BINGELY STREAMING

EMILY IN PARIS

Netflix Series

Netflix

We were late to the Emily in Paris party; however, we watched both seasons last year and couldn't wait until the 3rd season which dropped on Dec 21st! We make our way back to Paris to catch up with Emily (Lily Collins) as we know that she was caught between Alfie (Lucien Laviscount) and Gabriel (Lucas Bravo), so it will be interesting to see what happens from the love triangle as there were major plot twists here!

Outside of Emily's love life, we're excited to see one of the best friendships that we've seen in awhile with Mindy (Ashley Park) as we can't wait to see how she navigates the current season as we learn more about her life, family and embracing her singing career.

Of course, Emily was sent to Paris to work and we know that this has also been an interesting twist in her life as well with Sylvie's (Philippine Leroy-Beaulieu) resignation of Savoir and taking the staff with her to start her new agency, Emily is told that she can have a promotion if she goes back to Chicago with Madeline (Kate Walsh), but will she stay in Paris?

1923: A YELLOWSTONE ORIGIN STORY

Paramount Network

Paramount+

We have been fans of Yellowstone and the worlds that it has started to introduce us to in terms of the Dutton family. In the flagship series, we see the modern day family navigating their way of life as well as modernity that continues to invade their ranch.

In 1893, we get to see how the original Duttons found a way to come to Yellowstone in this prequel. This month, 1923 releases weekly episodes that show us another portion of the family tree in how they continue to live and extend their legacy. We see them as they navigate WW1, US industrialization and the Great Depression with Harrison Ford (Star Wars, Indiana Jones, The Fugitive) and Helen Mirren (Red, The Good Liar, The Queen) leading the cast!

THE HERON

Realm

Spotify

If you want to listen to a podcast where it looks at the darker side of sport and how one would do anything to advance, you'll be interested in listening to The Heron. We find ourselves at a sports boarding school where students train to be the best as they get ready to go the professional route.

We learn about a dispute between 2 students that causes one to be displaced and the other grappling with how they continue to advance with the pressures that they have on the court, with their family and those who claim to assist them! This 6 part psychological thriller is one that you can enjoy in an afternoon for a proper binge!

Read the DEC ISSUE #84 of Athleisure Mag and see BINGELY STREAMING in mag.

BINGELY STREAMING

FLEISHMAN IS IN TROUBLE

Hulu Original

Hulu

We follow along with Toby Fleishman (Jesse Eisenberg) as he navigates being divorced from Rachel (Claire Danes) in Fleishman is in Trouble. This book-turned-series illustrates how he juggles his work, co-parents, reconnects with friends and begins dating in a world that is app based and is very unfamiliar to him.

As he gets a handle on his new status, he realizes that he can't get into a new groove when Rachel disappears and while he tries to keep his kids happy and unaware of what is going on, in order to truly understand what his life has become, he will need to understand what took place in order for his marriage to fall apart. In each episode, we see more clues into how his life unraveled as well as seeing the steps that he makes to create a new way of life that is firmly in his control.

1899

Netflix Original

Netflix

There is nothing like a completely bingeable series that has more twists and turns than you can imagine! 1899 takes us back to this time on a ship that is filled with an array of immigrants from all over the world. At first, this ship and its passengers don't seem to be connected to one another. But as we continue upon their voyage, we realize that they have more in common tham one would have assumed!

The ship is slated to arrive in NY where they will start new lives; however, when the ship comes across a catastrophe and attempts to give aid, the future takes an ominous turn. We realize that nothing is as it seems and that the past is catching up with many people who are trying to leave it behind.

In fact, we see that the future has a much longer time long than expected and that the decisions that we make can place us in a loop of our own making even when we don't realize what has happened.

THE PADDLEFISH CAVIAR

HEIST

Imperative Entertainment

Spotify

When we think about true crime and rings, drugs and diamonds come to mind, but The Paddlefish Caviar Heist brings us to the world of caviar and what the Ozarks have to do with this activity. It is the paddlefish capital of the world! With visitors that are rocking bling, exotic cars and dropping lots of cash for bait and tackle, this quite town becomes the base of an undercover federal sting for an international caviar poaching ring!

Hosted by Helen Hollyman, journalist, editor and cookbook author, she takes us into the culinary world where high taste at any cost comes to a head.

Read the NOV ISSUE #83 of Athleisure Mag and see Bingely Streaming in mag.

TALES OF THE MOCKTAIL | CHEF JORDAN ANDINO

We always love catching up with Chef/Restaurateur Chef Jordan Andino of big Flip Sigi here in NYC! In addition to bringing Filipino flavors and a great personality that you can see on a number of his shows, he is always working on his latest project that is bound to be exciting!

We caught up with him ahead of his newest show he's hosting on Netflix, Cook at All Costs on Dec 16th, to talk about his partnership with Allstate! The rise of mocktails has increased for those that don't drink alcohol or are the designated driver. He shares a recipe with us as well as how you can enter to win a limited-edition Allstate Good Sips mocktail kit with ingredients, tools and more. The kits are available in limited quantity via sweepstakes now through Dec 8th and you can enter and find out more on their Instagram post!

ATHLEISURE MAG: Obviously you know we are fans of yours and we loved having you as our NOV ISSUE 2018 cover as well as other times you’ve popped up! What is it about the holiday season that you love?

CHEF JORDAN ANDINO: Well listen, I love a lot of things obviously hearing your voice and seeing you again! But really for me, the best thing about the holidays is the fact that you get to be with people and you know, just really celebrate life and celebrate relationships that have really been building throughout the year. Because of that, a lot of people don’t realize that you’re sharing a lot of these times together and you really want to keep the roads safe and that’s why I’m here because Allstate has this legacy for safe driving advocacy and we’ve seen a big growing rise in popularity of mocktails. So they took that and used this climate to help promote safe driving for the entire holiday season.

AM: That’s great to hear and it’s crazy how the mocktail scene has just increased in general whether it’s restaurants adding more interesting cocktails or destinations that only serve them. What can you tell us about mocktails in general for those that may not be familiar with this?

CHEF JA: Ok, so everyone, mocktails is a cocktail without the alcohol. So let’s just put that out there. So then everyone says, why would you have a cocktail without the alcohol? Because! What a lot of people don’t realize is that you drink a cocktail because it will give you a head buzz and it will make you feel all loopy and whatever, but you know what? That’s not the main point! It’s because it’s a social drink and it’s fun to have a cocktail and to be out with people. So now, the alternative to cocktails and in this case, mocktails, are being made so that people can still be out, socialize, enjoy everything that is around you with other people, but all the while ensuring that you will get home safe.

So here, the Allstate Mocktail Collection gives people non-alcoholic options to enjoy not just now during the holidays, but year around as well.

AM: I know that you have created some signature mocktails. What do you suggest that we can have with our friends and family?

CHEF JA: There’s 3 of them that I created. So the 1st one is the 10 and 2. It’s an alcohol free version of an Old Fashioned. Then there’s the Silver Sage, a festive gin inspired one with cranberry, sage and a serrano pepper simple syrup, soda water and of course a sage leaf as a garnish. But the one that I am going to show you is the most important one which is this one right here. This is the Safetini. It’s like a non-alcoholic take on a classic Martini in this beautiful Allstate Blue.

I’m going to make it for you and it’s pretty simple! All you have to do is start with this lovely shaker which I need you to ask me about later so that we can touch on this. You have this shaker with a little bit of ice in it and what we’re going to do is we are going to take one measurement of the blue Curaçao syrup – this is going to give you the sweetness that you need in a drink and it also gives you that blue and a bit of aromatic. Then you're going to have another pour of the lime juice. The lime juice is really going to help you balance the entire drink and to make it delicious and then we’re going to take some mint. The mint has some elements that is two fold it will keep you concentrated, but not just that. It will also keep your drink minty fresh and delicious. So now we’re going to put on the lid and we’re going to shake and now it feels like I’m just the bartender making you drinks like we did before when you came to the restaurant. So take the lid off after shaking and you get that amazing Allstate Blue. Now we’ll top it off with a bit of soda water and there’s your drink with some cranberries right inside and of course a nice sprig of mint to really drive that home – it’s so delicious.

AM: Definitely looks like a fun drink and it’s great that you brought the point home that grabbing a drink is a social type of thing and whether you don’t drink alcohol at all or you are the designated driver, you still want to feel like you have something fun and Instagramable that you can take a picture of but knowing that there isn’t alcohol in there.

You were talking about this shaker – what’s going on with that?

CHEF JA: Ok I appreciate that pitch right there! Starting today, you can visit Allstate’s Instagram page for a chance to win a limited edition Good Sip Mocktail Kit. It comes with all of the ingredients and of course, the highlight of it is this amazing golden shaker! It’s so pretty and it’s perfect for the holidays. You can mix everything and anything in here and it’s a great way to serve up drinks and all the while, there’s no booze in here which means all of the roads are going to be safe thanks to Allstate.

AM: Love that and because I know you’re always on the move and have something going on – you have Flip Sigi, you’ve opened up various locations and you’re always on Food Network as a judge or a host, you’re hosting Cook at All Cost which is coming up on Netflix next month, what can you tell us about this show?

CHEF JA: That’s right! I’m very fortunate, very happy, very grateful! It’s called, Cook at All Costs and it airs on Netflix on Dec 16th – 8 episodes that will be released internationally to every Netflix account in the world! It’s a cooking competition, 3 home cooks are given $25,000 to start at the beginning. They go through 2 rounds that are 45 mins each and they use that money to bid on ingredients that will help them elevate their dish. Then the trick is, whatever money they don’t spend is the money that they take home if they win! It’s a fun kind of strategic part of it. I’m the chef and I go into auction mode so – I’m the chef, I’m the host, I’m the auctioneer and it’s so much fun and I can’t wait for y’all to see it.

AM: That’s super exciting is there anything else that you want us to keep an eye out for? I’m waiting to see when you’re going to be making a cookbook!

CHEF JA: Ok listen, unfortunately cookbooks take 2 years! Believe me, cookbook is in the works! If you really want to know, I have another restaurant opening in the West Village it’s called Carriage House. I’m really excited and it’s actually American Home Style fine dining and we’re launching that right after Thanksgiving! So stay tuned for that as well. It’s a busy busy year!

IG @fork_knife

PHOTOGRAPHY COURTESY | Chef Jordan Andino

Read the NOV ISSUE #83 of Athleisure Mag and see TALES OF THE MOCKTAIL | Chef Jordan Andino in mag.

EXPLORATION THROUGH FOOD | KRISTEN KISH

We enjoy seeing Kristen Kish hosting, judging a number of culinary shows and taking us through her recent trip to Seoul. We took some time to catch up with her since talking earlier this year ahead of TRU TV's Fast Foodies 2nd season.

We talk about her co-hosting Netflix's Iron Chef: Quest for an Iron Legend, her new show on National Geographic - Restaurants at the End of the World and being on Selena + Chef on HBO Max.

We also talk about her latest partnership with Jongga Kimchi, a worldwide number one Korean brand. She also talked about their Generation Preservation campaign to preserve plant-forward foods, health and wellness through fermentation and environment to minimize food waste.

ATHLEISURE MAG: We enjoyed talking to you earlier this year prior to the 2nd season of Fast Foodies with you and you’re co-hosts Chef Justin Sutherland and Chef Jeremy Ford! It’s great to catch up as you’re always doing great things. We enjoyed seeing you over the summer on Netflix’s Iron Chef: Quest for an Iron Legend! It was great to see the dynamic between you Alton Brown. We love the food fact that we learned about Korean Fried Chicken and how it came to be! Why did you want to be part of this show?

CHEF KRISTEN KISH: I mean, first and foremost, when they say that Iron Chef is coming back and that Iron Chef is coming back on Netflix – it means a lot of different things. Obviously, it’s so iconic in the Japanese form and then to see it evolve over time to hit the Food Network and then for me, Netflix, it just completely diversifies in a lot of different ways. You can hit so many different audiences, you can pull from different chefs and there is just so much more storytelling that can be had.

So I think for me, obviously Iron Chef – yes! Then Iron Chef Netflix and then there’s Alton Brown coming back! So already for me, I was feeling relatively insecure going into that job – it would scare anybody I think to go onto that job and to feel like that I can hold my own and to have enough to say with those things being worth hearing and to being able to do that with the comfort of Alton being next to me. I think that that was a nice dynamic coming together. I mean, all of it scared me shitless, but honestly, how do you not say yes to that?

AM: You looked amazing and you were a perfect fit for it and it was so good to watch. We hope that there will be more episodes of it for future seasons.

CHEF KK: Well thank you, thank you!

AM: You’re also on the latest season of Selena + Chef which is out now on HBO Max. The format of the show is great. How was it for you to do it virtually, to tell someone how to to cook something and what drew you in to want to be part of it?

CHEF KK: Ohh I remember it! So, I requested to my manager that I wanted to go on Selena + Chef! It looked like a lot of fun and I thought, why wouldn’t I want to cook with Selena Gomez? She was like ok and so she does what she does and she was like, great they want you on the next season and I’m like, “perfect!”

Honestly, it was so much more than what I expected in various ways. So I was expecting that I was going to teach Selena how to cook a few things and that we were going to call it a day. But I remember all of the prep-production calls and they were like, “we want to do start to finish. Like we want to have her work, do it – there’s no fluff around it, there’s no swap outs on and off camera.” Everything that she’s doing, we filmed for over a good 6 hours getting this stuff done. Selena went for it! She just did it all! I think that that is just the most interesting thing and it is hard to teach over Zoom because you are missing a human connection in a lot of ways. But for what it was and what was being asked of her to be quite frank, the whole thing was just a really really phenomenal experience.

AM: OMG! You always have so much going on! You’re also hosting Restaurants at the End of the World on National Geographic tell me about this! You’re a traveling girl!

CHEF KK: Oh my goodness! It is! For a girl that didn’t think that she would travel in her life because I thought that I was just going to be working in kitchens and I just wouldn’t make a ton of money – I would just live my life and that was just going to be how it was – to say that I can travel for my job and not only for my job, but in pockets of the world where it’s very foreign to me and meeting chefs that have this resilience in how they run a restaurant and that can be several different definitions. How they can run their restaurants with limited resources and access to the luxuries that we have with our restaurants here especially in the States.

The whole project is really phenomenal. I think that the biggest thing is yes, food is always going to be the through line, but it’s about who these people are and how and why they do this. Like, it’s just mind-blowing to me and I’ve learned a tremendous amount about how to just relinquish control as this is the theme for those people. What will be, will be – and that’s it! Argh that’s such a hard concept because in my form of restaurants, anything that I can control, I’m going to! If I can control the outcome, you better believe that I am going to control the outcome because there are so many unknowns. But all of these people have been really phenomenal.

AM: Can’t wait to check that out as it sounds really exciting.

I love Kimchi, it’s one of my favorite things to eat. You’ve partnered with Jongga Kimchi. Why was this such a fit for you that you wanted to be part of it?

CHEF KK: You know, Korean culture for me, I’ve had a complicated relationship with being an adoptee. I think that a lot of adoptees can relate wherever you are adopted from. Having a connection to your culture when you are brought up in that kind of household or where you are brought up in an environment where people look like you. I think that for me, I always shied away from a lot of it because I thought, I’m not Korean enough. So, who am I to own Korean culture because it’s not mine. But it is mine and I’m allowed to redefine what it is and what it means to me.

