THE CLIMB | CASE WALKER

We always like to find out more about those on our favorite shows! For fans of HBO Max's The Other Two, you know that this show is about siblings Cary Dubek (Drew Tarver) who is trying to obtain better auditions and Brooke (Heléne York) who is trying to get her life together in general! Their brother, Chase, known as Chase Dreams (Case Walker), becomes an internet senation overnight. The show illustrates how they navigate their realities!

In this month's issue, we sit down with Case to talk about his character who will be back for it's 3rd season on May 4th on the streaming platform. He shares similarities and differences between himself and this character, how he became attached to the show and how he has enjoyed the process. He also talks about Monster High which will be out this fall.

In addition to his love for acting, he is also an avid rock climber and talks about how he is just as passionate about doing this sport, taking on the challenges that come along with it as well as a bucket list of locales that he would like to go to in his travels to do this activity that he is so proud of.

ATHLEISURE MAG: When did you realize that you wanted to be an actor?

CASE WALKER: I realized that I wanted to be an actor, probably when I was 8 years old and I realized that I could play characters and that that would entertain people. It got me hooked!

AM: How did The Other Two Come about? I’ve enjoyed watching this show, but for our readers that aren’t familiar, tell us about this.

CW: The Other Two was a project that I went out for I think 7 years ago now, maybe longer or earlier. I just went out for an audition, my dad took me out across LA and we went in like the usual kid actor would and it just really worked out! I connected with the casting director and I connected with Chris Kelly (Saturday Night Live, Crashing, Broad City) and Sarah Schneider (Saturday Night Live, Master of None, Goodnight, Sweet Prince) in the last audition. It worked out and it’s been amazing ever since.

AM: That’s amazing! You play Chase Dreams. Who is he and are there similarities and differences between yourself and the character that you play?

CW: Chase Dreams, well, he has grown a lot over the show. Early on, we were very similar in the 1st and the 2nd season. It paralleled a little bit to my life as a child actor in LA and going through the motions of the industry. This season, Chase gets to mature quite a bit. We jump a little bit into the future and Chase is older going through what I would say are adult challenges than he has ever gone through. Which is very similar to what I have gone through as well even in this season which is really fun!

AM: That’s great! The show obviously has an incredible cast with yourself, Molly Shannon (Saturday Night Live, White Lotus, Divorce), Ken Marino (Party Down, Black Monday, Veronica Mars), Wanda Sykes (Black-ish, Bad Moms, Curb Your Enthusiasm) along with former SNL writers Chris and Sarah. What is it like being on this show and what have you learned?

CW: Yeah, I’ve learned so much working on this show. All my co-stars have not only been friends and companions to me, but also talking to me so much about acting and especially how to operate on set and how to be on a television show to work together to produce art. I’ve also learned so much from them on the comedy side as well. They’ve just been amazing mentors, friends, and co-workers - all of the above.

AM: It’s always great when you have that dynamic in the chemistry. Are you able to tell us about the upcoming 3rd season and what we can expect?

CW: I can share a little bit. This season is a big jump from where we last were. It’s totally different and it’s bigger. I would say that it’s a lot bigger if you can believe it. Everyone, I would say this season – every character is kind of going through their own challenge. We’re a little bit more separate and individual this season and of course, as we always do, we end up back together as a family through all of our conflicts and challenges in the industry. It’s really fun to see how we all get through this season! There are some crazy things that happen and Chase goes through a lot of stuff! I personally felt that I was going through a lot of different sketches this season a little bit because you’ll see that Chase has a few things that are going on this season to solve his situations. It will be really fun to watch for sure.

AM: Looking forward to catch that! Are there other projects that we should keep an eye out for that you’re involved in?

CW: I worked on another project that’s a live action musical, the 2nd version of it called Monster High. It’s totally different than The Other Two which is going to be a blast and it will be out this fall!

AM: It’s always exciting to have something that’s ahead of you!

When you’re not on set, we know that you’re an avid rock climber. How did you get into this sport?

CW: Rock climbing, I got into it because my big brother was really into it. He had been doing it for a few years and as a little bro does, I kind of followed him into it. Then I stopped for a few years and then around COVID, I completely fell in love with it – especially outdoor bouldering. I’ve kind of run with it since then.

AM: You mentioned that your brother was a huge influence, but there are so many outdoor sports that you could have done, what is it about this specifically that you really love about it?

CW: I would describe bouldering and rock climbing as probably one of the most full value sports. While I’m in NY, I can train at the climbing gym nearby and find a community there and then when I’m home in Colorado, I can do a lot of outdoor bouldering. I can go to the Alpine or the Front Range. When I was in Canada filming, there was climbing everywhere. It’s a beautiful sport where you can do it a little bit, you could do it a lot, you can go outside and you can be inside and there's just this awesome community behind it. I find it to be one of the best sports in the world, it’s my favorite.

AM: Do you have a bucket list of locations that you would go to specifically around the world to continue to boulder or rock climb out there?

CW: Totally, yeah! There’s a bunch. There’s a place called Rocklands in South Africa that’s incredible, there’s a place called Fontainebleau in France which is amazing and it has a fun name – these are all just obviously legendary international bouldering spots. Where I’m at in Colorado, it’s a bucket list for a lot of people! So I just got to get a lot more boulders on my checklist here and I’ll definitely make my way to Spain and France and all of the above!

AM: When you’re climbing, how do you prepare? What are the things that you’re looking for to ensure that you’re having a good climb?

CW: To prepare for climbing, especially when you’re taking it to a whole other level, you really have to invest a lot more than you expected to it. So, it’s really mental, it’s emotional sometimes and obviously, it’s physical. A lot of people don’t grasp the mental aspect of it often times when you’ve spent a lot of time on a project which is what we call it. Like spending multiple days. It really does take a lot of mental focus and figuring out data. When I’m climbing, I just really try to be present because sometimes you can think about getting the route done or just overthinking it. At the end of the day, it’s really just about getting outside, climbing and having a great experience. When you do what we call a complete boulder or a complete climb, it’s a reward and it’s really fun. Really, climbing is just about climbing and being able to get out there and to challenge yourself.

AM: Have you ever done it competitively? Will we see you trying to go to the Olympics?

CW: You know, I have a friend who’s in the Olympics and he was one of our Olympians and I have a ton of friends in Colorado who obviously go to the National Team Trials. There’s actually a pretty big separation between outdoor bouldering and what we call comp style or competition style climbing. They kind of have a middle ground, but you end up training one or the other. I’ve been pretty focused on the outdoor stuff, but I also do a few competitions here and there! Just not maybe on the Olympic level!

IG @casewalker

PHOTOGRAPHY CREDITS | PG 92 -94 HBO Max/The Other Two | PG 97 Rocky Holloway | PG 98 Cooper Doe |

Read the APR ISSUE #88 of Athleisure Mag and see THE CLIMB | Case Walker in mag.

BINGELY STREAMING

BEEF

Netflix Series

Netflix

BEEF is a must-binge that's perfect to enjoy over the weekend. All 10 episodes of this dark comedy starring Steven Yeun (Nope, Everything All at Once, Okja) and Ali Wong (Birds of Prey, American Housewife, Love, Victor) shows us what happens when a beef takes over your life and how it can completely change everything that you thought you knew about yourself and those around you! It even looks at how a beef can cross gender, class, and other demographics.

FIRED ON MARS

HBO Max Original

HBO

When you've gotten through a number of series on a designated streaming platform, you're always looking for the next item that you'll want to watch. We just found out about Fired on Mars, an animated workplace comedy on a Martian tech company which focuses on a guy who leaves Earth to work on Mars with a number of his colleagues from his office as well as others who are there to populate the planet. We watch him go about his job as a Graphic Designer and how he spends his days there while communicating with his girlfriend who works at the same company who is back on Earth. We can see that she is slated to be there at some point down the road.

As he navigates his days and nights, we also see that a new planet doesn't change the state of office politics, interesting coworkers and the need to fit in. One day, the world that he continues to adjust to is drastically altered and he is forced to try to find a new way to be involved in this new environment as well as to stay connected to the love of his life on Earth.

GREAT EXPECTATIONS

FX/Hulu Originals

Hulu

There's nothing like a classic retold and when it comes to FX and the way that they retell Charles Dickens pieces, we couldn't wait to see how this would be done with Great Expectations a 6-episode limited series.

The adaptation is written by Steven Knight (Spencer, See, Peaky Blinders) who is also an Executive Producer alongside Tom Hardy (Venom franchise, Legend, Inception), Ridley Scott (Kaleidoscope, House of Gucci, The Last Duel), Dean Baker (A Christmas Carol, Taboo, Driven to Extremes), David W. Zucker (Still Missing Morgan, Kaleidoscope, The Good Fight) and Kate Crowe (The Third Day, A Christmas Carol, Taboo).

This new look at this beloved classic brings us an orphan named Pip (Fionn Whitehead) who grew up as a blacksmith's apprentice. Suddenly, he receives a windfall from an unknown benefactor that allows him to travel to London and enter high society. His journey includes love, Miss Havisham (Olivia Colman) and more!

Read the APR ISSUE #88 of Athleisure Mag and see Bingely Streaming in mag.

BINGELY STREAMING

SELLING THE OC

Netflix Original

Netflix

We have enjoyed Selling Sunset which follows the Oppenheim Group as they make major sales, peek into their lives and more. In this series, we've known that there would be an expansion which takes us to Selling the OC with their new office in Orange County. We continue to follow Jason and his brother/partner Brett Oppenheim as they have a new realtors that will be part of this office. We know that this month, we'll be bingeing this episode to get to know the new cast as well as to see if there will be an overlap with the LA cast!

THE REHEARSAL

HBO Max

HBO

We've all had an experience where there is a conversation that we need to have and we run a few scenarios in our head to see how we will do it. In The Rehearsal, Nathan Fielder takes anything that you may have done to the next level by rehearsing every interaction that one may have to approach a certain event from creating exact replicas of the space that the encounter will take place, documenting and creating conversation maps so that the person can anticipate what will happen and doing copious run throughs. Although we can question Nathan's episode, we see how committed he is to this school of thought as we see that he does the same thing in preparing to talk to those that he is about to help!

The lengths that he goes through to become his subjects in order to understand them and the environment that they live in is next level! You can binge the entire season as in this case, seeing is believing! WIth Season 2 already greenlit, we wonder what he will tackle next and what boundaries he will push, how many actors he will swap in and out in order to rehearse a situation so that the subject can carry out what they need to do!

CHAT SH!T

Max Original

Spotify

We're still bummed that HBO's Insecure is over, but we were excited to hear that Issa Rae had another show on deck that releases weekly on HBO Max called RAP SH!T! We leave LA and head to Miami where we enjoy hearing Miami area artists, see how our two main characters evolve into a rap duo, we have mirror girl rap moments and enjoy watching them navigate their lives as well as the music industry!

CHAT SH!T is the companion podcast hosted by Zach Campbell and Jessie Woo who give clarity to each episode, give us insight into Miami, the Haitian community and provides hot takes on what takes place in the episodes.

Read the AUG ISSUE #80 of Athleisure Mag and see Bingely Streaming in mag.

BIG DIVA ENERGY | BIG FREEDIA

Hip hop has a number of sub genres that we can enjoy when we're at our favorite club, dance festival, studio class or just hanging out at home. We've been long time fans of Bounce, a New Orleans sound that make it impossible to not dance to. A number of people are associated with this sound as well as popularizing it!

In this month's issue we catch up with Big Freedia, the Queen Diva who is known for Bounce music. Whether it's watching her successful show Big Freedia: Queen of Bounce which gave access to her life on tour as well as just navigating the industry, watching performances or even seeing her in shows as HBO's Treme, guest judging on Rupaul's Drag Race All Stars or this season's P-Valley on STARZ - the focus to push New Orleans as well as this genre is always at the forefront of her efforts. Without a doubt, she is known for her Big Diva Energy whether she's in the studio or outside of it. We wanted to take some time to find out about what The Queen of Bounce is working on, collaborating with Beyoncé and partnering up with No Kid Hungry to combat food insecurity among children!

ATHLEISURE MAG: You’re known for popularizing the hip hop genre, bounce music. Can you tell us more about what this is and its link to New Orleans?

BIG FREEDIA: Bounce music is a fast-paced call and response style of hip hop that was born in New Orleans in the late 80s and popularized globally in the mid-late 90s with Cash Money Millionaires (Juvenile, Mannie Fresh, Lil Wayne).

AM: You were sampled on Beyoncé’s Formation, but what was it like to collaborate with her on Break My Soul and the video?

BF: Working in any capacity with Beyoncé is incredible. I am always – and still have to pinch myself to see if this is really happening!

AM: New Orleans means a lot to you and you recently partnered with No Kid Hungry X Williams-Sonoma in creating a spatula where proceeds will go to providing funds for children to reduce food insecurity.

Why did you want to participate this year and why was it important for you to be involved?

BF: I feel very strongly about helping the kids of New Orleans. When you don't have enough food, you can’t focus on school or develop properly. So, to me, this is a way to get them the food they need–and help them early.

AM: When you’re not working how do you take time for yourself to recharge your batteries?

BF: To recharge, I have to have nothing on my calendar! I love to cook, hang out with my friends and family.

IG @bigfreedia

PHOTOGRAPHY | PG 136 - 137 Nelson Cosey | 9DRIP PG 60 - 61 Brad Hebert, PG 61 + 63 Nelson Cosey |

Read the AUG ISSUE #80 of Athleisure Mag and see BIG DIVA ENERGY | Big Freedia in mag.

AWARDS SEASON 2022-2023 | 74TH EMMY WINNERS

Tonight, Kenan Thompson hosted the 74th Annual Emmys on NBC. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. Those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

VARIETY SKETCH SERIES

A Black Lady Sketch Show (HBO/HBO Max)

Saturday Night Live (NBC)

VARIETY SPECIAL (LIVE)

The 64th Annual Grammy Awards (CBS)

Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

The Oscars (ABC)

Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

Tony Awards Presents: Broadway’s Back! (CBS)

VARIETY SPECIAL (PRE-RECORDED)

Adele: One Night Only (CBS)

Dave Chappelle: The Closer (Netflix)

Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)

Norm Macdonald: Nothing Special (Netflix)

One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

HOSTED NONFICTION SERIES OR SPECIAL

My Next Guest Needs No Introduction with David Letterman (Netflix)

The Problem with Jon Stewart (Apple TV+)

Stanley Tucci: Searching for Italy (CNN)

VICE (Showtime)

The World According to Jeff Goldblum (Disney+)

COMPETITION PROGRAM

The Amazing Race (CBS)

Lizzo’s Watch Out For The Big Grrrls (Prime Video)

Nailed It! (Netflix)

RuPaul’s Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

HOST FOR A REALITY OR COMPETITION PROGRAM

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

Amy Poehler and Nick Offerman (Making It)

Nicole Byer (Nailed It!)

Barbara Corcoran, Mark Cuban, Lori Greiner, Robert Herjavec, Daymond John, Kevin O’Leary (Shark Tank)

Padma Lakshmi (Top Chef)

RuPaul (RuPaul’s Drag Race)

Read the latest issue of Athleisure Mag.

AWARDS SEASON 2022-2023 | 74TH EMMY NOMINATIONS

This morning JB Smoove (check out his interview with us here as well as his 9PLAYLIST) and Melissa Fumero announced the nominations for the 74th Annual Emmys. The awards show will take place on NBC on Sept 12th. We have a few of the categories that you’ll see televised on the big night, but you can see the complete list of all nominations here. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. On the big night, those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

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The 64th Annual Grammy Awards (CBS)

Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

The Oscars (ABC)

Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

Tony Awards Presents: Broadway’s Back! (CBS)

VARIETY SPECIAL (PRE-RECORDED)

Adele: One Night Only (CBS)

Dave Chappelle: The Closer (Netflix)

Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)

Norm Macdonald: Nothing Special (Netflix)

One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

HOSTED NONFICTION SERIES OR SPECIAL

My Next Guest Needs No Introduction with David Letterman (Netflix)

The Problem with Jon Stewart (Apple TV+)

Stanley Tucci: Searching for Italy (CNN)

VICE (Showtime)

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COMPETITION PROGRAM

The Amazing Race (CBS)

Lizzo’s Watch Out For The Big Grrrls (Prime Video)

Nailed It! (Netflix)

RuPaul’s Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

HOST FOR A REALITY OR COMPETITION PROGRAM

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

Amy Poehler and Nick Offerman (Making It)

Nicole Byer (Nailed It!)

Barbara Corcoran, Mark Cuban, Lori Greiner, Robert Herjavec, Daymond John, Kevin O’Leary (Shark Tank)

Padma Lakshmi (Top Chef)

RuPaul (RuPaul’s Drag Race)

Read the latest issue of Athleisure Mag.

STORING SEEDS | JB SMOOVE

We're all about big energy while keeping it real and J.B. Smoove is both of these! You know when you see him on the stage or on your screen that he's going to make you laugh, think and give you his philosphy on life and how to approach it - all while rocking great style. We've enjoyed seeing him in a number of films from Pootie Tang, Barbershop: The Next Cut, the Spider-Man franchise and more. He's also been in numerous TV series from The Last O.G., Woke and of course Curb Your Enthusiasm. He's someone that you see everywhere and yet he aligns perfectly with the projects that we see him in.

