BINGELY STREAMING

EMILIA PÉREZ

Netflix Original

Netflix

In Emilia Pérez, we follow 4 amazing women in Mexico that are on the path to finding what makes them happy. Throughout this movie, you'll enjoy songs, dancing, and vibrant visuals. We meet Emilia (Karla Sofía Gascón) who is a cartel leader and brings on Rita (Zoe Saldaña) who is a lawyer that feels that she is unappreciated as she is stuck in a job that is going nowhere. She is asked to work with her to fake her own death so that the cartel leader can finally lead a life where she can be her true self. In addition, the cast also includes Selena Gomez (Selena + Restaurant, LOUDER: The Soundtrack of Change, Only Murders in the Building), and Edgar Ramirez (The 355, MaXXXine, Borderlands).

CRUEL INTENTIONS

Prime Video Original Series

Prime Video

Growing up, many of us enjoyed seeing the original Cruel Intentions film that starred Sarah Michelle Gellar (Buffy the Vampire Slayer, Clerks III, Dexter: Original Sin), Reese Witherspoon (Legally Blonde, The Morning Show, Big Little Lies), Ryan Phillippe (Crash, Shooter, Big Sky), and Selma Blair (The Sweetest Thing, Hellboy franchise, American Crime Story: Monica Lewinsky) which focused on elite highschoolers in NYC in a modern retelling of the 1872 novel, Les Liaisons Dangereuses. Throughout this movie, we see how a pair of step siblings create havoc through their circle and social scene by manipulating others, having sex, and their use of drugs.

With the cult success of this movie, it's not a surprise that it has come back with the same focus in an updated way on Prime Video. This iteration of Cruel Intentions takes us to another elite social scene in college with a number of the antics and scenarios that appeared in the film.

Do you need to see the film in order to enjoy the series? No as the two can be enjoyed independently. Of course, if you have seen the film, you'll see certain iconic shots in the film, you'll enjoy the modern updates that have been included in this one and you can see how the plot has a bit of a different look and feel as it applies to the collegiate set versus when it focused on those in highschool. It's still a great watch that you can enjoy especially as we head into the holiday season.

THE BINGE CRIMES: LADY MAFIA

Sony Music

Spotify

We always enjoy a great true crime podcast and this is one that really lets you have an indepth look into the female Bernie Madoff as well as the Anna Delvey of the OC. We get to meet Sara King, who is known as Lady Mafia. We get to know more about how she got into this world of crime, her historic rise, and her inevitable fall as a loan shark. We get to hear how she made quickly and deals that were seen as shady at best in The Binge Crimes: Lady Mafia presented by SONY Music Entertainment.

Read the NOV ISSUE #107 of Athleisure Mag and see BINGELY STREAMING in mag.

NEW YORK COMIC CON 2024

This month, Athleisure Mag also hit New York Comic Con which took place Oct 17th - 20th. We enjoyed navigating the booths and experiences at the Javits Center, hearing about new series and movies that we can't wait to attend those press junkets that will begin over the next few months!

In addition to navigating the show floor, costumes, and large exhibits, we also sat in on a panel of Apple TV+'s Shrinking. To hear the cast share that the show has been greenlit for a 3rd season, to share a few minutes from an upcoming episode, and to just listen to them chat about this incredible show was a lot fun to listen to.

Other panels of interest included HBO's The Penguin, HBO's Dune Prophecy, STARZ's Outlander, and Prime Video's Cross. It was just as much fun to watch enthusiasts of the shows as they listened to the cast share their experiences and thoughts, how they truly enjoy being able to get to know more about these programs and to meet those that are involved.

We're defintiely looking forward to next year as it's a great opportunity to enjoy programs that have an avid and engaged fan base as well as to check in with some of the best prestige TV shows! For those planning ahead, mark your calendars for Oct 9-12th in 2025!

IG @newyorkcomiccon

PHOTOGRAPHY CREDITS | PG 186 + 190 Kimmie Smith | PG 188 The Penguin Panel + PG 192 Outlander Panel Craig Barritt/Getty Images for ReedPop |

Read the OCT ISSUE #106 og Athleisure Mag and see New York Comic Con 2024 in mag.

BINGELY STREAMING

WOMAN OF THE HOUR

Netflix Original

Netflix

In Woman of the Hour, this Netflix movie shares the true crime story of serial killer of Rodney Alcala (Daniel Zovatto) who appeared on The Dating Game in 1978 in the midst of a killing spree that he did across the country! We're introduced to those who were his victims, those related to victims and a potential victim, Cheryl Bradshaw (Anna Kendrick who also directs this true story). We meet Cheryl, a struggling actress whose agent suggests that she appears on the show so that she could potentially book jobs.

As she interacts with her 3 possible suitors, we realize through flashbacks that Rodney has already murdered 5 people prior to taping the show. Even one of the fellow contestants realizes that something is off by him and when he realizes that she selects the serial killer for a potential date, he lets her know that she needs to be careful!

This movie depicts Rodney's life and what happened to him prior to the show and after.

LA MÁQUINA

Hulu Original

Hulu

We've enjoyed watching Hulu's La Máquina which follows a noted boxer, Esteban (Gael Garcia Bernal) who is towards the end of a phenomenal boxing career; however, time has started to take its toll on him as he continues to fight. Although he is looking to retire and to do the next phase of his life, his friend and manager, Andy (Diego Luna) always finds ways to keep him fighting and to secure his title.

He realizes that just when he is looking to end his career on a high note, there are a lot of entanglements involved in the last fight as well as an underworld that makes him see everything that he has done, accomplished, and been involved within in a new light!

While he figures that out, he also sees the possibilities of another life that could include a new love, a new focus on his health and whatever comes next.

CANDYMAN: THE TRUE STORY BEHIND THE BATHROOM MIRROR MURDER

CBS News

Spotify

Growing up, there was a horror movie called Candyman that focused on murders that took place in a public housing development based on urban folklore and legends.

In Candyman: The True Story Behind the Bathroom Mirror Murder, this investigative podcast reveals that the inspiration of the movie comes from a very real murder that took place in a Chicago housing

project. It looks at the strange events that took place around her death. The podcast looks at the racial injustice, housing inequalities and mental health issues that surrounded this case.

Read the OCT ISSUE #106 of Athleisure Mag and see BINGELY STREAMING in mag.

BINGELY STREAMING

THE PENGUIN

HBO Original

HBO + MAX

We always love watching a good DC Comics and this limited series of The Pengiun definitely had us enthralled from the ffirst episode as we get to see Oswald "Oz" Cobb (Colin Farrell) who is navigating his current role and takes the next steps into his destiny to control Gotham City. We see the city in a bit of a state with seawall's collapse that Joker implemented. With a power vacuum that took place when Carmine Falcone died he must figure out to deal with his childrenSofia Falcone (Cristin Milioti) and Alberto Falcone (Michael Zegen) as well as dealing with the Maroni family who is helmed by Salvatore Maroni (Clancy Brown) who is in prison!

We also watch as he puts his empire together and we get to know more about his origin story! We're excited to enjoy the remainder of the season and we also enjoyed the companion podcast, The Penguin Official Podcast which drops new episodes every week immediately following the release of the TV series.

THE CIRCLE

Netflix Original

Netflix

Alert! S7 of The Circle, a social media competition is out now - send message! We have loved every episodes where we meet an array of contestants who come to the game without seeing one another and that only have the ability to communicate via Circle Chats. Whether they play as themselves, are catfish or are a hybrid of the two, they must interact with one another, build alliances, figure out how to navigate the game, rate one another, and eventually make it to he final round where one winner will be awarded $100,000 for their efforts! As is the case each season, we see our favorites, we enjoy seeing who connects with who, and it's always fun when they come together for their reunion to see the players put a face to the name of the people that they have interacted with.

THE PRESTIGE TV PODCAST

The Ringer

Spotify

We watch a number of shows and we love when it's prestige - these are shows of high quality that are known for their high production value as well as complex plots. Shows such as The Bear, Breaking Bad, The Sopranos, and more would be examples. What we love about The Prestige TV Podcast by the team at The Ringer is that they have a number of episodes where they break down some of the hottest shows to talk about what is taking place in the show, fan theories, interviews that include actors or creative teams that are involved and more! It's a great way to ensure that you're on track with what is going on in the series. It's always great to see if the show you're watching is being covered by their ever growing team.

Read the SEP ISSUE #105 of Athleisure Mag and see Bingely Streaming in mag.

9PLAYLIST MULTI | ALYSIA REINER

Read the SEP ISSUE #105 of Athleisure Mag and see 9PLAYLIST MULTI | Alysia Reiner in mag.

BINGELY STREAMING

ELIZABETH TAYLOR: THE LOST

TAPES

HBO Documentary

HBO + MAX

We enjoy a great documentary and in HBO's Elizabeth Taylor: The Lost Tapes we got to hear from this stunning star herself via taped interviews where she talked about insights into major moments in her life, and how she approached living her life as a star that was constantly in the spotlight with her films, relationships, and advocacy.

These tapes give the raw and unfiltered thoughts of Elizabeth Taylor. In addition, we have access to videos and pictures that allow us to have a better understanding of who she was and how people that were close to her felt about her.

ONLY MURDERS IN THE BUIDLING

Hulu Original

Hulu

If you have yet to catch up on the previous seasons of Hulu's Only Murders in the Building, now is the time to do so as S4 just kicked off on Aug 27th. Our favorite true crime trio is always in the thick of solving some sort of a crime and this season is bound to be no different! As they solve their cases, they let us in on their podcast, those that they interact with, and notable areas on the UWS!

We're excited to see not only those who have come into the series from earlier seasons, but additional guest stars that will make their debut in this one.

After each episode, you should also check out the OMITB Companion Podcast to know more about each episode and to hear the theories that come up!

EMILY IN PARIS

Netflix Series

Netflix

Like many of you, we couldn't wait to binge the first half of S4 of Netflix's Emily in Paris! We pick up where S3 left off. Who doesn't love seeing Emily (Lily Collins) and her friends navigating their lives, love triangles, clients, and more with Paris as a backdrop? Of course, in addition to seeing all of that, the amount of outfits that become scene stealers, is always another reason to watch this show. Part I dropped on Aug 15th and the remainder of S4 will be released on Sept 12th.

If you're like us, you're wondering how it will all play out and you'll begin thinking about what's on deck for S5 or will rewatch all the seasons for the perfect escapism on your next long weekend!

Read the AUG ISSUE #104 of Athleisure Mag and see BINGELY STREAMING in mag.

AWARDS SEASON | EMMYS WINNERS

Today, the Television Academy announced the 76th Emmys for this year’s nominees. Sheryl Lee Ralph (The Mighty Quinn, Sister Act 2: Back in the Habit, Abbott Elementary) and Tony Hale (Arrested Development, Drunk History, Veep) announced the nominees from the El Capitan Theatre. Programs that were eligible to be nominated had to air between Jun 1, 2023, and May 31st, 2024. The Creative Arts Emmys will run on Sept 7th and the 8th. The Emmys will take place on Sep 15th, 2024 at the Peacock Theater at L.A. Live and will be broadcast live on this date at 8pm ET on ABC and will be available on Hulu for live streaming and on-demand. Jessie Collins Entertainment which is comprised of the trio: Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay are set to executive produce the telecast for the second year in a row. We will update this post at the end of each night for the 3 portions of the award ceremony.

As we do throughout Awards Season, we share our predictions in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics. On the night of the event, we will share who we predicted correctly as well as those we didn’t that won.

