunch – a time crunch is a whole other story. Because then I’m like, “ok I just need to have the hook.” From the hook, I’m able to build you know – I can build that idea. I generally start from there if I can’t get into the studio with the artist. I just need a hook. I just need that part that gets stuck in my head and I will allow that to just linger in my head for a long time and then melodies start coming out in the studio and then I pick the best one. You stay on that melody for a day or two to make sure that it’s the right melody – because sometimes the first time you’ve heard it, it’s the best thing that you have ever heard and then you realize a day later, “oh my God, it’s awful.”
AM: Definitely! What’s that like when you have something that’s already existed. We love Michael Jackson – Thriller (Steve Aoki Midnight Hour Remix) and I also like Steve Aoki & Darren Criss - Crash Into Me cover of Dave Matthews Band. When people already know the songs, do you have a different approach when you’re deconstructing it to make it your own?
SA: Yeah, yeah exactly. When I do remixes of my own tracks – like in the case of Crash Into Me with Darren Criss (Glee, Hollywood, The Assassination of Gianni Versace), I can’t play the original at my own shows because it’s too mellow. When I’m playing an EDM show, I need that energy bursting at the seams and I need that drop to do exactly that. I need the dance floor to be bouncing. It’s all about Darren’s voice, Dave Matthews incredible lyrics, the melody and you combine that with a huge drop that’s signature to my sound and people will just lose their minds you know? You want to push purposeful.
AM: Are there genres that you've yet to do that you want to place the Aoki touch on?
SA: Yes. I mean there is no genre that can limit me. I just – I want to work with every genre and I really want to keep spanning the globe. That’s the other thing to, I travel so much and I’m so fortunate to be able to hear and know and learn about not just what’s happening in different parts of the world that are already popular, but also like what’s brewing. What’s brewing in South Africa, when I was out there, I was listening to some music and it was like, “yo this is the next wave in South Africa.” I want to know about it and I want to meet them. I want to hear the songs and I want to get the vibe, the flow and the dance culture that’s with it. You know, music brings people together so you have to understand what kind of dance moves that they are doing to it. How are they bringing it to their culture. Basically, I just want to keep expanding, keep exploring and it’s limitless. There’s always something new out there.
AM: How did you feel being the first EDM artist to be included in the Smithsonian? How impactful was it to see your gear housed in the same space as DJ Bob Casey’s from the 50's as well as Grand Masterflash’s turntables and now you’re literally being enshrined in such a historical place?
SA: Even when you say that out loud …
AM: It’s mindblowing.
SA: It’s totally wild you know? I remember when I went to the Smithsonian after they asked if we would be part of it. I met with them and did the interview there and walked through it and I felt like I was leaving my body and watching myself and I was like, “holy shit!” I just freaked out. I mean, it’s incredible you know – an incredible feeling. It’s the kind of thing that you’ll say, “wow in 60 years someone is going to say in the 2010’s there was an Asian DJ and there was a thing called EDM and this is what people did when they went out to festivals. And here is a typical show.” It was really cool to think that wow, 60 or 70 years later, someone is going to look at that and say, “that’s cool.” And you know, in that regard to, I’m proud that you know, I’m representing for Asians in that way too.
AM: As someone who is as busy as you are, who does travel so much, why is fitness, health and wellness so important to you?
SA: Oh God, it’s so crucial and integral. You have to train your body and mind to be able to run the marathon over and over again. You can’t just wake up – before you get out and run, you have to stretch. Before you do anything – I mean, I’m stretching constantly and that stretch is mindfulness. And as I do more mindfulness, actively, and I start learning more about myself – my mind, my body rhythms – it’s really fun. When you’re sitting there meditating, some people think, “oh it’s so boring.” When you get into that space, you get into where you’re finally supposed to be – it’s incredible to get into that space where nothing else really matters. That phone call, that schedule – all these things in life – comparing yourself to this person to that person – that thing – the anxieties of the world. If you can calm all of those things, it’s a really wonderful place to learn to get to. I think that it’s not just for someone like me that was running around like I was prior to COVID-19 like I did, I think it’s really helpful for everybody. For me especially, I need to absolutely make sure that I’m on the practice and I just love having it.
AM: Just looking at your portfolio, it’s so expansive between your music, Pizzaoki, your label DIM MAK as well as DIM MAK En Fuego, your clothing lines, companies that you have invested in like Liquid I.V. which we are huge fans of. How important was it for you that regardless of the vertical, to diversify your portfolio beyond your industry that you work in whether it’s creating ventures or investing?