We had to check in with him to find out about his journey from being a standup comedian, SNL writer and performer, actor and more. He talked about how he honed his skills, how he navigates his career and what he has coming up.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an entertainer?

J.B. SMOOVE: You know, I’ve always been the one – some people have a high threshold for pain, I think that that’s what it is. In simple terms, I think that I have this thing and feel for people when I know that people need laughter and they need communication. They need all these fun things that make life easier.

I remember one time that I missed my flight because somebody stopped me and I could tell that this dude needed somebody to talk to about his dreams and I missed my damn flight! I felt like, damn I’ll get the next one. In that moment, it just felt like something was - like sometimes you just have to talk people off the ledge in some sense you know? It’s their life, it’s their everything, but sometimes what you provide for people is something that you can’t buy. I think that shows that you’re a real person and it shows you that you can reach out and touch that person. What I promote is real!

You know how fans get, sometimes they don’t believe that you are who you are or who they think you are, or who they perceive you to be by what you do on camera. You know how it is. Nowadays, the world is faster, people promote certain things, but that’s not who they are. They do things to be accepted, to be liked, to be all these things and it’s not real and it doesn’t come from a real place. I think for me and my upbringing from where I started from is something that I can appreciate more. I’m talking about the days from pulling over and having to make a phone call at the phone booth! Those days, it was more hands on – you know what I mean? There’s automatic transmission and then there’s manual – I’m a manual dude! I got to switch gears for myself. I need to know when to slow down and when to hit the brake! Sometimes I don’t brake at all! Most of the time, I’m just changing gears because brake means that I’m going to stop. When you’re changing gears, I’m just navigating through it! You know what I mean? It’s different!

AM: And it is different!

I think that you have such an authenticity about you and that’s why people love being able to see you. It’s great to see you popping on screen in your shows or starting up my Mon with your podcast. I know that when I hear you, I’m going to get you as an authentic full experience!

JBS: Yes indeed! And that, you know to answer the question – that is something that I do from the heart and for the love of what I do! For the love of being in the moment, for the love of something to hold onto that knowledge and to hold onto that laughter! Holding onto things that makes me happy – it’s the ability to benefit the world or the people who also want to do what I do or just want to be inspired. I do think that it applies to every walk of life no matter what your occupation is or what your dreams are, the same process applies. Come early, stay late, be courteous to people, respect their dreams and what they're trying to do – don’t waste their time, don’t waste your time. There are certain things that will apply always. I think that is the core of growth and the core of achieving your dreams. What I want to do is to be consistent. I want to give this laughter away whether you’re paying me or if you’re not paying for it. I don’t get paid if I stop and talk to someone for half an hour and miss my flight. I can’t say, “oh I got paid for that so it’s ok I missed the flight.” No, I’m doing that because I felt something for this person in that moment that they needed this quick little talk and it’s free.

AM: How did you hone your craft?

JBS: You know, being in real situations. Real situations are a comedian's food. That’s our food. Real situations, you can elaborate on real situations and make them funny. You can take pain and make it funny. You can take funny and make it funnier. So you know, it’s all in the construction of the joke, the construction of the situation, the construction of the scene – you know? That is where it comes from. I always say that anyone can tell a joke if I have to use what I do for a living. Anybody can tell a joke, but not everyone can sell a joke. Everybody can’t sell it – you can tell it – but everybody can’t sell it!

AM: I am the worst joke teller because I forget the parts, I have to stop and reset it – so I definitely can’t sell it.

JBS: Oh yeah, that’s true!

AM: I remember when I first saw you for Def Comedy Jam as a standup comedian and then you went onto SNL as a writer and a performer! What was that experience like?

JBS: To me it was great. But again, you gotta make decisions on your movement because when I started on Def Comedy Jam and I was on BET and did all of these TV shows, guest-starring, touring in colleges, those road gigs, tours and all of the things that I have done, making the decision to move to LA, doing all of that stuff and making the decision to go on Cedric the Entertainer Presents, getting on Lyricists Lounge Show – doing guest spots on TV shows, doing my first CBS deal – all those things I’ve done.

Then to sit there and say, “ok I have this audition for SNL.” My second time auditioning for SNL actually. I did it twice. I was going for cast member. For me, you sit there and you say, I’m going in for cast member and I didn’t make the show as a performer but I ended up making the show as a writer. Even when I got the offer for a writer, I was in the middle of a deal for a host of stuff of my own so I had to say do I put myself on hold to work on Saturday Night Live? So I sat and thought about it and decided that it would look great on my resume so I said, as more of a business move. I know that the percentage of shows that actually air are so small and back then it was REALLY hard! Back then we didn’t have streaming services. We didn’t have Netflix and Hulu and Amazon. We didn’t have any of this stuff. It was just regular TV, HBO and Showtime. We had the premium channels but those opportunities, we didn’t have as big of a chance to get someone to air. I had to sit there and say, “ok. If I put this to the side and do this, how can I make this work for me?” I said, I will do this and then figure it out later. But this is going to look great on my resume – SNL.

So I came to SNL and when I got here, I ended up doing sketches, I ended up being a writer on the show, I ended up doing monologues on the show and ended up doing all these amazing things for the show and doing warmups for my 3 seasons. So I ended up doing a lot of stuff and that was 4 different checks – that’s a NY hustle right there! But that’s also being someone who has different skills – who can be a utility person – 4 things at the same time. That helps me and shows how I can be versatile. I can do 4 jobs at once.

For me, it worked out perfect. I had the chance to be JB, I had a chance to be someone who's able to do all of these amazing things and at the same time, it allowed me to work and build my resume and network with these amazing guest stars of the show. So it was definitely a process. I can’t say that it was easy – it was hard work because you’re talking about someone going from being a standup comedian to being a writer. I wasn’t a traditional writer. I improvise a lot in my standup so for me it made more sense to take it, do all of my skills under one roof. I did 3 seasons over there and it looks great on my resume, so it served its purpose doing it that way.

None of those other opportunities went away, the opportunities for TV shows were still there, the opportunities for movies were still there and I was still able to leave there and do a bunch of movies – The Sitter, Hall Pass, Date Night all in a row. I got a chance to do all of that stuff and when I was working over at SNL, I did Conan O’Brien. Conan O’Brien’s show, he was still at NBC at that time and I did his show as a sketch artist 10 times. So I had a chance to get from behind the desk typing jokes, go downstairs on the elevator and do a sketch with Conan and then get back in the elevator upstairs to finish working. I got a chance to do so many things while I was over there. Again, it wasn’t easy and it was humbling in some sense. You’re in control on stage but you’re not in control on this show which is live TV. Everything is just fast. You have to sit there and write all night long for these sketches and it’s humbling because it’s like your trying out for the cheerleading team or the football team and you go in the hallway and they put the list up of who made the team. There was a piece of paper in the hallway that said whose sketch made it and you had to read that list on the wall and you’d say, "damn, I didn’t get it."

AM: Oh wow that happened every week!

JBS: It was an amazing experience and I wouldn't change that for anything in the world. I would have rather taken this process that I have already completed rather than this fast and quick process that these young people are doing now. I had more time to smell the roses.

AM: I’m a huge fan of Curb Your Enthusiasm, you joined it in the 6th season and I know that the 12th season is coming back, how did you get attached to the show and how involved are you in creating and evolving the character of Leon Black?

JBS: Oh man! My wife told me that I was going to be on the show. We would watch the show, we loved the show and even when I was on SNL, we would talk about the show on our writing days. One day I said, that I would love to be on the show and man I got the opportunity. I always say that one thing has to step out of the way in order for something else to come through. I didn’t get renewed for my 4th season of SNL and I literally went from coming to LA for a friend’s memorial – my friend Oji Pierce who composed and produced This is How We Do It and I was there for his memorial service. I make moves because I trust my process and I trust my talent. I know I always bounce back from things. I had actually fired my agent – I fired every damn body! I knew that once I fired them, I wasn’t going back to SNL.

The agents are the ones that fight for you and keep you hired. They are the ones that call and make it go. I said, well if I fire my agent who I am not happy with, I know for a fact, that I will not get spoken about and they’re not going to push to keep me on the show if they’re not getting paid to do what they do. So I said, “well, I’m going to see what happens.” I fired them and I knew I wasn’t going back and for a fact that with no one there to speak for me, there was no way that I was going to be able to stay at SNL.

So I took that chance, I rolled the dice and I took that chance. Low and behold, I didn’t get renewed. I was out on the road for a month doing standup. Oji passed away, my wife already told me that I was going to be on Curb Your Enthusiasm and I got a phone call of my friend passing and I went to LA for one day. I signed with a new agent before I went to LA, went to meet them when I got to LA and one of the agents said, “man, I have an audition for you – how long are you in town?” I told them that I had come into town for 1 day to pay respects to my buddy and I was going back tomorrow.

He said he had an audition for me and I asked him what it was for and he said, Curb Your Enthusiasm. I said, “get out of here, you have to be kidding me!” I went on the audition and you know, I did what I did well which is improvise which takes these scenes and make them my own. Let me do what I do because I’m going to do what I do! Me and Larry hit it off in the audition. We hit it off to the point where we were in there laughing our butts off and having a good time. We became friends that day. I left there and said to myself, if someone gets that job, God bless them, but me and that man had a great time! That leads to me being on the greatest improvised show to me in TV history.

So, my process is, I’m an improv guy. I have been improvising my entire life and I think that that’s a life choice too. Improvising gives you the ability to change your mind in the moment where no one will ever know that you changed your mind! Improvising will give you the ability to sway someone in a different direction. Improvising gives you a way of reading energy and reading their body language – all of these great things that you can do by knowing the process and being able to improvise. It pays off in life, it pays off in acting, it pays off in real estate sales if you’re a realtor. You can be anyone you want, but if you improvise just a little bit, it allows you to pick up little nuances about people that you can use to your advantage.

I think that that’s what helps me so much having to improvise in my standup career so much. It really allowed me to take that skill and to use that 1 little improv class that I took that summer before I started doing standup. I would tell anyone that they should take improv – I don’t care what you do. That allowed me to really hone in on my acting skills and to get in the moment which makes my standup shows so different. I’m literally listening to what this particular audience is laughing at which is what I apply to Curb Your Enthusiasm.

Whatever is working for my character and sometimes, I don’t know what I will do with my character. Sometimes I don’t know. Sometimes I just go with what the scene is and I take that. Sometimes what I do is, I will decide in the moment if I want to have Larry’s back or if I want to go against Larry. I decide right there, do I want to be on Larry’s side or will I go against him – what is the better argument here? I really decide in the moment and it gives me the upper hand and let’s me drive that. It also lets me give him something new that he doesn’t know about the character every time I work with him. That way, I create these forks in the road – these branches to the character. My character has never been defined. We still don’t know where the hell he came from – so for me to be able to make that up over the 6 seasons that I have been there is great! I can still tell people a little more that they need to know about Leon which makes it fun!

AM: You have been in so many series and films from Spider-Man movies, co-hosting – what do you look for when you’re sent projects and what goes into your decision on whether you’re going to participate in something?

JBS: I go by this, which works for me: I read the script of course. If they specifically call for me, I’m kind of past the audition process at this point because I am established all these years. I get offers for things and I can say yay or nay to the offer. Once in a while, I have to read for something – once in a while. It could be something very specific or something that is outside of my lane and it’s to show that I can do something if it’s a drama or something like that. If I meet a director or a producer and they ask for me specifically and they say that they want me to make my character my own, that is the most precious words that I can hear for an improv guy or a guy that they can trust to do that character. When they say, “make the character your own JB. We love your voice and your sensibilities and we love what you do and we want you to be that character and vice versa.” So I’m like cool, let me make it my own and I take that character and I make them my own. This happens in movies, in TV, in commercials, in animations – it doesn’t matter. They let me do me and if it’s animations, I say let me see the character so I can see who it is and then I can take that character and then I can make that character my own.

AM: You also have Four Courses with JB Smoove, why did you want to do this?

JBS: You know what. I love talk shows and I love talking to friends and I’m good at it. I love to sit there and kick it and have a convo with people and that is what makes interviewing people so fun. I’m curious of the process. I’m curious about your path and I’m really engaged. I love to laugh and I love the stories. I love to tell stories and I love to be interviewed while I’m interviewing – you know what I’m saying? I think that’s fun. I love to be interviewed while I’m interviewing.

AM: Last year when May I Elaborate? first came out, I knew I would be obsessed with it. I love hearing you and Miles Grose talking back and forth about various topics and it was a great way to start my day. Why did you want to create this podcast show?

JBS: You know what? It was one of those things where everybody was doing podcasts. I knew that if everyone was doing podcasts, I had to do something that was funny, insightful and I like to give what I call, broken wisdom sometimes! I feel like there’s more than 1 way for you to be able to get it. For some people, you have to shake it out of their ass and then you have to shake it into them and then shake whatever the issue is out of them at the same time. I think of that tough hard love in a funny way and in a way that makes sense to people. I’m giving it to you in a way that is like a friend. I’m not a doctor, I don’t know it all, I know a lot about everything and a little bit about nothing. You need that balance! You have to tell people sometimes that, “I’m not sure but God damn, I know you got to give it to them like that and here’s what I would do.” I can’t say it’s going to work, but this is what I would do and this is how to get the process started. You sometimes have to get out of your own fucking head. If I can get you out of your own head, I’m halfway there! That’s the block right there. You’re like a controlled schizophrenic – you are battling yourself in your own head. Different versions of you don’t know how to handle certain things. So you’re stuck in a certain place and you just need to find some kind of way to talk to the right person in your head to get it moving in the right direction.

AM: With the 2nd season dropping last month, what can we expect for the season going forward? Last season was really long as it was everyday which was great. This season, the format is a little different with it being on Mon and you guys have more personalities that are joining you each week like Tiffany Haddish, Kevin Nealon and Randall Park. What can we look forward to?

JBS: In the 1st season, we did almost 190 episodes! Which is crazy! So, we will more than likely maybe transition this amazing podcast into possibly an animated version – we’re not sure yet. We think that the wisdom is funny enough and the visuals that I give Miles and that Miles gives me, you always want to see it and I think that there is a funny way to present this show.

It’s so funny, we got nominated for a podcast award but guess what? We didn’t get nominated in the comedy category. We got nominated in the inspirational and religious category which is crazy! We got nominated with all the gurus and people who are speaking real shit. We’re taking real things and just elaborating on them in a funny way and we get put in that category instead of a comedy one which is nutso! It’s a little bit flattering in some ways to be nominated with all of these amazing people who are really speaking truth to the world. But it’s also like, damn, is what we’re saying not funny or are we ambidextrous - we’re left and right-handed? Can we do both? We have found a way to do both!

Without Miles, Miles is the glue. He is the voice of reason. He is the funniest dude ever. He does the research, I elaborate and he pulls me back. So, we have something that works well and yes, we’re not sure what we’re going to do with the show yet. We have so many ideas on our slate that it’s unlimited amount of ideas that we have that we can do and we haven't locked in what we’re going to do with May I Elaborate?, but we’re not locked out of it either. So, we’ve done a lot of episodes. For this type of show, we’re not just turning it on and talking. You have to do a little research and it takes a lot of time and looking at the perfect quote and affirmation and using it to our advantage.

AM: For last season, it was just the perfect show especially in the midst of the pandemic. To be able to have those lighter moments that would come in and to start the day off with that, it allowed us to have some laughs before we delved into the work here at Athleisure Mag whether it was booking, virtual shoots, meetings etc and it created a part of the day that we looked forward to. That was definitely special but in general. I’m always excited to hear what you will elaborate on?

JBS: Yes and we’re looking forward to doing in some capacity – anything that we can do to help people and to keep things fresh and fun. As little work as possible, but as much of a reward as possible.

AM: You have also had amazing partnerships whether it’s with Crown Royale, Caesars or JUST Egg to name a few. What do you look for when it comes to brand alignment that wants to connect with you? How do you decide what you want to lend your brand to?

JBS: I kind of go with the notion of to talk about what I know about – that way I’m not ever in a weird position. I’m a vegan so I love the JUST Egg relationship that we have. I entertain a lot so I did love my Crown Royale campaign. Every campaign I have ever done, I have always found a way to make it something that I love and that I can put a lot of energy into it and I use it. We were doing this branded entertainment with these companies for years before anybody was really doing it. I did a Mountain Dew campaign years ago – Mountain Dew White Out campaign – you name it. This Caesars one is just another one that I love. I love taking on characters. I like characters. I grew up in the age where commercials were about the characters – the “Where’s the Beef” lady, I love commercials man –

AM: The “Time to Make the Donuts” man.

JBS: Oh yes – time to make the donuts! I love that stuff! I always loved characters and reoccurring cool characters.

AM: We love your Caesars Sportsbook one. Like you said the fact that it’s characters, but also – we love football. We’re in NY, but also – I love football. We’re in NY, but I’m originally from Indiana so when you had the Mannings – that was exciting and then of course, Halle Berry in the commercial! How did this come back with you partnering with them and what will you do with them in terms of ongoing work?