Best Drama Series

The Crown (Netflix)
Fallout (Prime Video)
The Gilded Age (HBO)
The Morning Show (Apple TV+)
Mr. and Mrs. Smith (Prime Video)
Shogun (FX)
Slow Horses (Apple TV+)
3 Body Problem (Netflix)

Best Actress in a Drama Series

Jennifer Aniston (The Morning Show, Apple)
Carrie Coon (The Gilded Age, HBO/Max)
Maya Erskine (Mr. and Mrs. Smith, Prime Video)
Anna Sawai (Shogun, FX) 
Imelda Staunton (The Crown, Netflix)
Reese Witherspoon (The Morning Show, Apple)

Best Actor in a Drama Series

Idris Elba (Hijack, Apple)
Donald Glover (Mr. and Mrs. Smith, Prime Video)
Walton Goggins (Fallout, Prime Video)
Gary Oldman (Slow Horses, Apple) 
Hiroyuki Sanada (Shogun, FX)
Dominic West (The Crown, Prime Video)

Best Supporting Actress in a Drama Series

Christine Baranski (The Gilded Age, HBO/Max)
Nicole Beharie (The Morning Show, Apple TV+)
Elizabeth Debicki (The Crown, Netflix)
Greta Lee (The Morning Show, Apple TV+)
Lesley Manville (The Crown, Netflix)
Karen Pittman (The Morning Show, Apple TV+)
Holland Taylor (The Morning Show, Apple TV+)

Best Supporting Actor in a Drama Series

Tadanobu Asano (Shogun, FX)
Billy Crudup (The Morning Show, Apple TV+)
Mark Duplass (The Morning Show, Apple TV+)
Jon Hamm (The Morning Show, Apple TV+)
Takehiro Hira (Shogun, FX)
Jack Lowden (Slow Horses, Apple TV+)
Jonathan Pryce (The Crown, Netflix)

Best Guest Actor in a Drama Series

Néstor Carbonell (Shogun, FX)
Paul Dano (Mr. & Mrs. Smith, Prime Video)
Tracy Letts (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)
Jonathan Pryce (Slow Horses, Apple TV+)
John Turturro (Mr. & Mrs. Smith, Prime Video)

Best Guest Actress in a Drama Series

Michaela Coel (Mr. & Mrs. Smith, Prime Video)
Claire Foy (The Crown, Netflix)
Marcia Gay Harden (The Morning Show, Apple TV+)
Sarah Paulson (Mr. & Mrs. Smith, Prime Video)
Parker Posey (Mr. & Mrs. Smith, Prime Video)

Best Comedy Series

Abbott Elementary (ABC) 
The Bear (FX)
Curb Your Enthusiasm (HBO/Max)
Hacks (HBO/Max)
Only Murders in the Building (Hulu)
Palm Royale (Apple TV+)
Reservation Dogs (FX)
What We Do in the Shadows (FX)

Best Actor in a Comedy Series

Matt Berry (What We Do in the Shadows, FX)
Larry David (Curb Your Enthusiasm, HBO/Max)
Steve Martin (Only Murders in the Building, Hulu)
Martin Short (Only Murders in the Building, Hulu)
Jeremy Allen White (The Bear, FX)
D’Pharaoh Woon-A-Tai (Reservation Dogs, FX)

Best Actress in a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Ayo Edebiri (The Bear, FX)
Selena Gomez (Only Murders in the Building, Hulu) 
Maya Rudolph (Loot, Apple)
Jean Smart (Hacks, HBO/Max)
Kristen Wiig (Palm Royale, Apple TV+) 

Best Supporting Actor in a Comedy Series 

Lionel Boyce (The Bear, FX)
Paul W. Downs (Hacks, HBO/Max)
Ebon Moss-Bachrach (The Bear, FX)
Paul Rudd (Only Murders in the Building, Hulu)
Tyler James Williams (Abbott Elementary, ABC)
Bowen Yang (Saturday Night Live, NBC)

Best Supporting Actress in a Comedy Series 

Carol Burnett (Palm Royale, Apple TV+)
Liza Colón-Zayas (The Bear, FX)
Hannah Einbinder (Hacks, HBO/Max)
Janelle James (Abbott Elementary, ABC)
Sheryl Lee Ralph (Abbott Elementary, ABC)
Meryl Streep (Only Murders in the Building, Hulu)

Best Guest Actor in a Comedy Series

Jon Bernthal (The Bear, FX)
Matthew Broderick (Only Murders in the Building, Hulu)
Ryan Gosling (Saturday Night Live, NBC)
Christopher Lloyd (Hacks, HBO/Max)
Bob Odenkirk (The Bear, FX)

Will Poulter (The Bear, FX)

Best Guest Actress in a Comedy Series

Olivia Colman (The Bear, FX)
Jamie Lee Curtis (The Bear, FX)
Kaitlin Olson (Hacks, HBO/Max)
Da’Vine Joy Randolph (Only Murders in the Building, Hulu)
Maya Rudolph (Saturday Night Live, NBC)
Kristen Wiig (Saturday Night Live, NBC)

Best Limited or Anthology Series

Baby Reindeer (Netflix)
Fargo (FX)
Lessons in Chemistry (Apple TV+)
Ripley (Netflix)
True Detective: Night Country (HBO/Max)

Best Actor in a Limited or Anthology Series or Movie

Matt Bomer (Fellow Travelers, Showtime)
Richard Gadd (Baby Reindeer, Netflix)
Jon Hamm (Fargo, FX)
Tom Hollander (Feud: Capote vs. the Swans, FX)
Andrew Scott (Ripley, Netflix)

Best Actress in a Limited or Anthology Series or Movie

Jodie Foster (True Detective: Night Country, HBO/Max)
Brie Larson (Lessons in Chemistry, Apple) 
Juno Temple (Fargo, FX)
Sofía Vergara (Griselda, Netflix) 
Naomi Watts (Feud: Capote vs. The Swans, FX)

Best Supporting Actor in a Limited or Anthology Series or Movie

Jonathan Bailey (Fellow Travelers, Showtime)
Robert Downey Jr. (The Sympathizer, HBO/Max)
Tom Goodman-Hill (Baby Reindeer, Netflix)
John Hawkes (True Detective: Night Country, HBO/Max)
Lamorne Morris (Fargo, FX)
Lewis Pullman (Lessons in Chemistry, Apple TV+)
Treat Williams (Feud: Capote vs. The Swans, FX)

Best Supporting Actress in a Limited or Anthology Series or Movie

Dakota Fanning (Ripley, Netflix)
Lily Gladstone (Under the Bridge, Hulu)
Jessica Gunning (Baby Reindeer, Netflix)
Aja Naomi King (Lessons in Chemistry, Apple TV+)
Diane Lane (Feud: Capote vs. The Swans, FX)
Nava Mau (Baby Reindeer, Netflix)
Kali Reis (True Detective: Night Country, HBO/Max)

Best Directing for a Drama Series

Stephen Daldry (The Crown, Netflix)
Mimi Leder (The Morning Show, Apple TV+)
Hiro Murai (Mr. & Mrs. Smith, Prime Video)

Frederick E.O. Toye (Shogun, FX)
Saul Metzstein (Slow Horses, Apple TV+)
Salli Richardson-Whitfield (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)

Best Directing for a Comedy Series

Randall Einhorn (Abbott Elementary, ABC)

Christopher Storer (The Bear, FX)
Ramy Youssef (The Bear, FX)

Guy Ritchie (The Gentlemen, Netflix)
Lucia Aniello (Hacks, HBO/Max)
Mary Lou Belli (The Ms. Pat Show, BET)

Best Writing for a Drama Series

Peter Morgan, Meriel Sheibani-Clare (The Crown, Netflix)

Geneva Robertson-Dworet, Graham Wagner (Fallout, Prime Video)
Francesca Sloane, Donald Glover (Mr. & Mrs. Smith, Prime Video)
Rachel Kondo, Justin Marks (Shogun, FX)

Rachel Kondo, Caillin Puente (Shogun, FX)
Will Smith (Slow Horses, Apple TV+)

Best Writing for a Limited or Anthology Series or Movie

Richard Gadd (Baby Reindeer, Netflix)
Charlie Brooker (Black Mirror, Netflix)
Noah Hawley (Fargo, FX)
Ron Nyswaner (Fellow Travelers, Showtime)
Steven Zaillian (Ripley, Netflix)
Issa López (True Detective: Night Country, HBO/Max)

Best Writing for a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Christopher Storer (The Bear, FX)
Meredith Scardino, Sam Means (Girls5eva, Netflix)
Lucia Aniello, Paul W. Downs, Jen Statsky (Hacks, HBO/Max)
Chris Kelly, Sarah Schneider (The Other Two, HBO/Max)
Jake Bender, Zach Dunn (What We Do in the Shadows, FX)

Best Talk Series

The Daily Show (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)

Best Reality Competition Series

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Top Chef (Bravo)
The Traitors (Peacock)
The Voice (NBC)

Best SCRIPTED VARIETY Series

Last Week Tonight with John Oliver (HBO)

Saturday Night Live (NBC)

HOST, REALITY OR COMPETITION PROGRAM

RuPaul Charles, "RuPaul's Drag Race" (MTV)

Mark Cuban, Lori Greiner, Kevin O'Leary, Barbara Corcoran, Robert Herjavec and Daymond John, "Shark Tank" (ABC)

Alan Cumming, "The Traitors" (Peacock)

Kristen Kish, "Top Chef" (Bravo)

Jeff Probst, "Survivor" (CBS)

BEST TELEVISION MOVIE

Mr. Monk's Last Case: A Monk Movie (Peacock)

Quiz Lady (Hulu)

Red, White & Royal Blue (Prime Video)

Scoop (Netflix)

Unfrosted (Netflix)

BEST SHORT FORM COMEDY, DRAMA, OR VARIETY SERIES

Carpool Karaoke: The Series (Apple TV+)

The Eric Andre Show

Late Night With Seth Meyers Corrections (NBC)

Only Murders In The Building: One Killer Question (Hulu)

Real Time with Bill Maher: Overtime (HBO)

BEST SHORT FORM NONFICTION OR REALITY SERIES

After The Cut (YouTube)

The Crown: Farewell To A Royal Epic (Netflix)

Hacks: Bit By Bit (HBO Max)

Saturday Night Live Presents: Behind The Sketch (NBC)

Shōgun – The Making Of Shōgun (FX)

OUTSTANDING STRUCTURED REALITY PROGRAM

Antiques Roadshow (PBS)

Diners, Drive-Ins And Dives (Food Network)

Love Is Blind (Netflix)

Queer Eye (Netflix)

Shark Tank (ABC)

UNSTRUCTURED REALITY PROGRAM

Below Deck Down Under (Bravo)

Love On The Spectrum (Netflix)

RuPaul's Drag Race: Untucked (MTV)

Vanderpump Rules (Bravo)

Welcome To Wrexham (FX)

HOST OF A GAME SHOW

Steve Harvey, Celebrity Family Feud (ABC)

Ken Jennings, Jeopardy! (ABC)

Keke Palmer, Password (NBC)

Jane Lynch, Weakest Link (NBC)

Pat Sajak, Wheel Of Fortune (ABC)

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THE ANCIENT WORLD | LARA WOLF

This month, we're already excited for new shows that will be part of our steady streaming as we navigate the summer! We sat down with Lara Wolf to talk about how she got into the industry, her approach to playing her characters, and her latest project, Those About to Die which is currently streaming on Peacock as a Peacock Original! With an incredible cast and the ability to take us back to Rome, Gladiator Games, and corruption - we knew that we wanted to find out a bit more about what she is up to as well as this series.

ATHLEISURE MAG: What was the first film or TV that made you aware of this industry?

LARA WOLF: Growing up, music was actually more prevalent than film and TV. It was always playing in our house, either from my dad's massive record collection or from him playing the guitar. And I would always sit with him and sing. That was a significant influence on me and the foundation for me seeking to be in the arts later. Of course, I watched every Disney cartoon, but it wasn't until I was a teenager with battles that films like Incendies, Control, Hunger, House of Sand and Fog made me feel a certain way, maybe made me feel understood. And so I started to develop a palette for film, and the more I watched, the more I wanted to be part of the world.

AM: When did you realize that you wanted to be an actor and where did you train to hone in on your craft?

LW: As a kid, I jumped at every opportunity to perform in front of an audience. It allowed me to express myself as a somewhat introverted child otherwise. I didn't grow up in an environment that would encourage performance art professionally, so it didn't cross my mind. But later on, when I was already in college going on to be a psychologist, something was missing, something I couldn't ignore. So, I started reconnecting with that childhood passion and picked vocal classes. This allowed me to release whatever I was holding in, which then snowballed into gigging in bars around town and performing, at the same time watching films, then enrolling in studying film, film history, and film theory, and finally realizing and admitting that I wanted to be in them! But that also required that I move to a place that would offer acting programs, a movie industry, and like-minded people. So, I moved to NYC from Zurich and studied at the Lee Strasberg Institute for 2 years. I have lived there since, continuously honing my actress, singer, and writer skills.

AM: I remember you in Quantico, how do you approach playing characters and what are you looking for when it comes to deciding on whether you want to be attached to a project?

LW: When I receive a script, I quickly notice if I fit into that world and if the character resonates with me. I look for similarities and differences and personalize as much as possible.

When deciding about a project, I ask myself if it is a story I want to tell and if it is something I would be interested in watching. I also get excited about collaborating with a director whose work I admire and with actors I look up to.

AM: We have heard great things about The Performance which is an Arthur Miller (Death of a Salesman, The Crucible, The Price) short story and is directed by Shira Piven (Claws, Sweetbitter, Divorce) and you acted opposite Jeremy Piven (Entourage, Wisdom of the Crowd, Sin City: A Dame to Kill For). Can you tell me about this film, your character Sira and why you wanted to be part of this?