So I recently took my first trip to Korea, I ate so much food – traditional and otherwise! For me, I think that it opened up my eyes to say that there’s not just one way to do this. I think that giving myself the permission to lean into partnering with Jongga Kimchi which it originated in Korea, it’s the number 1 world wide brand in Korea! So to say, hold on, they want me for a reason. That reason is because of my story and my interpretation of what being Korean means to me. So I think that just them giving me the permission and them giving me the permission for me to be able to create recipes that aren’t traditionally Korean and I think that that was like this whole moment like, “ahh ok, here we are. Now I understand what this means.” It’s been a really dream partnership for me personally and professionally.

AM: I remember watching your IG when you were going to Korea and it was so cool to see how you were connecting. I think that there is a sense of connection that everyone has even if you grew up in American and you grew up with a family that looks like you and as an African American you’re saying I see this, but where are the roots and what does that mean? I think being able to watch you on your journey and for you to share that with everyone was so impactful and beautiful.

CHEF KK: Thank you!

AM: I enjoy eating kimchi on its own or on a salad. But what recipes in terms of integrating it in a different way? I love this dish so much, what else should we be doing with it?

CHEF KK: Honestly, any place that you can impart acid, I say add kimchi and swap it out! Whether that be a burger or you chop it up and thread it through a beautiful carbonara – think about the little bits of acid and heat through something so rich. I created 2 recipes specifically with Jongga Kimchi.

One is a play off of my Midwestern love for potatoes -

AM: Yes! I live in NY but I’m from Indiana originally!

CHEF KK: Yeah! Ok, then you’re going to be right here with me! I love a tater tot!

AM: Oh yes!

CHEF KK: Give me a tater tot in any form! So now we can jazz it up and we can call it a croquette and now we’re in a little fancier background. Then, the love of Korean BBQ and the cheese corn that you get and then mix it up and putting it all together with this smoked mozzarella bechamel that I make and then thread it with corn, potatoes – thread it, fry it – it’s crunchy, cheesy and delicious.

Then the other one is my ode to little hot dogs wrapped in baked croissant dough! We can’t really call that by it’s brand name because it’s not a croissant, but it’s in dough. The love of pigs in a blanket and it’s just so yummy! And I make a kimchi honey mustard using the kimchi brine because we chop up the kimchi to put it inside of the roll and then we use the brine to make the honey mustard and it’s just so good!

AM: The last time that I talked to you, you turned me onto Kewpie which I loved that! Now you’ve turned me onto the fact that I need my tater tots with kimchi on it – check!

How is kimchi made and why is it so important to preserve plant biodiversity?

CHEF KK: I mean, food waste in general, a lot of times in restaurants, we’re always thinking about how we can preserve and how to make things last. How to use the undesirable pieces of different vegetables and meats. It’s something that I have always been very passionate about ever since I have been in the culinary industry and also learning about how to do it. Because a lot of times, you go to culinary school, but they don’t always teach you how to use the end cuts and how to use the things that are less desirable. So it’s important. I think kimchi is important to preserve the history and the culture of kimchi making! I’ve gone on a deep dive on YouTube watching sweet Korean ladies making kimchi and obviously it stems from a place of need and that’s why we do a lot of things and where it stems from when we do the things that we do. It’s out of necessity. Here’s a fact, there is a very high percentage of cabbage that is at risk or has gone extinct in terms of different varietals that are no longer in use or in production or being grown. So the Generation Preservation campaign that Jongga is doing is really focusing on the preserving of the history of the preservation and why we do the things that we do in order to keep sustaining the vegetables and to kind of keep moving things forward.

So, being able to use products like that is really important and of course how you make kimchi! Now there are various versions. There’s cabbage kimchi, there’s other kimchi’s there’s all this food and food has evolved and carries different stories from all of these different kinds of people. But traditional cabbage kimchi is this rice paste flour, Korean chili flakes, lots of aromatics – ginger, garlic all blended into a paste and then you layer it onto these leaves and I think that a lot of the rich tradition is in the process right? Watching how meticulous it is in order to make it and so I think that anyone at home can make kimchi, do I think that there are far better kimchi’s especially those that I can personally make – absolutely! So sometimes, it’s just best to buy it!

AM: My sister just came back from Seoul and I was watching all of her pictures and I was like, I want to eat it from there!

CHEF KK: I mean, I’ve eaten at a lot of Korean restaurants in LA and in NY and those Koreatowns of those specific cities and you know that you can find some really good stuff. But there is something to be said when you sit in a Korean restaurant with a bunch of Korean people and you don’t understand everything – there’s just something that brings it to a whole other level! I have to tell you that things taste different over there in a really beautiful way!

I will say that when you go, you should try and I don’t know if your sister has gone there – Temple Cuisine. I had a temple lunch in the middle of Seoul and it was just tucked away and the atmosphere was amazing. The food was just transformative in the fact that it is uncomplicated and you just know that it is coming from a place – I don’t even have words to describe it because it’s just a feeling and I highly recommend you hitting that up!

AM: Well, if you say it, that’s all I need to hear!

CHEF KK: It’s really really good!

AM: You’re always on the go and you have so many things going on and I have never been to your restaurant in Austin, Arlo Grey but we have plans to be there next Spring so that we can check it out for ourselves. Are there projects that you’re working on that you’re able to share that we can keep an eye out for?

CHEF KK: Yes! Obviously, we have Restaurants at the End of the World which is coming out and is huge and amazing. And the restaurant – please, please come visit! Parallel to kimchi I have a line of Soju coming out, which is Korean alcohol. I love your reaction, that's a great reaction! A lot of Soju is like ahahah harsh so I’m doing a line of 4 aperitifs with lots of great storytelling and a lot of good stuff and good flavor in it. Keep an eye out for that so grab some Jongga Kimchi and get my new Soju and have a grand old time!

AM: We enjoyed talking with Chef Kristen Kish about her recipes and as we enjoy a great tater tot or croquette, here is how you can make your own with Jongga Kimchi!

JONGGA KIMCHI CREAMED CORN CROQUETTE

PRODUCT | Jongga Napa Cabbage Kimchi

SERVES | 30 - 40 2oz croquettes

PREP TIME | 60 minutes

TOTAL TIME | 1 hour, 30 minutes

INGREDIENTS

FOR THE CROQUETTE

• 2 pounds russet potatoes

• 3 cups of fresh corn kernels (approx. 3 small ears)

• Smoked mozzarella Mornay (see recipe below)

• 2 cups Jongga Kimchi – squeezed dry and finely chopped, reserve 3 tablespoons of Jongga Kimchi juice

• Salt to taste

• Vegetable oil or frying oil as needed

• 1 large Black Truffle as desired/needed

• Celery leaves, lemon, Maldon Salt and chives to garnish

FOR THE SMOKED MOZZARELLA MORNAY

• 3 tablespoons unsalted butter

• 3 tablespoons all purpose flour

• 3 sprigs thyme

• 2 large cloves garlic – peeled and gently smashed

• 1 teaspoon whole black peppercorns

• 1 small shallot – peeled and small diced

• 1¼ cup whole milk

• 1 teaspoon kosher salt

• 6 ounces smoked mozzarella – cut into small cubes/pieces small cubes/pieces

BREADING STATION

• 2 - 4 cups panko – crushed with your hands and mixed with ½ teaspoon kosher salt

• 4 eggs – beaten and mixed with ½ teaspoon kosher salt

• 1 cup all-purpose flour, mixed with 1 teaspoon gochutgaru, ½ teaspoon dried thyme and ½ teaspoon kosher salt

INSTRUCTIONS

FOR THE SMOKED MOZZARELLA MORNAY

1. In a medium saucepan add the butter, flour, thyme, garlic, peppercorns, and shallot.

2. Turn on heat to medium and allow the butter and flour to come together, forming a blond roux.

3. Slowly whisk in the whole milk and allow mixture to come to a simmer, scraping down the sides and stirring frequently. Mixture will thicken.

4. Add in the cheese 1/3 at a time, stirring to incorporate.

5. Once cheese is fully melted, turn off heat and transfer into a wide shallow container, placing plastic wrap directly over the sauce.

6. Refrigerate until the sauce is room temp or chilled to the touch.

FOR THE CROQUETTE

1. Bake potatoes at 400°F for about an hour or until tender.

2. Remove from oven and let cool enough to handle.

3. Remove the skin and gently fork mash the potatoes while still hot, set aside to cool.

4. Mix together the room temperature or cooled cheese sauce with the corn kernels.

5. Add the kimchi, potatoes, and kimchi juice.

6. Mix until incorporated and season with salt to taste.

7. Form into 2 oz discs, larger or smaller depending on preference.

8. Freeze until firm (optional but makes it easier)

9. Working in batches, dredge each croquette in the flour mixture (be sure to tap off excess before moving on) then in the egg mixture, then in the panko mixture.

10. Deep fry in 350 – 370°F vegetable oil.

11. Garnish with celery leaves tossed in lemon juice, chives, Maldon Salt and lots of shaved black truffles.

12. Serve immediately.

IG @kristenlkish

@jongga_global

PHOTOGRAPHY COURTESY | Kristen Kish

Read the OCT ISSUE #83 of Athleisure Mag and see EXPLORATION THROUGH FOOD | Kristen Kish in mag.

BINGELY STREAMING

CASE 63

Spotify Original + Gimlet

Spotify

We love a truly bingeable podcast that you could listen to in an afternoon while you're going about your day. Case 63 is a futuristic and yet current story that bends space and time as Oscar Isaac (Ex Machina, Scenes From a Marriage, Moon Knight) and Julianne Moore (The Hours, Kingsman: The Golden Circle, The Hunger Games Franchise) navigate a doctor-patient relationship that has the highest stakes in terms of maintaining the future of the world.

For the listener, we're taken on a society that has just come out of the same pandemic that we navigated; however, the time traveler is actually trying to head off the next pandemic that is a distant variant from COVID. In addition, the podcast is rooted in questioning what we know and what we are able to grapple with and what happens when the things that we find make us understand that we have to step out on faith to do what we may not know in order to move forward.

The twists that take place in this podcast are those that we hope will bring about a second season and the dynamics between these two powerhouses are truly an audible pleasure to listen to.

LUCKIEST GIRL ALIVE

Netflix Original

Netflix

A few years ago, we read Luckiest Girl Alive from Jessica Knoll and was hooked from the first page. It feels like a story that begs to be made into a film. In Netflix's Luckiest Girl Alive, we meet Tifani FaNelli played by Mila Kunis (Black Swan, Bad Moms, Ted) who is a successful 30-something newspaper gossip columnist who is living the life in NY. She is about to leave her job to take a Senior Editor position at The New York Times Magazine.

She is set to marry her husband Luke Harrison, played by Finn Wittrock (American Horror Story franchise, The Big Short, La La Land). This defintiely has the makings of a storybook life.

But not everything is as it seems as Tiffani has a few things in her past that are bubbling up when a true crime documentary comes out that shares the details of an incident that took place at a private boarding school. Tifani has information that isn't known and it is now threatening her life.

MUMBAI CRIME

Radiotopia from PRX

Apple Podcast

We do love a podcast episode that is under 20 minutes. Mumbai Crime takes us on a journey that gives us the sights and sounds of Mumbai through the eyes of Thomas who is playing Who Wants to Be a Millionaire for 1,000,000,000 Rupees. Each episode in this 10 part thriller has him answering a question and giving us insight into his life and what ultimately brought him to the show.

This is another podcast that has audio gems that places the listener into the very world that he is sharing with us. It also has a few twists and turns that bring it all together.

Read the OCT ISSUE #82 of Athleisure Mag and see Bingely Streaming in mag.

S2. E9. | ATHLEISURE KITCHEN CHEF KRISTEN KISH

On today's episode of Athleisure Kitchen, we catch up with Chef Kristen Kish who we enjoy seeing her hosting, judging a number of culinary shows and taking us through her recent trip to Seoul. We took some time to catch up with her since talking earlier this year ahead of TRU TV's Fast Foodies 2nd season. 

We talk about her co-hosting Netflix's Iron Chef: Quest for an Iron Legend alongside Alton Brown, her new show on National Geographic - Restaurants at the End of the World and being on Selena + Chef on HBO Max. 

We also talk about her latest partnership with Jongga Kimchi, a worldwide number-one Korean brand. She also talked about their Generation Preservation campaign to preserve plant-forward foods, health and wellness through fermentation and the environment to minimize food waste.

You can stay in the loop on who future guests are by visiting us at AthleisureStudio.com/AthleisureKitchen and on Instagram at @AthleisureKitchen and @AthleisureStudio. Athleisure Kitchen is hosted by Kimmie Smith and is Executive Produced by Paul Farkas and Kimmie Smith. It is mixed by the team at Athleisure Studio. Our theme music is "This Boy" performed by Ilya Truhanov.

BINGELY STREAMING

THE OFFICIAL GAME OF THRONES PODCAST: HOUSE OF THE DRAGON

HBO Original

Spotify

As our readers know, we are fans of companion podcasts that give more insight to the show, reflect on where the program sits within our world and hearing interviews by those that are part of the show! It adds an extra layer and should we have missed an element, we can pick up what is missed. THE OFFICIAL GAME OF THRONES PODCAST HOUSE OF THE DRAGON does this and much more as we listen to its hosts Jason Concepcion and Greta Johnsen walk us through each episode. Both have watched Game of Thrones (the sequel to the prequel that is currently airing) and at various times during the podcast, Jason will say how the House of the Dragon and the books by George R. R. Martin support one another. In addition to each episode recapping the episode, there are interviews with those in front of and behind the camera as well as telling us more about the characters and what we can expect later in the season or in future seasons.

DAHMER MONSTER: THE JEFFREY DAHMER STORY

Netflix Original

Netflix

There are a number of true crime stories that we are familiar with; however the ins and outs of what made some of the most notorious serial killers do what they did, may be lost due to when it happened and the lack of media scruitny that exists today where people can learn very quickly about something that is taking place.

In Ryan Murphy's DAHMER MONSTER: The Jeffrey Dahmer Story, we learn about how a man went from growing up to become one of the nation's most grizzly serial killers. We also see that the crimes that he committed had racial aspects to it due to the killings of black and brown gay men were not seen as something to investigate despite those who realized something was wrong telling them about it.

It also delves into how Dahmer's family navigated what happened once he was arrested and during his time in jail. We also see how the city decided to move on despite nearly 20 victims being affected by these horrific crimes.

RUBIROSA

Witness Docs + Stitcher

Spotify

We are big fans of James Bond and there has always been a question as to who this character is molded after. The Broccoli family has always stated that he is a blend of various inidividuals; however, people continue to try to find the inspiration(s). In Rubirosa, Christopher Rivas shares his journey in finding out about Porfirio Rubirosa a diplomat, race car driver who drove in Le Mans, a playboy and Dominican who was known for having wealthy wives.

In this podcast, Rivas tells us about how he became who he was, how his paths and exploits crossed Ian Flemming, being friends with The Rat Pack and how identity and being aware of who you are is important no matter who you are.