JBS: Well, I actually did a commercial years ago a with a director. The commercial never made it to air, but what happened was, the director remembered me and he loved the commercial even though it never aired and he reached out. He said he was doing a campaign with Caesars and he didn’t see anyone else being Caesar but me! He liked my voice, my delivery and he knew it would be fun. He said he couldn’t imagine anyone else embodying this emperor than me. He said that he thought that it would be amazing and wanted to know if I wanted to do it and I thought it sounded hilarious. He said if we were going to do it, we were going to start the campaign and he had already sold me to Caesars and let them know that they would be blown away by me and that I was his guy. He told them that no one would be able to do this better than JB.

Now that goes back to what we were talking about – coming early, staying late, being courteous, not being a diva – all those things. I’m a seed planter. This is another version of planting seeds for later. I’m the squirrel who has those acorns and buries them for winter. That’s why my phone rings constantly. I’m always planting seeds and I have tons of seeds still planted. My phone rings and it keeps going and that’s why it keeps ringing because I have already planted these seeds and relationships that I have built already. That’s how I keep busy. People say all the time, “man, you’re everywhere – but you don't see everything at one time.” Everything is spread out over time because I have planted seeds and projects and it’s going to come out at this time and then this project over here will come out after this project at this time. My visibility is always up there and that’s the fun part.

AM: You’re an Emmy award winner, author, comedian, actor, producer, podcast host - you do so many things. What else do you want to add to your portfolio that you have yet to do?

JBS: I know at some point, I will get behind the camera and direct something. We started a brand new company called Alternate Side Productions, we’re going to build an amazing brand, an amazing company which will be off the hook. We’re going to do some amazing projects under the JB Smoove banner with brand and style and the things that we love to do. We’re going to build that and I’m going to put a lot of people to work. I think that that’s what needs to be done to build a production company. I want to drop some amazing products in the vegan lane. I’m a vegan. That’s going to be another thing. I have been doing the vegan thing for a long time. A lot of people are just jumping on the bandwagon, but you know, I let them do what they do. I’ve been vegan for awhile and I have been harping on this for awhile now and linking myself with other vegan products. A lot of people are just getting onto it and you know, it’s all good. I’m already established in this lane so it’s another thing and extension of what I do. It’s also another extension of caring about people’s health and my own health.

AM: What led you to want to become a vegan?

JBS: Well my wife has been a vegan for forever. My wife is a musical artist and has been a vegan forever and hasn’t had meat in something like 27 years. So, she was a vegetarian for awhile, then a vegan and now she is a raw vegan which is a whole other level. She’s doing that now, but I’m a straight vegan. I’ve been part-time/full-time for a long time. I was part-time vegan and full-time carnivore for awhile. Now, for the past 4 years, I have been a straight vegan and it’s been great.

AM: As you say, you’re always planting seeds. Do you have upcoming projects that you are able to share that we should keep an eye out for?

JBS: Not right now. The main thing I’m working on right now is of course, you know that Curbed got greenlit for season 12, I have a bunch of animated shows coming out, I have the new season of Woke out right now and I’m recording something right now for a video game. I’m also recording 2 other animated shows at the same time. I’m also building this company. I’m resuming my standup tour and I’m also doing a special and hoping that I can get it done by the top of the year. There’s a bunch of cool things that I am working on and I’m very happy with my process. I like to be the steady tortoise sometimes – I don’t need everything at one time, I still love my private time so that I can RV. I still love to do all the fun things that I love to do. As I said, my wife is also out there doing her thing with her new studio. We’re doing so many cool things and also we’re building some companies outside of entertainment. Yeah we’re just doing cool stuff and things that are off our interest list.

AM: You have great style that's well accessorized. As a stylist in addition to my role as a Co-Founder and Style Director at Athleisure Mag, how do you define your style and would you ever create your own clothing/accessory line?

JBS: I love style! I grew up in an era where you build your outfits from the shoes up. You get a nice pair of reliable comfortable shoes because the first thing people do is look down at your feet and then they work their way up to your eyes.

I do have some amazing things coming out. I’m working on a watch, I’m working on a hat line and some amazing bracelets. I’m working on a few amazing things. Yes, all of these things I plan on dropping before the new year and this is going to be some amazing accessories. Apparel is a little hard, but accessories are something that I love and I love things that I consider conversation pieces. A conversation piece will get you in the door and you can meet your new boss. It just takes the interview and this changes the meeting and the relationship and takes it to something different. It gets you in differently.

I tell young people all the time, create a conversation piece whether it's a rose or a flower in your lapel – something that people look at and think, “wow, I like his style. I like what he represents.” That is the #1 thing – a shiny pair of shoes, a pocket square – something amazing on you to create and allow people to keep their eyes on you. It creates that question of, what kind of rose is that, what kind of pocket square – who made that tie? All these things are things that people look at and allows them to reaffirm who you are!

AM: I couldn’t agree more – statement pieces are so essential!

With everything that you have done, what do you want your legacy to be?

JBS: I just want to be known as a chance taker. I believe in getting as many at bats as possible. Get as many swings at the ball as possible. I have always been one where I have had some stumbles, but I have a bad memory of those stumbles. I tell people all the time that life keeps going – it keeps moving. To be free of mind and to be free to take as many swings as possible and to know that you can change your mind. Take as many swings of the things that you want to do in this life as possible. The more swings you get, the more hits you get. If you’re sitting on your hands, you can’t get the swings! I always say, get those swings in, figure out your progress, figure out what you want to do and keep swinging at it. I want to be known as chance taker, a guy that always walks on a tightrope with no net. I always feel like I got good balance. With good balance, you never worry about falling - you know what I mean? If you worry about falling, you worry about standing up.

IG @ohsnapjbsmoove

PHOTOGRAPHY CREDITS | PG 30 - 31 Harrison O'Brien | PG 33 + 43 Noemad | PG 34, 50 + PG 73 - 75 9DRIP Storm Santo | PG 36 - 40 Curb Your Enthusiasm HBO/John P Johnson | PG 44 - 47 Luis Ruiz | PG 49 The Last O.G. TBS/Cara Howe |

Read the MAY ISSUE #77 of Athleisure Mag and see STORING SEEDS | JB Smoove in mag.

ATHLEISURE MAG | #77 MAY 2022

In this month’s issue, our cover story is with international superstar EDM DJ/Producer duo Dimitri Vegas and Like Mike. We talk about their love for music, how they got into the industry, their creative process and upcoming projects that span Dimitri appearing in Jurassic World: Dominion and the latest collab with Mike in his BLACK BANANAS X GREEN ROOM. We catch up with Emmy Award winning comedian, actor, animation voice actor and host of his podcast – May I Elaborate? JB Smoove. We talk about how he got into the industry, how he honed his craft via improv, being on SNL for 3 seasons, the upcoming 12th season of Curb Your Enthusiasm and more! Apple TV+’s Physical will drop it’s 2nd season next month. We talk to 2 of its stars, Rose Byrne and Dierdre Friel about what we can expect. STARZ’s P-Valley is also back for its 2 second season and we caught up 4 of the castmembers (Elarica Johnson, Parker Sawyers, Shannon Thornton and J. Alphonse Nicholson) to talk about how they got into the industry, catching us up on season 1, what we can expect for season 2 and additional projects coming up. Mark Indelicato is back for season 2 of HBO’s Hacks and Prime Video’s With Love. We talk about the impact of the success of his character in Ugly Betty, his process to approaching his roles, his shows and more. We also talk with swimsuit model and Netflix’s Grace and Frankie star, Brooklyn Decker. We talk about how she transitioned from modeling to acting, the final season of this iconic comedy and more.

This month’s 9PLAYLIST comes from EDM DJ/Producer Hardwell as well as Lost Frequencies. Our 9DRIP comes from our cover, Dimitri Vegas and Like Mike and Curb Your Enthusiasm’s JB Smoove. Our 63MIX ROUTIN3S comes from WTA tennis star Ajla Tomljanovic and celebrity hair stylist, Andrew Fitzsimons. Our 9LIST STORI3S comes from EDM duo SOFI TUKKER.

Our monthly feature, The Art of the Snack shares Indian restaurant, aRoqa in NYC’s Chelsea. This month’s Athleisure List comes from Pikes Hotel in Ibiza and Pause Studio in LA. As always, we have our monthly roundups of some of our favorite finds.

Read the MAY ISSUE #77 here.

IT'S ALL JUST STORY | RODNEY BARNES

This year when the NBA unveiled their 75th Anniversary Team of retired and active players, it included 17 members who played for the Lakers which includes the Showtime era of the 70/80s with players Kareem Abdul-Jabbar and Magic Johnson. To understand the importance of this era and what it did to how we enjoy the game, and how it moved the game forward in terms of commerce and making players brand, Winning Time: The Rise of the Lakers Dynasty illustrates the dynamics at play.

We talked with Rodney Barnes, who has written for STARZ Heels, STARZ American Gods, Everybody Hates Chris and more. He shares how he got into the industry, the positions he has held, his approach to his work, being the Executive Producer and writer for Winning Time, Zombie Love Studios and his passion for comic books and graphic novels.

ATHLEISURE MAG: You’ve worked in various positions in the entertainment industry as a Production Assistant, showrunner, Executive Producer and an award-winning screenwriter. With all of these roles, what was the moment that you realized that you wanted to work in this industry?

RODNEY BARNES: I was going to Howard University and I was in the School of C (Howard University Cathy Hughs School of Communication) and I was working at Georgetown Law Center as a campus cop at night and I found out that the movie The Pelican Brief was coming to my job to film some scenes. So I was really excited because it’s one thing to go to school for this and it’s another thing to actually be able to see it up close. So I signed up for all of the overtime details and I got them all. I started watching the movie being put together and it was so exciting! So I met a guy and he was the PA, he was a Key Set PA. So I asked him how I could get a job doing what he did. He said that that weekend, they had some big scenes that were taking place at the Washington Monument and that if I wanted to come and do it for a day, they'd be happy to have me.

So I did it and it was the most exciting, fun and best $100 that I ever made in my entire life! It was something about it that felt right. I felt more purpose in doing that and being close to this thing that I wanted to be close to then I did doing anything else that paid a lot better. I quit my job at Georgetown and started working as a PA full time.

AM: What a story, we always tell people that we embrace the multi-hyphenate. As someone who has worked in a number of roles and continues to do so from writing and producing, when did you know that you wanted to take on these areas and what the specific area was that you wanted to start in first? Or was there just a confluence that took place to make all of this come together?

RB: I knew I wanted to be a writer, but I knew what I didn’t know. I knew that I didn’t understand how any of this worked and I had a very fundamental understanding of what writing was and telling stories. Quite frankly, emotionally and psychologically, I wasn’t mature enough or evolved enough to be able to take on the big job. So, working as a PA, I look at it as being an apprentice. I had an opportunity to meet people, to sort of find my tribe, to figure out the psychology of how it would work and to just get my legs under me which was a bit like bootcamp. It was always writing, but I had to build up to the idea of being able to take my shot at it because it just felt too big.

AM: What do you think was the biggest thing that you learned from being a PA that has helped you with your career or was it just being able to see all the parts that were moving and to be able to understand how they connect?

RB: There was that. I think that the thing for me was that I always had this idea that everybody in Hollywood must be a genius and I haven’t met a genius yet. But, what I have met are some folks that have worked really really hard at their craft. It sort of demystified the entire process for me in being able to see it up close and to be able to observe. I wouldn’t say that I was a vital part although I know that some people would disagree. It was sort of the type of thing where getting to know people as friends and mentors even though that’s a problematic word as no one put their arm around me and said, “son this is what you do.” But they allowed me to be in their circle and to be able to see how the sausage is made. I got an opportunity to be able to just see things up close and to decide whether or not I could do it, if I wanted to do it and the closer I got to the thing that I wanted, the better that things got for me, but I wouldn’t have been able to do any of it if I hadn’t been a PA.

AM: From a screenwriting aspect, you have written a number of things. I loved your work in American Gods which I loved that show and obviously Winning Time and then you look at shows like Everybody Hates Chris. How do you get inspiration to write and then where do you start from when you’re trying to put words to paper to create these worlds for us?

RB: I never looked at it from a place of inspiration because if I need the emotional investment to do it, then I’m not going to be inspired some of those days and I’m still going to have to do it. For me, the difference was, approaching every day like I’m at work which was no different then when I was at Walmart or Target or any of those places that I worked at along the way. I had to get up, I had to work, I didn’t feel like it and then somewhere midday or so, it got a little bit better and then a little bit better. I sort of approach writing in the same way. I have a lot of resistance on the days that I don’t feel like doing it, but it needs to be done because I have a deadline. 78% of the time, I’m able to be disciplined and I’m able to get it done and the other times, I might go to the movies, sit and watch a game or do something else when I’m supposed to be writing. But I think it’s more of a discipline of doing the thing than an emotional component to it. There are days where I feel it and if I'm writing something like a horror driven thing like in my graphic novels, I'm enjoying it a great deal so it’s easier to do, but whether I feel it or I don’t feel it or am some place in between, I still do it.

AM: Just to circle back to American Gods, one of my minors in college was Classical Civilization so it covered mythologies of the world in addition to Greece and Rome and included African and Asian nations. So when I watched it, I loved seeing all of these stories that came to life. What was it like writing for that?

RB: It was great! The best thing that came out of it was my relationship with Orlando Jones (Sleepy Hollow, American Gods, The Good Lord Bird) who played Anansi/Mr. Nancy on our show. I had a similar thing as you, I didn’t do it in college but I studied a lot of different types of mythology and some of these characters like Anansi and Bilquis and others, you don’t really get to hear a lot about them. Because of comic books, you get Thor and Zeus, Odin and Hercules and those guys but oftentimes, Gods of color don’t get a lot of love. Even when they do, it’s in secondary roles. Working for American Gods and I’m a huge Neil Gaiman fan. So to be able to play in that sort of world and get some genre credits under my name was great as I have a comic book company and I also tell a lot of genre driven stories so being able to legitimize that beyond wanting to do it was always something that I wanted to do.

AM: It was such a phenomenal series. I remember seeing the episodes and being able to see some of these characters that I had read about being brought to life so fully, it kept me glued and it was truly incredible.

So as a screenwriter, what is that process like in terms of getting attached to a project and how does one pitch themselves to get into this work?

RB: Well my agents do a lot of my pitching. They typically open doors, but I’d say that about 75% of the work that I get, outside of the things that I create, really comes from via word of mouth. Right now it’s a good time because of Winning Time and people seemingly are enjoying it and you get a lot of offers to do things because they like it which I am grateful for and it is a blessing. More often than not, it’s about putting yourself in the right position you know? People know that I write graphic books and comic books so whenever a project like that comes around and it seems like they can use a writer like me, oftentimes, they’ll call or not so much now because I have been doing it for awhile but maybe 7 or 8 years ago, if it was something that I had heard about that was coming down the pike, I would tell my agents to keep an eye out on it and then see if maybe they could get me up there to be considered.

AM: Is it a different flow for you when you’re writing for the BET Awards or the Oscars – is there a different approach because it’s a live audience or a different format then just a show or even the comic books?

RB: Not really, I look at all of it like it’s story whether it’s writing a joke, Chris Rock or one of his specials or whoever I’m working for for the Oscars or an awards show. Even a joke is a story. It has a beginning, a middle and an end. Whether I’m telling a funny story or a horrifying story or a dramatic story, at the end of the day, it’s all a story. So, I approach it all the same way. The biggest thing for me is really understanding who’s going to be interpreting the words. Like, I work a lot with Chris Rock, and I know him really, really well so if I’m going to pitch something to him, I incorporate that knowledge into the pitch. Like, I can sort of filter myself and know that he wouldn’t like this or he would really like that part. In writing the shows, I have built a great relationship with a lot of our cast and so, I try to write to their strengths as well as to the story that I am trying to tell. When I am saying that I’m writing to their strengths, I'm talking dialogue. There is a cadence to how people talk and if you can make it easier for them to interpret the words, I think that they become more comfortable with it so it's really more so about having familiarity with it for the task at hand.

AM: Also in your body of work, you have been a co-producer and a producer in shows like Heels, Winning Time and Wu-Tang: An American Saga. We’ve had a number of WWE wrestlers as our cover and shared their stories so seeing Heels was another show that we enjoyed. When did you realize that you wanted to add these roles into your body of work and how does that change your perspective especially when you're also writing the show as well?

RB: Well it’s funny, those titles of producing can mean a lot of different things. Earlier in my career, say on My Wife and Kids, when I was a producer, it wasn’t really a lot more to do than sitting in a room and writing. It’s sort of like the government, government jobs they have G-1, G-2 as you work up and it’s sort of like that in television in writing as well. If you do it long enough, you start out as a staff writer and then you move up to a story editor and then an executive story editor and then you go up through the WGA (Writers Guild of America) classifications that go with moving up. But then, in certain gigs like in Everybody Hates Chris, I was in the writer’s room and wrote a number of episodes, but I also produced the voiceover that you would hear in every show. So I would write the lines and go with Chris Rock and go record the lines together and then I would place them in the show in editing. So, to me that was actually the beginning of actually producing and so on different shows, that idea of what a producer means is something different.

On Winning Time, I actually work with the actors whether it’s working on set with their lines, working with the director to see whether or not a shot is sort of lining up with how we saw it when we were writing the show – it can mean a lot of different things. There are some shows where I have been an EP and it didn't mean anything more than just writing a show and putting it together or on some shows I'm actually tangibly doing something different. On American Gods, I wrote and also worked on the set with the actors and the director as well and putting it all together. On Heels, not so much. Marvel's Runaways – not so much. But it’s different with each one, so it’s a classification that comes with being a TV writer and as the responsibilities go, it has more to do with what that show requires.