LW: I remember seeing the breakdown that my agent at the time had sent me and thinking: if I don't book this part, then I won't book anything, because the way this character was described fits like a silk glove. They were looking for someone who spoke English, German, and French and could sing jazz. It's so rare that a role would check so many of my boxes. Aside from that, I was excited about the project itself, a period piece based on an Arthur Miller short story about a Jewish-American tap dance group in the 1930s that decides to fly to Europe for a tour right before the second WW and get themselves into a tricky situation. The film explores how far you are willing to go and what you are willing to risk and sacrifice for your passion. And when does your passion turn into greed? While it was a period piece, it's still incredibly relevant today, and I find that very rewarding. It was a blessing getting to work with the wonderful Shira Piven, Josh Salzberg (Welcome to Me, Walking Man, Welcome to Flatch), Robert Carlyle (Stargate Universe, Once Upon a Time, The Full Monty series), Jeremy Piven, and my colleagues, who were fantastic actors and brilliant tap dancers, and it was such a pleasure watching them do the choreographies. Our days were filled with music, dancing, singing, and acting - a dream! Our costumes were phenomenal, and the locations in Bratislava, like the State Opera, helped immensely to dive into the period.

AM: We're looking forward to Peacock Original's Those About to Die! What drew you to this series?

LW: All of it was appealing: the genre, the historical aspect, having Roland Emmerich (The Day After Tomorrow, Independence Day: Resurgence, Moonfall) - the master of big-scale disaster films - lend his expertise to this ancient story, shooting in Rome where it all happened, Sir Anthony Hopkins (The Silence of the Lambs, Nixon, Westworld series) playing the Emperor, and of course, getting to play the Judean Queen Berenice was a dream come true.

AM: What can you tell us about the show as well as your character Queen Berenice?

LW: Her life unfolded against the backdrop of the Roman-Jewish revolts when the Romans burned down the Second Temple and enslaved the Judeans. The Judean Queen Bernice was the daughter of King Agrippa I of the Herodian dynasty, and she was known for her strategic alliances and marriages. There were also rumors about an incestuous relationship with her brother, but there are no facts to prove it, and it might only show the threat she posed as a woman in power. Her most notable relationship was with the son of the Roman Emperor Vespasian (played by Anthony Hopkins), Titus, also known as the destroyer of Jerusalem and its temple. Naturally, this caused controversy and put her in the eye of public scrutiny on the side of the Romans and the Judeans. Despite this, her political acumen, diplomacy, and grace prevailed throughout history. And for me, it was an honor to be given the trust to play her and give voice to this incredibly powerful Queen in our history.

AM: It's a great cast that includes Sir Anthony Hopkins, Johannes Haukur Johannesson, and Iwan Rheon - what was your biggest takeaway from having this experience in this series?

LW: Every time I get to be on a set, it feels like the dream comes true again. My gratitude is beyond words. This is true, especially this time with this collection of incredibly talented actors, two top directors in our industry, and a production team that meets the highest standards. I love knowing that the people I work with are brilliant at their craft because it is a lot of fun working with them and motivates me to be a better actor. Ultimately, it's all about collaboration, honing your craft, getting as close as possible to the slippery idea of perfection, and seeing how it all comes together as a collective work of art.

AM: You've been acting for awhile and been in a number of series, but you are also a writer! When did you realize that you wanted to include this in your storytelling?

LW: From the moment I started this acting journey, different people in the industry encouraged me to write. Up until that point, all I had written were either essays or papers from when I was studying Psychology and Film, all in an academic tone. I had never imagined that I would ever write fiction and dialogue. I had never really seen myself as a writer, but I started dabbling in writing almost secretly and noticed how ideas would come up and evolve. Then, finally during the pandemic, the stories poured out of me, maybe because we were all cooped up and needed to sit still, which is typically not my forte. But it really allowed me to dig deep, improve and find the joy in writing. Currently, I'm working on a play I'm workshopping at the Primitive Grace Theatre Ensemble with Paul Calderón (Fear the Walking Dead, Bosch, Boardwalk Empire) and David Zayas (Michael Clayton, The Blacklist, Dexter) as co-directors.

AM: When you're not in the midst of a project, how do you take time for yourself?

LW: I guess that's exactly when I have the time to take time for myself. And I love getting back into a healthy food/sleep/exercise routine, which is often hard to maintain when working. I use the time between projects to reboot physically and mentally and feed myself creatively by writing or seeing art or plays. As I mentioned, I'm part of a theatre company in NYC which I'm very grateful for as it is my safe, creative place to work with other actors and writers and wonderful mentors. And then I also sing and write music and collaborate with other musicians.

AM: Do you have any upcoming projects that we should keep an eye out for?

LW: Keep an eye out for the film Reading Lolita in Tehran, directed by the renowned Eran Riklis (Shelter, Spider in the Web, A Borrowed Identity). It is based on the same-named NY Times bestseller memoir written by Professor Azar Nafisi and starring the Iranian icon Golshifteh Farahani (Pirates of the Caribbean: Dead Men Tell No Tales, Exodus: Gods and Kings, Invasion).

And there is a next project on the horizon, and I wish I could tell you, but my lips have to remain sealed for now. I can only say that it's an action/spy film with a stellar cast! And you can follow me on @laradwolf for all the updates. Thank you so much!

IG @laradwolf

PHOTOGRAPHY CREDITS | PG 158 Sharon Daniels | PG 161 - 165 Reiner Bajo/Peacock |

Read the JUL ISSUE #103 of Athleisure Mag and see THE ANCIENT WORLD | Lara Wolf in mag.

THE ROOT OF IT | MARIA CAMILA GIRALDO

We always enjoy watching our favorite shows and the actors that portray characters that are memorable. In addition to enjoying their creative pursuits, it's always interesting to see when their life experiences initiate an entrepreneurial endeavour based on issues that they may have come across.

We sat down with Maria Camila Giraldo who we recently enjoyed watching her in Netflix's Griselda. We wanted to know more about how she came to acting, how she approaches her characters, how she came to this series and to find out about her wellness brand, Fungiments. Co-founded by her and her fiance, Cole Garson they set out to create this brand that uses mushrooms and adaptogens.

ATHLEISURE MAG: What was the first film or TV show that made you realize the power of acting?

MARIA CAMILA GIRALDO: The first film that made me realize the power of acting was V for Vendetta. The performances were so compelling and intense that they truly demonstrated how acting can convey deep emotions and complex ideas, leaving a lasting impact on the audience.

AM: When did you realize that you wanted to be an actor?

MCG: I think I was born an actor. Ever since I was a baby, I would grab the camera and perform different characters. As I grew older, I started producing my own short films and homemade talk shows. This passion for performance and storytelling has always been a part of me.

AM: How do you approach playing your characters as we know everyone has their own process.

MCG: My approach to playing characters depends on the character and the story. Currently, I'm very influenced by Ivana Chubbuck's technique. It's an amazing method that helps me connect my own reality with the character's reality, allowing for a more authentic and powerful performance.

AM: We enjoyed watching Netflix's Griselda - how did you become attached to the project and what drew you to this series?

MCG: I started auditioning for Griselda in October 2021. It was a lengthy process. Initially, I was considered too young for the original role I auditioned for, but they eventually called me in for a different role. I didn't hear back until the end of November 2021 – that’s when I received the exciting news that I had to move to LA for the project. I had always wanted to be in LA, having visited on and off for the past three years, so it was a perfect opportunity for me.

AM: The storyline and telling Griselda's story was amazing. On your IG, you shared that you had a vision board where you noted that you would be on a top show and Sofia Vergara (Modern Family, Chef, This is Me ... Now: A Love Story) was also on there and of course we saw that come to pass this year! What was your biggest takeaway from doing this show?

MCG: My biggest takeaway from doing this show is the importance of dreaming big, working hard, and preparing for the opportunities you want. If you do, the moment you’ve been waiting for will eventually show up. Having a vision board was a constant reminder of my goals, and seeing it come to fruition was incredibly rewarding.

AM: You're going to be in a film with Al Pacino (The Godfather, The Irishman, Serpico), is there anything that you can tell us about this?

MCG: Initially, I was hesitant because I didn't like horror movies. However, my managers insisted I take a look at the project. When I did, I realized it was more than just a horror film—it was a psychological thriller that delved into mental health, a topic very close to my heart. After my concussion and personal struggles with mental health, I felt deeply connected to the story and its significance.

AM: You were recently at the Cannes Film Festival and we loved seeing your look on the red carpet. What was it like attending this festival and were you there promoting a film?

MCG: Attending the Cannes Film Festival was a dream come true. We were there for private screenings of The Ritual (Editors Note: This is her upcoming film with Al Pacino). The experience was incredible - the magnitude of the event, the glamour, and the sheer amount of talent present was amazing. It was an honor to be part of such a prestigious event and to witness the global celebration of cinema.

AM: As someone who has been playing a number of roles, you are also an entrepreneur in the wellness space! What led to your wellness journey to becoming an entrepreneurial aha moment?

MCG: When I went through a concussion, I realized that there weren't many natural alternatives for managing my anxiety or improving my focus and concentration that didn't involve medications, and I didn't want to go that route. So, I tried everything and looked everywhere. I found a lot of relief in mushroom supplements and adaptogens. After searching through pharmacies and supermarkets and not finding anything similar, I saw a big opportunity to create a fun brand that people can connect to. That's what led me to create Fungiments and become an entrepreneur.

AM: Tell us about Fungiments and its use of mushrooms and adaptogens.

MCG: Fungiments uses mushrooms as the hero ingredient, blending them with other adaptogens to enhance their targeted effects. This approach allows us to create products that truly work, unlike other mushroom supplement brands that often include mushrooms in low milligrams, leaving you unsure if they are effective. Our formulations ensure that each product delivers tangible benefits for your specific needs.

AM: Tell us about your assortment and although you just launched, do you have plans on additional items to add to your offerings?

MCG: Our body is like an ecosystem, and our goal at Fungiments is to create products that support each system within it. For example, we have Super Prune gummies which support digestion with Turkey Tail mushrooms along with other functional ingredients. Super Bouncy is for those lacking energy and focus, made with Cordyceps, ginseng and more. We recognize that we are holistic beings, and one issue, like lack of energy, can often be connected to another, such as poor sleep. Although we just launched, we already have plans to expand our offerings to cover a wide range of needs, including sleep, energy, and overall wellness, ensuring that every aspect of your health is supported.

AM: When you're not working on your next project or working on Fungiments, how do you take time for yourself?

MCG: When I'm not working on my next project or Fungiments, I take time for myself by exercising. I have chronic pain, so movement helps to alleviate my symptoms and keep me feeling better. Additionally, working out has a positive impact on my mental health, and I also focus on skincare to take care of myself both physically and emotionally.

IG @maria.giraldo

PHOTOS COURTESY | Fungiment

Read the JUN ISSUE #102 of Athleisure Mag and see THE ROOT OF IT | Maria Camila Giraldo in mag.

IF THESE WALLS COULD TALK | HOTEL COCAINE

We've enjoyed watching the screeners for Hotel Cocaine which is currently streaming on MGM+! We are transported to the late 70s and early 80s when Miami is in the midst of a shift from vacation and retirement destination to the epicenter of sex, drugs, crime, and a battle between those who are on opposing sides of the law while embracing disco, wealth, and more! The events that unfold are based on accounts by those who lived it that took place at The Mutiny Hotel which still exists today, but without the activities that made it famous during that time.

We had the pleasure of connecting with Creator, Showrunner, Executive Producer, and writer Chris Brancato (Narcos, Narcos: Mexico, The Godfather of Harlem) and Director, Guillermo Navarro (The Twilight Saga: Breaking Dawn 1 and 2, Night at the Museum franchise, The Last Days of Ptolemy Grey) who know how to bring these stories to life so that we can see the complexities, conflict, and humanity of the characters in their stories. We talk about their love for storytelling, working together, and framing this show in all of its nuances.

ATHLEISURE MAG: We are so excited to be able to talk with you! Chris, I know you created Narcos as well as Godfather of Harlem which I have been a huge fan of and Guillermo as the Director of Godfather of Harlem – once again, it is a fantastic show and you also directed Narcos, so it’s nice to see you guys working together on this show!

What do you guys love about storytelling in general?

GUILLERMO NAVARRO: Well, it’s a tremendous opportunity to actually reflect on life and to put our own ideas into it and to tell those stories. There is nothing better than that!

CHRIS BRANCATO: I love the process and the friendships that you make from the writing room where we create the scripts to the production people who put everything together, and then editorial where we make a “finished product,” so to speak! The goal is always to entertain.

AM: You guys came together for Hotel Cocaine which I have watched all 7 of the screeners and can’t wait to find out what happens in E8! The story is amazing. Why did you want to tell it and specifically Guillermo, what attracted you to this series and why did you want to be part of it?

GN: Well I have been partnering with this one for awhile and finally we reached and found a Latin story and so I completely just went for it. It was an opportunity to talk about the relationships of the Latin world with America and it focused on the drama of 2 brothers and the delivery of this and the story about what had to be happening in Miami to receive all of that input and to become what it is!

AM: In terms of creating the show Chris, what was your thinking? I love the characters, the complexities and the depth of them, and they keep unveiling themselves in different ways and it is shot so beautifully. How did all that come together?