Read the SEP ISSUE #81 of Athleisure Mag and see Bingely Streaming in mag.

BINGELY STREAMING

SELLING THE OC

Netflix Original

Netflix

We have enjoyed Selling Sunset which follows the Oppenheim Group as they make major sales, peek into their lives and more. In this series, we've known that there would be an expansion which takes us to Selling the OC with their new office in Orange County. We continue to follow Jason and his brother/partner Brett Oppenheim as they have a new realtors that will be part of this office. We know that this month, we'll be bingeing this episode to get to know the new cast as well as to see if there will be an overlap with the LA cast!

THE REHEARSAL

HBO Max

HBO

We've all had an experience where there is a conversation that we need to have and we run a few scenarios in our head to see how we will do it. In The Rehearsal, Nathan Fielder takes anything that you may have done to the next level by rehearsing every interaction that one may have to approach a certain event from creating exact replicas of the space that the encounter will take place, documenting and creating conversation maps so that the person can anticipate what will happen and doing copious run throughs. Although we can question Nathan's episode, we see how committed he is to this school of thought as we see that he does the same thing in preparing to talk to those that he is about to help!

The lengths that he goes through to become his subjects in order to understand them and the environment that they live in is next level! You can binge the entire season as in this case, seeing is believing! WIth Season 2 already greenlit, we wonder what he will tackle next and what boundaries he will push, how many actors he will swap in and out in order to rehearse a situation so that the subject can carry out what they need to do!

CHAT SH!T

Max Original

Spotify

We're still bummed that HBO's Insecure is over, but we were excited to hear that Issa Rae had another show on deck that releases weekly on HBO Max called RAP SH!T! We leave LA and head to Miami where we enjoy hearing Miami area artists, see how our two main characters evolve into a rap duo, we have mirror girl rap moments and enjoy watching them navigate their lives as well as the music industry!

CHAT SH!T is the companion podcast hosted by Zach Campbell and Jessie Woo who give clarity to each episode, give us insight into Miami, the Haitian community and provides hot takes on what takes place in the episodes.

Read the AUG ISSUE #80 of Athleisure Mag and see Bingely Streaming in mag.

AWARDS SEASON 2022-2023 | 74TH EMMY WINNERS

Tonight, Kenan Thompson hosted the 74th Annual Emmys on NBC. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. Those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

SUPPORTING ACTRESS IN A LIMITED SERIES OR MOVIE

Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

SUPPORTING ACTOR IN A LIMITED SERIES OR MOVIE

Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

VARIETY SKETCH SERIES

A Black Lady Sketch Show (HBO/HBO Max)

Saturday Night Live (NBC)

VARIETY SPECIAL (LIVE)

The 64th Annual Grammy Awards (CBS)

Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

The Oscars (ABC)

Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

Tony Awards Presents: Broadway’s Back! (CBS)

VARIETY SPECIAL (PRE-RECORDED)

Adele: One Night Only (CBS)

Dave Chappelle: The Closer (Netflix)

Harry Potter 20th Anniversary: Return to Hogwarts (HBO/HBO Max)

Norm Macdonald: Nothing Special (Netflix)

One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

HOSTED NONFICTION SERIES OR SPECIAL

My Next Guest Needs No Introduction with David Letterman (Netflix)

The Problem with Jon Stewart (Apple TV+)

Stanley Tucci: Searching for Italy (CNN)

VICE (Showtime)

The World According to Jeff Goldblum (Disney+)

COMPETITION PROGRAM

The Amazing Race (CBS)

Lizzo’s Watch Out For The Big Grrrls (Prime Video)

Nailed It! (Netflix)

RuPaul’s Drag Race (VH1)

Top Chef (Bravo)

The Voice (NBC)

HOST FOR A REALITY OR COMPETITION PROGRAM

Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

Amy Poehler and Nick Offerman (Making It)

Nicole Byer (Nailed It!)

Barbara Corcoran, Mark Cuban, Lori Greiner, Robert Herjavec, Daymond John, Kevin O’Leary (Shark Tank)

Padma Lakshmi (Top Chef)

RuPaul (RuPaul’s Drag Race)

Read the latest issue of Athleisure Mag.

BINGELY STREAMING

THE BRIDGE

Max Original

HBO Max

We got hooked on Max Original's The Bridge and quickly binged Season 1 and 2. We never thought that watching people come together to make a bridge from their island to a location that's at a designated spot. Along the way, they have mini challenges, have to deal with team dynamics and a set period of time to complete the build. The 1st season dropped last year and the current season dropped earlier this summer.

You'll never look at teamwork in the same way! Who knew that the power of building alliances, listening to others and keeping the course would be a reality show that we would want to know more about!

X MARKS THE SPOT: THE LEGEND OF FORREST FENN

Cavalry Audio

Spotify

Throughout the pandemic, we enjoyed listening to podcasts that talked about wealthy individuals who decided to create treasure hunts around the world. Inevitably, there are clues, it creates havoc as people go to the extreme to find them, and the results can be less than expected.

In X Marks the Spot: The Legend of Forrest Fenn, we get to hear about Forrest Fenn's backstory, a wealthy man who believes he will die soon and decides to create a treasure hunt. We get to hear about his process in creating the clues and eventually finding that he in fact is not dying as soon as thought - but he continues to allow the game to be played.

Although he doesn't give hints to those who are playing, from time to time he does clarify certain points. Although Forrest is dead now, we get a breakdown on what the clues mean, those who felt that they had found or almost found the treasure as well as hearing about those who begged for the game to stop due to safety issues! This true story is one that is a great listen and allows you to interpret what it woudl mean if you had the opportunity to go on this quest.

UNCOUPLED

Netflix Originals

Netflix

From the creators of Netflix's Emily in Paris, we meet Michael (Neil Patrick Harris), a real estate broker whose life seems like it's perfect. His longtime boyfriend moves out and breaks up with him. Now he is left to start all over again as a man in his 40s as he goes back into the dating scene. We also see how he leans on his friends and work as he navigates his life.

Read the JUL ISSUE #79 of Athleisure Mag and see Bingely Streaming in mag.

VACATION VIBES | LA LA ANTHONY

It's always fun to touch base with those that we have interviewed previously. La La Anthony is a woman who is always on the go, whether she's on our favorite shows The Chi, POWER and Black Mafia Family. She's always fresh off of wrapping a project and in plans for the next one. In addition, she has always been an entrepreneur and earlier this year, she launched her hair care line, INALA which focuses on strengthening and providing our follicles much needed nutrients.

We caught up with her to talk about these projects as well as as how she tries to find those moments where she can recharge! She looped us in on what we should keep an eye out for, finding balance and how she enjoys vacation vibes year around!

ATHLEISURE MAG: We have always been a fan of your projects whether it’s The Chi, POWER and obviously more recently, Black Mafia Family.

LA LA ANTHONY: Oh thank you!

AM: We can’t wait to see the upcoming season. What made you decide that you wanted to be part of the show and what do you love about playing your character, Markaisha Taylor?

LLA: You know, I love Black Mafia Family because it’s a true story which just gives it a different depth and different layers! I knew about them and I had heard about them – Meech and Terry, so now being able to be part of their story is just so incredible! Obviously, 50 Cent is the producer who also produced POWER so, I always you know love working with 50 and he’s also one of my closest friends. So that was 2 of the main reasons that I wanted to be on-board and the character will really get introduced in the 2nd season and you’ll really see a lot of her and the relationships that develop over time. I think that people are really going to be into it.

AM: Is there anything that you can tell us about the upcoming season or will we need to wait until September?

LLA: You definitely have to wait! These things stay super under wraps! But we did finish filming so now things are just being edited and I think that it’s going to be an incredible season and I think that people are just going to be really excited for it.

AM: Since you are always involved in so many things, are there other TV or film projects that you have going on that we need to keep an eye out for?

LLA: I have a Netflix movie coming out with Gabrielle Union and that should be out at the top of the year. I also have a Netflix movie with Jonah Hill, Lauren London, Nia Long that’s coming out probably around the top of the year. Kenya Barris directed that one. There are some projects in the can that will start coming out and that’s always exciting when you can start off the new year with some new projects and things like that!

AM: Absolutely and with such amazing names and great casts for both of those.

Earlier this year, you launched INALA. Why did you create this line and what does the name mean?

LLA: INALA is my real name backwards – my real name is Alani so it’s a cool spin on that. It was something that was important to me because I worked on it when we were spending a lot of time at home during the pandemic. I really experimented a lot with rice water and saw amazing benefits to my hair when I was making the rice water at home. I was like, how can I bring this to people out there and really help with hair growth, hair strength, edges and all of that stuff. Especially with people who wear wigs, weaves, braids and protective styles all the time that we do to save and preserve our hair. I worked with some experts and came up with INALA and the Power Potion has been amazing and the results have been great. We have the Reset Rinse and now we’re working on just launching some new products because everything has been so great and people have been loving the results and have been really happy about everything.

AM: I think rice water is amazing and I have been a long time skincare fan of Japanese and Korean Beauty skin products that use this in it. So what is the benefit of using rice water as it pertains to hair?

LLA: It’s just known to help with strengthening hair. It’s known to help with hair growth, keeping hair to have a luscious glow to it – it’s literally like I say that rice water is just magic! The rice grain itself contains all of these nutrients that are essential for all this that I’m talking about. So what we did is put ours along with the 100% rice complex. It has biotin in it and different vitamins and minerals that really boost your hair growth and hair strength. The results have been crazy! When you see before and after pictures and people start talking about their experience with the products, it’s been really amazing.

AM: Because you have your hand in a number of pots, how do you take advantage of the summer and take time for yourself?

LLA: That’s something that I’m still working on. Because I am so busy and I do need to find that balance so it’s something I’m working on. You know, I have a trip coming up with my son soon and it’s just going to be him and I. It’ll be a couple of days where he and I will be able to be off the grid and to have some fun with him. I’m really looking forward to that. I did tell myself that in August and in some of September, I do want to do a bit more traveling mostly with my son and kind of just disconnect from work for a little while. You know, I was on BMF and as soon as it wrapped, I did an independent film called Water Boys and just finished that so I haven’t had so much downtime at all. So, I really feel like it’s important to have a healthy balance!

AM: You partnered again with Baileys and helped them with the National Colada day which was on July 10th. How can we continue to celebrate that and what did you do to enjoy all the amazingness that is the Colada?

LLA: Well see, I don’t take a lot of vacations! So what I love about Baileys Colada is that it gives you vacation vibes wherever you’re at. It’s just one of those things that when you taste it, in your mind, you’re on a beautiful island somewhere or laying up doing absolutely nothing. I think that that’s how we’re able to continue celebrate it no matter where you are or what you’re doing. You can bring the beach vibes and the vacation vibes to you by having it for sure!

AM: What were your inspirations behind the cocktails that you created?

LLA: I love the versatility of them and it was based on my Puerto Rican roots which I love. The Piña Colada which a lot of people don’t know this, the Piña Colada originated in Puerto Rico, so it all kind of went hand in hand, so when I came to them with the idea, they loved it and were so receptive that I definitely wanted to bring my roots into it. So we came up with the 3 cocktails and I feel like it’s a nod to my culture, my heritage and it’s just really cool to be able to bring all of that together.

IG @lala

PHOTO CREDITS | Baileys Colada

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IRON CHEF: QUEST FOR AN IRON LEGEND

Netflix Originals

Netflix

We grew up watching Food Network's Iron Chef America as well as the classic Iron Chef We grew up watching Food Network's Iron Chef America as well as the classic Iron Chef where competitors navigated culinary challenges presented by the chairman. The idea of being able to create a number of dishes from the secret ingredient was always a thrill to see.

Like a number of our faves, Netflix's Iron Chef: Quest for an Iron Legend is back with a few twists in it's 8 episode season. Challengers who you may know from visiting their restaurants or their appearances on BRAVO's Top Chef go up against 5 Iron Chefs (noted chefs Marcus Samuelsson, Dominque Crenn, Curtis Stone, Gabriela Cámara and Ming Tsai) to see if they can ultimately become an Iron Legend. Each episode has secret ingredients and Alton Brown and Chef Kristen Kish keep us connected to the action as well as providing culinary nuggets that we can use in our own kitchen! The judges (Chef Andrew Zimmern, Nilou Motamed - who both serve as permanent judges and a special guest that joins them) also weigh in on the dishes and share other culinary tidbits that creates a relaxed style around the business at hand.

THE BEAR

FX Networks

Hulu

This month, the much anticipated The Bear hits Hulu. We follow Carmen "Carmy" Berzatto (Jeremy Allen White - Homecoming, Shameless, The Birthday Cake) who is a young chef who comes home to run his family's sandwich shop in Chicago due to a death in his family.

We see him navigate how this culinary world is different then what he is used to, the realities of working in a small business, staff dynamics and the impact of his brother's suicide. With his understanding of what he has taken on, he is also aware of the need to transform The Original Beef of Chicagoland, his brother's restaurant, himself and his staff as he embraces his chosen family.

LISTENING IN

QCODE

Spotify

We use voice assistant devices to navigate our day. Whether it's adding a note to our to-do list, turning on devices without having to lift a finger and pulling up other kinds of information, it's such a comfort. What if you were able to use your device to find out about what's taking place in your apartment building and you find out more about your life that you never knew - even a potential plot that could ultimately affect your life? QCode's Listening In takes us on this immersive ride.

Read the JUN ISSUE #79 of Athleisure Mag and see Bingely Streaming in mag.

AWARDS SEASON 2022-2023 | 74TH EMMY NOMINATIONS

This morning JB Smoove (check out his interview with us here as well as his 9PLAYLIST) and Melissa Fumero announced the nominations for the 74th Annual Emmys. The awards show will take place on NBC on Sept 12th. We have a few of the categories that you’ll see televised on the big night, but you can see the complete list of all nominations here. We always like getting in on the fun by predicting who we think will win in the category. Names in bold are our predictions. On the big night, those that are bold and in italics are those that we predicted correctly and those that are only italicized are the ones that did win the award.