AM: When I first heard about Winning Time last fall, I knew I was going to love it, I remember as a kid in 1986 loving this team even though I grew up in Indiana and it continues even though I live in NY now. So seeing this story, hearing about this story and getting this inside scoop of what was going on has made it really enjoyable to watch. How did you get attached to this project and what made you want to be involved?

RB: Max Borenstein (Kong: Skull Island, Worth, Godzilla vs Kong) who is our showrunner and the other Executive Producer as well, he and I have been writing together for about 10 years and when Jim Hecht (Fairly OddParents, Ice Age 2: The Meltdown, The Ice Age Adventures of Buck Wild) first optioned the book, he got the book to Adam McKay (Talladega Nights: The Ballad of Ricky Bobby, Vice, Don’t Look Up), and he got it to HBO and they said they would do a pilot I believe, I don’t know if the project was picked up then. They hired Max, Max called me and I said yes that I would want to be a part of it. That’s how it started.

AM: It’s an incredible cast and I love McKay films and the people that are in it. In terms of writing this where you had Jeff Pearlman’s book Showtime: Magic, Kareem, Riley and the Los Angeles Lakers Dynasty of the 1980s, how much source material did you have as I know players of that time as well as the franchise didn’t reach out to you on this. How did you coalesce these things all together to create this story and to provide that insider feel?

RB: Well we were really fortunate that book. So we studied a lot of books and Rick Fox, former Laker was our technical advisor, we talked to a lot of folks who were around the team at that time who worked for the organization, YouTube – we did a lot of research everywhere – articles anything that we could find. We sort of incorporated into the narrative and some stuff we had to tie in together for dramatization purposes.

AM: Obviously with the people that were involved, John C Reilly (Gangs of New York, The Aviator, Anchorman II: The Legend Continues), Jason Clarke (Brotherhood, Chappaquiddick, Silk Road), Rob Morgan (Stranger Things, The United States vs. Billie Holiday, Don’t Look Up), Jason Segel (How I Met Your Mother, Dispatches from Elsewhere, Hotel Artemis) and Adrien Brody (The Grand Budapest Hotel, Peaky Blinders, Succession) etc, there are actors in there where there is a lot of secret sauce. You have actors who were athletic but didn’t play basketball and having to do so for this role, having Quincy Isaiah play such a key and iconic person who was new to this platform, how did all of this come together to get that energy, to make an audience believe that these people who be playing this game even though they didn’t necessarily have this background?

RB: Francine Maisler (Uncut Gems, Being the Ricardos, Dune) is our casting director and she did a great job finding folks. Sometimes you get lucky like in the case of Quincy who is from Michigan and was an athlete – a football player. He had to lose 80lbs or so to come down to being able to have a Magic Johnson-like look. Solomon Hughes who plays, Kareem Adbul-Jabbar is an educator, is 7-feet tall, plays jazz and he played basketball on a professional level before. You just get lucky sometimes. I think that that’s across the board in finding people that not only have the talent but also the emotional stuff.

If you think about our players, they have to learn how to play the game because some had never played the game before, they had to be convincing to learn how to play a particular way that their character played, they had to go through physical training everyday and then they had to learn their lines and then they had to act. So there would be times when they would have to come from training, be on set, leave their work, leave set and go and play basketball everyday for however long – for a year or so. Then there is the training that went into it before hand and always having a good attitude about it as they were going. We got really really fortunate to find the folks that we found.

AM: When did you realize that you were going to be Maurice?

RB: I’ll tell you when I was working, Max was working on a movie called Worth in NY that’s on Netflix now. I was working on the first season of Wu-Tang: An American Saga. I was in Staten Island, he was in Manhattan. We would meet on the weekends and we would go over it with Jim Hecht and Rebecca Bertuch (Worth) and we would work on putting the show together. Every now and then, this name would pop up, Maurice, Maurice, Maurice – like who the hell is Maurice? Oh, you’re going to see and it was like an inside joke. They knew that I didn’t know. When we were officially on board and we started in the writer’s room in LA, we had all the pictures up of the actors on the wall and then there was a picture of me. I was like, “why is my picture on the wall?” They said, you’re going to play Maurice and I was like, “oh, ok – haha Maurice.” So Max actually wrote Maurice’s lines and the only scene that I had at one time was the scene with Pat Reily where I don’t let him in The Forum. I thought, “ok, I can do that, I’ve been a security guard my whole damn life!” I know how to say you can’t come in. You don’t even need to even write out the lines just let me stand there and I know how to not let you in some place. Then, all of a sudden, I started seeing Maurice pop up in other scripts! He's like a leprechaun where he sort of shows up in different places and I'm like, "why am I popping up?” and then I had a walk and talk which is very difficult as an actor because you have to walk, you have to think and you have to move which was in episode 5 where I had that scene. I was nervous about that scene. Actually, I messed up the scene that is on. I messed up a line but Gabby Hoffman (High Maintenance, Girls, Transparent) who plays Claire Rothman is so great, you would never know because she kept going and I kept going and so that was it and they cut and we went on with the day – but I messed up.

It's cool, the network likes it, everyone likes him and I think that Maurice is going to come back and probably say more words.

AM: We always like when he pops up!

RB: Well, thank you! As long as I stay big and relatively menacing and intimidating, Maurice will probably be around.

AM: What has been your biggest takeaway of being part of this particular project, seeing it come together and the reception of people loving this?

RB: Anytime you work hard at a thing for a long time that is intended to entertain people, you always want that to land the way it is intended so that people are entertained. I think that we’ve got a great reception and that people really seem to like it and it’s sort of gratifying because I and a lot of people give a lot when you do these sort of things and it’s not easily assembled. For me certainly being able to talk about African American culture as it pertains to sports in a way that is sort of elevated is always an honor. It’s a good thing.

AM: Well, you guys have been greenlit for a second season. What does that look like, what do you want to tackle – will it continue with these same players or will it be another part of Laker history or even another time in NBA history for a Winning Time situation?

RB: As of the moment, the plan is to continue on in the same narrative and to just keep telling the story as we have been. Even now, when we first started the process before, we were going in the third or fourth iteration of what you see on screen now – we were going to go a lot faster. Then, the decision was made during COVID to slow down the process of storytelling and we had to go back to the drawing board a couple of times to slow it down. I say all of that to say that you never know. We could speed up a couple of seasons, we can keep going the way that it is, but I think that the plan for now is to continue going in the direction that it is.

AM: One of the things that I enjoy especially with a lot of the HBO shows is that there is a companion podcast and literally, I can’t wait until Mon to listen to the show which drops right after the episode airs on Sun. I listen to JB Smoove and then I listen to your podcast. It’s great to get your insights, what’s going on – the Rob Morgan episode was really great to hear. Every episode is great as there are so many tidbits that can be enjoyed. How did you get attached to hosting this podcast and how much input do you have over who ends up being on the episode with you?

RB: Very similar to how I became Maurice. Somebody thought that it would be a good idea to have me do it and my first reaction was, I have never done a podcast before and they were like, “oh you can do it.” I think that I tried to back out a couple of times and they were like no just give it a shot. I think that I got better as time went on which is sort of the course of life, the more you do it, the better you get at the thing that you do. But, it also helps that I know everybody. Everybody that I have had on so far whether it was Snoop Dogg, Rob Morgan or Quincy, or Max or whoever, I know them. It’s like having a conversation with someone who is a friend and not so much like talking to someone who is a stranger.

They always ask me who I would like to have on and I try to spread it around between the cast members, but also the people behind the scenes. I had Todd Banhazl (Janelle Monae: Dirty Computer, They Call Me Magic, Hustlers), I had Max, I had Jim Hecht, Rebecca, I had Sarah Scott (Pam & Tommy, The Offer, The Flight Attendant) our intimacy coordinator. I had Idan Ravin whose the basketball coordinator. I had our director Salli Richardson (The Chi, Altered Carbon, The Wheel of Time) and Tanya Hamilton (Big Sky, The Deuce, Snowfall). I try to mix it up where you have one of the cast members and then someone who is a technical part of the team so that for people who are interested in being part of the business as one time I was, you can actually hear some of what they do and realize that there are a number of jobs besides the big 4 or 5 at producer, director, writer. There are a lot of other things to be done and some things may spark to someone and hopefully that podcast can help a little bit.

AM: We love seeing the birth of the NBA as we know it today as this entertainment platform with next level dancers, club lounges and had this came together with Dr. Buss. This has become the standard for what it means to go to a NBA game. Being able to hear more about Jack McKinney and his time with the Lakers. I knew he was a coach for the Pacers, but I didn’t know about his backstory. What is it that you want audiences to walk away with after watching this season or subsequent seasons?

RB: Always with our show, we have what you know and the thing that you can Google and find out. Who won the game, who lost the game and those types of things. But there’s also those things that you didn’t know. Like in the case of Jack McKinney, a lot of people had forgotten not just him, but the accident that he was in – the basketball accident and how that changed the course of the Lakers coaching dynamic. So, being able to tell some of those stories and show the Shakespearean dynamic of the coaching system with Paul West head and Pat Riley, most people know Pat Riley being the Lakers coach and they sort of identify with just him, but there were other guys too.

I think that the other side of that coin is Spencer Haywood who was a big part of NBA free agency and a lot of how we look at basketball today in the fact that we can look at James Harden and see him go from team to team to team or LeBron just being able to go to the Heat and all of that – a lot of that has to do with Spencer Haywood and going to court to battle for free agency rights for players. When I was growing up watching the NBA, I’m from Maryland so we had the Bullets, now the Wizards. Usually if a player got drafted, he played with one team for his entire career. It was big news when a player would move from one team to another.

Now, when you look at the change and the evolution both in the style of play when you look at the Showtime offense of Jack McKinney that evolved and to Spencer Haywood’s contribution, that you see in these 2 gentleman, it has a lot to do with the way that the game is played and it’s rarely recognized over the course of history. Anytime we can incorporate things that folks don’t know, it’s always a treat!

AM: Usually, when an episode concludes, we’re usually Googling about 4 things! It becomes a great way to understand how far the game has come in really such a short period of time and how things are so different and the shoulders that people stood on to get to where we are now.

RB: Exactly.

AM: Where did your love for comic books come from. You have Killadelphia that you’re writing, Marvel, Star Wars universes and Lucas Film Studios – where did this come from?

RB: The only inciting influence that I can find in my mind and my heart was that my mother was a school teacher. Before computers and all of that stuff, she would go to the public library to do her lesson plans and she would bring me. There was always this area where you would have kids like in a pen, your Cat in the Hat, Curious George books etc. I had no interest in any of those books because under those books was a box and in that box was comic books. I knew exactly where it was and I don’t think that they ever changed them in all the years that I went. I would just sit in the corner and read them for hours. It sort of became a thing where it was infectious you know? The moral throughline and some of the stories were more evolved than what my 5 or 6 year old mind could handle but I was intrigued by that idea. Then later, people would give them to me and my grandfather would call them funny books back then. They would give me a stack of them and it was a way to keep me quiet. Later on, when I would have odd jobs, I would buy them. This was during a period of time where you could get comic books anywhere – the convenience store, liquor store, virtually any place that had a spinner rack full of comics. Now, you have to go to a comic shop on Wed to get them. But back then, they were readily available and they were only 20 cents or a quarter. Now they’re $4 if not more.

It was just a love that just evolved along with my life. In the beginning, it was mostly about the art and the story. Then in my teen and later years, there were guys like Alan Moore (Watchmen, V for Vendetta, Swamp Thing) and Grant Morrison (Doom Patrol, New X-Men, Fantastic Four 1234) and Frank Miller (Daredevil, The Dark Knight Returns, Sin City), they sort of made it like literature and evolved into something that was more serious and that kept me involved and then later television and film like most people. So there has always been this relationship.

When I was younger, I tried to write comics professionally, but couldn’t find a way in. Like a lot of things that I’m sure people feel with television and film, it’s a tough nut to crack. But even more so back then, there weren’t a whole lot of African American characters and there wasn’t a big indie space when I was coming up. It was just Marvel and DC and every once in a while there’d be a new company that would pop in. They didn’t have the same distribution chain as DC so you were relegated to those 10 characters maybe if there were 10. I think that a lot of times, companies back then felt like unless you were writing for a character of color, what’s the point of hiring this person? So for me, I wanted to take a shot at writing a comic so when I was on the show Runaways which was a Marvel show, they liked my work and I sort of leveraged the appreciation of my work to say, “hey if you guys have any relationship with Marvel Publishing, I’d love to write a comic book.” They gave me Falcon. I quickly realized that I had no idea what the hell I was doing or how to write a comic book. I just took my shot. It was received ok-ish. Then again like the podcast, I kept doing it again and again and again and I got better and better and better at it and then I had the idea for Killadelphia and started a whole new thing. Now I write 10 books a month and I have my own company and it’s taken on a life all of it’s own.

AM: Which is amazing and I know in looking at your IG, you were talking about The Mandalorian which I’m a fan of. You have a project coming out in June – can you tell us more?

RB: Yes, it’s June the 22nd, The Mandalorian adaptation of the TV show and it’s the first adaptation that Marvel and Lucas Film have done with a project. It’s basically straight adaptation of that story. They don’t let you deviate too far from the story because it’s Star Wars cannon and you can’t really interfere or add new things because it’s connected to the television show. So I basically do my version of the television show would be.

AM: It’s still very cool though!

RB: Yes, it’s an honor to play in that space.

I just finished IG-88 Star Wars: War of the Bounty Hunters and I did Lando Double or Nothing earlier. I love to play in the space. I have a Luke Cage short that’s coming up and maybe a Luke Cage miniseries coming up for Marvel. So anytime you get to play in that space, it’s always fun because it’s such a big fan base that you get to connect with that many people is always an honor.

AM: You created Zombie Love Studio which deals with creating original graphic novels and things of that nature, what are some things coming out of there that you want to highlight?

RB: The first book is Blacula, a reboot of the Blacula character from Blaxploitation era in Oct/Nov which should be dropping then. I also have another book, Florence and Normandie and alien attack story that takes place on the corner of Florence and Normandie famous because of the Rodney King riots that started from there. I’m writing that with Xzibit. I have Tales from the Crip with Snoop Dogg which is the Crip Keeper. I have a book called Crownsville which is set in one of the first black mental asylums in America that’s a ghost story.

There's a bunch of other things that we’re developing that are moving along. There aren’t enough hours in the day, but I’m really excited about it all and it’s coming together slowly but surely.

AM: The depth of what you’ve done is truly phenomenal. What are things on your bucket list that you have yet to do or areas that you want to put into that body of work that you haven’t but that you’re still interested in tackling.

RB: Well certainly, developing the Zombie Love books and Killadelphia and things like that into my Substack page where I do 4 of the books. 3 that are connected to the Killadelphia world which is the book that I do at Image. There are 3 books that I do at Image, Killadelphia, Nita Hawes’ Nightmare Blog and Monarch an alien attack miniseries that I am doing. My Substack page has 3 other series, Johnny Gatlin who is a gun slinger in hell and hell is like the Wild West. 20 Degrees Past Rigor which is a zombie story set in Flint, Michigan where zombies are connected to the polluted waters of Flint. The Butcher of Black Bottom which is a serial killer story set in 1920’s Black Bottom section of Detroit. Then there’s Elysium Gardens which is in the back of Killadelphia which has an ongoing story on a Substack page. So, there are those books as well. There’s a lot of stuff and next, I hope to adopt a lot of those things into other forms of media whether it’s animated, live action or television or those kinds of things.

AM: Because you have so many projects that are just in constant rotation, how do you deal with the overlap? Do you have to be at a certain point before you take other things on – do you slice it up like a pizza and mix it the best that you can?

RB: Ha! That’s basically it. I try to tackle each thing as the day comes at me. I usually get up at 4 in the morning and then I start writing and I get the comic book stuff done in the morning. Then I tackle my day jobs like Winning Time or anything else that I have in front of me and I take it as the day comes. Whoever is yelling the most that is owed the thing to them – so yeah! Whoever’s voice is the loudest at the moment!

AM: I think that the time that we’re living in right now, although there is still a need for a lot more representation, to think of myself now versus the younger me who wouldn’t have thought to know that there would be an Ava Du Vernay (A Wrinkle in Time, Queen Sugar, Girls Trip), yourself, Shonda Rhimes (Bridgerton, Inventing Anna, Grey’s Anatomy) all these people that are moving storytelling forward. How important is it for you to reflect that in your work and to have POC be able to see themselves as well as for others to understand why they need to be an ally and to make these spaces more open?

RB: Well I think it’s important because the world doesn’t connect in the same way anymore like physically. We don’t talk to each other the way that we used to and it wasn’t perfect back then either. It’s more important than ever to be able to tell stories that have a ring of truth or some semblance of honesty. That way you get to see people as they are good, bad and indifferent more so than as a caricature or something that feels contrived in some way. I think that a lot of the biases that we hold with each other comes from those depictions. I know since 1619, a concerted effort was made speaking directly to African American culture to make us less than human. There’s one idea of being less than human, but you have to reinforce that on a regular basis. So you either make them caricatures or villains – one extreme or the other. If that idea has the ability to sort of ferment for 400 years or more then you’re at a place where it almost becomes truth because you’re so used to seeing that be the case.