CB: Well, it’s interesting. Guillermo and I did Narcos together. We first met on the show Hannibal and I realized he was a directorial genius – [Guillermo motions teasingly that Chris is going on and on buttering him up until Chris notices]

AM: Wait, you are and I have enjoyed seeing your direction in a number of programs so these are facts!

CB: Right? So effectively when I did Narcos, one of the actors that was a friend of mine came up to me and said, “you know, my father was the General Manager ager of the Mutiny Hotel. He said it was the Studio 54 of its day in Miami and it was the home to DEA Agents, drug dealers, movie stars, rock stars, and so the subject matter fascinated me and I knew that to do it right and to give it the proper Latin perspective, I was going to need to find a partner. I searched far and wide in the Latin world and I couldn’t find anybody other than him [Chris teases Guillermo by shaking his arm] so that is how we got stuck together!

AM: I love that story! Obviously, this story takes place in Miami but you shot it in the DR?

CB: Yes, because the Domincan Republic, we scouted Puerto Rico, Colombia, and the DR, but ultimately, we decided that the Dominican Republic had the best look of a 70s Miami because Miami is so overbuilt now, we could never replicate Miami in the 70s!

AM: Well I love the DR and I always love whenever I spend time down there regardless of the city!

What do you want viewers to take away from this show. I can’t say enough about how much I love how it was put together, the characters, the way it was shot etc. I can’t wait to see the finale to see how S1 ends.

GN: Well, that the impact of the drug world on society is real and it’s very profound. And that, I come from Mexico and the social tissue is destroyed by the drug world. For me, it was very important thing to talk about that every time someone consumes it, people die. So it’s about accountability and responsibility of something that is consuming entire societies.

CB: We like to deliver themes like that in a very shiny wrapping.

AM: Right!

CB: So the sex, drugs, disco, Latin music pel collars, bell bottom pants, and the Mutiny girls. So again, the goal is to entertain and put the nutritional value in a hidden way so that the kids don’t notice the broccoli!

IG @cbrancato86

@hotelcocainemgm

Now that we have a framework for this series thanks to Chris and Guillermo we wanted to continue to frame this show as well as the lens that we should view as. We talked with Danny Pino (Scandal, Law & Order: SVU, Mayans MC) and Yul Vazquez (Magic City, The Outsider, The Godfather of Harlem) who play brothers Ramon Compte and Nestor Cabal in this era in Miami as they navigate the DEA, drugs, the Mutiny Hotel, past and present family dynamics and so much more!

AM: As a fan of both of your works in other shows as well as obviously in Hotel Cocaine, why were you attracted to this series and why did you want to be part of it?

DANNY PINO: Thank you for this question! Yul Vazquez! That is the short answer. I’m not saying that because he is here. But he is, he’s right here! The reality is that the first phone call that I got about Hotel Cocaine came from Yul. Yul and I, there are not a lot of Cuban Americans in Hollywood right? So whenever I would go to an event and I would meet other Cuban Americans, we would eventually land on, “have you met Yul Vazquez?” I’d say, “no I have not met him, I know of him and we have mutual friends. He’s a fantastic actor, but I have not yet met him.” Or I would go to a set and someone in the crew or in the cast would say, “well, you’re Cuban American, have you met Yul?” We’d have the same conversation! “I love his work and I haven’t met him.” Then, we happened to meet on Law & Order: SVU! And we became fast friends. It’s like when you meet somebody that you feel that you have known your entire life! I’m not talking about like your entire acting life, I’m talking about – were you at my 15s? Were you at my baptism? Because I feel like you must have been in the Catholic church with us!

The phone call where Yul calls me and says - look, I have been working on this show, The Godfather of Harlem with Forest Whitaker - the fantastic Forest Whitaker with Chris Brancato, the creator of Narcos and there is this show set in Miami, 1978, called Hotel Cocaine, based on The Mutiny and we’d be playing brothers. I said, I’m in! He was like, maybe you should read the script. And I was like, wait, maybe I should read the script! That’s the short answer to your question! Once Yul kind of set that up, I was already – the momentum and the inertia towards doing it was already in motion.

YUL VAZQUEZ: I mean, it was pretty much the same for me. Danny really was the only choice really for this. It was too perfect but you know sometimes when something is so perfect it doesn’t wind up happening?

AM: Right!

YV: This is a no brainer and then suddenly it doesn’t happen! But this was one of those times when the no brainer happened the way it was supposed to happen. I absolutely love working with Danny and he knows that that is the truth! I know that I can stand there with him and we can get through any scene no matter what the journey of the scene is and we can work around it and figure it out and we get to the end of the scene and I know that when he opens his mouth, I am going to believe everything that he says! That sounds like simple obvious things, but not always the case. Not always the case. I always knew with Danny, I am going to have a guy that was there today. Not a guy who decided that he was going to do this 3 weeks ago. You know, rehearsed it in the mirror because that is one thing that makes me insane. When I get somebody and I’m like no matter what you do, this person is going to do the same thing because they have locked themselves into this thing. We figured out this flow with this whole thing and we improvised a lot of things and we had the freedom from Chris Brancato, Michael Panes (Godfather of Harlem, Bull, Law & Order: Criminal Intent) and Guillermo Navarro which is a huge part of the design, the brains, and the engine of the show. He encouraged us by saying that we knew this world better than any of us are going to know. We know what it’s like to be a Cuban from Miami and so that’s what we did! It’s really what we did and I think that we brought a lot of ourselves into the thing more so then I think that I have ever done!

DP: You’re talking to a musician/artist. Yul would come at this scene with the same words, but in a totally different way! So to be present and to be able to play jazz with him all the time and you know, a lot of the script is written in English. We know as many Cuban Americans know, and many Latinos know, that we don’t speak in English all the time.

YV: Correct.

DP: Our probably chosen language or first language is Spenglish and so we would manipulate some of the script to have the same intention, the same wording, but to be able to go back and forward fluidly in Spanish to give the authenticity of what you would hear not only in that time period, but in modern day Miami!

PRESS POOL: As you reflect back to all the roles you have played throughout your career, what lessons have you taken from them that have helped you in your role in Hotel Cocaine today? How has it shaped you to be the actor that you are today in those roles?

YV: I think that every stitch is a stitch in the fabric of an actor’s career. You try to vary it as much as you can and then you try to decide the parts as much as who is involved and who’s hands it’s in. So I think that everything feeds everything. I also paint, I’m a photographer, and I am also a musician so everything feeds everything and I don’t think one thing takes away from another. I see everything as one orb. So, I think that everything in life feeds everything. Meet ing you and it’s the succession of events for me. That’s how I think that we arrive to where we are today.

DP: I mean, Yul is a renaissance man. He does everything incredibly well and for me, talking about different characters and how it now leads to Ramon Compte, the General Manager of the Mutiny Club and Hotel, I’ve played characters who were on the right side of the law – in fact they were the law. In 2 successive shows whether it’s Mayans MC or Hotel Cocaine, playing characters that you can potentially consider an outlaw – right? I think that what I find which goes to the heart of your question, the throughline for the characters is with great writing whether it’s Meredith Stiehm (Homeland, ER, NYPD Blue) on Cold Case; whether it’s Warren Leight (In Treatment, Law & Order: SVU, Law & Order: Criminal Intent) on Law & Order: SVU; whether it’s Elgin James (The Outlaws, Lowriders, Little Birds) on Mayans MC; or Chris Brancato for Hotel Cocaine, all of those showrunners are fantastic at developping a character who rides the line between on the right side of the law and a potential on criminality.

All of those characters, whether it was Scotty Valens on Cold Case where he had some anger issues and would go back and forth on being able to control that or Nick Amaro who was also going back and forth on being able to control his anger and his frustrations and what not with his job and within his family, you can say similar things about Miguel Galindo and now we have arrived at Ramon Compte who also has to ride that line. It’s just like what Yul said, there’s a building and a learning from each experience especially when the writing is so dialed in and so challenging for an actor which is the best thing that we can have to be able to have that range which we can sort of carve through a performance and to go back in forth between scenes where you say, “I really love this guy, I could absolutely see myself doing the same thing – exactly what he is doing,” and then the very next scene saying, “how could you choose to do that? I hate this person!”

DP: Right? So that’s the currency that actors love to deal in.

PP: When we see the scenes that you guys have together at The Mutiny Hotel and this is a testament to who you are as actors, but when you have the club scenes there is so much going on with the dancers, the lights, and all of these things are happening all around you – as actors, how do you not get distracted by all of the things that are taking place in the background? What is your secret?

YV: It’s hard! It really is hard and sometimes let’s say that your patience it tested – yeah it is! It’s a great question and it is very very hard, for me.

DP: I think it’s one of those things where – and it is a fantastic question because a lot of people don’t realize exactly what happens. They play the music and cue us into the song so that the background artist can get the rhythm of the song that is going to be played and then they kill the song. So the background artist can continue with the rhythm so that we can say our lines in silence so that we don’t have to record the line over and over again for clarity. And that gets a little strange because you can still hear the heels and the platforms stomping on the dancefloor so it is a little distracting in that way. What helps is to have an actor like Yul. When you have an actor like Yul and you have words by Chris Brancato and Michael Panes, where you are engaging in a scene that matters and has life and death circumstances and ramifications, that tends to crystalize everything and you start to get that much more focused.

YV: Yeah, so Danny’s right. All we really have is each other and that helps! Having him helps anchor things for me! He’s right, exactly what he said. It becomes a very interesting challenge you know because it is all of the things that the audience never sees. You know the old saying, “you don’t want to see how the sausage is made.” That’s really true!

PP: For people who live in Miami, The Mutiny is such a staple and an icon of an era that created the backbone of what Miami is as a city from the glitz and glamour, to the element of crime and other things. Danny you’re a Miamian and went to FIU and you grew up there and you know the city. What does it mean to you to portray this era that shaped what Miami is nowadays?

DP: That’s a fantastic question and as we’re both from Miami, we talk about it all the time! We talk about not only the impact of The Mutiny, but the impact of the 70s, it was such a transformative period of our city! It really changed Miami from being sort of a sleepy retirement/vacation spot to a cosmopolitan hot spot. Then it changed when The Mutiny upped the ante on that and it became a hedonistic pleasure palace! Right? People were flying in all over the world to have an adult experience at The Mutiny. I have actually stayed at The Mutiny, it’s not what it was before, it is now much more lowkey. It’s like a hotel residential sort of establishment now, but the structure is still the same, the pool is still the same, and you still feel that if the walls could talk, you’d be hearing some fantastic stories and I think that that’s what our show does. The walls talk in our story.

IG @eldannypino

@yuluminati

PHOTOGRAPHY CREDITS | Hotel Cocaine

Read the JUN ISSUE #102 of Athleisure Mag and see IF THESE WALLS COULD TALK | Hotel Cocaine in mag.

BACK TO CHICAGO | THE BEAR

On June 26th 9pm ET, S3 of FX's The Bear released all episodes from this season which is available exclusively on Hulu in the U.S. and on Disney+ in all other territories! We had the pleasure of hearing from portions of the cast about this show that has truly been a phenomenon for those in the culinary industry, enthusiasts and more as we head back to Chicago it deals with the highs and lows of running a restaurant, navigating the industry as well as the complexities that take place FOH, BOH as well as outside of the four walls that they operate in!

The press conference included Executive Producer and Restaurateur Chef Matty Matheson (Craig of the Creek, It's Suppertime!, Workin' Moms), who also plays Neil Fak, Jeremy Alllen White (Shameless, Homecoming, The Iron Claw) who plays Carmy, Ayo Edebiri (Black Mirror, Abbott Elementary, Bottoms) who plays Sydney as well as who directed Episode 6 "Napkins" of this season, Ebon Moss-Bachrach (Girls, The Dropout, Andor) who plays Richie, Abby Elliott (Saturday Night Life, Odd Mom Out, Cheaper By The Dozen) who plays Natalie, Liza Colón-Zayas (In Treatment, Law & Order, Titans) who plays Tina, Lionel Boyce (Loiter Squad, Curb Your Enthusiasm, The Jellies) who plays Marcus, and Ricky Staffieri (Chicago P.D., Better Call Saul, This is Us) who plays Ted Fak.

If you have watched or caught up on the previous seasons of The Bear, we suggest that you watch as there will be light spoilers. In terms of S3 the conversation focuses on the trailer and how it ties into the previous seasons.

PRESS POOL: Matty, in addition to your playing Neil, you are an executive producer and from a menu creation perspective, what are the decisions that are involved in creating those dishes?

CHEF MATTY MATHESON: Yeah, like, Courtney Storer is also a producer, and she handles a lot of the menu development. I work with her and her team and ideation stuff of what Carmy and Syd would be thinking about and how to execute those types of dishes; and create; those types of menus; and who they are and how they would present themselves through a culinary lens. But yeah, a lot of the dishes—you know, we had some really good chefs, and Courtney is amazing at executing and creating that food and bringing that to life. And there were some dishes that were more difficult than others. A lot of the desserts that Lionel and Marcus were creating and storytelling were difficult. Pastry is very - you know, it's a lot of science, a lot of stuff going into that. But overall, I think just trying to make beautiful food and thoughtful food and pushing the envelope.