DRAMA SERIES

“Better Call Saul” (AMC)   

“Euphoria” (HBO)   

“Ozark” (Netflix)   

“Severance” (Apple TV+)   

“Squid Game” (Netflix)   

“Stranger Things” (Netflix)   

“Succession” (HBO)   

“Yellowjackets” (Showtime)  

COMEDY SERIES

“Abbott Elementary” (ABC)   

“Barry” (HBO)

“Curb Your Enthusiasm” (HBO)   

“Hacks” (HBO)   

“The Marvelous Mrs. Maisel” (Amazon Prime Video)

“Only Murders in the Building” (Hulu)

“Ted Lasso” (Apple TV+)

“What We Do in the Shadows” (FX)   

LIMITED SERIES

“Dopesick” (Hulu)   

“The Dropout” (Hulu)   

“Inventing Anna” (Netflix)   

“Pam and Tommy” (Hulu)   

“The White Lotus” (HBO)   

LEAD ACTOR IN A DRAMA SERIES

Jason Bateman (“Ozark”)  

Brian Cox (“Succession”)  

Lee Jung-jae (“Squid Game”)   

Bob Odenkirk (“Better Call Saul”)  

Adam Scott (“Severance”)  

Jeremy Strong (“Succession”)  

LEAD ACTRESS IN A DRAMA SERIES

Jodie Comer (“Killing Eve”)   

Laura Linney (“Ozark”)  

Melanie Lynskey (“Yellowjackets”)  

Sandra Oh (“Killing Eve”)  

Reese Witherspoon (“The Morning Show”)   

Zendaya (“Euphoria”)  

LEAD ACTOR IN A COMEDY SERIES

Donald Glover (“Atlanta”)   

Bill Hader (“Barry”)  

Nicholas Hoult (“The Great”)

Steve Martin (“Only Murders in the Building”)   

Martin Short (“Only Murders in the Building”)  

Jason Sudeikis (“Ted Lasso”)  

LEAD ACTRESS IN A COMEDY SERIES

Rachel Brosnahan (“The Marvelous Mrs. Maisel”)  

Quinta Brunson (“Abbott Elementary”)  

Kaley Cuoco (“The Flight Attendant”)  

Elle Fanning (“The Great”)  

Issa Rae (“Insecure”)  

Jean Smart (“Hacks”)  

LEAD ACTOR IN A LIMITED SERIES OR MOVIE

Colin Firth (“The Staircase”)  

Andrew Garfield (“Under the Banner of Heaven”)  

Oscar Isaac (“Scenes From a Marriage”)  

Michael Keaton (“Dopesick”)  

Himesh Patel (“Station Eleven”)  

Sebastian Stan (“Pam and Tommy”)   

LEAD ACTRESS IN A LIMITED SERIES OR MOVIE

Toni Collette (“The Staircase”)  

Julia Garner (“Inventing Anna”)  

Lily James (“Pam and Tommy”)  

Sarah Paulson (“Impeachment: American Crime Story”)

Margaret Qualley (“Maid”)  

Amanda Seyfried (“The Dropout”)  

VARIETY TALK SERIES

“The Daily Show With Trevor Noah” (Comedy Central)  

“Jimmy Kimmel Live!” (ABC)  

“Last Week Tonight With John Oliver” (HBO)  

“Late Night With Seth Meyers” (NBC)  

“The Late Show With Stephen Colbert” (CBS)  

COMPETITION PROGRAM

“The Amazing Race” (CBS)  

“Lizzo’s Watch Out for the Big Grrrls” (Amazon Prime Video)  

“Nailed It!” (Netflix)  

“RuPaul’s Drag Race” (VH1)  

“Top Chef” (Bravo)  

“The Voice” (NBC)  

TELEVISION MOVIE

Chip ‘n’Dale: Rescue Rangers (Disney+)

Ray Donovan: The Movie (Showtime)

Reno 911!: The Hunt For QAnon (Paramount+)

The Survivor (HBO/HBO Max)

Zoey’s Extraordinary Christmas (The Roku Channel)

SUPPORTING ACTRESS IN A DRAMA SERIES

Patricia Arquette (Severance)

Julia Garner (Ozark)

Jung Ho-yeon (Squid Game)

Christina Ricci (Yellowjackets)

Rhea Seehorn (Better Call Saul)

J. Smith-Cameron (Succession)

Sarah Snook (Succession)

Sydney Sweeney (Euphoria)

SUPPORTING ACTOR IN A DRAMA SERIES

Nicholas Braun (Succession)

Billy Crudup (The Morning Show)

Kieran Culkin (Succession)

Park Hae-soo (Squid Game)

Matthew Macfadyen (Succession)

John Turturro (Severance)

Christopher Walken (Severance)

Oh Yeong-su (Squid Game)

SUPPORTING ACTRESS IN A COMEDY SERIES

Alex Borstein (The Marvelous Mrs. Maisel)

Hannah Einbinder (Hacks)

Janelle James (Abbott Elementary)

Kate McKinnon (Saturday Night Live)

Sarah Niles (Ted Lasso)

Sheryl Lee Ralph (Abbott Elementary)

Juno Temple (Ted Lasso)

Hannah Waddingham (Ted Lasso)

SUPPORTING ACTOR IN A COMEDY SERIES

Anthony Carrigan (Barry)

Brett Goldstein (Ted Lasso)

Toheeb Jimoh (Ted Lasso)

Nick Mohammed (Ted Lasso)

Tony Shalhoub (The Marvelous Mrs. Maisel)

Tyler James Williams (Abbott Elementary)

Henry Winkler (Barry)

Bowen Yang (Saturday Night Live)

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Connie Britton (The White Lotus)

Jennifer Coolidge (The White Lotus)

Alexandra Daddario (The White Lotus)

Kaitlyn Dever (Dopesick)

Natasha Rothwell (The White Lotus)

Sydney Sweeney (The White Lotus)

Mare Winningham (Dopesick)

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Murray Bartlett (The White Lotus)

Jake Lacy (The White Lotus)

Will Poulter (Dopesick)

Seth Rogen (Pam & Tommy)

Peter Sarsgaard (Dopesick)

Michael Stuhlbarg (Dopesick)

Steve Zahn (The White Lotus)

GUEST ACTRESS IN A DRAMA SERIES

Hope Davis (Succession)

Marcia Gay Harden (The Morning Show)

Martha Kelly (Euphoria)

Sanaa Lathan (Succession)

Harriet Walter (Succession)

Lee You-mi (Squid Game)

GUEST ACTOR IN A DRAMA SERIES

Adrien Brody (Succession)

James Cromwell (Succession)

Colman Domingo (Euphoria)

Arian Moayed (Succession)

Tom Pelphrey (Ozark)

Alexander Skarsgård (Succession)

GUEST ACTRESS IN A COMEDY SERIES

Jane Adams (Hacks)

Harriet Sansom Harris (Hacks)

Jane Lynch (Only Murders In The Building)

Laurie Metcalf (Hacks)

Kaitlin Olson (Hacks)

Harriet Walter (Ted Lasso)

GUEST ACTOR IN A COMEDY SERIES

Jerrod Carmichael (Saturday Night Live)

Bill Hader (Curb Your Enthusiasm)

James Lance (Ted Lasso)

Nathan Lane (Only Murders In The Building)

Christopher McDonald (Hacks)

Sam Richardson (Ted Lasso)

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Live In Front Of A Studio Audience: The Facts Of Life and Diff’rent Strokes (ABC)

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Pepsi Super Bowl LVI Halftime Show Starring Dr. Dre, Snoop Dogg, Mary J. Blige, Eminem, Kendrick Lamar and 50 Cent (NBC)

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One Last Time: An Evening with Tony Bennett and Lady Gaga (CBS)

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Stanley Tucci: Searching for Italy (CNN)

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Bobby Berk, Karamo Brown, Tan France, Antoni Porowski, Jonathan Van Ness (Queer Eye)

Amy Poehler and Nick Offerman (Making It)

Nicole Byer (Nailed It!)

Barbara Corcoran, Mark Cuban, Lori Greiner, Robert Herjavec, Daymond John, Kevin O’Leary (Shark Tank)

Padma Lakshmi (Top Chef)

RuPaul (RuPaul’s Drag Race)

Read the latest issue of Athleisure Mag.

STORING SEEDS | JB SMOOVE

We're all about big energy while keeping it real and J.B. Smoove is both of these! You know when you see him on the stage or on your screen that he's going to make you laugh, think and give you his philosphy on life and how to approach it - all while rocking great style. We've enjoyed seeing him in a number of films from Pootie Tang, Barbershop: The Next Cut, the Spider-Man franchise and more. He's also been in numerous TV series from The Last O.G., Woke and of course Curb Your Enthusiasm. He's someone that you see everywhere and yet he aligns perfectly with the projects that we see him in.

We had to check in with him to find out about his journey from being a standup comedian, SNL writer and performer, actor and more. He talked about how he honed his skills, how he navigates his career and what he has coming up.

ATHLEISURE MAG: What was the moment that you realized that you wanted to be an entertainer?

J.B. SMOOVE: You know, I’ve always been the one – some people have a high threshold for pain, I think that that’s what it is. In simple terms, I think that I have this thing and feel for people when I know that people need laughter and they need communication. They need all these fun things that make life easier.

I remember one time that I missed my flight because somebody stopped me and I could tell that this dude needed somebody to talk to about his dreams and I missed my damn flight! I felt like, damn I’ll get the next one. In that moment, it just felt like something was - like sometimes you just have to talk people off the ledge in some sense you know? It’s their life, it’s their everything, but sometimes what you provide for people is something that you can’t buy. I think that shows that you’re a real person and it shows you that you can reach out and touch that person. What I promote is real!

You know how fans get, sometimes they don’t believe that you are who you are or who they think you are, or who they perceive you to be by what you do on camera. You know how it is. Nowadays, the world is faster, people promote certain things, but that’s not who they are. They do things to be accepted, to be liked, to be all these things and it’s not real and it doesn’t come from a real place. I think for me and my upbringing from where I started from is something that I can appreciate more. I’m talking about the days from pulling over and having to make a phone call at the phone booth! Those days, it was more hands on – you know what I mean? There’s automatic transmission and then there’s manual – I’m a manual dude! I got to switch gears for myself. I need to know when to slow down and when to hit the brake! Sometimes I don’t brake at all! Most of the time, I’m just changing gears because brake means that I’m going to stop. When you’re changing gears, I’m just navigating through it! You know what I mean? It’s different!

AM: And it is different!

I think that you have such an authenticity about you and that’s why people love being able to see you. It’s great to see you popping on screen in your shows or starting up my Mon with your podcast. I know that when I hear you, I’m going to get you as an authentic full experience!

JBS: Yes indeed! And that, you know to answer the question – that is something that I do from the heart and for the love of what I do! For the love of being in the moment, for the love of something to hold onto that knowledge and to hold onto that laughter! Holding onto things that makes me happy – it’s the ability to benefit the world or the people who also want to do what I do or just want to be inspired. I do think that it applies to every walk of life no matter what your occupation is or what your dreams are, the same process applies. Come early, stay late, be courteous to people, respect their dreams and what they're trying to do – don’t waste their time, don’t waste your time. There are certain things that will apply always. I think that is the core of growth and the core of achieving your dreams. What I want to do is to be consistent. I want to give this laughter away whether you’re paying me or if you’re not paying for it. I don’t get paid if I stop and talk to someone for half an hour and miss my flight. I can’t say, “oh I got paid for that so it’s ok I missed the flight.” No, I’m doing that because I felt something for this person in that moment that they needed this quick little talk and it’s free.

AM: How did you hone your craft?

JBS: You know, being in real situations. Real situations are a comedian's food. That’s our food. Real situations, you can elaborate on real situations and make them funny. You can take pain and make it funny. You can take funny and make it funnier. So you know, it’s all in the construction of the joke, the construction of the situation, the construction of the scene – you know? That is where it comes from. I always say that anyone can tell a joke if I have to use what I do for a living. Anybody can tell a joke, but not everyone can sell a joke. Everybody can’t sell it – you can tell it – but everybody can’t sell it!

AM: I am the worst joke teller because I forget the parts, I have to stop and reset it – so I definitely can’t sell it.

JBS: Oh yeah, that’s true!

AM: I remember when I first saw you for Def Comedy Jam as a standup comedian and then you went onto SNL as a writer and a performer! What was that experience like?

JBS: To me it was great. But again, you gotta make decisions on your movement because when I started on Def Comedy Jam and I was on BET and did all of these TV shows, guest-starring, touring in colleges, those road gigs, tours and all of the things that I have done, making the decision to move to LA, doing all of that stuff and making the decision to go on Cedric the Entertainer Presents, getting on Lyricists Lounge Show – doing guest spots on TV shows, doing my first CBS deal – all those things I’ve done.

Then to sit there and say, “ok I have this audition for SNL.” My second time auditioning for SNL actually. I did it twice. I was going for cast member. For me, you sit there and you say, I’m going in for cast member and I didn’t make the show as a performer but I ended up making the show as a writer. Even when I got the offer for a writer, I was in the middle of a deal for a host of stuff of my own so I had to say do I put myself on hold to work on Saturday Night Live? So I sat and thought about it and decided that it would look great on my resume so I said, as more of a business move. I know that the percentage of shows that actually air are so small and back then it was REALLY hard! Back then we didn’t have streaming services. We didn’t have Netflix and Hulu and Amazon. We didn’t have any of this stuff. It was just regular TV, HBO and Showtime. We had the premium channels but those opportunities, we didn’t have as big of a chance to get someone to air. I had to sit there and say, “ok. If I put this to the side and do this, how can I make this work for me?” I said, I will do this and then figure it out later. But this is going to look great on my resume – SNL.

So I came to SNL and when I got here, I ended up doing sketches, I ended up being a writer on the show, I ended up doing monologues on the show and ended up doing all these amazing things for the show and doing warmups for my 3 seasons. So I ended up doing a lot of stuff and that was 4 different checks – that’s a NY hustle right there! But that’s also being someone who has different skills – who can be a utility person – 4 things at the same time. That helps me and shows how I can be versatile. I can do 4 jobs at once.

For me, it worked out perfect. I had the chance to be JB, I had a chance to be someone who's able to do all of these amazing things and at the same time, it allowed me to work and build my resume and network with these amazing guest stars of the show. So it was definitely a process. I can’t say that it was easy – it was hard work because you’re talking about someone going from being a standup comedian to being a writer. I wasn’t a traditional writer. I improvise a lot in my standup so for me it made more sense to take it, do all of my skills under one roof. I did 3 seasons over there and it looks great on my resume, so it served its purpose doing it that way.

None of those other opportunities went away, the opportunities for TV shows were still there, the opportunities for movies were still there and I was still able to leave there and do a bunch of movies – The Sitter, Hall Pass, Date Night all in a row. I got a chance to do all of that stuff and when I was working over at SNL, I did Conan O’Brien. Conan O’Brien’s show, he was still at NBC at that time and I did his show as a sketch artist 10 times. So I had a chance to get from behind the desk typing jokes, go downstairs on the elevator and do a sketch with Conan and then get back in the elevator upstairs to finish working. I got a chance to do so many things while I was over there. Again, it wasn’t easy and it was humbling in some sense. You’re in control on stage but you’re not in control on this show which is live TV. Everything is just fast. You have to sit there and write all night long for these sketches and it’s humbling because it’s like your trying out for the cheerleading team or the football team and you go in the hallway and they put the list up of who made the team. There was a piece of paper in the hallway that said whose sketch made it and you had to read that list on the wall and you’d say, "damn, I didn’t get it."

AM: Oh wow that happened every week!

JBS: It was an amazing experience and I wouldn't change that for anything in the world. I would have rather taken this process that I have already completed rather than this fast and quick process that these young people are doing now. I had more time to smell the roses.

AM: I’m a huge fan of Curb Your Enthusiasm, you joined it in the 6th season and I know that the 12th season is coming back, how did you get attached to the show and how involved are you in creating and evolving the character of Leon Black?

JBS: Oh man! My wife told me that I was going to be on the show. We would watch the show, we loved the show and even when I was on SNL, we would talk about the show on our writing days. One day I said, that I would love to be on the show and man I got the opportunity. I always say that one thing has to step out of the way in order for something else to come through. I didn’t get renewed for my 4th season of SNL and I literally went from coming to LA for a friend’s memorial – my friend Oji Pierce who composed and produced This is How We Do It and I was there for his memorial service. I make moves because I trust my process and I trust my talent. I know I always bounce back from things. I had actually fired my agent – I fired every damn body! I knew that once I fired them, I wasn’t going back to SNL.