So when you have this culture that is fighting for a slice of the pie or some semblance for respect and dignity, living in a culture and you’re sort of burdened by living with that depiction. It's really a hard thing to overcome because then even the culture itself starts to believe it – is this who I am and some people do. That can be problematic in its own way because you start to devalue yourself and people who look like you.

So I think that the more folks that can get in for various gender, sexual orientation, race or whatever it may be – to be able to speak to your truth in an honest way cannot only help you and the group that you’re in but also people outside of that group so that they have a better understanding of who you are and the struggle that you navigate just to be a human being and to have a human experience.

AM: Who are 3 people that you feel were profound, instrumental or helpful to be in your career?

RB: Damon Wayans (My Wife and Kids, Lethal Weapon, Major Payne) is always first! He was the first person that gave me an opportunity to work on a television show. Were it not for him, I wouldn’t be here. Don Reo (Everybody Hates Chris, Two and a Half Men, The Ranch) who was the showrunner and creator with Damon on My Wife and Kids. He helped take whatever raw ability I had and allowed me into a space in a way that pushed me to a space where I was able to see for myself what I had to do. I’m eternally grateful to him as well. I have to say that there is a tie for number 3 Allen Hughes (Dead Presidents, Menace II Society, The Book of Eli) of the Hughes Brothers, a director. He helped me to bridge art and commerce. He gave me an opportunity to write in a different type of way and helped me find my way of doing art. He was very supportive in that. Then, Max Borenstein who is our showrunner on Winning Time who sort of did the same thing but in a different way. There’s a push sometimes that you need to get out of where you have been to where you want to be and Max was very helpful in being able to push me. Beyond him pushing me, was me pushing me as well. There are a lot of other people and if you had given me 10 or 20, I could have continued on with other people who have helped me even if it was just survival – that’s important as well. So when it comes to writing and being a professional writer, those people come to mind.

IG @therodneybarnes

PHOTOGRAPHY CREDITS | PG 78 Warrick Page/HBO MAX | PG 81 - 85 STARZ/American Gods | PG 87 + 88 STARZ/Heels | PG 91 -102 HBO MAX/Winning Time |

Read the APR ISSUE #77 of Athleisure Mag and see IT’S ALL JUST STORY | Rodney Barnes in mag.

THE LEGACY CONTINUES | TITUS WELLIVER

We've been fans of Prime Video's Bosch where we follow along as Harry Bosch solves a number of cases regardless of how many feathers he ruffles in the process. On May 6th, the story continues on Amazon FreeVee with Bosch: Legacy. We see how Bosch continues to fight for victims as his daughter Maddie Bosch continues to walk in her father's steps and how he will reconnect with former nemesis, Honey Chandler.

We enjoy the way Titus Welliver leans into his characters and draws us in. Whether it's his work in ABC's Lost, FX's Sons of Anarchy, HBO's Deadwood and countless other TV shows and movies, we know that Titus is going to leave quite a memory with us in the characters that he plays.

We talked with him about becoming an actor, working in the industry and taking on Bosch which comes from a series of books written by Michael Connelly.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an actor?

TITUS WELLIVER: Oh boy, you know, I think I was born acting. I don’t know about that, I think it’s difficult or I can say, it was right after I realized I didn’t want to be a firefighter or a policeman anymore like all little boys do.

Actually, there was a filmmaker named Rudy Burckhardt and he made some films and he asked me to be in a film of his when I was about 5 and it was a very simple little bit where I played a little boy that had a shiny penny in his pocket and he was walking down a road. He had a hole in his pocket and he lost the penny and the penny was stolen from him by this stingy old man. I remember sort of thinking that it was kind of fun, but I didn’t really consider it any further than that. I did some little bits in school plays and things like that.

I really was initially trained to be a painter – a fine artist, that’s really what I wanted to do. But I always had an interest certainly in film and I watched a lot of television. I was spending a summer with my mother – she was living in Boston, but I didn’t go to school there so I didn’t have any friends there and I didn’t know any kids there. She was living in an area where there just wasn’t that kind of accessibility and I was sort of left to my own devices which meant I was just going to the Cineplex – to the movies all day long. She signed me up at a place called The Actors Workshop in Boston and I was 14 years old. I was reluctant, I wasn’t a camp kid, I liked sports camps and things like that. I went and after the first day, I came back to my mother and asked her if I could do more days of that. I ended up doing 5 days a week and it was a professional school for both adult and kid actors. I did that and I spent the summer doing that, but I still stayed on the trajectory that I was going to go to art school and I painted and I studied and studied.

I did a few productions in high school and enjoyed doing that and after a year of art school, I was left kind of cold to a certain degree and I had a conversation with my father who very directly said to me, “you know, when you’re not thinking about girls and drinking beer, what do you think about?” I said, “I think about acting.” My father said, “so not painting?”and I said no. He told me that I needed to be an actor. That was kind of it!

AM: What’s your process like when you’re thinking of attaching yourself to projects? We’ve enjoyed seeing your in Deadwood, Sons of Anarchy and of course Bosch – what are you looking for?

TW: Well, when you’re starting out, it’s about paying your bills, but also gaining experience. I mean, I did a lot of teeny tiny parts in plays, in short films and things because I was just trying to learn and gain that experience. So there’s that, but I think that more then anything, it starts with the writing. I've read a lot of bad scripts and I have acted in a few. But when the material is good, then it’s on! Then you realize that you’re in the presence of some material that’s going to challenge you and also that it will hopefully teach you something. Because I always say, I like to be in a constant state of learning and getting better. I think that with time, age and experience, the hope is that we evolve and certainly as artists, otherwise, you get kind of bored and you go and do something else. I’ve been extraordinarily fortunate that I have worked with great writers, producers and directors over the years – David Milch (Deadwood, NYPD Blue, Hill Street Blues) and Steven Bochco (NYPD Blue, Doogie Howser, M.D., Brooklyn South) to name a few and here I landed with Michael Connelly (The Lincoln Lawyer, The Dark Hours, The Poet) and Eric Overmyer (The Wire, Boardwalk Empire, The Affair) and Tom Bernardo (Bosch, Bosch: Legacy) – a very gifted and dynamic group of people. To be given the opportunity to play this very iconic character, he’s kind of like Santa Claus for an actor, he goes down the chimney every time that I go to work and it’s nice.

AM: We’ve been a fan of Michael Connelly books for a number of years so when Bosch went to Prime Video it was exciting and then that you were going to play the title character, we knew that it was going to be so good. How did that come together for you to be part of this?

TW: Well, I was initially sent the script and I read it very quickly. I had only read one of the Bosch books many many years prior to. Unbeknownst to me, my younger brother had read and re-read the books and to this day possesses a kind of encyclopedic knowledge of Bosch as well as everything that Michael has written.

Through a series of mishaps, I kept trying to meet with Michael and the meetings kept getting pushed off and I was shooting Transformers: Age of Extinction which had me traveling all over the place in Chicago, Michigan and then Hong Kong. We just kept missing. I got a call a couple of months later from my manager who told me that I had a little window and Michael Connelly was in town and I would be able to meet with him. At that point, I thought that that boat had sailed as it had been a couple of months that had passed. I went in and met with him and the producers and the director and I was – as my grandmother would say, I was blessed at that moment. I left that audition feeling good, but you know, I have been doing this long enough and have enough humility to know that that’s all you can do. I got the call from my manager that I had been cast as Bosch and to say that I was thrilled was an understatement. It was just more realized after the first day of shooting that I knew I was part of something that was different. I’ve played other cop characters and I’ve done lots of procedural cop shows. Look, when you’re doing something from the ground up, it’s tricky but, when you have source material, like Michael Connelly’s books, you have to work really hard to mess it up. You know, in less capable hands, it could be very very messed up. The temptation to sex things up for a lack of a better word – to have him wearing Brioni suits, driving a fast car and jumping in and out of bed like James Bond, I was relieved that there was never any kind of consideration to do anything because I have always felt that if it ain’t broke, there’s no need to fix it.

Because of the ways that Amazon and the executives work which is at the beginning of the studios, they have a prime directive which is to get the material, but then to delegate the process to the creative people and not to micromanage. They delegated to people that they knew that they trusted. They really did that and they stood behind the show. When we needed things, they always showed up. Because we had such a great group of writers and producers, we were excited by the acceptance and the invitation into people’s homes for the show and the success of the show. But I think that we always felt that it speaks back to what I said in evolving and learning. I felt that the show just continued to get better and better and here we are now in Bosch: Legacy which is a continuation of the work we have been doing for all of these years.

AM: For those who might need a refresher, where did we leave Bosch in season 7 and where do we pick up with him again as we continue his saga in Bosch: Legacy?

TW: Well, Harry’s you know in the last season of Bosch, he’s so completely fed up and disenfranchised that he gives his badge to the Chief of Police and says he’s done. There’s a great line that Irving (Lance Reddick – Bosch, John Wick franchise, The Wire) says to him in that moment, he says, “who are you gonna be if you’re not a cop and you don’t have a badge, who are you going to be?” Harry says, “I guess we’ll find out.” In the final scenes for a little Easter egg scene, we find Harry filling out his paperwork to become a private investigator.

We pick up a little over a year later after that season and Harry is working as a private eye, but he’s doing divorce cases and things here and there. It’s not like he’s got this bustling business and Maddie (Madison Lintz – The Walking Dead, Bosch, Bosch: Legacy) has joined the force and has been on the force for awhile. She’s still working with a training officer, so she’s a boot and she’s trying to find her own legs, but she’s Harry’s daughter and it’s really in her DNA, she carries a lot of the work ethic and the same characteristics and has the same moral compass as well as independent thinker which places her at odds, but she’s out there doing it. We find Chandler (Mimi Rogers – Mad Men, Bosch, Bosch: Legacy) sort of reeling from the very serious PTSD from almost being killed and the person who orchestrated her attempted assassination and Maddie’s looks like he’s going to go free.

You find that everybody is in these states of being kind of fractured and broken. You know, Harry is untethered, he's kind of wandering and he's always been a kind of an isolated character, but he's more isolated than ever now. Maddie, as she’s navigating it, she’s also trying to come into her own because Harry’s legacy has cast a very, very big shadow and that’s not all great! Harry’s reputation was one of being a closer and a great detective, but he pissed a lot of people off because he was a very direct guy and not exactly user friendly. The name Bosch on her uniform is not necessarily a great thing and she doesn’t use her father’s reputation as commerce within the department. So we find these characters really navigating things at the same time and interacting so it doesn’t necessarily feel like it’s a triptych, everything intertwines. But it’s also not like you have Maddie, Chandler and Harry having dinner at the house together – it’s not contrived like that. They’re all living their different lives and they’re all finding their way.

AM: How excited are you in being able to continue this story?

TW: I’m very excited and the idea when we were shooting the final season of Bosch, there was a heaviness for everyone involved. We had become very very close like a family as productions do and we were all invested and were very, very connected and committed to our characters and to the show and so when the opportunity presented itself that we would continue, obviously with a smaller ensemble cast and the ability to focus more on 3 central characters, but still bring in the characters that people know and love that populate the Harry Bosch universe – it’s a thrill! I’m very excited for the show to come out there because the fans of the show that have been so incredibly supportive over the years are really eager and hungry and they want to see what it’s going to be like. I have confidence that we will meet and surpass their expectations.

IG @tituswelliverofficial

PHOTOGRAPHY CREDIT | PG 46 - 51 + 55 Prime Video/Bosch | PG 52 Amazon FreeVee/Bosch: Legacy |

Read the APR ISSUE #77 of Athleisure Mag and see THE LEGACY CONTINUES | Titus Welliver in mag.

BINGELY STREAMING

JULIA

Max Original

HBO Max

We have watched PBS' The French Chef, watched Julie & Julia and have read a number of books. There is so much to learn about Julia Child's story and HBO Max's Julia delves in by covering the beginning days of her public access TV show off the success of Mastering the Art of French Cooking.

We see her creating her show behind the scenes, brokering a deal to even getting it on air, innovations that were created for this show that have become staples on our favorite shows and more. We learn the process of writing cookbooks, what's involved in testing recipes as well as what it's like working with publishers. We also meet culinary figures like James Beard as well as known writers like John Updike.

In addition to looking at the beginnings of celebrity chefs and the kinds of portfolios that we have come to know about them, we watch Julia navigate these spheres that didn't have a rule book, the importance of working with friends and family in order to get to where she got to and the importance of her legacy. We highly suggest listening to the official companion podcast, Dishing with Julia after each episode hosted by Kerry Diamond of Cherry Bombe.

THE ULTIMATUM: MARRY OR MOVE ON

Netflix Original Series

Netflix

We enjoyed seeing Love is Blind which hosted and executive produced by Nick and Vanessa Lachey. They're back with a new show, The Ultimatum: Marry or Move On where couples who have dated for 2 years call an ultimatum where they get married or they go their separate ways. We hear from each couple on which one made the ultimatum or why they feel they need more time.

The couples meet one another, spend time to see who they want to live with for 3 weeks, then they connect with their significant other for 3 weeks and then a decision is made. This is yet another social experiment that delves into interpersonal relationships and is worth continuing to the reunion show as well.

POWER: DON KING

Somethin' Else

Spotify

We enjoyed POWER by Somethin' Else where they focused on The Maxwells as well as Hugh Hefner. Season 3 focuses on boxing promoter Don King from his early days, handling the careers of Muhammad Ali, Roy Jones Jr and Mike Tyson, his fall from the sport and how his business models have found their way to UFC as well as content creators who have found their way to the sport.

Read the APR ISSUE #76 of Athleisure Mag and see Bingely Streaming in mag.

BINGELY STREAMING

BEANIE MANIA

Max Original

HBO Max

Many of us remember when Beanie Babies became the most collectible item. Out of nowhere, these stuffed animals known as Beanies were found in a number of gift shops and stores in your town. Growing up, you even knew that your parents or other elders were collecting them.

Beanie Mania goes behind this craze to share how the company came into existence, how it grew slowly and how a group of Midwestern women began driving value and interest to this toy and how it became something where people felt that they literally would become millionaires.

We learn about how the company with a handful of employees went from having a product, to giving it life with the poems, names of the Beanies and having a non-traditional distribution.

Ultimately, greed, undervaluing employees and additional issues began to be the undoing of the millionaire dreams that many had. It also looks at how there is a resurgence of these toys and interests as younger generations have been gifted the toys.

OZARK S4 PART I

Netflix Originals

Netflix

We've been waiting to see how it all comes to an end on Ozark and this month, Part 1 of the final season of this show dropped with the first 7 episodes and the remaining 7 will drop later this year. We catch up with with Marty (Jason Bateman) and Wendy (Laura Linney) Byrd as they continue to utilize their accountant work with the drug cartels in order to gain political influence in the Midwest.

With this goal in mind, the entire family is focused on being able to leave the Ozarks and to move back to Chicago to get back to life. Unfortunately, there continues to be twists and turns as enemies and frenemies wind up dead, former work associates find themselves dragged into bigger problems and new acquaintances prove to be harder to work with than ever.

With the goal firmly ahead of them, we know that ultimately, the tag line for this season is, "no one makes it out alive."

WILD THINGS

Apple Original

Spotify

We all remember the entertainment tragedy that took place at Siegfried and Roy's show. When one of the stage tigers carried Roy offstage, it led to the final show. Wild Things goes behind what took place to talk about the entertainers and what else was involved.

Read the JAN ISSUE #73 of Athleisure Mag and see Bingely Streaming in mag.

IMPACT THE GAME | DARIUS LEONARD

We're kicking off the year with our 73rd cover, 3 X Consecutive Pro-Bowler Darius Leonard of the Indianapolis Colts. Known as The Maniac on the field for his energy and the ability to make productive plays, he is also known for his commitment to giving back.

We caught up with Darius days before the Pro-Bowl for his virtual shoot as well as to find out more about playing for the Colts, being in this season's Hard Knocks on HBO and The Maniac Foundation.

ATHLEISURE MAG: When did you fall in love with football and what was the moment that you knew you wanted to play professionally?

DARIUS LEONARD: Started playing football at the age of 8. Fell In love with the game at age 14. Didn’t think about playing professional football until about my junior year of college and that’s when I started thinking about the NFL and that I could possibly have a chance.

AM: You were drafted in 2018 – what was that process like for you and what has it mean to play for the Indianapolis Colts?

DL: Draft process was tough coming from a small college. I had lot of visits and people flying me out to make sure I was who I was. Had to play senior ball then after Senior Bowl I popped my quad running the 40 at the combine and after that I thought my draft stat would fall and then fortunately I was drafted by the Colts and that means a lot being drafted by a team that is known for championships and that’s been my mentality to be a winner and that’s why I am happy to be a Colt.

AM: How did you get the nickname, The Maniac?

DL: Energetic and productive playing.

AM: When you’re in the season, what’s a week like for you from working out, practicing etc and how does this differ in the off season?

DL: During the season my week is pretty tough. After game Sunday I get in the hyperbaric chamber and spend some time with the family. Monday is a lot of body work and massages and hyperbaric chamber and ankle work. And then Tuesday I start watching a little bit of tape and a little body work and get in hot and cold tubs. Wednesday and Thursdays wake up at 6am get home around 7/8pm. Friday is a big work day for body work. Then Saturday is relaxation day and Sunday is game day.