SA: I mean, yeah, in life, I think that diversification is always a positive. Of course, you know it says a lot when you see someone that dives into their craft 110%. I’ve seen that in Japan especially, with artists that’s into their craft whether it’s even sushi chefs that spend their entire life just focusing on that and I love that – I love that. I’m such a fan of that and I admire and I respect that. It’s important that I have that too because my main core the whole of my operation is music. Music creation, music production and playing – playing my music out to the world. That has to be grounded. That has to be an anchor and platform and if I don’t have that, I can’t diversify. I think what the important lesson is here – is that diversification is always positive. You need to have your main business, whatever it is, whatever your main passion is – it has to be grounded so deeply into what you do and you have to be a craftsman in that space. Once you have that, then you can start building outward. You know, we only have one life, experience it. Experience as much as you can. All of these different things that were created in all of these different worlds is extremely fun for me. I enjoy it. I love it and if I didn’t love it, I wouldn’t be doing it. You have to love what you do and you have to love the process – not what is actually going to be in the end result. It’s always about the process.
AM: With so many artists, because of COVID-19 doing their performances virtually and I know that you’re known as a Techno Futurist Optimist with an interest in the intersectionality between humanity and technology, how do you think this digital reliance will impact the industry long term once we’re able to get back into a new normal.
SA: I think that in a hopeful sense that we will all get back to what we all love. You can’t deny live experiences and live shows. There is nothing that compares to that. A virtual show is like 1/10th of the experience and not a 100% of the experience. That’s why they were so big all around the world. We’re social creatures and beings. We love being around people and experiencing things together. We’re not a solo species. We need to feel energy and those feelings with other people. You can’t deny that and I think that hopefully, there will be a vaccine that will be administered around the world where we don’t have to worry about COVID deaths and COVID tragedies that are happening. But until then, the digital space is what I had to do. I think that all of us have had to take that because now there is an infrastructure being built around the digital space of experience and it’s evolving quite quickly. You know, I just played an Oculus show where you put on an Oculus headset and you’re talking to people from all around the world. As a fan watching the show, you can look to your right and your left and there’s another fan watching that same show from a different country. You can actually socially engage with them. The infrastructure is being built in such a way that there’s going to be more of a catch and they will be able to bring more of a better experience. I think that once we get back to IRL shows, there will still be that people will want to do that and be apart of that. I think that at least with COVID and people being in that business, it has created a space for it to grow. But, you can’t compare that when you’re talking about a live show.
AM: Last year, you published your memoir Blue: The Color of Noise, why did you want to write this and what was that process like for you?
SA: It took me about 6 years. It took me a long long time. It definitely wasn’t like, “ok, I’m going to get this done – I just need to do this.” It was an ongoing process and it started out being like the history of DIM MAK first. So I was like, DIM MAK is going to hit 20 years – we’re at almost 25 now. I thought I would do the history of DIM MAK, a 20 year book and I started writing stories about when I started DIM MAK back in ’96 when I was in college. I wrote about the struggles and all of the good stuff that you want to read – incredible stories. Then I realized, this was more about a memoir about my life and DIM MAK is a part of my life. It’s a big part of my life, but I felt that I should expand more and at that point, a few years after as I was touching on the history of my label, I started talking about the harder things that were very difficult to open up about like the death of my father (editors note: Hiroaki "Rocky" Aoki, a wrestler and restaurateur who founded the restaurant chain Benihana), the death of some of my friends that made a huge impact on my life and then as I got deeper, I started seeing a therapist that helped me to actually bring out some more of my introspective feelings that had to be kind of unearthed. You know, it was therapeutic to be able to write the book and a lot of that went into it. I also – you know when a lot of people think about the history of Steve Aoki, they say, “oh yeah, he’s the guy that throws cakes at people at shows.” Well I just wanted people to know that there is a lot more than just that.
AM: You dropped Neon Future IV this spring which I know is part of the Neon Future series that you began in 2015, tell us about the series in general and what can you share about the 27 track album that you just dropped?