The agents are the ones that fight for you and keep you hired. They are the ones that call and make it go. I said, well if I fire my agent who I am not happy with, I know for a fact, that I will not get spoken about and they’re not going to push to keep me on the show if they’re not getting paid to do what they do. So I said, “well, I’m going to see what happens.” I fired them and I knew I wasn’t going back and for a fact that with no one there to speak for me, there was no way that I was going to be able to stay at SNL.

So I took that chance, I rolled the dice and I took that chance. Low and behold, I didn’t get renewed. I was out on the road for a month doing standup. Oji passed away, my wife already told me that I was going to be on Curb Your Enthusiasm and I got a phone call of my friend passing and I went to LA for one day. I signed with a new agent before I went to LA, went to meet them when I got to LA and one of the agents said, “man, I have an audition for you – how long are you in town?” I told them that I had come into town for 1 day to pay respects to my buddy and I was going back tomorrow.

He said he had an audition for me and I asked him what it was for and he said, Curb Your Enthusiasm. I said, “get out of here, you have to be kidding me!” I went on the audition and you know, I did what I did well which is improvise which takes these scenes and make them my own. Let me do what I do because I’m going to do what I do! Me and Larry hit it off in the audition. We hit it off to the point where we were in there laughing our butts off and having a good time. We became friends that day. I left there and said to myself, if someone gets that job, God bless them, but me and that man had a great time! That leads to me being on the greatest improvised show to me in TV history.

So, my process is, I’m an improv guy. I have been improvising my entire life and I think that that’s a life choice too. Improvising gives you the ability to change your mind in the moment where no one will ever know that you changed your mind! Improvising will give you the ability to sway someone in a different direction. Improvising gives you a way of reading energy and reading their body language – all of these great things that you can do by knowing the process and being able to improvise. It pays off in life, it pays off in acting, it pays off in real estate sales if you’re a realtor. You can be anyone you want, but if you improvise just a little bit, it allows you to pick up little nuances about people that you can use to your advantage.

I think that that’s what helps me so much having to improvise in my standup career so much. It really allowed me to take that skill and to use that 1 little improv class that I took that summer before I started doing standup. I would tell anyone that they should take improv – I don’t care what you do. That allowed me to really hone in on my acting skills and to get in the moment which makes my standup shows so different. I’m literally listening to what this particular audience is laughing at which is what I apply to Curb Your Enthusiasm.

Whatever is working for my character and sometimes, I don’t know what I will do with my character. Sometimes I don’t know. Sometimes I just go with what the scene is and I take that. Sometimes what I do is, I will decide in the moment if I want to have Larry’s back or if I want to go against Larry. I decide right there, do I want to be on Larry’s side or will I go against him – what is the better argument here? I really decide in the moment and it gives me the upper hand and let’s me drive that. It also lets me give him something new that he doesn’t know about the character every time I work with him. That way, I create these forks in the road – these branches to the character. My character has never been defined. We still don’t know where the hell he came from – so for me to be able to make that up over the 6 seasons that I have been there is great! I can still tell people a little more that they need to know about Leon which makes it fun!

AM: You have been in so many series and films from Spider-Man movies, co-hosting – what do you look for when you’re sent projects and what goes into your decision on whether you’re going to participate in something?

JBS: I go by this, which works for me: I read the script of course. If they specifically call for me, I’m kind of past the audition process at this point because I am established all these years. I get offers for things and I can say yay or nay to the offer. Once in a while, I have to read for something – once in a while. It could be something very specific or something that is outside of my lane and it’s to show that I can do something if it’s a drama or something like that. If I meet a director or a producer and they ask for me specifically and they say that they want me to make my character my own, that is the most precious words that I can hear for an improv guy or a guy that they can trust to do that character. When they say, “make the character your own JB. We love your voice and your sensibilities and we love what you do and we want you to be that character and vice versa.” So I’m like cool, let me make it my own and I take that character and I make them my own. This happens in movies, in TV, in commercials, in animations – it doesn’t matter. They let me do me and if it’s animations, I say let me see the character so I can see who it is and then I can take that character and then I can make that character my own.

AM: You also have Four Courses with JB Smoove, why did you want to do this?

JBS: You know what. I love talk shows and I love talking to friends and I’m good at it. I love to sit there and kick it and have a convo with people and that is what makes interviewing people so fun. I’m curious of the process. I’m curious about your path and I’m really engaged. I love to laugh and I love the stories. I love to tell stories and I love to be interviewed while I’m interviewing – you know what I’m saying? I think that’s fun. I love to be interviewed while I’m interviewing.

AM: Last year when May I Elaborate? first came out, I knew I would be obsessed with it. I love hearing you and Miles Grose talking back and forth about various topics and it was a great way to start my day. Why did you want to create this podcast show?

JBS: You know what? It was one of those things where everybody was doing podcasts. I knew that if everyone was doing podcasts, I had to do something that was funny, insightful and I like to give what I call, broken wisdom sometimes! I feel like there’s more than 1 way for you to be able to get it. For some people, you have to shake it out of their ass and then you have to shake it into them and then shake whatever the issue is out of them at the same time. I think of that tough hard love in a funny way and in a way that makes sense to people. I’m giving it to you in a way that is like a friend. I’m not a doctor, I don’t know it all, I know a lot about everything and a little bit about nothing. You need that balance! You have to tell people sometimes that, “I’m not sure but God damn, I know you got to give it to them like that and here’s what I would do.” I can’t say it’s going to work, but this is what I would do and this is how to get the process started. You sometimes have to get out of your own fucking head. If I can get you out of your own head, I’m halfway there! That’s the block right there. You’re like a controlled schizophrenic – you are battling yourself in your own head. Different versions of you don’t know how to handle certain things. So you’re stuck in a certain place and you just need to find some kind of way to talk to the right person in your head to get it moving in the right direction.

AM: With the 2nd season dropping last month, what can we expect for the season going forward? Last season was really long as it was everyday which was great. This season, the format is a little different with it being on Mon and you guys have more personalities that are joining you each week like Tiffany Haddish, Kevin Nealon and Randall Park. What can we look forward to?

JBS: In the 1st season, we did almost 190 episodes! Which is crazy! So, we will more than likely maybe transition this amazing podcast into possibly an animated version – we’re not sure yet. We think that the wisdom is funny enough and the visuals that I give Miles and that Miles gives me, you always want to see it and I think that there is a funny way to present this show.

It’s so funny, we got nominated for a podcast award but guess what? We didn’t get nominated in the comedy category. We got nominated in the inspirational and religious category which is crazy! We got nominated with all the gurus and people who are speaking real shit. We’re taking real things and just elaborating on them in a funny way and we get put in that category instead of a comedy one which is nutso! It’s a little bit flattering in some ways to be nominated with all of these amazing people who are really speaking truth to the world. But it’s also like, damn, is what we’re saying not funny or are we ambidextrous - we’re left and right-handed? Can we do both? We have found a way to do both!

Without Miles, Miles is the glue. He is the voice of reason. He is the funniest dude ever. He does the research, I elaborate and he pulls me back. So, we have something that works well and yes, we’re not sure what we’re going to do with the show yet. We have so many ideas on our slate that it’s unlimited amount of ideas that we have that we can do and we haven't locked in what we’re going to do with May I Elaborate?, but we’re not locked out of it either. So, we’ve done a lot of episodes. For this type of show, we’re not just turning it on and talking. You have to do a little research and it takes a lot of time and looking at the perfect quote and affirmation and using it to our advantage.

AM: For last season, it was just the perfect show especially in the midst of the pandemic. To be able to have those lighter moments that would come in and to start the day off with that, it allowed us to have some laughs before we delved into the work here at Athleisure Mag whether it was booking, virtual shoots, meetings etc and it created a part of the day that we looked forward to. That was definitely special but in general. I’m always excited to hear what you will elaborate on?

JBS: Yes and we’re looking forward to doing in some capacity – anything that we can do to help people and to keep things fresh and fun. As little work as possible, but as much of a reward as possible.

AM: You have also had amazing partnerships whether it’s with Crown Royale, Caesars or JUST Egg to name a few. What do you look for when it comes to brand alignment that wants to connect with you? How do you decide what you want to lend your brand to?

JBS: I kind of go with the notion of to talk about what I know about – that way I’m not ever in a weird position. I’m a vegan so I love the JUST Egg relationship that we have. I entertain a lot so I did love my Crown Royale campaign. Every campaign I have ever done, I have always found a way to make it something that I love and that I can put a lot of energy into it and I use it. We were doing this branded entertainment with these companies for years before anybody was really doing it. I did a Mountain Dew campaign years ago – Mountain Dew White Out campaign – you name it. This Caesars one is just another one that I love. I love taking on characters. I like characters. I grew up in the age where commercials were about the characters – the “Where’s the Beef” lady, I love commercials man –

AM: The “Time to Make the Donuts” man.

JBS: Oh yes – time to make the donuts! I love that stuff! I always loved characters and reoccurring cool characters.

AM: We love your Caesars Sportsbook one. Like you said the fact that it’s characters, but also – we love football. We’re in NY, but also – I love football. We’re in NY, but I’m originally from Indiana so when you had the Mannings – that was exciting and then of course, Halle Berry in the commercial! How did this come back with you partnering with them and what will you do with them in terms of ongoing work?

JBS: Well, I actually did a commercial years ago a with a director. The commercial never made it to air, but what happened was, the director remembered me and he loved the commercial even though it never aired and he reached out. He said he was doing a campaign with Caesars and he didn’t see anyone else being Caesar but me! He liked my voice, my delivery and he knew it would be fun. He said he couldn’t imagine anyone else embodying this emperor than me. He said that he thought that it would be amazing and wanted to know if I wanted to do it and I thought it sounded hilarious. He said if we were going to do it, we were going to start the campaign and he had already sold me to Caesars and let them know that they would be blown away by me and that I was his guy. He told them that no one would be able to do this better than JB.

Now that goes back to what we were talking about – coming early, staying late, being courteous, not being a diva – all those things. I’m a seed planter. This is another version of planting seeds for later. I’m the squirrel who has those acorns and buries them for winter. That’s why my phone rings constantly. I’m always planting seeds and I have tons of seeds still planted. My phone rings and it keeps going and that’s why it keeps ringing because I have already planted these seeds and relationships that I have built already. That’s how I keep busy. People say all the time, “man, you’re everywhere – but you don't see everything at one time.” Everything is spread out over time because I have planted seeds and projects and it’s going to come out at this time and then this project over here will come out after this project at this time. My visibility is always up there and that’s the fun part.

AM: You’re an Emmy award winner, author, comedian, actor, producer, podcast host - you do so many things. What else do you want to add to your portfolio that you have yet to do?

JBS: I know at some point, I will get behind the camera and direct something. We started a brand new company called Alternate Side Productions, we’re going to build an amazing brand, an amazing company which will be off the hook. We’re going to do some amazing projects under the JB Smoove banner with brand and style and the things that we love to do. We’re going to build that and I’m going to put a lot of people to work. I think that that’s what needs to be done to build a production company. I want to drop some amazing products in the vegan lane. I’m a vegan. That’s going to be another thing. I have been doing the vegan thing for a long time. A lot of people are just jumping on the bandwagon, but you know, I let them do what they do. I’ve been vegan for awhile and I have been harping on this for awhile now and linking myself with other vegan products. A lot of people are just getting onto it and you know, it’s all good. I’m already established in this lane so it’s another thing and extension of what I do. It’s also another extension of caring about people’s health and my own health.

AM: What led you to want to become a vegan?

JBS: Well my wife has been a vegan for forever. My wife is a musical artist and has been a vegan forever and hasn’t had meat in something like 27 years. So, she was a vegetarian for awhile, then a vegan and now she is a raw vegan which is a whole other level. She’s doing that now, but I’m a straight vegan. I’ve been part-time/full-time for a long time. I was part-time vegan and full-time carnivore for awhile. Now, for the past 4 years, I have been a straight vegan and it’s been great.

AM: As you say, you’re always planting seeds. Do you have upcoming projects that you are able to share that we should keep an eye out for?

JBS: Not right now. The main thing I’m working on right now is of course, you know that Curbed got greenlit for season 12, I have a bunch of animated shows coming out, I have the new season of Woke out right now and I’m recording something right now for a video game. I’m also recording 2 other animated shows at the same time. I’m also building this company. I’m resuming my standup tour and I’m also doing a special and hoping that I can get it done by the top of the year. There’s a bunch of cool things that I am working on and I’m very happy with my process. I like to be the steady tortoise sometimes – I don’t need everything at one time, I still love my private time so that I can RV. I still love to do all the fun things that I love to do. As I said, my wife is also out there doing her thing with her new studio. We’re doing so many cool things and also we’re building some companies outside of entertainment. Yeah we’re just doing cool stuff and things that are off our interest list.

AM: You have great style that's well accessorized. As a stylist in addition to my role as a Co-Founder and Style Director at Athleisure Mag, how do you define your style and would you ever create your own clothing/accessory line?

JBS: I love style! I grew up in an era where you build your outfits from the shoes up. You get a nice pair of reliable comfortable shoes because the first thing people do is look down at your feet and then they work their way up to your eyes.

I do have some amazing things coming out. I’m working on a watch, I’m working on a hat line and some amazing bracelets. I’m working on a few amazing things. Yes, all of these things I plan on dropping before the new year and this is going to be some amazing accessories. Apparel is a little hard, but accessories are something that I love and I love things that I consider conversation pieces. A conversation piece will get you in the door and you can meet your new boss. It just takes the interview and this changes the meeting and the relationship and takes it to something different. It gets you in differently.

I tell young people all the time, create a conversation piece whether it's a rose or a flower in your lapel – something that people look at and think, “wow, I like his style. I like what he represents.” That is the #1 thing – a shiny pair of shoes, a pocket square – something amazing on you to create and allow people to keep their eyes on you. It creates that question of, what kind of rose is that, what kind of pocket square – who made that tie? All these things are things that people look at and allows them to reaffirm who you are!

AM: I couldn’t agree more – statement pieces are so essential!

With everything that you have done, what do you want your legacy to be?

JBS: I just want to be known as a chance taker. I believe in getting as many at bats as possible. Get as many swings at the ball as possible. I have always been one where I have had some stumbles, but I have a bad memory of those stumbles. I tell people all the time that life keeps going – it keeps moving. To be free of mind and to be free to take as many swings as possible and to know that you can change your mind. Take as many swings of the things that you want to do in this life as possible. The more swings you get, the more hits you get. If you’re sitting on your hands, you can’t get the swings! I always say, get those swings in, figure out your progress, figure out what you want to do and keep swinging at it. I want to be known as chance taker, a guy that always walks on a tightrope with no net. I always feel like I got good balance. With good balance, you never worry about falling - you know what I mean? If you worry about falling, you worry about standing up.