AM: When you’re hitting the gym, what workouts do you do that allow you to optimize your sport?

DL: When I hit the gym I do a lot more of the explosive stuff. Continue to make sure I have that quick twitch, a lot of squats & snatches. Making sure I am hitting the field pretty heavy making sure my feet and hand placements are good. Make sure I am doing good at my drills that I gotta do when the game is coming.

AM: This season was a great one to watch and it was nice to also have the team on HBO’s Hard Knocks In Season so that we got an inside look on what you and the team do on and off the field. It’s one of my favorite shows that lets us see the practice and camaraderie you have with one another as well as the friend and family support that exists. What was it like being on this season and being able to share more about you and your family with the fans?

DL: Hard knocks was great being there. It was fun having them get our back story of who we are as players and human beings. Fun having my family and seeing their reactions during the games and stuff like that because those are things that I never get to see so it was fun to have hard knocks there to make that visible for us since I never get to see it.

AM: Although you won't be heading to the Super Bowl, the Colts are sending the most players to this year’s Pro Bowl and you will be returning for a 3rd consecutive time. How have you been preparing heading into the Pro Bowl and how do you train and get in sync with fellow teammates that you are not used to playing with?

DL: You know for Pro Bowl I don’t do too much for it. I just make sure I am staying in shape, and make sure my lungs are good so if it’s a long drive I am ready for that. Its all about trust, you get the playbook, and you just trust the guys to be professionals and know they are going to do their job and I am going to do my job. Everybody do their 111 just to make their play work. Looking forward to the Pro Bowl and looking forward to playing with teammates I have never played with before.

AM: How do you take time for yourself?

DL: Off the field I really don’t take too much time for myself. If I’m home with the girls or at a high school doing community service to be a positive role model on these kids lives and try to find a way to give back as much as I can – that’s what I like to do in my free time. I want to be the spotlight for these little kids and try to make a way for them and let them understand that you can be someone and it don’t have to be football related and make sure they know there are multiple ways to get out there and make an impact and that’s what I like to do to help kids as much as I possibly can and be their role model.

AM: When you’re in Indianapolis, where can we find you enjoying a date night?

DL: In Indianapolis, if I am on date night and out and about I am definitely going to Hyde Park and getting their fried lobsters and I am getting their crab cake, their steak, potatoes, and my wife is definitely going to get her asparagus and that’s about it!

AM: Last year you launched the Maniac Foundation which supports those in Indianapolis and Lake View communities in South Carolina - can you tell us more about your organization?

DL: The Maniac Foundation was launched March 2, 2021. The foundation is dedicated to transforming communities through education, wellness, serving families in need and other charitable causes. The foundation has provided over 100 bikes to children in foster care, books and backpacks for students, winter coats, holiday gifts and over $25,000 in charitable grants.

AM: What can we expect to see from you and the Maniac Foundation this year?

DL: The Maniac Foundation is refurbishing a park in Lake View. Hilltop Park will be receiving a makeover complete with a new playground and new basketball goals. We are partnering with the Indianapolis Public Schools District, Lake View Elementary and Lake View High School to kick off the Mind of Maniacs Reading program (kids are required to read 10 books) and the Math Maniacs Math Program. High performing students will have the opportunity to attend an Indianapolis Colts home game. We are having a big volunteer event at Midwest Food Bank in Indy to help pack food boxes for those in need. Starting this spring I will record monthly messages directed towards individuals working on their mental health.

AM: How can those who wish to support you be part of the foundation?

DL: Please visit http://www.maniacfoundation.org to find out how to volunteer with the foundation or make a donation to support our initiatives. You can follow us on social media at @ManiacCares.

IG @Mr_Highflyer10

PHOTOGRAPHY CREDITS | COVERS, PG 18 - 25 Paul Farkas | PG 16 Colts | PG 26 Michael Allio/Icon Sportswire | PG 28 Jeffrey Brown/Icon Sportswire | PG 30 + 31 Darius Leonard |

Read the JAN ISSUE #73 of Athleisure Mag and see Impact the Game | Darius Leonard in mag.

MANIFEST YOUR LIFE WITH LONDON BROWN

This month, the anticipated release of STARZ's Power Book III: Raising Kanan premieres. Before it has even aired, it has already been greenlit for a 2nd season with the cast currently filming. We caught up with London Brown, who plays Marvin Thomas, Kanan's nephew to talk about the new series that takes place in South Jamaica Queens in 1991. We talk about his career from Fuse's The Hustle, his breakout role in HBO's Ballers and how he has evolved as an entertainer. We also talk about how important it is for him to stay grounded as he navigates the industry and his focus on giving back in the ways that he can.

ATHLEISURE MAG: When did you realize that you wanted to be an entertainer? You cover a number of areas as you’re an actor, dancer and a comedian.

LONDON BROWN: I think it’s just a thing that I remember early on always being into the arts. I felt that the arts came very naturally. Between the arts feeling like they were already part of my proclivity, I enjoyed them as well, fortunately. A lot of times, people are gifted and are good at what they do, but they’re not necessarily drawn to them. I was always very passionate about the arts in general. I just remember that it started when I did Easter plays and that sort of thing. So I did it and at school I realized that they had more plays there, so I did those and played the Scarecrow and in Black communities where you grow up in religious households, you go to church – so you’re playing an instrument, you’re singing – you’re doing something on that level. So all these things were just kind of normal and it transmitted to school and so throughout high school, I was involved in bands, was in plays and that’s when I started to take it seriously. I had a theater teacher that saw more in me than I did and encouraged me to take it more seriously.

From there, I went away to school and one of my friends encouraged me to dance. He was a choreographer with a dance team and he said, "you should join the dance team." I told him, "nah, I'm not going to do that.” He then told me that I should do it because he was gay, the rest of the team were all girls and since I was straight, that that would be a great match. So I did and I danced, I kept doing it and I taught dance which allowed me to pay the bills all while I became a teacher where I taught high schoolers theory of acting. While this was going on, I took some auditions to get into the groove of my art. It’s funny because while I was teaching for the high school, a fellow teacher told me about a comedy show that the school was putting on and I asked about it and they suggested that I should sign up to be part of it. I realized that the same energy of the instant gratification that we get from doing live theater, I can also get it from doing standup as it’s just a one man show. Doing standup, I finally felt that I had a voice. I do a lot of different things, but I also feel that with all of the things that I do, God gave them to me because he knew that I would also give them away. So teaching, I inspired a lot of other young people to do whatever they do now.

I was doing standup for about 2 years and I ended up connecting with Chris Tucker and we hit it off. I started touring with him as his opening act for a few years. Somewhere in there, I land my first TV show, The Hustle. That was 2013, it was a small network, but the creator was also the showrunner for Insecure, so Prentice Penny saw a bunch of young actors and said, “hey I want you guys to do this,” gave us a call and we auditioned and he took chances on us. In Hollywood, they want familiar faces so the fact that he took a shot on me, I did a season of The Hustle, Chris had stopped touring and with no TV show, I no longer had an agent or a manager.

So now, I am agentless and I get a call from a friend of mine who asked if I had auditioned from Ballers. I let him know that I had heard about it, but at the time, I was a choreographer just trying to pay bills. He said he would pass my information along. I go in, this is during 2014 and I audition for Ballers and they said they liked me. Initially the character was only supposed to do 1 or 2 episodes. After the audition that I did, they wanted to make me a lead on the show and keep me all 5 seasons. I moved to Miami, filmed and then finished the other half of the season in LA, so after that, the series ends in 2019 and Dwayne pulls the plug as I think that he was just busy because it was still #1!

AM: For sure, we loved watching it every week and although your character generated a lot of reactions and people didn’t like him. But we enjoyed your character. The growth that you did as the character, it’s interesting to see someone who was in a situation where he was trying to protect his friend, try to do what’s right, but you’re in an industry that you really have to learn quickly and to see the progression of the character season by season. We weren’t familiar with your work previous to that show, but when you have a knee jerk reaction to a character, they’re acting their ass off to make you feel that way. It’s not easy to come off that unlikeable.

LB: Right? For me, that’s why it was so important because on paper, the character wasn’t going to be around as that wasn’t the plan initially. He was supposed to be character A, Reggie the best friend. I knew that I really needed to be able to establish my presence 1, a lot of the guys that were on there had established resumes and had been in the industry a long time. I knew the opportunity and the weight that that project was going to have. It had the #1 entertainer with Dwayne Johnson and also it’s HBO, a very credible network. For me, I was going to exhaust whatever energy from whatever scene to make sure that I wasn’t doing too much but I was standing out on some kind of level. And 2, I became the antagonist by accident because we’d be on set and I was improvising a lot because they didn’t have any lines for me because I wasn’t supposed to be around. They said, “ok, let’s let him go and let’s see what we come up with.” So I was giving them stuff and then we kind of found this voice of Reggie as far as making him the fly around the food. So once I tapped into that, I knew I could amp it up wherever they allow me to go. At the same time, as an actor, in the development of making a character 3 dimensional, in season 1 and part of season 2, he was the annoying guy. But we wanted to take him to such a place that by season 5, he’s more responsible and he’s trying to get it together so that he’s really advising Vernon in positive ways. I wanted to make sure that I kept the character interesting and not just fall and be a character like Best Friend #1.

Now, we find out on Instagram that the show is over so I’m like, ok. I’m not worried because from a spiritual place, I don’t even put all my energy into man anyway. So, I feel that I will be fine. I’m working clubs, on the road and touring. So now it’s the fall of 2019 and I get a call from Robi Reed who does all the casting for Spike Lee’s projects and is really great. She calls and asks if I can do American Soul to play Bootsy Collins. I get down there and I learn the guitar and whatever I have to do for the part. I then do a horror film in Canada so I’m doing these 2 projects and my manager says that there is a young agent who is familiar with my work and wants to work with me. I tell him it's cool and he says that he likes what I do and asks me to read the sides, which are pieces of the script.

On the sides I see Power at the top. I think to myself that this can’t be the real Power because I had seen billboards all over Times Square that they are on the final season. So I thought that it was a mock because sometimes, they put a fake title on there. So I went in, I read the part and felt that it flowed well and that whoever was writing it had good language and it’s how I would talk so I thought it was cool. I sent the tape in, I didn’t hear anything and after the Christmas break, the new agent that I’m building with because we are just feeling each other out, I visit the people at the office and they let me know that I have a callback. I do 6 or 7 takes and then I go in and long story short, the agent said that they liked me and wanted to offer me the part. So I agreed and I’m still unaware that it’s Power and then I hear that it’s Raising Kanan. Mind you, I had never watched anything from Power at all. When I would run into fans on the street, they would say, “hey man, my favorite show is Ballers, Game of Thrones and Power.” So I wanted to be part of Power, but I was grateful for what I did have. I wanted to do Power so badly that I didn’t even want to watch it because I was already committed in my current project at the time. So when they said, Raising Kanan, I was confused, but I knew it was a show and it took place in the 90’s. I get on set and I start to connect the dots. People are telling me that this is the backstory of Kanan and I knew that 50 Cent had done something with Kanan because the streets were talking.

It wasn’t until I really got into filming the shoot that I realized that this was a spinoff – Power Book III: Raising Kanan! We’re an official spinoff because we’re the prequel. The other ones continue the story. So when I found out it's 1991, this character is not like Reggie – he’s Reggie on steroids and he just goes there. He’s short-tempered, but he loves and is loyal to his family. There’s a leadership power struggle between him and his siblings because his younger sister is running the whole family operation. She’s showing love to the younger brother because he’s really cool, calm and collected. So my character feels a certain type of way about that. My daughter and I have a strange and strained relationship because my character had done some time and she got a whole other life. So the only person that my character is able to flex some leadership on is my nephew Kanan (editor’s note: in Power, the flagship series Kanan is played by 50 Cent). So I’m the guy who introduced my nephew to this nefarious lifestyle that he begins. So, I’m like the muscle of the crew. My sister gives the orders, I carry them out and sometimes I go beyond what she asks for and that causes some animosity between us but in the end, it’s the loyalty that keeps us very connected to each other.

So, that answers your question and gives you the spill on how this all came out!

AM: You took us on a great journey! The way you presented your story makes me think about something I tell people all the time. When you’re building your brand and taking opportunities that are based on your interests or become available, you never know the people that you come into contact with and the projects that come your way. It’s the sliding doors that you enter and exist that allows you to build your career and sometimes it’s completely unplanned but each link adds another to get to your end result.

LB: You’re right. I know that for a lot of people, when they first saw me, it was from Ballers. But people didn’t know that there were a lot of foundational things that took place when I was doing theater that helped me to have a presence when I was playing across to Dwayne. That’s one side and the other is, if you can’t be the hero, the antagonist is the next best thing. It all just lined up! Even for people who didn’t know me, the fact that all my scenes in season 1 were with Dwayne, it pushed me into a space that I couldn’t have been more grateful for.

My first TV show allowed me to transition from theater and to learn how to play everything inside of a small frame. Ballers helped me to establish my onscreen presence. So by the time I got to Power Book III: Raising Kanan, I have more of a handle on what’s going on and how to play to it. I think that people will really connect with the project and my character Marvin – especially my friends because I do more cursing and drinking on TV then I do in real life! He’s charming but he is intense. My friends who know me, they find it funny that I’m playing Marvin because I’m cursing and rude and I’m so not these guys. But that’s why I enjoy playing them so much because I’m so the other way. I’m chill and very easy going. With Reggie, he didn’t care and he was loud. This character is shooting, fighting and doing all kinds of stuff. So I think people will connect with it very much so!

AM: Power Book III: Raising Kanan released earlier this month. When you got this role, what did you do to prep for it? It takes place in the 90’s. How did you get into the vibe and feel for this series?

LB: For me, I’ve always been a champion for the 90’s from the sitcom, the clothes and the music. I love the 90’s. It’s already part of my regular life so what I did in terms of preparation, I listened to a lot of Nas and 90’s hip-hop to understand the language. We had a dialect coach on set to just keep us where we needed to be in terms of the accent and dialect. I just tried to stay very present. My home is still LA, but for filming we all relocated and I’m actually here now in NY because we got a pick up for the next season already!

AM: Which is awesome because you were confirmed for a 2nd season just days before the premier dropped!

LB: I know and it’s such a blessing! I think that maybe the producers saw what they needed to see and they know it’s rich. I’m not even mentioning me, these guys performances are just strong. Mekai Curtis who plays Kenan is very connected. Our lead actress, Patina Miller (plays Raquel Thomas) she just gives it up - she won a TONY coming from theater. So a few of us have come from theater so already between that and when we came together, we didn’t have any egos. Sometimes in auditions, you meet each other and have chemistry tests and you vibe and they put people together and pair you up to see. We didn’t have any time for that. They booked us, we flew out to NY, we had a photoshoot and the first day was like a family scene. If we were playing like we were in high school on the first day of class, we could play with the awkwardness of real life on screen. But we’re playing a family that’s a tight unit. So we can’t be with the weird stuff. Everyone needs to be present and professional. Anything outside of that has to be left at the door because it can affect the chemistry. Fortunately, day 1, everyone was just cool and supportive of each other. The offscreen energy read very well for what we did onscreen.

The whole thing should come together well. The costumes definitely helped us. The hairdos – I’m in a high top. I spoke to the costumer just yesterday for the fitting and he felt that my character was one of the ones which helped to sell the era. They put me in some Dapper Dan. I mean the budget to make it come to life – even renting the cars so that every car all the way down the block and in the view of the camera was taken back to ’91. They really got all of the aesthetics down for it. I just hope people enjoy watching it as much as we enjoyed making it.

AM: How was it working with 50 and Courtney Kemp?

LB: After all the shenanigans that people feel 50 does, they have to understand that the dude is a very smart tactile guy! At the end of the day, 50 is very charming, but he is onto something. I had the chance to talk to him a few times and he really believes in the project, he’s really invested into it and Courtney’s energy and her last say so’s of things with her vision and I think that they both work well with guiding the ship in the right direction. We had a great lead writer, Sascha Penn, she wrote the hell out of the script. All of them were very open if we didn’t understand something or we felt that the character wouldn’t do this or that, it wasn’t about doing it like the way they said, it was very collaborative. They would ask, what do you think and I’d say that I didn’t think Marvin would do it this way, but we could play with it this way. Even with the hair or other items – everyone was really cool. I think again, all the way around the set because we didn’t have egos or dictatorship energy, it allowed people to give their opinions even if we didn’t agree. They were still open to hearing and we found a medium place. That I think is what helped this project all the way around.

AM: Do you find as an actor, that it’s difficult to prepare for a character when it’s a series versus a movie? Then when you’re looking at a series, is it difficult as you go in and out of that character when you’re picking it up to get back into the character when it takes place over multiple seasons? Is that hard for you to separate yourself from that character?