PP: What was it like cowriting the first episode, what that experience was like, what you brought to the table and also, what it did for you.

CHEF MM: I think a lot of people that have had amazing careers, like Carmy had or chefs in general, have worked under a lot of chefs. And there's little pieces that you grab onto throughout your life, and that's how and what makes you who you are, the good and the bad. And in culinary school, I had this chef that told us this story about how 30 chefs made who he was and told me this story about working under all of these chefs all over Europe and working with chefs and cooks and just learning all of these different trades. And you know, it is a trade. And so, I think picking up these little skills along the way - and you never stop learning - is who you are made of, you know? The people around you. And we kind of wanted to tell a story of what and how Carmy was kind of built in that way.

PP: It seems like Neil's role is increasing with every season and we're seeing more of him. Was this planned from the beginning or did it grow organically out of the way the character interacted with the other characters?

CHEF MM: I’m not too sure. I think they saw that I could remember a couple more lines. And then, I think Chris Storer (Ramy, On The Count of Three, Dickinson) kind of chucked me a couple lines, and then I think we'll keep it moving. But yeah, I don't know. I really don't know. I think happy to be here and then, you know—

JEREMY ALLEN WHITE: I think, yeah, I mean, I think Chris was responding to Matty's work on the show. Matty had never acted before the show, and it turns out he can do it so beautifully and he can be so funny and lovable. And so, I think Chris wanted to work with him more and more. And it's also like I've never seen Chris be more joyful...

EBON MOSS-BACHRACH: Yeah.

AYO EDEBIRI: It's true.

EMB: Yeah.

JAW: ...than when he's directing a scene with Matty and like throwing lines at him. It really is the most excited that I see Chris is working with Matty.

CHEF MM: What Jeremy Allen White said.

ATHLEISURE MAG: Jeremy, we got a taste of Carmy's mentality following the finale and how the walk-in incident impacted him in the trailer. But going into Season 3, how will that experience impact him and his employees at The Bear?

JAW: Yeah, I mean, you know, what happens, I do get out of the walk-in refrigerator and that's good. And then yeah, you know, I think Carmy does what he does, which is he sort of buries himself back into his work and really tries to challenge himself and in doing so, really challenges everybody around him and I think becomes quite challenging to be around, as well. A lot of challenges.

PP: Things were not in a great place between Richie and Carmy when we last saw them. How will their relationship move forward as the season progresses and can they overcome the differences that they have?

EMB: They're great now. They're great. They...

(Laughter.)

AE: Play pickleball on Wednesdays.

EMB: They wake up every morning, go for a jog. You know, a little coffee klatch. No, I mean, you've got to watch, I think, right?

JAW: Yeah. Yeah, yeah, yeah. I mean, yes, Carmy is like continuing to do what he does best, I think, which is like be incredibly avoidant of all the issues that he has going on.

AE: No. What?

JAW: And that's what you'll see, yeah.

AM: Last season Richie got to work at another restaurant which really softened him and informed him a lot. How did that inform you moving forward with the character and into Season 3?

EMB: Season 3 picks up I think not long after Season 2 ends. And I don't know, I think Richie is in a place where he's sort of seen...he's been exposed to maybe a more evolved way of being, and I think he kind of sees a path to head towards. But it's one thing to see the path and it's another thing to walk it. So, I think, like any kind of personal growth, it's forward and back and there's not a kind of clear and one-direction path.

PP: In the Season 3 trailer, Carmy presents Sydney with a partnership agreement. What does this promotion mean for your character and how does Sydney and Carmy's relationship evolve in Season 3?

AE: Well, I think that that's one of the things in the season that we sort of deal with is what it means to Sydney and what that next step would mean for her relationship with Carmy, who's somebody that I think she really has looked up to but now is sort of in the thick of doing business with. And it's I think a lot more chaotic than she might have idealized before they really started working together. So yeah, I think that's sort of something that you'll see.

JAW: Yeah. Yeah, I think for Carmen, he's not the best communicator, but he will often kind of make a sort of grand gesture like that to try and communicate to Syd or the kitchen or whomever. And I think that's his way of kind of reaching out. But oftentimes, I feel like people aren't prepared to sort of receive like - I think he's got a lot going on in his mind all the time, and people aren't always aware of exactly what's going on. And so, yeah, I guess...again, yeah, you'll see obviously how that affects Carmen and Syd's relationship. But I think Carmen's trying to welcome her in a little bit was the point of the partnership agreement, yeah.

PP: What is going on with Tina this season. And then Ayo, would love to hear what it was like directing an episode.

LIZA COLÓN-ZAYAS: What's up with Tina is she is struggling to, you know, be her best and the challenges and wrestling with the demons of her past and you know, white-knuckling.

AE: Yeah, directing was a blast. I really loved it. It's like a dream to get to work with our crew as an actor. And so then, I guess by extension of directing that feeling was only amplified. I was just so impressed and so moved every day. And then, I got to direct some of my favorite actors in the world, and it just felt like a bit of a master class, but also a gift. Like, I was just in the best circumstances of truly just masters of their craft beside me, and I just felt so lucky. I was kind of like this is maybe the best job in the world? Or tied for first place, at least, with the one of acting. Yeah, so it was really wonderful.

AM: Did you choose the script that you were going to direct or is it just a decision you made with Chris Storer?

AE: I mean, a little bit of both, I guess? Like, he had one in mind. We're lucky enough to read all the episodes as actors beforehand, and we'd been talking about it for a while. And I know that he had one in mind, and I think he and the other producers, like Joanna Calo (The Baby-Sitters Club, Hack, Beef), had talked about it a bit, about how the episodes would be distributed. Because I wasn't the only guest director this season. Our AD, Duccio Fabbri (She Said, The Whale, Native Son), also directed an episode. And so, I think they had in their minds who would go where a little bit. But then we had a conversation, and he was like, "Which scripts are you responding to?" And I was like, "I would literally give you my firstborn child, who does not exist yet, if I could do the Liza episode, because I would love to work with Liza in that way." And then, he was like, "Well, we have nice little parallel thinking." So, yeah.

PP: Grief seems to be kind of a river that runs through the entire connective tissue of the show. And no one has seemed to really deal with their grief related to Mikey's (Jon Bernthal) passing and also, it seems like there might be some grief for Marcus, as well, coming up. Will there be any reckonings with unprocessed grief throughout this season, and what does that mean for the restaurant as a whole?

ABBY ELLIOT: Yeah, I think with Natalie, she's processing her grief and she's about to become a mother. She's pregnant and so, she's grappling with the fact that her brother had this horrible demise and her relationship with her mom and her brother is not in a good place. So, I feel like, yeah, she's dealing with the grief in that way.

AE: Yeah, I feel like a lot of different characters have grief that touched them in different ways in how they're dealing with it. I mean, I think you said it very aptly. That's one of the connecting threads of the show, so I think it's in the process of being dealt with by different characters in different ways in this season.

EMB: I would say that it's even one of the strengths of the show and I think one of the reasons that it's connected with so many people is I think grief is the river that runs through all of us. And it's the one sort of - maybe one of the only common things that we all share in the human experience. And so, yeah, that continues, and everyone deals with it in their own way. Or not, you know.

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PHOTOGRAPHY COURTESY | FX's The Bear

Read the JUN ISSUE #102 of Athleisure Mag and see BACK TO CHICAGO | The Bear in mag.

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STEVIE VAN ZANDT: DISCIPLE

HBO Original

Max

In Stevie Van Zandt: Disciple, this documentary takes us through the career of producer, musician, songwriter, activist, actor, and more. We see him throughout Jersey in Asbury Park clubs and arena stadiums with Bruce Springsteen as well as to the Bada Bing Club with James Gandolfini! There are interviews from an array of notables that we love, including The Boss himself, Darlene Love, Eddie Vedder, Paul McCartney, and Bono. This film looks at his influence as well as his legacy and how he champions rock ‘n’ roll and social justice.

PACK ONE BAG

Lemonada

Spotify

In this podcast, documentarian David Modigliani shares his family history with us which includes his grandfather Franco won a Nobel Prize. He became interested in the love story that made it possible even when he was on the run in Fascist Italy. As he learns about his story, he finds many dark truths that took place that showed how a family member was left behind and how his family had a connection to Benito Mussolini.

Pack One Bag allows David to go to Italy and to take a look at his families' past and what one would do when they are faced with predicaments. He hears from his family about what took place, he looks at spy documents, diary entries and more. With everything he found, he enlists Stanley Tucci (Devil Wears Prada, Julie & Julia, The King's Man) to tell this story and to bring it to life so that we can understand the importance of history, perserverance and the human spirit despite obstacles that could be in your way.

CLIPPED

FX

Hulu

In Clipped: The Scandalous Story of LA's Other Basketball Team, we take an in depth look on what took place with the LA Clippers and the notorious NBA owner Don Sterling who was known for his racist and problematic remarks which were recorded. Once they were aired, it was the tape heard around the world! This miniseries is based on ESPN 30 for 30 Podcast, The Sterling Affairs.

Both the podcast and the Hulu series looks at the collision between the dysfunction basketball organization, Sterling's marriage, and the impact that the tape and the statements made on them while the team is trying to win a Championship with Doc Rivers (Laurence Fishburne) as the coach and a team that has the building blocks to potentially win their first championship ring.

Read the JUN ISSUE #102 of Athleisure Mag and see BINGELY STREAMING in mag.

AWARDS SEASON | EMMYS NOMINATIONS

Today, the Television Academy announced the 76th Emmys for this year’s nominees. Sheryl Lee Ralph (The Mighty Quinn, Sister Act 2: Back in the Habit, Abbott Elementary) and Tony Hale (Arrested Development, Drunk History, Veep) announced the nominees from the El Capitan Theatre. Programs that were eligible to be nominated had to air between Jun 1, 2023, and May 31st, 2024. The award ceremony will take place on Sep 15th, 2024 at the Peacock Theater at L.A. Live and will be broadcast live on this date at 8pm ET on ABC and will be available on Hulu for live streaming and on-demand. Jessie Collins Entertainment which is comprised of the trio: Jesse Collins, Dionne Harmon and Jeannae Rouzan-Clay are set to executive produce the telecast for the second year in a row. The Creative Arts Emmys will be given out on Sept 7th and 8th.

As we do throughout Awards Season, we share our predictions in bold, the ones we correctly identified as winners are in bold italics and winners that we didn’t predict are in italics. On the night of the event, we will share who we predicted correctly as well as those we didn’t that won.

Best Drama Series

The Crown (Netflix)
Fallout (Prime Video)
The Gilded Age (HBO)
The Morning Show (Apple TV+)
Mr. and Mrs. Smith (Prime Video)
Shogun (FX)
Slow Horses (Apple TV+)
3 Body Problem (Netflix)

Best Actress in a Drama Series

Jennifer Aniston (The Morning Show, Apple)
Carrie Coon (The Gilded Age, HBO/Max)
Maya Erskine (Mr. and Mrs. Smith, Prime Video)
Anna Sawai (Shogun, FX) 
Imelda Staunton (The Crown, Netflix)
Reese Witherspoon (The Morning Show, Apple)

Best Actor in a Drama Series

Idris Elba (Hijack, Apple)
Donald Glover (Mr. and Mrs. Smith, Prime Video)
Walton Goggins (Fallout, Prime Video)
Gary Oldman (Slow Horses, Apple) 
Hiroyuki Sanada (Shogun, FX)
Dominic West (The Crown, Prime Video)

Best Supporting Actress in a Drama Series

Christine Baranski (The Gilded Age, HBO/Max)
Nicole Beharie (The Morning Show, Apple TV+)
Elizabeth Debicki (The Crown, Netflix)
Greta Lee (The Morning Show, Apple TV+)
Lesley Manville (The Crown, Netflix)
Karen Pittman (The Morning Show, Apple TV+)
Holland Taylor (The Morning Show, Apple TV+)

Best Supporting Actor in a Drama Series

Tadanobu Asano (Shogun, FX)
Billy Crudup (The Morning Show, Apple TV+)
Mark Duplass (The Morning Show, Apple TV+)
Jon Hamm (The Morning Show, Apple TV+)
Takehiro Hira (Shogun, FX)
Jack Lowden (Slow Horses, Apple TV+)
Jonathan Pryce (The Crown, Netflix)

Best Guest Actor in a Drama Series

Néstor Carbonell (Shogun, FX)
Paul Dano (Mr. & Mrs. Smith, Prime Video)
Tracy Letts (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)
Jonathan Pryce (Slow Horses, Apple TV+)
John Turturro (Mr. & Mrs. Smith, Prime Video)