IG @ohsnapjbsmoove

PHOTOGRAPHY CREDITS | PG 30 - 31 Harrison O'Brien | PG 33 + 43 Noemad | PG 34, 50 + PG 73 - 75 9DRIP Storm Santo | PG 36 - 40 Curb Your Enthusiasm HBO/John P Johnson | PG 44 - 47 Luis Ruiz | PG 49 The Last O.G. TBS/Cara Howe |

Read the MAY ISSUE #77 of Athleisure Mag and see STORING SEEDS | JB Smoove in mag.

IN THE AIR | BROOKLYN DECKER

As most of us are enjoying warmer weather, it means we have so many options that are opening up to us! We caught up with model and star, Brooklyn Decker who plays Mallory Hanson of Netflix's Grace and Frankie to find out how she got into the industry starting as a model and continuing on as an actor. We talk about upcoming projects that she's working on, how she enjoys time with her husband, former #1 world champion and US Open tennis great Andy Roddick, as well as her children and how she is joining ZYRTEC and their ReLEAF Project in partnership with the American Forests.

This tree-planting initiative helps foster a better, healthier planet for all. Together, ZYRTEC® and American Forests are helping advance tree equity in historically excluded communities, so more individuals can reap the health and environmental benefits that trees can provide.

ATHLEISURE MAG: You started in the industry as a model and we remember your cover in Sports Illustrated in 2010 and have been in a number of films and TV series, what drew you to modeling and eventually transitioning into acting?

BROOKLYN DECKER: Gosh, I got so lucky! For modeling, I was actually in the mall and someone came up to me. She was another model that I thought that I knew and she thought that she recognized me from modeling and we got to talking and she suggested that I should do it. It turns out, that because we ran track in high school, that’s why we looked familiar to each other. But that’s how I got into it because someone told me that I should explore it. As a kid growing up in Matthews, North Carolina, I didn’t think that that was an option or a career path that one could pursue. But for me, it felt like an incredible way for me to be able to travel! I had never been on a plane, I didn’t have a passport so it was a really great way for me to be able to see the world and also potentially as a way to pay for college which I ended up not even doing or going to. But that’s how it started!

Then when I was modeling, as much as I loved it, in that time it was different. You modeled, but your name wasn’t printed in magazines, you didn’t have a voice and all of my friends were in college and I was at home. I just really wanted to be able to talk! I started talking and working with an acting teacher just to have something to read and work on. At that time online courses were super super new and you had to be a full time student to do that so online education wasn’t an option for me at the time. I studied acting kind of as a way just to have something to read, to do and to say. Then, I got really lucky and got my first gig and then I did a bunch of other gigs and got another gig and was rejected from many others and it’s kind of been a pattern for the last 17 years now!

AM: We just finished watching the final episode of Grace and Frankie! I’m so bummed as we know that this is the final season and there won’t be any other episodes and we're hoping that you guys will do a movie where you’ll pop in every now and then. What made you want to be part of this show? It’s such an incredible cast and it covers so many relevant topics that are shared in it.

BD: I was in Haiti. My manager and their friends were on the board of a non-profit so we were there doing some work. I didn’t have any wi-fi access and my agent reached out to us and said there was this new show on Netflix that was casting and this was like early days of Netflix. They had House of Cards and Orange is the New Black. This would have been their first half hour comedy. And then he told me that it was starring Jane Fonda (Monster-in-Law, Lee Daniels’ The Butler, Book Club), Lily Tomlin (The West Wing, Desperate Housewives, Damages), Martin Sheen (The West Wing, The Departed, The Amazing Spider Man) and Sam Waterston (Law & Order, The Newsroom, The Dropout) and I said, I have to read for it!

Because there was no wi-fi, I couldn't read the script so I didn’t know what it was or what the part was. I just knew that they were in it, so it must be great. At the time, Netflix was really edgy and we were all so curious about what they were going to do next and what they would create next. So I had to read for it before I knew anything about the series. Once I left Haiti, I was on an airplane and I read the pilot and thought that it was hilarious. I just loved it. I loved the idea of this family comedy with a kind of heart and I hadn’t seen anything like that for a long time. It was a no brainer!

AM: We love it and now that the show has ended, what can we expect to see you in next or what are you tackling now at the moment?

BD: That’s a good question! During COVID, actually June Diane Raphael (Black Monday, Anchorman 2: The Legend Continues, Cheaper by the Dozen), who plays Brianna on Grace and Frankie she and I and another writer Asha Michelle Wilson (Scream Queens, Feud: Bette and Joan, American Horror Story), are writing something together. So we are currently pitching that. It’s a very dark comedy and it’s nothing like Grace and Frankie at all. But we are pitching that as we speak. It’s something that we’ve worked on for the almost a year and a half. You may never hear about it again because it may never sell or you might hear that it’s sold and turning into a show. We’ll see!

AM: That sounds exciting and you’re a busy mom with children and a husband. When you’re not on set, what’s a typical day like for you?

BD: Ooo my husband and I try to alternate travel. So if I’m not on set, that means I'm home and I’m taking my kids to school. I recently started really exercising again so I fit in some weight lifting which is my favorite thing to do workout-wise. I’ve invested in a lot of companies led by female founders and I have a few calls with founders every week that are sprinkled in regardless of filming so I will talk to a few founders about what is going on in their companies and how I can be helpful. Of course writing and I have to get outdoors at some point so there will be a neighborhood family walk or there is going to be an outdoor basketball game with the kids or a soccer game which my husband coaches my daughter’s team. So we’re always getting outdoors and a hearty glass of wine at the end of the night with a good show for whatever my husband and I are bingeing at the moment. That’s like my dream day whenever I’m not on set.

AM: Love that! You’ve been partnered with ZYRTEC for quite awhile and you’re helping them to get the word out on the importance of tree coverage and their partnership with American Forests, can you tell us more about that and then what the ReLEAF Project is?

BD: Yes so ZYRTEC partnered with the American Forests to create the ZYRTEC ReLEAF Project which is all about providing funds for research and planting trees in historically excluded communities. When you look at tree equity which is a term frankly that was new to me, I looked at it as environmental injustice, where because of discriminatory redlining, there are certain communities that don’t have access to parks; therefore, their air isn’t as clean. There are higher cases of asthma, heating and cooling is more challenging, erosion is a greater issue and a lot of that can be greatly helped simply with trees. What I love about ZYRTEC is I have been using it for years and my doctor has recommended it when I started getting allergies as an adult and my kids use it as well. So we love it as a family, but also it's nice to be able to partner with a company and they have a real mission and a give-back component. What I love about Zyrtec is that they’re saying that they are trying to give people relief so that they can enjoy the outdoors and that also includes giving communities relief so that they can enjoy the benefits of trees and nature. So, they are really committed to it and they have already started planting trees where they have targeted 3 cities around the country and they’re going to continue to do that for the rest of the year.

AM: That’s a pretty big project and we didn’t realize the association between certain communities not having trees and what that means for them as well as the air that they’re breathing. That’s really exciting that they would do that initiative.

BD: I agree. Again, it was a term that I knew as environmental injustice and that it meant that there wasn’t a financial investment in parks, green areas and community gardens and all of that directly affects the health of its citizens. So it’s nice to see companies taking that seriously and making that their mission and responsibility.

IG @brooklyndecker

PHOTOGRAPHY CREDITS | PG 120 - 125 Netflix/Grace & Frankie | PG 126 Zyrtec |

Read the MAY ISSUE #77 of Athleisure Mag and see IN THE AIR | Brooklyn Decker in mag.

ATHLEISURE MAG | #77 MAY 2022

In this month’s issue, our cover story is with international superstar EDM DJ/Producer duo Dimitri Vegas and Like Mike. We talk about their love for music, how they got into the industry, their creative process and upcoming projects that span Dimitri appearing in Jurassic World: Dominion and the latest collab with Mike in his BLACK BANANAS X GREEN ROOM. We catch up with Emmy Award winning comedian, actor, animation voice actor and host of his podcast – May I Elaborate? JB Smoove. We talk about how he got into the industry, how he honed his craft via improv, being on SNL for 3 seasons, the upcoming 12th season of Curb Your Enthusiasm and more! Apple TV+’s Physical will drop it’s 2nd season next month. We talk to 2 of its stars, Rose Byrne and Dierdre Friel about what we can expect. STARZ’s P-Valley is also back for its 2 second season and we caught up 4 of the castmembers (Elarica Johnson, Parker Sawyers, Shannon Thornton and J. Alphonse Nicholson) to talk about how they got into the industry, catching us up on season 1, what we can expect for season 2 and additional projects coming up. Mark Indelicato is back for season 2 of HBO’s Hacks and Prime Video’s With Love. We talk about the impact of the success of his character in Ugly Betty, his process to approaching his roles, his shows and more. We also talk with swimsuit model and Netflix’s Grace and Frankie star, Brooklyn Decker. We talk about how she transitioned from modeling to acting, the final season of this iconic comedy and more.

This month’s 9PLAYLIST comes from EDM DJ/Producer Hardwell as well as Lost Frequencies. Our 9DRIP comes from our cover, Dimitri Vegas and Like Mike and Curb Your Enthusiasm’s JB Smoove. Our 63MIX ROUTIN3S comes from WTA tennis star Ajla Tomljanovic and celebrity hair stylist, Andrew Fitzsimons. Our 9LIST STORI3S comes from EDM duo SOFI TUKKER.

Our monthly feature, The Art of the Snack shares Indian restaurant, aRoqa in NYC’s Chelsea. This month’s Athleisure List comes from Pikes Hotel in Ibiza and Pause Studio in LA. As always, we have our monthly roundups of some of our favorite finds.

Read the MAY ISSUE #77 here.

IT'S ALL JUST STORY | RODNEY BARNES

This year when the NBA unveiled their 75th Anniversary Team of retired and active players, it included 17 members who played for the Lakers which includes the Showtime era of the 70/80s with players Kareem Abdul-Jabbar and Magic Johnson. To understand the importance of this era and what it did to how we enjoy the game, and how it moved the game forward in terms of commerce and making players brand, Winning Time: The Rise of the Lakers Dynasty illustrates the dynamics at play.

We talked with Rodney Barnes, who has written for STARZ Heels, STARZ American Gods, Everybody Hates Chris and more. He shares how he got into the industry, the positions he has held, his approach to his work, being the Executive Producer and writer for Winning Time, Zombie Love Studios and his passion for comic books and graphic novels.

ATHLEISURE MAG: You’ve worked in various positions in the entertainment industry as a Production Assistant, showrunner, Executive Producer and an award-winning screenwriter. With all of these roles, what was the moment that you realized that you wanted to work in this industry?

RODNEY BARNES: I was going to Howard University and I was in the School of C (Howard University Cathy Hughs School of Communication) and I was working at Georgetown Law Center as a campus cop at night and I found out that the movie The Pelican Brief was coming to my job to film some scenes. So I was really excited because it’s one thing to go to school for this and it’s another thing to actually be able to see it up close. So I signed up for all of the overtime details and I got them all. I started watching the movie being put together and it was so exciting! So I met a guy and he was the PA, he was a Key Set PA. So I asked him how I could get a job doing what he did. He said that that weekend, they had some big scenes that were taking place at the Washington Monument and that if I wanted to come and do it for a day, they'd be happy to have me.

So I did it and it was the most exciting, fun and best $100 that I ever made in my entire life! It was something about it that felt right. I felt more purpose in doing that and being close to this thing that I wanted to be close to then I did doing anything else that paid a lot better. I quit my job at Georgetown and started working as a PA full time.

AM: What a story, we always tell people that we embrace the multi-hyphenate. As someone who has worked in a number of roles and continues to do so from writing and producing, when did you know that you wanted to take on these areas and what the specific area was that you wanted to start in first? Or was there just a confluence that took place to make all of this come together?

RB: I knew I wanted to be a writer, but I knew what I didn’t know. I knew that I didn’t understand how any of this worked and I had a very fundamental understanding of what writing was and telling stories. Quite frankly, emotionally and psychologically, I wasn’t mature enough or evolved enough to be able to take on the big job. So, working as a PA, I look at it as being an apprentice. I had an opportunity to meet people, to sort of find my tribe, to figure out the psychology of how it would work and to just get my legs under me which was a bit like bootcamp. It was always writing, but I had to build up to the idea of being able to take my shot at it because it just felt too big.

AM: What do you think was the biggest thing that you learned from being a PA that has helped you with your career or was it just being able to see all the parts that were moving and to be able to understand how they connect?

RB: There was that. I think that the thing for me was that I always had this idea that everybody in Hollywood must be a genius and I haven’t met a genius yet. But, what I have met are some folks that have worked really really hard at their craft. It sort of demystified the entire process for me in being able to see it up close and to be able to observe. I wouldn’t say that I was a vital part although I know that some people would disagree. It was sort of the type of thing where getting to know people as friends and mentors even though that’s a problematic word as no one put their arm around me and said, “son this is what you do.” But they allowed me to be in their circle and to be able to see how the sausage is made. I got an opportunity to be able to just see things up close and to decide whether or not I could do it, if I wanted to do it and the closer I got to the thing that I wanted, the better that things got for me, but I wouldn’t have been able to do any of it if I hadn’t been a PA.

AM: From a screenwriting aspect, you have written a number of things. I loved your work in American Gods which I loved that show and obviously Winning Time and then you look at shows like Everybody Hates Chris. How do you get inspiration to write and then where do you start from when you’re trying to put words to paper to create these worlds for us?

RB: I never looked at it from a place of inspiration because if I need the emotional investment to do it, then I’m not going to be inspired some of those days and I’m still going to have to do it. For me, the difference was, approaching every day like I’m at work which was no different then when I was at Walmart or Target or any of those places that I worked at along the way. I had to get up, I had to work, I didn’t feel like it and then somewhere midday or so, it got a little bit better and then a little bit better. I sort of approach writing in the same way. I have a lot of resistance on the days that I don’t feel like doing it, but it needs to be done because I have a deadline. 78% of the time, I’m able to be disciplined and I’m able to get it done and the other times, I might go to the movies, sit and watch a game or do something else when I’m supposed to be writing. But I think it’s more of a discipline of doing the thing than an emotional component to it. There are days where I feel it and if I'm writing something like a horror driven thing like in my graphic novels, I'm enjoying it a great deal so it’s easier to do, but whether I feel it or I don’t feel it or am some place in between, I still do it.

AM: Just to circle back to American Gods, one of my minors in college was Classical Civilization so it covered mythologies of the world in addition to Greece and Rome and included African and Asian nations. So when I watched it, I loved seeing all of these stories that came to life. What was it like writing for that?

RB: It was great! The best thing that came out of it was my relationship with Orlando Jones (Sleepy Hollow, American Gods, The Good Lord Bird) who played Anansi/Mr. Nancy on our show. I had a similar thing as you, I didn’t do it in college but I studied a lot of different types of mythology and some of these characters like Anansi and Bilquis and others, you don’t really get to hear a lot about them. Because of comic books, you get Thor and Zeus, Odin and Hercules and those guys but oftentimes, Gods of color don’t get a lot of love. Even when they do, it’s in secondary roles. Working for American Gods and I’m a huge Neil Gaiman fan. So to be able to play in that sort of world and get some genre credits under my name was great as I have a comic book company and I also tell a lot of genre driven stories so being able to legitimize that beyond wanting to do it was always something that I wanted to do.