LB: For me, I always separate it from the emotional stuff. I just stayed in the dialect. I didn’t want to be back and forth. So the whole time I was filming, I stayed with the dialect. So now, I have to get back into it because we’re about to film again and I have been in and out of it today. But when I’m filming I stay that way throughout the filming and even off set. The emotional stuff, I leave at work so that I can live, breathe and process because my character is doing all kinds of stuff so I don’t need to bring any of that at home! When I come out of the costume, jump into my sweats and get dropped off, I’m back to that. Also, we were in the pandemic. I'm glad at the time, there was no real social stuff going on. For me, my routine was hitting the gym everyday, I’m a sneakers guy and I’m living in Harlem so I passed by 8-10 sneaker shops and walk in everyday and if I saw something new, I'd grab those and get some groceries. Then, I’d be home to study. I had a very simple vibe of things that I did. I just locked in and tapped in. We were in the middle of winter. I’m from LA and I realized that I was the only one that gave a damn about the snow. Everybody else was indoors and I’m the only one that was outside glad to be in the street and walking to the gym in the snowstorm. But that’s how simple I am – I just enjoyed it. I was grateful to work and grateful to see the snow. I do photography so I went out and would shoot. In my mind, going back to what you said about one path leading to another path and so forth, I’ve always wanted to live in NY but I didn’t want to uproot and to leave LA. So just like this is setup is exactly how I wanted it to be. My things are in LA but I can be here for a period of time but I can still go back home. This is just like how I would have wanted it to happen even though I didn’t ask for this. That’s how I know I’m where I’m supposed to be.

That’s why I encourage people to go out there for what they want to do. There are things on your list that you’re unaware of that automatically come with what they do. I have friends who say that they love to travel, getting free stuff and clothes and I’m like, “do the things that you’re supposed to do and the other things will come.” My core goal is to be an actor, but the other things as a result is living in NY, being able to travel and the free stuff. There’s the love that you get and even helping other people. I don’t complain, I’m just really grateful that people care enough to even want to sit down with me and talk with me so thank you!

AM: What are the workouts that you do and clearly with your job you always have to be ready for whatever is coming at you.

LB: I do a few things. I change up the routine so that my body doesn’t get too comfortable. At one point, I was doing a Dwayne exercise which we would focus on a particular muscle group for that day so Mon – chest, Tues – back legs, Wed – shoulders, Thurs - abs, Fri - arms. I was doing that for awhile. Right now, I’m doing a compound full-body approach. I do something for each muscle group but as a full-body type of thing. When we start filming, I will probably do an upper-body routine and then a lower body the next day. I try to do abs every day usually – at least 200 of something for abs. Again, even with Ballers, in season 1, they were like, “London, we need you to put this tank top on.” I was like, “ahhhh not right now.” At the end of season 2, not that I turned into Dwayne, but I filled out a bit and worked on some stuff. When I did that pool scene, I got myself together with my arms.

Even with this, I got some intimate scenes in season 1 and I’m still vacillating between ideas of what I look like because that was one scene that I wish I could have gone back and taken a look. Not that I could have have changed what I looked like that day, but I know that that scene is coming up and I just hope that I look ok! Because it’s onscreen and this is now locked in forever. That’s why I don’t waste any time. They were making jokes at me for going into the gym, but I was telling my co-stars that this is the first time that people will see whatever they are seeing of us and on the branding side of things, I have done a few photoshoots outside of this. So if people reach out because they think your body looks nice, they may want you to be the face of Levi Jeans or Gap Jeans. I’m thinking way past the scene – it’s the branding side of it. I’m also thinking about the leading guy side of it. Will Smith was The Fresh Prince of Bel-Aire until we saw him in I Am Legend for example. We saw him chiseled up and then we saw him in Ali and he put some size on him. Or even Michel B. Jordan, we were like, “hey that’s the handsome looking Black guy." Then he sized up for Creed and people were like, "ooo Michael B. Jordan." The response that women had when they said his name, I was like, “ok he leveled up!” When he did Black Panther, now he’s in a different league and he is a leading guy. These are the things that I am thinking about so when people are joking about me being in the gym, I’m like, “listen, we’ve got to think past Power if we’re thinking about the next level. We’ve got to look good.”

AM: Absolutely. You don’t know where it’s coming from. You’re right with Michael B. Jordan, we had his trainer who is a Body Transformation Specialist, Corey Calliet who also does a lot of the people in the Marvel Universe etc as our July cover in 2018. He talked about how he transformed his body and you’re right, when he started taking on those roles with that physique, he’s a leading action hero! Now he’s in Tom Clancy’s Without Remorse. So you’re definitely ahead of the game!

LB: I’m just thinking advanced because I live in anticipation and I believe that I can have it and I manifest it. I don’t have any doubt and I am just preparing for the things that I believe are going to come. It’s like when Noah had the arc and people said, there’s going to be a storm and you need to get on the boat and people were like, “yeah sure - right.” I’m just trying to tell my friends that we have to get ready. Everyone mentally is not able to function in that capacity. But I know of many things that I have said and they did happen and when I spoke about Power and to be on Power, I had no idea it would be in the spinoff and I knew I wanted to do it. There are a couple of things on the list and I am just trying to do the best that I can to be prepared for them as I know that they are on the way.

AM: Do you have other projects that you’re working on that we should keep an eye out?

LB: Right now, it’s Power and now that the clubs are opening up, I will get back into doing standup. But there is a book of photography that I’m working on. I want to use the photos for the income from the book to help with homeless people. I do a lot with homeless people. Growing up, I always have helped street people and would feed them. LA has a huge homeless problem so I am working on this coffee table book. As people look at the homeless people from the different places that I have traveled to, it’s a way to keep us very grounded and to remind us on how we look at things. It’s very easy, not that I am in a high position, but even in the position that I am in, you can get caught up and think it’s about you. The best way for me to keep my heart in check is that I am always giving. By doing this book and what have you, it will help people that when they sit down and their rich friends come over and they take off their Rolex, there’s a book there that you can just tap into every so often and they can say that they are grateful for their apartment, house or whatever they have. That book will remind them that there are people who don’t even have a bed or food. I would give these people a pear, apple, PB+J and they would say, “thank you, I appreciate you.” I would talk with them and I realized that people aren't just crazy or on drugs. They may have went through a depression, a divorce, were in the military and they just fell on tough times. Even with this pandemic, it showed how people had troubles and everyone was shut down. Now people have to reup and regroup and focus. I did a table read during the pandemic and one of the actors was complaining about something and I’m like, “brother, we’re doing a table read. We’re working.” That’s the angle, I’m not mad at him. It just reminds me that I need to keep giving and keep myself very connected and grounded because the truth is, if I stay on the ground, if I fall or stumble, I’m already down there. But when people get besides themselves and spiritually, I’d rather keep myself humble then to have God do it – I got it and will do what I need to do because I don’t want Him to do it. I'll stay in check.

AM: So when you’re not on set or on stage and all of the things you do, what do you do to take time for yourself?

LB: If it’s not the gym, I’m going live and cooking. I do a lot of live stuff and interact with my followers. Or it’s my photography, I’m out and about with my camera shooting or just trying to help friends with their headshots. I also cut hair so if I'm in the city or I'm at home, guys want to come up, I cut hair. I’ll be home if anything, I’m really easy going. I like the self-care of cooking at home or going to the gym or giving to others in some capacity – the homeless and feeding them and trying to be of service.

IG @RealLondonBrown

PHOTO CREDITS | PG 127 London Brown | PG 128 + 131 HBO/Ballers | PG 132 - 139 STARZ/Power Book III: Raising Kanan |

Read the JUL ISSUE #67 of Athleisure Mag and see Manifest Your Life with London Brown in mag.

BING3WATCH | SUCCESSION

Read the Aug Issue of Athleisure Mag #56 and see BING3WATCH | SUCCESSION in mag.

BINGELY STREAMING

MILLION DOLLAR BEACH HOUSE

Netflix Originals

Netflix

We can't get enough of reality shows in general and when it comes to those that are focused on real estate, sign us up! When you're finished bingeing watching Selling Sunset, make sure that you check out Netflix's newest show that focuses on Nest Seeker International's agents as they sell homes in the Hamptons. As is the case with this formula, we'll be introduced to an array of personalities of realtors and brokers that are taking on a hot destination, watching how they do their business, how they stay ahead of the competition and how they work together as an agency as well as individually! In addition, we can transfer our wanderlust through them and be transported to new locales. Of course, we're definitely waiting to see what kinds of drama they will get into as well!

I MAY DESTROY YOU

HBO

HBO + HBO MAX

We meet Arabella Essiedu (Michaela Cole) and her friends in London living their best lives. Arabella is a Twitter star turned author working on writing her 2nd anticipated book while in the throws of procastination and serious writer's block, with her best friend Terry Pratchard (Weruche Opia) who is a struggling actor and her other best gay male friend Kwame (Paapa Essiedu). We follow Arabella as we focus on her finishing her book. She takes a trip to Italy and meets a man who calls her out on her vices, when she is back home, she opts to take another break to go out and is sexually assaulted; however, she spends the remainder of the season putting together the details, dealing with her stages of grief, what it means to be a victim and getting her power back.

In the midst of her focus on herself, she also learns how her interactions as well as being present with her friends shift as well. Ultimately, she realizes that after a year since the incident, she has to get her life together and she can't do it alone. This powerful and emotional series just completed so it's worth doing a proper binge.

EVEN THE RICH: THE HOUSE OF VERSACE

Wondery

Spotify + Wondery+

Even the Rich delves into some of the richest families, couples and systems and shows that although they have wealth, access and lives that are on another level, they also deal with the same issues of loss, betrayal and ambition. This season has included a number of stories that are covered within a few episodes from the Royal family, The Murdochs, Gettys, Beyoncé & Jay-Z and they are currently delving into The House of Versace. Within each story, there is a primary focus such as how Gianni's siblings Donatella and Santo's initial involvement within the the family business shifted over time - especially after his death.

This conversational pop culture podcast is hosted by Brooke Siffrinn and Aricia Skidmore- Williams and is filled with anecdotes, stories from and behind the headlines as well as their own insight into what took place.

Read the Aug Issue of Athleisure Mag #56 and see Bingely Streaming in mag,

BINGELY STREAMING

SELLING SUNSET

Netflix

Netflix Originals

Much like wanderlust, we have a thing for watching people sell homes and the teams that work together (sometimes they work against one another). As we continue to stay at home, we're all looking for shows to watch. Selling Sunset takes us to LA and surrounding communities as this small but successful real estate firm makes their sales goals, increases their sales and takes on new opportunities.

We also see how they are managing their personal lives and even pushing themselves in terms of what it means to be in the real estate industry. The cast keeps your attention as well as the eyedropping homes that they share throughout the season. If you've yet to catch the first season, start there and continue onto the second season which launched last month.

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IT WAS SIMPLE: THE BETTY BRODERICK MURDERS

LA Times

Spotify

We enjoy True Crime and if you enjoyed Dirty John, a podcast created by LA Times in partnership with Wondery as well as its TV series of the same name that aired on BRAVO, you will enjoy It Was Simple The Betty Broderick Murders which was also created by the LA Times. It follows the love story and ultimately gruesome and tragic end to Betty and Dan Broderick. This podcast shares the facts behind this murder which you can also see in Dirty John: Betty The Betty Broderick Story which is currently airing on the USA Network. If you need more of a fix, you can also listen to LA Time's 3 episode Dirty John: Betty podcast.

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LOOKING FOR LATOYA THE PODCAST

HBO

Spotify

If you enjoyed the 4th season of HBO's Insecure, you know that everyone on the show kept talking about or watching Looking for Latoya. Viewers saw a number of scenes about this True Crime show. Although we didn't find out what happened to Latoya, after the season ended, they dropped a mini podcast that you can catch on your preferred platforms.

We learn more about the host of the show, how she became affiliated with this case and we do learn about what happened to Latoya. With only 3 episodes, it's worth listening for a few chuckles. We're hoping that they do more of these show in show concepts in future seasons of Insecure as a number of celebs (as seen in the show) lend their voices to this podcast.

Read the June Issue of #54 of Athleisure Mag and see Bingely Streaming in mag.

FINDING THE THROUGH LINE WITH JAMIE GRAY HYDER

We can't tell you how many times we've enjoyed watching NBC's Law & Order marathons whether it's the flagship program, Criminal Intent or SVU. We love our fair share of True Crime and the squad members that we get to know each season. When Law & Order: SVU came back last fall, its 21st season (they have now been renewed for an additional 3 seasons), marking it as the longest running drama series in history. Along with more stories ripped from the headlines, advocating for victims and getting to know many of our faves, Jamie Gray Hyder joined the cast as Officer Katriona "Kat" Azar Tamin who is learning the ropes, coming in with her style of tracking criminals and learning how to grow with her squad.

This month's shoot for our 50th issue showcases a number of pre-Spring looks worn by Jamie Gray Hyder who is known for her voice acting work in the Call of Duty video games, HBO's True Blood and a number of other projects. We took some time to find out more about how she got into the entertainment industry, how she prepares for her roles as well as how it is to be in this acclaimed and iconic show!

ATHLEISURE MAG: We’ve been fans of yours since you’ve been on HBO’s True Blood, a number of our readers play video games and have enjoyed your voice acting on them. Can you tell us how you got into the entertainment industry?

JAMIE GRAY HYDER: I’ve been acting since I was a kid. I’ve been a classically trained vocalist since I was really young. I have always been performing and then when I got into college and studying straight acting and kind of left the musical theater world, that’s when I sort of honed in on film and television and working on screens. So after college, I moved out to LA to try to get it going.

AM: What have been some of the shows that readers have seen you in prior to NBC’s Law & Order SVU?

JGH: My first sort of big break was on True Blood. They initially hired me to do a smaller part for 2 episodes and we all worked together really well and they liked the character. So I ended up staying for 2 seasons. For me, that was a huge learning experience and a huge validating experience. To work with HBO as my first home is something that I am really grateful for.

AM: You are so extremely versatile. We’ve enjoyed seeing you in a number of ways such as David Guetta’s music videos. How do you prepare yourself for all of these different types of opportunities?

JGH: You sort of have to find the through-line in what you bring to each one and for me that came down to getting comfortable with what I already bring to the table. Self-awareness is really important because that’s going to be the thread that binds it no matter whether you’re doing video games, television or music videos. If you’re not comfortable with yourself and comfortable with sort of what you provide on naturally, then you’re not really going to know where to go from there.

For me, becoming more comfortable with myself and increasing my self-awareness was a tool that I think has helped me through all of the different mediums.

AM: So Law & Order as a franchise, we can’t tell you how many hours a week that we have enjoyed watching it. It’s something we love watching whether it’s Law & Order, Criminal Intent or SVU. How did you get the call that you are joining the cast?

JGH: Initially, they brought me on to do a few episodes as a guest star and we were going to feel out her role as a regular. Then when they decided to keep me and called me, I lost it and I started crying. I couldn’t believe it because not only am I a part of such a legendary show, but such a historic season. So I get all the weight that comes with that even though this is my first season. So to be tied into such a monumental achievement for the show has been something that has is very rare and something that I am really grateful for.

AM: Tell us who is Officer Katriona “Kat” Azar Tamin?

JGH: Officer Kat and Jamie actually have a lot in common when it comes to being driven and sometimes stubborn and independent. Kat is more reserved when it comes to, I think, her personality, but when it comes to the way she approaches her work and fighting for these victims, she really leads with her heart. I think you’ll see her attempting to create more of a balance between her head and her heart as we continue on. Right now, she is still a little bit rough around the edges kind of learning how to conduct herself in this new world and this new set of rules and structure. While she is a little bit out of line here and there, I think that as she grows and becomes more comfortable with her role in the squad room I think you’ll see her settle in a little bit better.

AM: What is it like working with this amazing cast of characters and people such as Ice-T and Mariska Hargitay. What is that like as we have a number of Law & Order fans who would love to know.

JGH: I learned so much from them both professionally and personally every day. Ice has sort of had my back very much so from the beginning just like Finn has had Kat’s back from the beginning. He and I connected instantly over my work in the music industry. My side job in LA was working at a recording studio called Record Plant. So I worked there for 4 years and dealt with a lot of the same people and personality types and scenarios that Ice has kind of grown up in. So we shared a lot of those kinds of experiences. With Mariska, it’s sort of a daily lesson in how to lead and how to inspire and motivate people. All of my castmates have families and they all have children. They all come in and focus and bring a fresh energy every single day. That’s easy for me as a new person, but thinking into working on something for 5-10-20 years, you might get jaded. Every single one of my castmates comes in fresh daily which is something that I find super impressive.

AM: You guys cover a lot of really heavy topics. In terms of preparing, as your episodes are inspired by cases that took place in real life, and I’m sure there is a lot of work in terms of understanding the victim, how you would play the role, how it would be like for them to come to you etc. How do you take that on as it seems like that would take a lot to be in those positions?

JGH: Before we do each episode, we are sent a whole research packet that has a bunch of news articles and things that all deals with the scenario that we are dealing with on the show. While we don’t necessarily represent certain people or events, often times we are pulling from the news and real people. For me, it’s very much a motivating factor. You have to put aside whatever you’re dealing with personally and really give value to what you are doing because there are real people dealing with these types of issues in their real lives. While we have to keep it light on set as much as we can because we are dealing with heavy material every single day. I think that approaching it with a little bit of reverence is the way that we all really justify what we are doing and just knowing that there are real people out there that are being positively impacted by our show is something that is never lost on us.

AM: So you guys are currently filming season 21 right now. What is a week like when you’re balancing between filming for the show and then what do you do when you’re not on set?