SA: Neon Future is a concept that I came up with and is exactly what you said earlier. I really look at the future as an optimist and I look at technology with an optimist lens. I look at tech in a way that can help us and enhance us to be more of a creative or imaginative species. At the end of the day, we want to save ourselves and saving ourselves will be saving our planet as well. With tech, we can advance that and become more of an intelligent species. That’s why Neon Future is a colorful future. And so really making sure that for me personally, the musical concept, I wanted to educate it by having scientists on the album. So it’s not just about having a collection of songs for each album, but to really validate my point, I reached out to scientists that were very difficult to get a hold of. Some of the people were harder to get a hold of than some of the biggest talents that I have worked with. I had to do a lot of explaining, fly and meet people and do a lot of work in that regard because I care so much about that space and I also love bridging the science community and the electronic dance music community in a way that hasn’t been done before.
Like Ray Kurzweil to Yuval Harari to J.J. Abrams to Bill Nye and so forth and so forth. It started off as one album and the second album was going and then I said, you know what, it’s too good to end. Then the third and then I built the studio between the second and the third and I call it Neon Future Cave and then between the third and the fourth album, I started creating the comic Neon Future with Tom Bilyeu because Neon Future really deserves to be graphically laid out with its storyline. Which presents a world that we can imagine and with every comic book story, you need to have conflict so we had to make it like a dystopia that we want to make it like a utopia instead of the opposite. It just kept on growing and it had a mind of it’s own and it became AI! It became its own thing. It’s almost funny that this project almost became it’s own powerhouse that I couldn’t even stop which is kind of cool. We’ll see. Because of my next project, this puts Neon Future IV as the last of the series so far. We’ll see if it continues as I have a few other concepts that I want to develop. My main baby is Neon Future that’s for sure.
IG @SteveAoki
PHOTOGRAPHY CREDITS
Athleisure Mag's virtual cover shoot was shot by Co-Founder + Celebrity Photographer Paul Farkas. Throughout this shoot, Paul used an iPhone XR, iPad Air 2, Facetime and Clos.
STYLE & GROOMING CREDITS
Athleisure Mag's Celeb Fashion Stylist, Co-Founder/Creative + Style Director Kimmie Smith and Groomer Sheena Zargari share what they used to create this fall menswear style editorial of Out & About Style, WFH and Fitness.
LOOK I | OUT & ABOUT STYLE
FRONT/BACK COVER PG 26 - 37 | DIM MAK COLLECTION X DIAMOND SUPPLY CO Denim Jacket | SIKSILK X STEVE AOKI S/S Oversized Essential Tee + Loose Fit Riot Denim | LACOSTE Storm 96 Lo Sneakers |
LOOK II | WFH
PG 22 - 25 | SIKSILK X STEVE AOKI Oversized Hoodie + Relaxed Short | LACOSTE Storm 96 Lo Textile Sneakers |
LOOK III | FITNESS
PG 16 -21 | ALPHA INDUSTRIES Apollo II Hoodie | DIM MAK COLLECTION Leggings | DECKERS X LAB S/S K-ST 21 Sneakers |
IG @PVFarkas
Hear DJ/Producer Steve Aoki on our show, #TRIBEGOALS - which is a part of Athleisure Studio, our multimedia companion podcast network! Subscribe to be notified when the episode drops. Listen on iHeartRadio, Spotify, Apple Podcasts, Amazon Music, Google Podcasts or wherever you enjoy your podcasts.
Read the Oct Issue #58 of Athleisure Mag and see The Drop with Steve Aoki in mag.
Featured Music
ATHLEISURE MAG | #58 OCT 2020
In this month’s issue as we continue into the fall, our Oct Issue #58 is covered by DJ/Producer/Music Exec and Entrepreneur, Steve Aoki. Our virtual cover shoot showcases fall style within Fitness, WFH and Out + About. We talk about Steve’s impressive career in music, building his label DIM MAK, being an entertainer, the process of creating music and collaborating, Neon Future series, being a Tech Future Optimist and more. Music has definitely gotten us through these times and we took some time to talk with Ultra Record’s Icona Pop and SOFI TUKKER to talk about their newest single Spa, how they have been spending the past few months and how they connected to create this song.
This month, 4 X NBA Champion LeBron James shares 9 songs that we should listen to in this month’s 9PLAYLIST which inspired him as he focused on #RevengeSznCompleted. 30 Olympic + World Champion Medalist Simone Biles of Team USA Gymnastics shares her favorites and why in our 9LIST STORI3S.
Read the Oct Issue #58 of Athleisure Mag here.
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