AM: It was such a phenomenal series. I remember seeing the episodes and being able to see some of these characters that I had read about being brought to life so fully, it kept me glued and it was truly incredible.

So as a screenwriter, what is that process like in terms of getting attached to a project and how does one pitch themselves to get into this work?

RB: Well my agents do a lot of my pitching. They typically open doors, but I’d say that about 75% of the work that I get, outside of the things that I create, really comes from via word of mouth. Right now it’s a good time because of Winning Time and people seemingly are enjoying it and you get a lot of offers to do things because they like it which I am grateful for and it is a blessing. More often than not, it’s about putting yourself in the right position you know? People know that I write graphic books and comic books so whenever a project like that comes around and it seems like they can use a writer like me, oftentimes, they’ll call or not so much now because I have been doing it for awhile but maybe 7 or 8 years ago, if it was something that I had heard about that was coming down the pike, I would tell my agents to keep an eye out on it and then see if maybe they could get me up there to be considered.

AM: Is it a different flow for you when you’re writing for the BET Awards or the Oscars – is there a different approach because it’s a live audience or a different format then just a show or even the comic books?

RB: Not really, I look at all of it like it’s story whether it’s writing a joke, Chris Rock or one of his specials or whoever I’m working for for the Oscars or an awards show. Even a joke is a story. It has a beginning, a middle and an end. Whether I’m telling a funny story or a horrifying story or a dramatic story, at the end of the day, it’s all a story. So, I approach it all the same way. The biggest thing for me is really understanding who’s going to be interpreting the words. Like, I work a lot with Chris Rock, and I know him really, really well so if I’m going to pitch something to him, I incorporate that knowledge into the pitch. Like, I can sort of filter myself and know that he wouldn’t like this or he would really like that part. In writing the shows, I have built a great relationship with a lot of our cast and so, I try to write to their strengths as well as to the story that I am trying to tell. When I am saying that I’m writing to their strengths, I'm talking dialogue. There is a cadence to how people talk and if you can make it easier for them to interpret the words, I think that they become more comfortable with it so it's really more so about having familiarity with it for the task at hand.

AM: Also in your body of work, you have been a co-producer and a producer in shows like Heels, Winning Time and Wu-Tang: An American Saga. We’ve had a number of WWE wrestlers as our cover and shared their stories so seeing Heels was another show that we enjoyed. When did you realize that you wanted to add these roles into your body of work and how does that change your perspective especially when you're also writing the show as well?

RB: Well it’s funny, those titles of producing can mean a lot of different things. Earlier in my career, say on My Wife and Kids, when I was a producer, it wasn’t really a lot more to do than sitting in a room and writing. It’s sort of like the government, government jobs they have G-1, G-2 as you work up and it’s sort of like that in television in writing as well. If you do it long enough, you start out as a staff writer and then you move up to a story editor and then an executive story editor and then you go up through the WGA (Writers Guild of America) classifications that go with moving up. But then, in certain gigs like in Everybody Hates Chris, I was in the writer’s room and wrote a number of episodes, but I also produced the voiceover that you would hear in every show. So I would write the lines and go with Chris Rock and go record the lines together and then I would place them in the show in editing. So, to me that was actually the beginning of actually producing and so on different shows, that idea of what a producer means is something different.

On Winning Time, I actually work with the actors whether it’s working on set with their lines, working with the director to see whether or not a shot is sort of lining up with how we saw it when we were writing the show – it can mean a lot of different things. There are some shows where I have been an EP and it didn't mean anything more than just writing a show and putting it together or on some shows I'm actually tangibly doing something different. On American Gods, I wrote and also worked on the set with the actors and the director as well and putting it all together. On Heels, not so much. Marvel's Runaways – not so much. But it’s different with each one, so it’s a classification that comes with being a TV writer and as the responsibilities go, it has more to do with what that show requires.

AM: When I first heard about Winning Time last fall, I knew I was going to love it, I remember as a kid in 1986 loving this team even though I grew up in Indiana and it continues even though I live in NY now. So seeing this story, hearing about this story and getting this inside scoop of what was going on has made it really enjoyable to watch. How did you get attached to this project and what made you want to be involved?

RB: Max Borenstein (Kong: Skull Island, Worth, Godzilla vs Kong) who is our showrunner and the other Executive Producer as well, he and I have been writing together for about 10 years and when Jim Hecht (Fairly OddParents, Ice Age 2: The Meltdown, The Ice Age Adventures of Buck Wild) first optioned the book, he got the book to Adam McKay (Talladega Nights: The Ballad of Ricky Bobby, Vice, Don’t Look Up), and he got it to HBO and they said they would do a pilot I believe, I don’t know if the project was picked up then. They hired Max, Max called me and I said yes that I would want to be a part of it. That’s how it started.

AM: It’s an incredible cast and I love McKay films and the people that are in it. In terms of writing this where you had Jeff Pearlman’s book Showtime: Magic, Kareem, Riley and the Los Angeles Lakers Dynasty of the 1980s, how much source material did you have as I know players of that time as well as the franchise didn’t reach out to you on this. How did you coalesce these things all together to create this story and to provide that insider feel?

RB: Well we were really fortunate that book. So we studied a lot of books and Rick Fox, former Laker was our technical advisor, we talked to a lot of folks who were around the team at that time who worked for the organization, YouTube – we did a lot of research everywhere – articles anything that we could find. We sort of incorporated into the narrative and some stuff we had to tie in together for dramatization purposes.

AM: Obviously with the people that were involved, John C Reilly (Gangs of New York, The Aviator, Anchorman II: The Legend Continues), Jason Clarke (Brotherhood, Chappaquiddick, Silk Road), Rob Morgan (Stranger Things, The United States vs. Billie Holiday, Don’t Look Up), Jason Segel (How I Met Your Mother, Dispatches from Elsewhere, Hotel Artemis) and Adrien Brody (The Grand Budapest Hotel, Peaky Blinders, Succession) etc, there are actors in there where there is a lot of secret sauce. You have actors who were athletic but didn’t play basketball and having to do so for this role, having Quincy Isaiah play such a key and iconic person who was new to this platform, how did all of this come together to get that energy, to make an audience believe that these people who be playing this game even though they didn’t necessarily have this background?

RB: Francine Maisler (Uncut Gems, Being the Ricardos, Dune) is our casting director and she did a great job finding folks. Sometimes you get lucky like in the case of Quincy who is from Michigan and was an athlete – a football player. He had to lose 80lbs or so to come down to being able to have a Magic Johnson-like look. Solomon Hughes who plays, Kareem Adbul-Jabbar is an educator, is 7-feet tall, plays jazz and he played basketball on a professional level before. You just get lucky sometimes. I think that that’s across the board in finding people that not only have the talent but also the emotional stuff.

If you think about our players, they have to learn how to play the game because some had never played the game before, they had to be convincing to learn how to play a particular way that their character played, they had to go through physical training everyday and then they had to learn their lines and then they had to act. So there would be times when they would have to come from training, be on set, leave their work, leave set and go and play basketball everyday for however long – for a year or so. Then there is the training that went into it before hand and always having a good attitude about it as they were going. We got really really fortunate to find the folks that we found.

AM: When did you realize that you were going to be Maurice?

RB: I’ll tell you when I was working, Max was working on a movie called Worth in NY that’s on Netflix now. I was working on the first season of Wu-Tang: An American Saga. I was in Staten Island, he was in Manhattan. We would meet on the weekends and we would go over it with Jim Hecht and Rebecca Bertuch (Worth) and we would work on putting the show together. Every now and then, this name would pop up, Maurice, Maurice, Maurice – like who the hell is Maurice? Oh, you’re going to see and it was like an inside joke. They knew that I didn’t know. When we were officially on board and we started in the writer’s room in LA, we had all the pictures up of the actors on the wall and then there was a picture of me. I was like, “why is my picture on the wall?” They said, you’re going to play Maurice and I was like, “oh, ok – haha Maurice.” So Max actually wrote Maurice’s lines and the only scene that I had at one time was the scene with Pat Reily where I don’t let him in The Forum. I thought, “ok, I can do that, I’ve been a security guard my whole damn life!” I know how to say you can’t come in. You don’t even need to even write out the lines just let me stand there and I know how to not let you in some place. Then, all of a sudden, I started seeing Maurice pop up in other scripts! He's like a leprechaun where he sort of shows up in different places and I'm like, "why am I popping up?” and then I had a walk and talk which is very difficult as an actor because you have to walk, you have to think and you have to move which was in episode 5 where I had that scene. I was nervous about that scene. Actually, I messed up the scene that is on. I messed up a line but Gabby Hoffman (High Maintenance, Girls, Transparent) who plays Claire Rothman is so great, you would never know because she kept going and I kept going and so that was it and they cut and we went on with the day – but I messed up.

It's cool, the network likes it, everyone likes him and I think that Maurice is going to come back and probably say more words.

AM: We always like when he pops up!

RB: Well, thank you! As long as I stay big and relatively menacing and intimidating, Maurice will probably be around.

AM: What has been your biggest takeaway of being part of this particular project, seeing it come together and the reception of people loving this?

RB: Anytime you work hard at a thing for a long time that is intended to entertain people, you always want that to land the way it is intended so that people are entertained. I think that we’ve got a great reception and that people really seem to like it and it’s sort of gratifying because I and a lot of people give a lot when you do these sort of things and it’s not easily assembled. For me certainly being able to talk about African American culture as it pertains to sports in a way that is sort of elevated is always an honor. It’s a good thing.

AM: Well, you guys have been greenlit for a second season. What does that look like, what do you want to tackle – will it continue with these same players or will it be another part of Laker history or even another time in NBA history for a Winning Time situation?

RB: As of the moment, the plan is to continue on in the same narrative and to just keep telling the story as we have been. Even now, when we first started the process before, we were going in the third or fourth iteration of what you see on screen now – we were going to go a lot faster. Then, the decision was made during COVID to slow down the process of storytelling and we had to go back to the drawing board a couple of times to slow it down. I say all of that to say that you never know. We could speed up a couple of seasons, we can keep going the way that it is, but I think that the plan for now is to continue going in the direction that it is.

AM: One of the things that I enjoy especially with a lot of the HBO shows is that there is a companion podcast and literally, I can’t wait until Mon to listen to the show which drops right after the episode airs on Sun. I listen to JB Smoove and then I listen to your podcast. It’s great to get your insights, what’s going on – the Rob Morgan episode was really great to hear. Every episode is great as there are so many tidbits that can be enjoyed. How did you get attached to hosting this podcast and how much input do you have over who ends up being on the episode with you?

RB: Very similar to how I became Maurice. Somebody thought that it would be a good idea to have me do it and my first reaction was, I have never done a podcast before and they were like, “oh you can do it.” I think that I tried to back out a couple of times and they were like no just give it a shot. I think that I got better as time went on which is sort of the course of life, the more you do it, the better you get at the thing that you do. But, it also helps that I know everybody. Everybody that I have had on so far whether it was Snoop Dogg, Rob Morgan or Quincy, or Max or whoever, I know them. It’s like having a conversation with someone who is a friend and not so much like talking to someone who is a stranger.

They always ask me who I would like to have on and I try to spread it around between the cast members, but also the people behind the scenes. I had Todd Banhazl (Janelle Monae: Dirty Computer, They Call Me Magic, Hustlers), I had Max, I had Jim Hecht, Rebecca, I had Sarah Scott (Pam & Tommy, The Offer, The Flight Attendant) our intimacy coordinator. I had Idan Ravin whose the basketball coordinator. I had our director Salli Richardson (The Chi, Altered Carbon, The Wheel of Time) and Tanya Hamilton (Big Sky, The Deuce, Snowfall). I try to mix it up where you have one of the cast members and then someone who is a technical part of the team so that for people who are interested in being part of the business as one time I was, you can actually hear some of what they do and realize that there are a number of jobs besides the big 4 or 5 at producer, director, writer. There are a lot of other things to be done and some things may spark to someone and hopefully that podcast can help a little bit.

AM: We love seeing the birth of the NBA as we know it today as this entertainment platform with next level dancers, club lounges and had this came together with Dr. Buss. This has become the standard for what it means to go to a NBA game. Being able to hear more about Jack McKinney and his time with the Lakers. I knew he was a coach for the Pacers, but I didn’t know about his backstory. What is it that you want audiences to walk away with after watching this season or subsequent seasons?

RB: Always with our show, we have what you know and the thing that you can Google and find out. Who won the game, who lost the game and those types of things. But there’s also those things that you didn’t know. Like in the case of Jack McKinney, a lot of people had forgotten not just him, but the accident that he was in – the basketball accident and how that changed the course of the Lakers coaching dynamic. So, being able to tell some of those stories and show the Shakespearean dynamic of the coaching system with Paul West head and Pat Riley, most people know Pat Riley being the Lakers coach and they sort of identify with just him, but there were other guys too.

I think that the other side of that coin is Spencer Haywood who was a big part of NBA free agency and a lot of how we look at basketball today in the fact that we can look at James Harden and see him go from team to team to team or LeBron just being able to go to the Heat and all of that – a lot of that has to do with Spencer Haywood and going to court to battle for free agency rights for players. When I was growing up watching the NBA, I’m from Maryland so we had the Bullets, now the Wizards. Usually if a player got drafted, he played with one team for his entire career. It was big news when a player would move from one team to another.

Now, when you look at the change and the evolution both in the style of play when you look at the Showtime offense of Jack McKinney that evolved and to Spencer Haywood’s contribution, that you see in these 2 gentleman, it has a lot to do with the way that the game is played and it’s rarely recognized over the course of history. Anytime we can incorporate things that folks don’t know, it’s always a treat!

AM: Usually, when an episode concludes, we’re usually Googling about 4 things! It becomes a great way to understand how far the game has come in really such a short period of time and how things are so different and the shoulders that people stood on to get to where we are now.

RB: Exactly.

AM: Where did your love for comic books come from. You have Killadelphia that you’re writing, Marvel, Star Wars universes and Lucas Film Studios – where did this come from?

RB: The only inciting influence that I can find in my mind and my heart was that my mother was a school teacher. Before computers and all of that stuff, she would go to the public library to do her lesson plans and she would bring me. There was always this area where you would have kids like in a pen, your Cat in the Hat, Curious George books etc. I had no interest in any of those books because under those books was a box and in that box was comic books. I knew exactly where it was and I don’t think that they ever changed them in all the years that I went. I would just sit in the corner and read them for hours. It sort of became a thing where it was infectious you know? The moral throughline and some of the stories were more evolved than what my 5 or 6 year old mind could handle but I was intrigued by that idea. Then later, people would give them to me and my grandfather would call them funny books back then. They would give me a stack of them and it was a way to keep me quiet. Later on, when I would have odd jobs, I would buy them. This was during a period of time where you could get comic books anywhere – the convenience store, liquor store, virtually any place that had a spinner rack full of comics. Now, you have to go to a comic shop on Wed to get them. But back then, they were readily available and they were only 20 cents or a quarter. Now they’re $4 if not more.