JGH: I chill in my apartment a lot. Because we can work long hours. Some days are shorter than others. We typically shoot 5 days out of the week, 10 months out of the year. It’s a 9-5 and you really have to think of your dressing room as your office and your trailer as your office and take that down time and be productive with it. It can be grueling, but you just remind yourself how lucky you are to be in this position every day and that helps get you through it. When I get home, I just like to hang, and chill and cook and watch movies. I’m happy to be in NY and I have a lot of exploring to do.

AM: What do you do while you’re here – where could we see you working out, going shopping or grabbing a bite?

JGH: I love Japanese food so I am always trying out a new Japanese restaurant. As far as working out, I work out at a fight gym.

AM: So the recent episode you were in, we saw you boxing - that was not something new for you?

JGH: No, that was kind of inspired by my routine already and they said we want to incorporate that and they had a storyline that they had been working on and so it all worked together. So a few days a week, I’m over at Gotham Gym. I work with trainers there. My preferred method of workout is technique and fight training and that’s what I do a few times a week.

AM: With summer coming up and people wanting to look fit and their best, what are 3 boxing moves that people should put into their routines?

JGH: Something super simple that anyone can do at home and you don’t need to pay a lot of money to do it and you don’t have to have people tell you to do it is jumping rope.

AM: Ugh we’re not a fan, but it’s so good for you so we power through it.

JGH: When I first started, I said oh my God, I’m so shitty at this. But then you keep going and just doing 3 minutes before getting into my workout every day – it gets your co-ordination in check, it gets your rhythm in check. For me, it kind of wakes me up. So this is something that anyone can do and benefit from.

AM: So you love to cook, what are 3 things that we can see you cooking?

JGH: I like projects. So I will typically pick a cuisine and say, “what about Korean? I love the Korean Cheong Soups how can I make one at home?” I really enjoy cooking projects that involve going to specialty grocery stores whether it’s a Korean grocery store, a Japanese grocery store, an Indian grocery store – I kind of like exploring new ingredients. I will pick something that feels foreign to me to learn about different foods but then you get to know more about different cultures that way at the same time.

AM: What are philanthropies, charities or platforms that you like to give your time to and support as well as to draw awareness to?

JGH: I work a lot supporting the Armed Forces and Veterans causes that’s really important to me. I specifically work with organizations that help to aid the transition to active duty and civilian life. Some of those include the Student Veterans of America. They are an organization that has liaisons at over 1,500 campuses across the country that help newly, people who are newly coming out of the service and want to get their Bachelors degree. They’re older and have a full life that they have to work around so they have an organization that helps to get around those hurdles to make achieving a higher education easier for those that are coming out of service. When I worked at Call of Duty, I worked with the Call of Duty Endowment which helps place veterans at high paying full-time jobs and in addition to veterans, I work a lot with mental health organizations such as the National Alliance on Mental Illness (NAMI) and I work a lot with Cannabis Reform. So those are my 3 major things and they often overlap in a lot of ways as well.

AM: That’s inspiring. What are acting projects that you could imagine doing and would like to have offered to you that are on your bucket list?

JGH: For me, it comes down to the types of work. I love being physical and that’s one of the things that I love about the episode on SVU. I loved being able to be physical, to fight and to do stunt work and getting into it that way. Any job that really requires me to by physical or learn a new skill. Working in other languages and accents and things like that is something that also appeals to me. I also really love animation because you get to voice characters that you would never get to play on screen and it allows you to sort of stretch that muscle a little more.

AM: With the summer coming up, do you have any place you’re going or somewhere on your bucket list to go to?

JGH: Loving Japanese food the way that I do, I love traveling to Japan. I have been once before and so my fiancé and I are doing a honeymoon of sorts and going back to Japan to have a retreat - a relaxing week in some of the onsen towns that’s more nature based places. It would probably be in Northern Japan. That would be the next big trip.

AM: When you’re flying, what are 3 things that you like to have in your carry-on that make traveling more comfortable?

JGH: Snacks – I always like having those. I usually like to have an oil or lotion which keeps your hands from getting dry. I also like to bring my essential oils like lavender or peppermint and to put it behind my ears. It doesn’t disturb anyone else but it keeps me in my own cocoon of sorts and it keeps me in my comfort in that way.

IG @JGHyder

We shot our 50th cover at the Dream Downtown Hotel within TAO Group Hospitality's PHD Rooftop Lounge and at the Winter Rose Garden Lobby Bar. These areas are just a couple of properties available at this destination that vacationers, those traveling for business and those who are enjoying a staycation can enjoy when visiting. We wanted to find out more about them as well as what you can look forward to as we transition to the Spring and the Summer.

ATHLEISURE MAG: Before we delve into the specific spaces we shot in, please tell us about Tao Group Hospitality as we find these restaurants, nightclubs and day clubs are global multisensory experiences.

TAO GROUP HOSPITALITY: Tao Group Hospitality is a leading restaurant and nightlife company that develops, owns and operates many of the worlds most recognized restaurant and entertainment venues under various brands including but not limited to Tao, Marquee, Avenue, Lavo, Beauty & Essex, Vandal, The Highlight Room, Luchini and Koma in major markets across the world. Tao Group Hospitality’s corporate headquarters is located in New York City, with locally-based managing partners and a full-time marketing and operations staff in every other market.

AM: What cities are Tao Group Hospitality properties located in?

TGH: New York City, Las Vegas, Los Angeles, Singapore, and Sydney.

AM: Are there new properties that we should keep an eye out for in 2020 for Tao Group Hospitality?

TGH: Top secret – stay tuned!

AM: The Lobby Bar is a fun space and for the winter, you have it themed as the Winter Rose Garden. What was the thought behind this installation, and will there be additional themes for this this year?

TGH: The Winter Rose Garden is complete with a bar & wall made out of 15,000 red roses complete with red accent furniture, candles, and rose-infused cocktails. Food and beverage offerings at The Winter Rose Garden include the Crispy Truffle Mac & Cheese Balls and the Primrose Cider cocktail with a side of rose-infused ice cubes. This magical rouge oasis at Dream Downtown was designed to cure a bad case of the winter blues and will be activated for a limited time only so stop in today!

AM: Are there 3 signature cocktails and dishes in this bar that guests should enjoy while in this space?

TGH: Blanc de Blanc ($19) – Ciroc Coconut, Creme de Cacao, Amaretto, Almond Milk, Almond Milk Foam, Shaved Chocolate; Lavender Dreams ($18) – Don Julio Blanco, Lemon, Pea Flower Tea, Simple Syrup, Egg White and Primrose Cider ($18) – Barking Irons Applejack, Cinnamon Syrup, Lemon Juice, Sparkling Rosé, Rose Ice Cube.

AM: We have spent a number of nights, NYFW events and more at PHD Rooftop Lounge. When did this space open and what is the vibe of this penthouse space?

TGH: Having opened in June 2011, PHD Rooftop Lounge continues to be the ultimate penthouse, featuring timeless and luxurious finishes. With an exquisite panoramic Manhattan skyline view that includes direct lines of site to the Hudson River and Empire State Building, guests come to relax on custom-built Italian leather banquettes with marble tables, and cozy seating niches located on the outdoor terrace.

AM: What are 3 signature cocktails and dishes that we should enjoy when being here?

TGH: Dream Girl ($19) – Bacardi Limon, Cointreau, Raspberry; Strawberry Fields ($19) – Don Juilo Blanco, Fresh Strawberry, Basil and Ginger Towers ($19) – Ketel One, Fresh Ginger, Mint, Ginger Beer.

AM: What kinds of events are held at PHD Rooftop and as we head into the Spring and the Summer, what events should we mark on our calendar?

TGH: TBD! Follow us at @PHDRooftopNY to stay up to date with things fun for Spring / Summer 2020!

AM: Tao Group Hospitality has additional spaces within Dream Hotel Downtown, please share those with a little information about these as well as upcoming Spring/Summer events?

TGH: Join us every Monday night at Meatpacking hotspot, Bodega Negra, for the weekly themed dinner party – Loco Mondays. Amidst the intimate and moodily-lit “Tudor Hacienda” decor, watch as performers kick off the evening of vibe dining with music from DJ Select, followed by tabletop performances from a rotating line-up of mesmerizing acts such as burlesque dancers and fire-breathers. Enjoy menu offerings from Corporate Executive Chef Brad Warner with small plates such as fresh ceviche, tacos and generously proportioned dishes like Shrimp Alambre and Enchiladas, complimented by a selection of handcrafted mezcal and tequila cocktails; followed by the famous Don Huevo dessert from Corporate Pastry Chef Paola Marocchi. The perfect spot to host your birthday, visiting friends or simply just a way to turn your Monday around, this is a party you do not want to miss.

Located on the lower level of Dream Downtown in New York City’s Meatpacking District, The Electric Room is the perfect spot for late-night dancing and after-dinner drinks. The intimate room accommodates approximately 100 people and features a full bar servicing high-end spirits and specialty cocktails. The room provides a distinct cool Britannia feel with sofas featuring the Union Jack Flag and custom back-painted antique mirrors by artist Chris Stain that adorn the banquette wall. Relax among photography and artwork by Sante D’Orazio and Marilyn Minter, while two gothic-inspired chandeliers provide intimate lighting for a curated, one-of-a-kind experience.

Escape to The Beach at Dream Downtown, the outdoor/indoor restaurant located at Dream Downtown hotel in Meatpacking District. Spanning 5,000 square feet, The Beach includes a glass-bottom pool, full-service bar, pool deck, sand beach, two private cabanas, and over 50 chaise lounges. The café located adjacent to the pool features a casual all-day menu created by Corporate Executive Chef Brad Warner with highlights such as The Beach Burger and Baja Fish Tacos, which pairs perfectly with a seasonal cocktail menu. As one of New York City’s most beloved Summer staples, The Beach features a pergola filled with lush greenery, hanging lamps, lattice chairs, overhead twinkling mason jars, and oversized plant walls all surrounding the pool area and is open during the Summer season only.

IG @DreamDowntown

@TaoGroup

@PHDRooftopNY

@DreamBeachNYC

@BodegaNegra

PHOTOGRAPHY CREDITS

Athleisure Mag's cover story was shot by Co-Founder/Celeb Photographer Paul Farkas, using Canon Mark IV; and selected Canon lenses: EF 50 f/1.2 L, EF 24-70 f/2.8 L II, and EF 70-200 f/2.8 L II.

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STYLE, MAKEUP & HAIR CREDITS

Athleisure Mag's Celeb Fashion Stylist, Co-Founder/Creative + Style Director Kimmie Smith, MUA Jessica Bonilla and Hairstylist Lea DeLoy share how Jamie Gray Hyder's look was created for the cover editorial.

LOOK I | FITNESS STYLE

PG 24-29 | ULTRACOR Aster Luna Bra, Aster Legging and Aster Polaris Zip Up Hoodie |

SKINCARE | PONDS Dry Skin Cream | GLOSSIER Coconut Skin Balm | GIOVANNI Refreshing Rose Water and Aloe Mist | MILK MAKEUP Hydro Grip Primer |

FOUNDATION | L'OREAL Infallible Foundation Shade 475 | RIMMEL LONDON Concealer Shade Buff | L'OREAL True Match Powder Shade W2 + W4 for the center of the face; W7 for the perimeter of the face | FENTY BEAUTY Sun Stalk'r Shady Biz Bronzer |

BLUSH | MILANI Luminoso |

HIGHLIGHT | JOUER Skinny Dip |

EYES | ANASTASIA BEVERLY HILLS X AMREZY Eyeshadow Palette using Shade OG on the eyes | MAYBELLINE Lash Sensational Mascara |

LIPS | FENTY BEAUTY Gloss Bomb |

HAIR | Added THEURGY Gypsy Soul Styling Lotion throughout dry hair to maintain control of the hair and creating smooth hair before creating two inverted French Braids | Pulled out a few wispy pieces for an undone effect |

LOOK II | RELAXED STYLE

PG 16-22 | PARADISED Kelsey Jumpsuit in Vanilla | LAGOS Blue Caviar Beaded Bracelet x 2 | ATHLETIC PROPULSION LABS Women's TechLoom Bliss in Rose Dust/Nude | NAVAL SURFACE AND MINE WARFIGHTING DEVELOPMENT CENTER Hat |

EYES | ANASTASIA BEVERLY HILLS X AMREZY Eyeshadow Palette using Shade OG, New Yawker and Yugo was added on the Lash Line | ARDELL Trio Lashes applied |

LIPS | COVERGIRL Sienna Lipstick |

HAIR | This look showcased soft beachy waves | Sprayed in THEURGY Out of Body throughout dry hair for hold and heat protection | The wrap curled throughout curling curling everything away from the face | Finished with THEURGY Shape Shift for added extra root lift and sexy, messy texture |

LOOK III | OUT & ABOUT STYLE

FRONT COVER, PG 30 - 34 | THE FOLD Seville Coat Multicoloured Wool | OLIVIA VON HALLE Bella Jet Black Silk Camisole | MAVI JEANS Adriana Mid Rise Super Skinny in Black Denim | UNO DE 50 A Tickle with a Feather Necklace | MLB WASHINGTON NATIONALS World Series Hat |

LIPS | The lip was changed to DOSE OF COLORS More Creamer Please |

HAIR | Previously for the 2nd look, the hair was curled | For this look, the hair was pinned back on the sides | The hair was finished with a light mist of THEURGY Retrograde Hairspray workable spray |

LOOK IV | SPRING NIGHT'S GLAM STYLE

BACK COVER PG 36 - 39 | OLIVIA VON HALLE Capability Nika Full Length Robe | LUNYA Washable Silk Slip Dress in Deep Night | LAGOS KSL Cuff Bracelet | VIRGINS, SAINTS & ANGELS San Benito Crystal Magdalena in Blue Velvet |

EYES | BK on the lash line

LIPS | MILANI Red Lipstick in Kiss Matte Necklace |

HAIR | Hair was pulled up into a “Done/ Undone” top knot pulling out pieces from all around the hairline for soft texture |

IG @Shes.Kimmie

@Laniidoa_Cosmetics

@HairByLeaDeLoy

Read the Feb Issue of Athleisure Mag and see Finding the Through Line with Jamie Gray Hyder in mag.

WHEN YOUR TAILGATING BECOMES A HOMEGATING WITH MARK SCHLERETH

We’re in the thick of Football Season and earlier this month we chatted with Mark Schlereth who is a retired NFL player who played 12 seasons with the Washington Redskins and Denver Broncos. He moved onto being a football analyst for ESPN and now on Fox Sports. We also enjoyed seeing him on a number of episodes of HBO’s Ballers! So we know that he knows a thing or two about tailgating as well as homegating - which allows everyone to have a great view of the game as well as to have their favorite items to enjoy while cheering for their team. We wanted to know what his 3 essentials are if we’re enjoying a homegate at his house as well as some predictions on the 100th season of the NFL! Note that we talked with Mark Schlereth on Oct 10th of this month.

ATHLEISURE MAG: What are 3 items that we could find at your next homegating festivities?

MARK SCHLERETH: Being at home is what makes it so much fun and I love sharing my homegating tips! It starts with Gardein plant-based meat alternatives and they have everything that you can think of. They’ve got chicken, they’ve got beef, pork and fish. They have Spicy Chicken Sliders, Chicken Wings, Nashville Chicken Hot Tenders – whether it’s your vegan friends, veggie friends or any kind of friends for crying out loud! It’s all delicious and they’re going to love Gardein.

Everybody loves snacks that goes with dips and that’s just science. Hidden Valley Ranch mix is used in restaurants all across America. You can have that same restaurant-style ranch at home with Hidden Valley Ranch Signature Buttermilk Recipe whether it’s pizza, wings, veggies – you name it! Everything is better with Hidden Valley Ranch. My granddaughters call it dip dip. She say’s, “Po Po give me some Dip Dip.”

No party is complete without chili! When it comes to chili, it’s all about the beans. Bush’s has been around for a 100 years and you know them from their Baked Beans. Their beans are slow simmered, full of flavor and perfect for spicing up your party – 3 Bean Chili, White Chili and even Pumpkin Chili! You can make your chili better with Busch’s Beans.

No homegate is complete without the go to of TV’s LG Oled. TV Experts have dubbed it the number 1 TV of 2019. The C9 4K TV has over a billion rich colors, it’s beautiful and stunning picture quality with Google Assistant so that you never have to take your eyes off the television set as they have a 55”, 60” and 77” sets.

AM: Currently the NFL is in its 100th season. What NFL season picks do you have that you can share with us?

MS: Well I mean, to me – when you even look at last week, if you control the line of scrimmage, and I called the game in London last week, it was exquisite and the game was between Chicago and Oakland. If you thought that the Oakland Raiders were going to go out to London and be beaten by the Chicago Bears, because historically they have been a better football team – but the team that controls the line of scrimmage and physically beats up the other team, that’s the team that won about every game last week. So it’s really interesting to see how these teams are physically put together! The Patriots obviously still a great team. The Saints are doing it right now without their starting Quarterback and winning every game. They have been amazing as well. The San Francisco 49ers are undefeated for crying out loud! Think about this, Tom Brady and his understudy, Jimmy Garoppolo are the only 2 Quarterbacks right now that are currently quarterbacking undefeated teams. Jimmy Garoppolo with the 76ers and Tom Brady of course with the New England Patriots!

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9PLAYLIST

Read the Sept Issue of Athleisure Mag and see 9PLAYLIST in mag.