Best Guest Actress in a Drama Series

Michaela Coel (Mr. & Mrs. Smith, Prime Video)
Claire Foy (The Crown, Netflix)
Marcia Gay Harden (The Morning Show, Apple TV+)
Sarah Paulson (Mr. & Mrs. Smith, Prime Video)
Parker Posey (Mr. & Mrs. Smith, Prime Video)

Best Comedy Series

Abbott Elementary (ABC) 
The Bear (FX)
Curb Your Enthusiasm (HBO/Max)
Hacks (HBO/Max)
Only Murders in the Building (Hulu)
Palm Royale (Apple TV+)
Reservation Dogs (FX)
What We Do in the Shadows (FX)

Best Actor in a Comedy Series

Matt Berry (What We Do in the Shadows, FX)
Larry David (Curb Your Enthusiasm, HBO/Max)
Steve Martin (Only Murders in the Building, Hulu)
Martin Short (Only Murders in the Building, Hulu)
Jeremy Allen White (The Bear, FX)
D’Pharaoh Woon-A-Tai (Reservation Dogs, FX)

Best Actress in a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Ayo Edebiri (The Bear, FX)
Selena Gomez (Only Murders in the Building, Hulu) 
Maya Rudolph (Loot, Apple)
Jean Smart (Hacks, HBO/Max)
Kristen Wiig (Palm Royale, Apple TV+) 

Best Supporting Actor in a Comedy Series 

Lionel Boyce (The Bear, FX)
Paul W. Downs (Hacks, HBO/Max)
Ebon Moss-Bachrach (The Bear, FX)
Paul Rudd (Only Murders in the Building, Hulu)
Tyler James Williams (Abbott Elementary, ABC)
Bowen Yang (Saturday Night Live, NBC)

Best Supporting Actress in a Comedy Series 

Carol Burnett (Palm Royale, Apple TV+)
Liza Colón-Zayas (The Bear, FX)
Hannah Einbinder (Hacks, HBO/Max)
Janelle James (Abbott Elementary, ABC)
Sheryl Lee Ralph (Abbott Elementary, ABC)
Meryl Streep (Only Murders in the Building, Hulu)

Best Guest Actor in a Comedy Series

Jon Bernthal (The Bear, FX)
Matthew Broderick (Only Murders in the Building, Hulu)
Ryan Gosling (Saturday Night Live, NBC)
Christopher Lloyd (Hacks, HBO/Max)
Bob Odenkirk (The Bear, FX)

Will Poulter (The Bear, FX)

Best Guest Actress in a Comedy Series

Olivia Colman (The Bear, FX)
Jamie Lee Curtis (The Bear, FX)
Kaitlin Olson (Hacks, HBO/Max)
Da’Vine Joy Randolph (Only Murders in the Building, Hulu)
Maya Rudolph (Saturday Night Live, NBC)
Kristen Wiig (Saturday Night Live, NBC)

Best Limited or Anthology Series

Baby Reindeer (Netflix)
Fargo (FX)
Lessons in Chemistry (Apple TV+)
Ripley (Netflix)
True Detective: Night Country (HBO/Max)

Best Actor in a Limited or Anthology Series or Movie

Matt Bomer (Fellow Travelers, Showtime)
Richard Gadd (Baby Reindeer, Netflix)
Jon Hamm (Fargo, FX)
Tom Hollander (Feud: Capote vs. the Swans, FX)
Andrew Scott (Ripley, Netflix)

Best Actress in a Limited or Anthology Series or Movie

Jodie Foster (True Detective: Night Country, HBO/Max)
Brie Larson (Lessons in Chemistry, Apple) 
Juno Temple (Fargo, FX)
Sofía Vergara (Griselda, Netflix) 
Naomi Watts (Feud: Capote vs. The Swans, FX)

Best Supporting Actor in a Limited or Anthology Series or Movie

Jonathan Bailey (Fellow Travelers, Showtime)
Robert Downey Jr. (The Sympathizer, HBO/Max)
Tom Goodman-Hill (Baby Reindeer, Netflix)
John Hawkes (True Detective: Night Country, HBO/Max)
Lamorne Morris (Fargo, FX)
Lewis Pullman (Lessons in Chemistry, Apple TV+)
Treat Williams (Feud: Capote vs. The Swans, FX)

Best Supporting Actress in a Limited or Anthology Series or Movie

Dakota Fanning (Ripley, Netflix)
Lily Gladstone (Under the Bridge, Hulu)
Jessica Gunning (Baby Reindeer, Netflix)
Aja Naomi King (Lessons in Chemistry, Apple TV+)
Diane Lane (Feud: Capote vs. The Swans, FX)
Nava Mau (Baby Reindeer, Netflix)
Kali Reis (True Detective: Night Country, HBO/Max)

Best Directing for a Drama Series

Stephen Daldry (The Crown, Netflix)
Mimi Leder (The Morning Show, Apple TV+)
Hiro Murai (Mr. & Mrs. Smith, Prime Video)

Frederick E.O. Toye (Shogun, FX)
Saul Metzstein (Slow Horses, Apple TV+)
Salli Richardson-Whitfield (Winning Time: The Rise of the Lakers Dynasty, HBO/Max)

Best Directing for a Comedy Series

Randall Einhorn (Abbott Elementary, ABC)

Christopher Storer (The Bear, FX)
Ramy Youssef (The Bear, FX)

Guy Ritchie (The Gentlemen, Netflix)
Lucia Aniello (Hacks, HBO/Max)
Mary Lou Belli (The Ms. Pat Show, BET)

Best Writing for a Drama Series

Peter Morgan, Meriel Sheibani-Clare (The Crown, Netflix)

Geneva Robertson-Dworet, Graham Wagner (Fallout, Prime Video)
Francesca Sloane, Donald Glover (Mr. & Mrs. Smith, Prime Video)
Rachel Kondo, Justin Marks (Shogun, FX)

Rachel Kondo, Caillin Puente (Shogun, FX)
Will Smith (Slow Horses, Apple TV+)

Best Writing for a Limited or Anthology Series or Movie

Richard Gadd (Baby Reindeer, Netflix)
Charlie Brooker (Black Mirror, Netflix)
Noah Hawley (Fargo, FX)
Ron Nyswaner (Fellow Travelers, Showtime)
Steven Zaillian (Ripley, Netflix)
Issa López (True Detective: Night Country, HBO/Max)

Best Writing for a Comedy Series

Quinta Brunson (Abbott Elementary, ABC)
Christopher Storer (The Bear, FX)
Meredith Scardino, Sam Means (Girls5eva, Netflix)
Lucia Aniello, Paul W. Downs, Jen Statsky (Hacks, HBO/Max)
Chris Kelly, Sarah Schneider (The Other Two, HBO/Max)
Jake Bender, Zach Dunn (What We Do in the Shadows, FX)

Best Talk Series

The Daily Show (Comedy Central)
Jimmy Kimmel Live! (ABC)
Late Night With Seth Meyers (NBC)
The Late Show With Stephen Colbert (CBS)

Best Reality Competition Series

The Amazing Race (CBS)
RuPaul’s Drag Race (MTV)
Top Chef (Bravo)
The Traitors (Peacock)
The Voice (NBC)

9PLAYLIST MULTI | CURTISS COOK

Read the MAY ISSUE #101 of Athleisure Mag and see 9PLAYLIST MULTI | Curtiss Cook in mag.

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FALLEN ANGELS: A STORY OF CALIFORNIA CORRUPTION

iHeartRadio + Best Case Studios

Spotify

LA Times investigative reporter Paul Pringle got a tip in 2016 saying that a powerful dean of USC's medical school may have been involved in the overdose of a young woman in Pasadena. Initially, he assumed that that it would be a story about drugs and bad behavior by a high profile person - these kinds of stories are not surprising and in many ways can be typical.

But this tip ends up leading him and his team into a deeper story that involves money and influence at 2 of the most powerful institutions in LA!

Fallen Angels: A Story of California Corruption is adapted from his book, Bad City: Peril and Power in the City of Angels. Throughout the 10 episodes, we get to hear how Paul and a group of colleagues at his paper created a secret reporting team to get to the bottom of where this story takes them and how they get stonewalled from the university, law enforcement, and even their own paper!

RIPLEY

Netflix Originals

Netflix

The Talented Mr. Ripley is one of our favorite movies that we will watch anytime that it happens to be on! The visuals, the story, the amazing talent - it's a must watch! When we heard about Ripley, we were hooked to see this serialized version tell the story that we knew while also expanding in ways that the movie didn't and even peeling the layers back on characters even more! Ripley is a stunning series that is shot in black and white and takes you on a journey to a number of locations. It lets you look at the events that took place in a completely different way!

For those that may not have seen the movie, can you watch one without the other? Of course, but we think having a weekend and tackling both or even rewatching the movie to have certain elements fresh in your mind would be wise!

Although this series was set to be a limited one, we can see where there is room to make another season and if so, we're here for it!

INCONCEIVABLE TRUTH

Wavland + RP

Apple Podcast

Knowing where you came from is important. In Inconceivable Truth, WNYC/NPR reporter, Matt Katz had been on a journey to find out who is biological father was since he was young. Realizing that those that were in his life, were not tied to him by blood, he felt that it was time to figure it out.

During his investigation, he realized that he was completely on the wrong track and that finding out who he was and who he is connected to opens up a number of secrets that he could never have imagined were involved in his story.

Through his process, he rethinks what identity means, fatherhood, what it means to have a family, and more importantly - medical ethics! As a listener, in thinking about what medical ethics means, when new methods are being used, about the need to do good and to give people what they want, and to what extent will people with power go in order to get things done?

Read the APR ISSUE #100 of Athleisure Mag and see BINGELY SRTEAMING in mag.

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THE GODMOTHER

Novel + iHeart Radio

Spotify

We love a good kingpin podcast and in The Godmother, we are transported to the 1930s where Lucky Luciano is one of the most notorious mobsters of his time. He was taken down by a rookie prosecutor. Eunice Carter was one of the first Black women ever to be a prosecutor in America.

With her world and office being centered in the Harlem Renaissance, she navigates the world which is a blend of corruption that is rampant in downtown Manhattan politics along with the nuances of a racial and sexist pre-Civil Rights American social structure and society.

As a pioneer in what would be known as the “trial of the century” that has been previously lost to history.

In this podcast we learn how Eunice, a writer, social worker, mother, teacher, sister, socialite, political candidate, community organizer and previously known pioneer made her mark in this case as well as a far reaching legacy, search for justice and an undeterred ambition.

EXPATS

Amazon Original

Prime Video

In the limited series Expats, we are introduced to those who have taken residency in Hong Kong. On the surface, we see successful men and women at work, home, and at play. We watch as they engage in their surroundings and even enjoy the aesthetics of their wardrobe, homes, and the way they relax!

But throughout the episodes, we see that the goals and ambitions of the women in a multifaceted group are challenged by a series of events that bind as well as fragment them.

This complex web takes place between two friends with increased tension and a young woman who was initially there to assist their lives while becoming a catalyst to a chain of events that will affect all their lives as well as those that are related to them!

What is the balance between blame and accountability and where does forgiveness come into play - at what cost?

Although we hope that there will be a second season of this immersive series, you can watch all episodes in the perfect binge now!

UNTOLD: THE RETREAT

Financial Times

Apple

From the special investigations team at the Financial Times, Untold is a new podcast that we can't wait to see future stories. In Untold: The Retreat, host Madison Marriage looks at the Goenka network which promotes a form of intensive meditation known as Vipassana. Numerous people go on these retreats every year; however, there are those that attend and suffer while there as well as when they have returned. Some have described feeling terror or a break with reality that makes it difficult for them to cope and ultimately, they are no longer the people they were prior to going to the retreat. The investigative team follows the leads to see what is going on in this wellness space.

Read the FEB ISSUE #98 of Athleisure Mag and see BINGELY BOOKS in mag.

IT'S ABOUT THE STORY | MARIA STEN

This month's cover editorial is with actress and writer, Maria Sten. Throughout her career she has used her passion for creativity to navigate her interests whether it was being Miss Denmark 2008 and then representing her country at Miss Universe, working as a model and a dancer until connecting with her passion for storytelling!

For fans of Big Sky, she wrote for this crime genre series that took place in Montana; those who enjoy immersive podcasts, she included her voice work in QCODE's Narcissa; and she's currently in Prime Video's Reacher whose second season is streaming now and we're excited to see that not only is the third season greenlit, but it is already in production, and of course her character, Frances Neagley will be back!

We wanted to find out more about how she got into the industry as a writer and actress, the stories she likes to tell, how she gets inspired, being on Reacher, its success, working on projects she's passionate about, and more.

We also enjoyed our cover shoot with her at il Pellicano and Bijoux Lounge in NoLita which has been on our list to transport us as we navigate the winter weeks ahead.

ATHLEISURE MAG: We have been a fan of yours across the Narcissa podcast, your work as a writer with Big Sky and obviously with Reacher! But before we delve into that, in our research we saw that you were Miss Denmark 2008 and competed at Miss Universe as well, you were a dancer, and a model. What made you want to do that and to ultimately, dig deeper into entertainment as a writer and a producer.

MARIA STEN: You know, that’s a good question. I think that one thing that is true to my life and has always been true is that I have just zero chill. So I just want to do stuff all the time. I want to work, I want to challenge myself all the time and I want to grow. I came to NY when I was 18 to be a dancer and obviously when you come to NY as an immigrant, I did not have papers and I was working very hard to try and build my career and to build sort of a profile for myself so that I was able to get papers, and I was going back to Denmark and then randomly, Miss Denmark opportunity came up and I thought, sure why not? I won and then they said, do you want to go to Vietnam for 1 month and do Miss Universe? I thought, how could I say no to that? I think it was sort of a strange roundabout way as I don’t think that I consider myself to be a pageant girl per se, but it was such an incredible experience and I got to meet these amazing women from all over the world and I do still know a lot of people in that community. So you never know when these once in a lifetime experiences – how they can come about! For me, that was just something that I couldn’t say no to.

Then I think that from then on evolving into a dancer and then music, acting which I had done when I was a teenager and as a child a little bit. I sort of realized that these were the things that I wanted to do for my life. The desire to write came as a necessity to do so as I didn’t really feel that I could really stretch with the opportunities that were offered to me. Black women in the industry, at least at the time, it was more limited what we were offered. It still is in terms of opportunities, but of course, it is better now. I just wanted to write to play in the same roles that my other colleagues were able to play in as well. Then people apparently thought that I should be a writer! So now, I do both!

AM: I love that and to your point about the pageant system. In addition to my role here, as a fashion stylist, I have styled Miss America 2019 as well as Miss Ecuador 2018 ahead of her competing in Miss Universe that year. It is such an interesting world and that network is really amazing because the interest that a lot of the people do are so different. It’s literally that they could be rocket scientists, fashion designers, or other interests. It’s cool to see people that are part of that world!

MS: It’s really interesting and I think of course in America, it overlaps a lot. I’m still in communication with Miss Puerto Rico that was from my year, Ingrid who is also an actress, Meagan Tandy who was Miss California USA who was the year before me, and Miss Iowa from 2007 Dani Reeves is a good friend of mine. Not necessarily because we competed in pageants, but that network and you just find people like you do in any other industry that you connect with and you stay friends with! It’s really incredible. Meeting photographers like Fadil Berisha who is an amazing photographer did my very first headshot in New York when I was 19.

AM: I styled a shoot for an artist that he did the album art for – so talented!

MS: Yes he is and that was because of Miss Universe. I’m definitely grateful for that opportunity and it was only just a springboard for me to stay in the United States, to build my career, and etc. etc.

AM: I was such a huge fan of Big Sky and love that you wrote for this series. What drew you to this show?

MS: I am a huge Western nerd. I have been riding horses since I was 3 years old and I went to the US for the first time when I was 8 and spent a month with my family on a ranch in Arizona and I totally got bit by this Western bug because I grew up riding English and I had no idea that there was this thing that was called the Wild West and that there are these big wide open spaces with nature and cowboys with cool hats and six shooters! So I totally got obsessed with this world and watched all the westerns growing up and I had been wanting to write one for forever. I did write a pilot early on which was a spec of mine which was a period western. So when Big Sky came along, it was kind of an obvious choice for me. It was a Black female lead set in Montana and it’s a crime show and I thought – yes and of course, David E. Kelley (The Undoing, Love and Death, The Lincoln Lawyer) was attached! Generally, I don't do a lot of network television, but when it is David E. Kelley is doing it – that’s the parameters for it – that’s sort of a no-brainer for me.

AM: What do you look for in a project when it comes to you coming on as a writer?

MS: I definitely look for character and world and relationships. That’s definitely what I’m looking for and a lot of my projects are always born out of wanting to play in a world, but also what do I want to do as an actor? What could be interesting for me as an actor and also, what is the lack in the space? If I don’t see it in the space – female villains or Black people in the Western space – all of these things are things that I want to be playing in, but I don’t see – that is always a good incentive for me to start writing in some way, somehow. Definitely looking for things that are unique and have something to say. That is always important to me.

AM: What is your creative process like when you’re writing. It must be so interesting where obviously you’re thinking about the storyline and future seasons or how that character arc grows over a period of time. Where do you start with that?

MS: I definitely start with the pilot and I think about what is the pilot, who are the people that we care about, what is the central relationship, and what is the central theme of the show? Then, once I have a good grip on the pilot, what are we setting up with the world and the relationships with the characters – then I will branch out. I do that sort of organically. Once I’m flushing out the pilot, I’m thinking about when certain information will have to be revealed if you’re thinking about the season as a whole.

AM: Right.

MS: It’s an organic way and I don’t really have a way of going about it. I think that most things come to me in different ways. Sometimes I just know a scene, I know the beginning or the end, sometimes I just know the character and I just want to focus on that character and what interesting situation that I can put them in. Most of my own stories are like misfit families. Family dramas of some kind. So oftentimes, the central relationship will always be some kind of family relationship and how we can dive into these complicated relationships. Flawed characters are what I like to dive into. So that’s usually where it goes.

AM: I’m a huge fan of podcasts, generally true crime. But I really appreciate other genres in the scripted space. QCODE is one that I love with their immersive approach to storytelling and Narcissa was amazing and I loved hearing you in it. What drew you to that?

MS: Thank you!

AM: Oh it was so good!

MS: Yeah, I think that – what was happening at that time? Fun fact, I think at the time, I was home writing on something and I had just broken my wrist snowboarding so I was sort of just stuck at home and they said, “do you want to do this thing from your closet?” and I said yes absolutely because I really wanted to be able to do a project. That was one fun fact and also I think I really just wanted to dive into the character. That character is so interesting and not to give anything away, but playing something like that and the different dynamics that you have to sort of consider in playing a character like that, I thought it was interesting and to also look at AI and what’s to come in our society – I thought that that was interesting. For me, I thought that it was a fascinating dive into audio. I haven’t done a lot of voice work and I would love to. So I thought that it was a good way for me to get started.

AM: Over the holiday I watched the first season of Reacher and then watched the screeners of the 2nd season of Reacher. It's interesting that with as many shows that I watch and love there are always those that I haven’t gotten around to and I know I would love them! In prep for the interview, I wanted to see both seasons and it was so good and so fun to jump into. What was it about this show that you wanted to be involved in this series?

MS: Off the bat, it’s the action! I love the action, I love strong characters, kinetic characters, kinetic stories – Neagley, this word is so overused, but she’s a badass in a lot of ways and she also has this other kind of quirky quality about her. So to me, that was something really interesting to get to play with and to figure out how to make it interesting and grounded at the same time. For sure, to begin with. I knew it was going to be this splashy/action show and then when I got the job and I realized that there was this whole billion dollar book franchise that is behind it – I read all the books that Neagley was in and I got excited because there was so much to dive into and to explore that was about this mysterious woman that I got to play!

AM: Well beyond reading the books and the information that you were given, how else did you prepare to play her?

MS: Definitely kinetically. I was training just sort of on my own physique that we do as actors. Then I did kickboxing which I did when I was younger, shadow boxing, doing drills with a stunt team and then there was a lot of speaking to military veterans that had served – specifically women who had been in the army and the marines. I have a couple of friends that are veterans and so they put me in touch just so that I could understand what that life was like and the real things that you sort of have to endure day in and day out as being deployed and being part of this mahinery that is the US military.

I just love doing research and deep diving with characters so it was a combination of a few things.

AM: Obviously, not to have spoilers or anything, but where do we leave Neagley in Season 1 and where do we pick up with her again as we go into Season 2?

MS: You know, the good thing about the show is that each season is a contained story, right? We do 1 book per season so it feels quite satisfying where when we were in the first season, it was a limited series and if you’re watching the 2nd season, you don’t have to have seen the previous one to enjoy the next one. Of course, I think that you should so that you have an understanding of the character Reacher (Alan Ritchson), who he is and how he moves through the world.

But I think that we leave her and she’s come in to do her duty and to help save her friend. And now, we pick back up with her in Season 2 where there are bigger stakes for her and them because members of their unit have turned up dead. I think that is much more of a personal round and a personal story for all of our main characters this season. I think that the action and the scope of the season is indicative of that in terms of the action and the interplay between the characters and how stark it also is given that we shoot in the winter in Toronto.

AM: The final episode of the second season I was like, this is so exciting where everything ends. We know that it has already been greenlit for the 3rd season and we know that we will continue to see you. Do you know anything about the 3rd season that you’re able to share with us or what would you like to see if you were able to be in the Writer’s Room?

MS: I may or may not know things that I may or may not be able to talk about! So we can leave it at that ha ha! Of course, we will see Reacher do cool things in Season 3 and if Nealey shows up to lend him a hand again – hopefully that will be exciting for the fans as well as it has been in the other seasons. I think that the liberty of doing a book per season, we can dive into new stories as we adapt them for screen. The showrunners and the powers that be can fit it into what they feel is right for the TV version. So a lot more action of course, but the story changes in terms of scope, in terms of world, and I think that it will be interesting to see what comes next.

AM: Are there any upcoming projects that you have that we should keep an eye out for?

MS: I’m currently working on a few things on the writing side. I just finished a pilot which is a modern Western set in Wyoming where I also live. Right now, I also have 2 features in development, but they are in very early stages, but that’s what I plan to be working on for the writing side this year.

AM: When you’re not working on a project or in the throws of a project, how do you take time for yourself?

MS: I travel a lot. I love to go to different countries exploring different cultures. I specifically go to Mexico a lot, I go to Southern Africa a lot, I spend a lot of time on horseback in the bush in Southern Africa. There’s just nothing better than seeing wildlife from horseback. For me, it’s a great way to of course get inspired, reset, and step away from the hustle and bustle of our industry and just to have some stillness and to be off of our phones and to reconnect with nature.

IG @mariasten

PHOTOGRAPHY COURTESY | PG 38 - 45 + 45 Prime Video/Reacher | PG 42 9LIST STORI3S + PG 118 NEW YEAR N3W YOU Image Courtesy Maria Sten |

Our shoot with Maria Sten took place on Mulberry street in NoLita at il Pellicano and Bijoux Lounge. Following the credits from this photoshoot, we delve into into this restaurant as well as the lounge so that you can plan your next night out in an epic way!

IT'S ABOUT THE STORY COVER EDITORIAL | TEAM CREDITS

PHOTOGRAPHER Paul Farkas | FASHION STYLIST Kimmie Smith | MUA Rebecca Restrepo | HAIR STYLIST Corey Tuttle |

IG @pvfarkas

@shes.kimmie

@rebeccarestrepo

@coreytuttlehair

IT'S ABOUT THE STORY COVER EDITORIAL | CREDITS

LOUNGE LOOK PG 16-19 | BUCK MASON Molasses Lounge Wool Shirt + Pants |

FITNESS LOOK BACK COVER + PG 20 - 25 | COSMOLLE Air Wear Long Sleeve + High Waisted Legging Set | ATHLEISUREVERSE Varsity Jacket | NEW BALANCE 550 Sneakers |

OUT + ABOUT LOOK PG 26 - 29 | GREY BANDIT Adriana Coat | LNA CLOTHING Essential Cotton Kaden V Neck | MAVI Wide Leg Pant | ABBOTT LYON Curb Chain Necklace | SEQUIN JEWELRY Marleigh Evil Eye Charm Necklace | NAGICIA Braided Ring | SMARTGLASS JEWELRY Cube Gold Ring in Aqua and Antique Clear |

NIGHT OUT LOOK FRONT COVER PG 30 - 35 | FORE Dress | ALEX SOLDIER Silver Drop Earrings with White Topaz | LAGOS Caviar Beaded Ring, Black Caviar Silver Station Ceramic Caviar Beaded Bracelet, Black Caviar Single Station Ceramic Diamond Bracelet, Signature Caviar Silver Caviar Bracelet | STEVE MADDEN Evelyn |

PHOTOGRAPHY CREDITS

PAUL SHOT WITH | CANON Mark IV and Canon Lenses - 24-70, 70-200 + 50 1.2 | SIRUI Dragon Series Bendable RGB Panel Lights set of 2 of B25R*2 + DJ280 |

ATHLEISURE MAG: It was such a pleasure to have our cover shoot with Prime Video's Reacher star, Maria Sten. Tell me about the backgrounds of the co-owners of this restaurant from previous restaurants etc.

IL PELLICANO: Owner, Massimo Tabacco's journey from Rome to New York City in the mid-eighties led him to work in several esteemed Manhattan restaurants like Tre Merli, Azzurro Ciaobella, Coffee Shop, and Paper Moon Milano. In the early '90s, he opened Gilda near Saks 5th Avenue, where he forged a lasting friendship with Kyky Conille, who became a significant part of his citywide ventures. Kyky Conille is known for nightclubs in NYC like Provocateur, PM, the original Bijoux, and Lily Pond in the Hamptons. The restaurant is located above Kyky Conille and Dimitri Hyacinthe’s new club, Bijoux Lounge, which has become one of NYC’s hottest going out spots. Il Pellicano and Bijoux will be working together to deliver elevated dining upstairs and a late-night menu down for Bijoux’s patrons’ downstairs.

AM: When did il Pellicano launch and can you give us some background on the restaurant as I know you have a sister restaurant in CT.

IP: Popular, Fairfield, Connecticut Italian restaurant, il Pellicano, is opened its first NYC outpost. Known for their infusion of old classics with a modern twist, Il Pellicano will stand apart from the other traditional Italian restaurants on its block. Il Pellicano is located at 149 Mulberry, and encompasses a 50-seat dining room, a 40-seat front patio and 30-seat back garden. Owners Massimo Tabacco and Kyky Conilleofficially opened its doors to the public on Friday, January 12th.

AM: What is the importance of the Pelican?

IP: The Pelican (Il Pellicano) is a small hotel in Poro Ercole, Italy where Massimo (owner) used to ride to with his friends with motorcycles from Rome. Amazing ride on the coast of Tuscany, so it always had a sentimental meaning to him.

AM: Tell us about the design aesthetic of the restaurant and the meaning behind the name.

IP: The design is sleek and modern with green booths and gold light fixtures. The walls are filled with framed photos of Pelicans – drawing from the name.

AM: Who is the Executive Chef at il Pelicano on Mulberry St and can you provide information on their background and kitchens that they have worked in?

IP: Chef Saul Media is the executive chef at Il Pellicano on Mulberry Street. Chef Media’s heritage of Puebla Mexico is where the kitchen was his earliest classroom thanks to his grandmother and aunts. In his early twenties he embarked his journey to NYC, Connecticut, West Coast and then back to the East Coast making a mark in the world of culinary arts. With Chef Media’s first few years in the trenches starting as a dishwasher, then a line cool and then eventually cooking in renowned establishments including Gibsons Italia in Chicago, The Mark by Jean-Georges in New York, G’ios Italian and Cena’s restaurant in Tampa Bay, and the iconic steakhouse, The Forge, in Miami, among others.

AM: For those who are coming for lunch, tell us about 3 appetizers that we should try when dining with family or friends?

IP: Olive Oil Flight – three select styles of monini single harvest olive oil served with fresh baked herb focaccia

Caesar Salad – romaine arugula, croutons, parmigiano Reggiano, Caesar dressing

Heirloom Tomato Caprese – bocconcini mozzarella, basil oil, balsamic pearls, parmesan gel

AM: What are 3 main dishes that you suggest that we should have when we're coming in for lunch with family and friends?

IP: Chicken Milanese - arugula, tomato, cucumber, onion meyer lemon vinaigrette

Cacio E Pepe – Bucatini, Pecorino, Cracked Black Pepper

Tuscan Steak Sandwich – Shaved steak, cubanelle pepper, raclette cheese, carmalized onion

AM: What are 3 cocktails or wines that would be great to pair with our meal?

IP: Super Tuscan, Promis by Gaja, ITALY

Sancerre, Moulin Camus, ITALY

Barreled Negroni – Gin, Campari, Antica & Barrel aged in House

AM: For dinner, what are 3 dishes that you suggest to begin our meal?

IP: Forgmaggi e Salumi – rotating selection of curated meats and cheeses and house made accompaniments.

Carpaccio Di Polpo – thinly sliced octopus, roasted eggplant and tomato musarda, sherry glaze

Suppli di Riso Funghi – roman rice rice ball stuffed with mozzarella, parm, truffle dust, pistachio cream

AM: What are 3 dishes that we should have our eye on?

IP: Carbonara fettuccine - parmiggiano reggiano, guanciale and cracked pepper

Tartufo Al Funghi - pappardelle, wild mushroom blend, white truffle, pecorino romano

Pork Chop Scarpariello - cherry peppers, onions, white balsamic, crispy potatoes

AM: What are 3 sides that we should have with them?

IP: Rainbow Carrots, Mushroom Blend, and Asparagus.

AM: What are 3 cocktails that we should have in mind?

IP: Olive Oil Martini - tito’s fat washed with monini olive oil, cocchi bianco, brine, castelvetrano

Durazno Verde - tequila, ancho reyes, peach, lime, poblano ice, tajin

Amari & Aperitivo - a custom cocktail experience: select the bitter and the bartenders do the rest!

AM: What are there 3 dessert options that you suggest?

IP: The Almond Cake, The Smoked Burrata with Dried Figs, Infused in Truffle Honey, and the Chocolate Budino.

AM: As we navigate the winter and look towards the spring, are there any events that we should know about?

IP: Weekend truffle party brunches and a new truffle menu launching.

In Athleisure Mag's DEC ISSUE #96, Bijoux Lounge was featured in Athleisure List. We wanted to share a bit more about this hot spot!

As temperatures drop below freezing, venturing out for a night in NYC has become dreadful. The struggle of searching for a spot to stow away your bulky winter coat, spending ungodly amounts to Uber two blocks or enduring long club lines is very real. What if we told you there was a way to enjoy an entire night out without ever leaving a single location? In the past year, it has become increasingly common to bars/clubs or vice versa allowing you to complete the night out within the confines of one building. Il Pellicano & Bijoux Lounge is NYC’s newest restaurant and bar combination. Nightlife maven Lionel “Kyky” Conille, a pioneer and renowned for his NYC nightclubs like Provocateur, PM, the original Bijoux, and Lily Pond in the Hamptons, quietly marked his return to the scene with the opening of Bijoux Lounge at the end of 2023. This speakeasy-style, moody red-lit club has already hosted notable events, including the 21st birthday celebration of "Summer I Turned Pretty" star Lola Tung and Society Management's model-filled holiday party. Above the bar, Bijoux owner Conille and longtime friend Massimo Tabacco unveiled Il Pellicano a few weeks ago. The menu promises a seamless fusion of timeless and contemporary Italian flavors, echoing some of the beloved dishes from Il Pellicano's Connecticut location. Collaborating seamlessly, Bijoux and Il Pellicano are set to provide a can't miss elevated dining experience upstairs and a late-night menu downstairs.

IG @ilpellicanonewyork

@bijouxnyc

Read the JAN ISSUE #97 of Athleisure Mag and see IT’S ABOUT THE STORY | Maria Sten in mag.

BINGELY STREAMING

MURDER 101

KT Studios + iHeart Radio

Spotify

Long time readers of Athleisure Mag know that we love a true crime genre podcasts! In Murder 101, we find out about a local serial killer in a small Tennessee town who was caught by an interesting group of investigators, a group of high school students! Led by their teacher Alex Campbell, during one semester the class was able to connect and identify a 30 year old mystery. Their efforts led to connecting the killer to at least 6 brutal murders.

Interestingly enough, the Tennessee Bureau of Investigators have publicly agreed on their theory but charges have yet to be filed against the murderer.

Some members of this class have already graduated, they continue to work alongside current high school students so that they can complete this assignment.

GRISELDA

Netflix Originals

Netflix

Continuing along with our enjoyment of true crime, we are always interested in hearing about the life and time of crime bosses. Generally, these names include Pablo Escobar, Al Capone, Lucky Luciano, and even the Kray twins - Ronnie and Reggie to name a few. But women have also navigated this world. Griselda tells the story of Griselda Blanco, The Godmother of Cocaine of Miami's drug empire. Inspired by real events, we watch the jounrey of her life in Medellin, Columbia to being a force in Miami.

This mini series has Sofia Vergara (Machete Kills, Modern Family, America's Got Talent) playing the notorious Columbian drug lord. We watch as she enters into the drug business to support her family and as she gets deeper into this industry, we see what happens when greed and ruthlessness begin to take hold of those involved.

We also see how her downfall comes about as she comes up against betrayal and paranoia of the very ones that work for her.

We see how she navigates being arrested and being separated from her children. Her life becomes even more complicated when a staged kidnapping, arrests and deception are thrown into the mix. Through it all, her right hand Rivi (Martin Rodriguez) is a pivotal person in her enterprise. Karol G (WATATI, Mi Cama, TQC) also makes her acting debut as one of Griselda's trusted confidants.

RIPPLE

Western Sound + APM Studios

Apple

We've been enjoying a new investigative documentary style podcast known as Ripple. They aim to focus on major events that we know about and analyzing the long-term impact that continue to go unnoticed for years or even decades.

In their inaugural season, they look at the largest oil spill in American history from the 2010 Deepwater Horizon Oil on the Gulf Coast.

At the time, we heard about the herculean response effort that made shorelines safe and avoided a worst case scenario. Was that really the whole picture?

The investigators visit the coastal residents to see how they are still impacted more than a decade later.

Read the JAN ISSUE #97 of Athleisure Mag and see BINGELY STREAMING in mag.

BINGELY STREAMING

LEAVE THE WORLD BEHIND

Netflix Original

Netflix

We have all seen a number of shifts that have taken place in the last few years; however, Leave The World Behind looks at what

happens when regardless of your social status, you find yourself in a situation where a cyber attack not only makes us disconnected, but even nature and the natural order of things gets disrupted. How do we interact with one another, and how do we navigate when the rules that we know and follow no longer exists.

REACHER

Amazon Original

Prime Video

Reacher is back with Season Two as we follow Jack Reacher (Alan Ritchson), a veteran military police officer who ultimately wants to explore the country that he fought for. To that end, he wants to travel around the country with few things that tie him down; however, he finds himself in a number of situations that require him to have to fight to survive. If you have yet to watch the first season, now is a great time to catch up before delving into the 2nd season.

This month, streaming now, the second season finds him receiving a message that members of his former unit are being murdered and he must connect with former team members to find out what happened to them.

As they delve into what happened, they continue to unearth more questions - who set them up and who is the one that will die?

MY FUGITIVE DAD

Smoke Screen, The Binge + Sony Music

Spotify

We've been fans of Smoke Screen that focuses on those who are con artists, cult leaders, and those who are complex characters that bend the rules to navigate their lives. This season in My Fugitive Dad, we learn about a father and dad who have a close relationship where she felt that she knew everything about him. But it wasn't until she was 38, that she realized her dad wasn't who he thought he was.

She learns that her father's favorite movie, Thomas Crown Affair was the inspiration behind a robbery that he did in Cleveland and then he he spent half a century in a quiet New England town. His secrets unearth a number of other secrets in his life, his family's as well as other family's.

With his daughter seeking answers on how he got away with his crimes, US Marshal's looking for him, and finding out how he started over - this season has a number of twists and turns!

Read the DEC ISSUE #96 of Athleisure Mag and see BINGELY STREAMING in mag.

BINGELY STREAMING

AKA MR. CHOW

HBO Original

Max

We always enjoy a good documentary and in aka MR. CHOW, we get to know the bigger than life story about Michael Chow who was born, Zhuo Yinghua. His life is one that the tragedies he endured with trauma, loss, and prejudice never stopped him from being a successful businessman, acting, and becoming the very well known restaurateur, Mr. Chow. His ability to host artists, actors, musicians, designers, and models made him the one that everyone wanted to be around. And as is true with how he has navigated his life, he is engaging on his next reinvention, being the artist M where he has embraced this passion that he has always enjoyed.

SLY

Netflix Original

Netflix

When it comes to an action star, Sylvester Stallone gave us characters and stories that allowed us to enjoy big explosions, navigate hardship, and still be able to find the sensitivities that lies within whom he portrays.

For those that don't know how he made a niche for himself, this documentary takes you through his beginning acting days, meeting and befriending Henry Winkler, and being willing to play roles where he was typecast just so he could get his foot in the door.

Ultimately, he realized that if he wanted to truly use his gifts in the way that he saw himself, he would need to write, direct, and act in his own movies. Thus, he created the Rocky franchise and the Rambo franchise and proved that he could bring his characters to the screen that we could cheer for as they proved that good could truly prevail over evil.

Sly also shows how he navigated the industry by continuing to act in other films, even if they were outside of how we saw him and how he continued to prove that he could keep pushing the envelope of the franchise with The Expendables!

He also reflects on his life as he continues to do what he loves most. In addition to Sly, there are a number of people who share their thoughts from Quentin Tarantino, Arnold Schwarzenegger, Talia Shire, Henry Winkler and Frank Stallone Jr.

THE WEDDING SCAMMER

The Ringer

Spotify

We enjoy listening to podcasts from The Ringer that includes recaps and analyses on our favorite TV shows.

In their first True Crime podcast, The Wedding Scammer introduces us to the ultimate scammer who has multiple aliases, has left many debts in his wake as well as devestated those in the wedding as well as the publishing industry! Hosted by Justin Sayles, he is on a quest to get his answers.

Read the NOV ISSUE #96 of Athleisure Mag and see Bingely Streaming in mag.