It was just a love that just evolved along with my life. In the beginning, it was mostly about the art and the story. Then in my teen and later years, there were guys like Alan Moore (Watchmen, V for Vendetta, Swamp Thing) and Grant Morrison (Doom Patrol, New X-Men, Fantastic Four 1234) and Frank Miller (Daredevil, The Dark Knight Returns, Sin City), they sort of made it like literature and evolved into something that was more serious and that kept me involved and then later television and film like most people. So there has always been this relationship.

When I was younger, I tried to write comics professionally, but couldn’t find a way in. Like a lot of things that I’m sure people feel with television and film, it’s a tough nut to crack. But even more so back then, there weren’t a whole lot of African American characters and there wasn’t a big indie space when I was coming up. It was just Marvel and DC and every once in a while there’d be a new company that would pop in. They didn’t have the same distribution chain as DC so you were relegated to those 10 characters maybe if there were 10. I think that a lot of times, companies back then felt like unless you were writing for a character of color, what’s the point of hiring this person? So for me, I wanted to take a shot at writing a comic so when I was on the show Runaways which was a Marvel show, they liked my work and I sort of leveraged the appreciation of my work to say, “hey if you guys have any relationship with Marvel Publishing, I’d love to write a comic book.” They gave me Falcon. I quickly realized that I had no idea what the hell I was doing or how to write a comic book. I just took my shot. It was received ok-ish. Then again like the podcast, I kept doing it again and again and again and I got better and better and better at it and then I had the idea for Killadelphia and started a whole new thing. Now I write 10 books a month and I have my own company and it’s taken on a life all of it’s own.

AM: Which is amazing and I know in looking at your IG, you were talking about The Mandalorian which I’m a fan of. You have a project coming out in June – can you tell us more?

RB: Yes, it’s June the 22nd, The Mandalorian adaptation of the TV show and it’s the first adaptation that Marvel and Lucas Film have done with a project. It’s basically straight adaptation of that story. They don’t let you deviate too far from the story because it’s Star Wars cannon and you can’t really interfere or add new things because it’s connected to the television show. So I basically do my version of the television show would be.

AM: It’s still very cool though!

RB: Yes, it’s an honor to play in that space.

I just finished IG-88 Star Wars: War of the Bounty Hunters and I did Lando Double or Nothing earlier. I love to play in the space. I have a Luke Cage short that’s coming up and maybe a Luke Cage miniseries coming up for Marvel. So anytime you get to play in that space, it’s always fun because it’s such a big fan base that you get to connect with that many people is always an honor.

AM: You created Zombie Love Studio which deals with creating original graphic novels and things of that nature, what are some things coming out of there that you want to highlight?

RB: The first book is Blacula, a reboot of the Blacula character from Blaxploitation era in Oct/Nov which should be dropping then. I also have another book, Florence and Normandie and alien attack story that takes place on the corner of Florence and Normandie famous because of the Rodney King riots that started from there. I’m writing that with Xzibit. I have Tales from the Crip with Snoop Dogg which is the Crip Keeper. I have a book called Crownsville which is set in one of the first black mental asylums in America that’s a ghost story.

There's a bunch of other things that we’re developing that are moving along. There aren’t enough hours in the day, but I’m really excited about it all and it’s coming together slowly but surely.

AM: The depth of what you’ve done is truly phenomenal. What are things on your bucket list that you have yet to do or areas that you want to put into that body of work that you haven’t but that you’re still interested in tackling.

RB: Well certainly, developing the Zombie Love books and Killadelphia and things like that into my Substack page where I do 4 of the books. 3 that are connected to the Killadelphia world which is the book that I do at Image. There are 3 books that I do at Image, Killadelphia, Nita Hawes’ Nightmare Blog and Monarch an alien attack miniseries that I am doing. My Substack page has 3 other series, Johnny Gatlin who is a gun slinger in hell and hell is like the Wild West. 20 Degrees Past Rigor which is a zombie story set in Flint, Michigan where zombies are connected to the polluted waters of Flint. The Butcher of Black Bottom which is a serial killer story set in 1920’s Black Bottom section of Detroit. Then there’s Elysium Gardens which is in the back of Killadelphia which has an ongoing story on a Substack page. So, there are those books as well. There’s a lot of stuff and next, I hope to adopt a lot of those things into other forms of media whether it’s animated, live action or television or those kinds of things.

AM: Because you have so many projects that are just in constant rotation, how do you deal with the overlap? Do you have to be at a certain point before you take other things on – do you slice it up like a pizza and mix it the best that you can?

RB: Ha! That’s basically it. I try to tackle each thing as the day comes at me. I usually get up at 4 in the morning and then I start writing and I get the comic book stuff done in the morning. Then I tackle my day jobs like Winning Time or anything else that I have in front of me and I take it as the day comes. Whoever is yelling the most that is owed the thing to them – so yeah! Whoever’s voice is the loudest at the moment!

AM: I think that the time that we’re living in right now, although there is still a need for a lot more representation, to think of myself now versus the younger me who wouldn’t have thought to know that there would be an Ava Du Vernay (A Wrinkle in Time, Queen Sugar, Girls Trip), yourself, Shonda Rhimes (Bridgerton, Inventing Anna, Grey’s Anatomy) all these people that are moving storytelling forward. How important is it for you to reflect that in your work and to have POC be able to see themselves as well as for others to understand why they need to be an ally and to make these spaces more open?

RB: Well I think it’s important because the world doesn’t connect in the same way anymore like physically. We don’t talk to each other the way that we used to and it wasn’t perfect back then either. It’s more important than ever to be able to tell stories that have a ring of truth or some semblance of honesty. That way you get to see people as they are good, bad and indifferent more so than as a caricature or something that feels contrived in some way. I think that a lot of the biases that we hold with each other comes from those depictions. I know since 1619, a concerted effort was made speaking directly to African American culture to make us less than human. There’s one idea of being less than human, but you have to reinforce that on a regular basis. So you either make them caricatures or villains – one extreme or the other. If that idea has the ability to sort of ferment for 400 years or more then you’re at a place where it almost becomes truth because you’re so used to seeing that be the case.

So when you have this culture that is fighting for a slice of the pie or some semblance for respect and dignity, living in a culture and you’re sort of burdened by living with that depiction. It's really a hard thing to overcome because then even the culture itself starts to believe it – is this who I am and some people do. That can be problematic in its own way because you start to devalue yourself and people who look like you.

So I think that the more folks that can get in for various gender, sexual orientation, race or whatever it may be – to be able to speak to your truth in an honest way cannot only help you and the group that you’re in but also people outside of that group so that they have a better understanding of who you are and the struggle that you navigate just to be a human being and to have a human experience.

AM: Who are 3 people that you feel were profound, instrumental or helpful to be in your career?

RB: Damon Wayans (My Wife and Kids, Lethal Weapon, Major Payne) is always first! He was the first person that gave me an opportunity to work on a television show. Were it not for him, I wouldn’t be here. Don Reo (Everybody Hates Chris, Two and a Half Men, The Ranch) who was the showrunner and creator with Damon on My Wife and Kids. He helped take whatever raw ability I had and allowed me into a space in a way that pushed me to a space where I was able to see for myself what I had to do. I’m eternally grateful to him as well. I have to say that there is a tie for number 3 Allen Hughes (Dead Presidents, Menace II Society, The Book of Eli) of the Hughes Brothers, a director. He helped me to bridge art and commerce. He gave me an opportunity to write in a different type of way and helped me find my way of doing art. He was very supportive in that. Then, Max Borenstein who is our showrunner on Winning Time who sort of did the same thing but in a different way. There’s a push sometimes that you need to get out of where you have been to where you want to be and Max was very helpful in being able to push me. Beyond him pushing me, was me pushing me as well. There are a lot of other people and if you had given me 10 or 20, I could have continued on with other people who have helped me even if it was just survival – that’s important as well. So when it comes to writing and being a professional writer, those people come to mind.

IG @therodneybarnes

PHOTOGRAPHY CREDITS | PG 78 Warrick Page/HBO MAX | PG 81 - 85 STARZ/American Gods | PG 87 + 88 STARZ/Heels | PG 91 -102 HBO MAX/Winning Time |

Read the APR ISSUE #77 of Athleisure Mag and see IT’S ALL JUST STORY | Rodney Barnes in mag.

BINGELY STREAMING

JULIA

Max Original

HBO Max

We have watched PBS' The French Chef, watched Julie & Julia and have read a number of books. There is so much to learn about Julia Child's story and HBO Max's Julia delves in by covering the beginning days of her public access TV show off the success of Mastering the Art of French Cooking.

We see her creating her show behind the scenes, brokering a deal to even getting it on air, innovations that were created for this show that have become staples on our favorite shows and more. We learn the process of writing cookbooks, what's involved in testing recipes as well as what it's like working with publishers. We also meet culinary figures like James Beard as well as known writers like John Updike.

In addition to looking at the beginnings of celebrity chefs and the kinds of portfolios that we have come to know about them, we watch Julia navigate these spheres that didn't have a rule book, the importance of working with friends and family in order to get to where she got to and the importance of her legacy. We highly suggest listening to the official companion podcast, Dishing with Julia after each episode hosted by Kerry Diamond of Cherry Bombe.

THE ULTIMATUM: MARRY OR MOVE ON

Netflix Original Series

Netflix

We enjoyed seeing Love is Blind which hosted and executive produced by Nick and Vanessa Lachey. They're back with a new show, The Ultimatum: Marry or Move On where couples who have dated for 2 years call an ultimatum where they get married or they go their separate ways. We hear from each couple on which one made the ultimatum or why they feel they need more time.

The couples meet one another, spend time to see who they want to live with for 3 weeks, then they connect with their significant other for 3 weeks and then a decision is made. This is yet another social experiment that delves into interpersonal relationships and is worth continuing to the reunion show as well.

POWER: DON KING

Somethin' Else

Spotify

We enjoyed POWER by Somethin' Else where they focused on The Maxwells as well as Hugh Hefner. Season 3 focuses on boxing promoter Don King from his early days, handling the careers of Muhammad Ali, Roy Jones Jr and Mike Tyson, his fall from the sport and how his business models have found their way to UFC as well as content creators who have found their way to the sport.

Read the APR ISSUE #76 of Athleisure Mag and see Bingely Streaming in mag.

MANIFESTING THIS LIFE | CANDIACE DILLARD-BASSETT

One of our favorite reality franchises is BRAVO's The Real Housewives. It gives you a glimpse of a city with a group of women that are friends who open up their lives. You find that they are ambitious driven women who navigate their communities. The Real Housewives of Potomac is one of our favorites in this city specific series and when Candiace Dillard-Bassett arrived starting in the 3rd season, we met a woman on a mission who had an array of accolades under her belt while being focused on building her legacy. We talk with her about pageantry, her career prior to being on RHOP, the show, what the platform has provided, her music career and how she continues to give back to others!

ATHLEISURE MAG: In prep for this inter-view, I really liked learning about your background. You grew up with parents who both worked in the Air Force as physicians, graduated from Howard University and you worked in public service at the White House Offices of Public Engagement and Intergovernmental Affairs for President Barack Obama as well as serving as a staffer during his 2012 reelection campaign. Why was it important for you to begin your career in this way in public service?

CANDIACE DILLARD-BASSETT: I know that I grew up in a household that de- manded excellence. I grew up in a household where everyone was a professional. My parents were physicans, they have a military background and they raised me as well as my siblings to model that. They taught us the truth of being people of color in this country, how the world might not always see us in the way that we see ourselves when we’re surrounded by like-minded people who look like us and think like us.

I always tell this story, it’s funny. I wanted to be a doctor, I wanted to be a physician, I started out wanting to be a dermatologist, and I wanted to be an OBGYN. I think I must have gotten to the 9th grade and chemistry, algebra and calculus were kind of kicking my butt and I discovered that these were not my friends, so it let me pivot to something else that I am really good at which is communications. I love publc speaking – I love writing and I love aspects of journalism. I ended up being co-editor of my yearbook and co-editor of my newspaper in high school. I love to read. So, thank God, that I found something else because that math got me!

I want to encourage women who are going out in those fields for STEM because it’s so important and it’s something that we need to have more faces there that look like us there and showcase that representation. I’m a cheerleader and I’m in the back in the hallways saying, “go my STEM sisters!” But it’s just not my ministry. You have to know your strengths.

AM: That’s totally true. I thought about med school and then law school, but then you think about those years and the kinds of studies involved and I just kept continuing to code and work in fashion. But I love seeing those who are deeply involved in STEM and STEAM – all of that! So, you were Miss United States 2013. I never did pageants personally, but I have styled projects with Virginia Limongi Miss Ecuador 2018 ahead of her competing for Miss Universe as well as Nia Franklin Miss America 2019. I love this element of the pageant world as it’s more than looking beautiful as there are these other facets to it. Why was it so important to you that you wanted to do that and how important is that for character building?

CDB: I’m a pageant girl for life. I started competing since I was 5 years old and it was just ingrained in me. I will always speak up and speak about that part of my life because I always want to serve as an example of what it truly looks like to be a product of the pageant industry and of the pageant world as a whole, because there is this stigma – this neg- ative idea attached to women who compete in pageants that we’re dumb, we’re self-absorbed that we are mean – cutting each other’s dresses backstage, cutting lipsticks -

AM: Breaking zippers!

CDB: Yeah all of that stuff!

AM: I was a cheerleader – so yup!

CDB: Same! So you understand! So there’s that Toddlers and Tiaras sort of trope that people always ask me when I say that I have competed in pageants, “oh is it like Toddlers and Tiaras?” I mean, yes there are some aspects of the pageant world that can be superficial and that can be seen in a negative light, but my experience in all my years competing and I have competed a lot, I have always felt uplifted and empowered, seen and heard and loved. It’s where I learned to identify who I was. Where I learned how to brand myself, where I learned how to speak up for my- self and be an advocate – not just for me, but for causes that I believe in. I learned how to communicate those things in a way that was palatable and respectful and made sense to different audiences. I credit my mom and pageantry for all of those things. Some of the most brilliant women that I know – doctors, lawyers, scientists, inventors, dancers – you could not imagine the pedigree that you find in pageantry, and it goes far beyond just smiling, waving and being a robot. That’s only one aspect of the game of the sport because I do feel that it is one. I’m so proud to be part of it!

AM: You also have an agency where you help other people in the pageant system. Can you talk more about that?

CDB: I founded my consulting firm Candiace Dillard Pageant Consulting for the very reasons that I explained. After I won Miss United States, I found myself being a coach on accident – being someone that is empowering women around their pageant journey. It was my director at the time, Laura Clark who is now the director of The Miss Earth United States Organization – she’s a bad B! She’s a bad woman, I love her! My makeup artist at the time, Melissa, we were sitting in the hotel room and I was helping to co-produce a pageant for them one weekend. We were talking about me helping the girls and we were talking and they said, “this is a business – why don’t you start a business?” I was like, “no, why would I do that? I could just help them.” They explained that I could do it for free but when it could be framed as a structured enterprise that has tiers and everything that these women need to truly get the most of this experience by someone that has been through it.

I was like, ok and it was born! I have coached over 500 women to different titles and different places. Obviously have not been as active lately because I can barely keep an eyebrow on!

AM: You’re just a bit busy!

CDB: It’s always something that I go back to. My girls – they’re my friends, my sisters – I call them my pageant sisters. They’ll call me and let me know what’s happening. Even the little girls that I have coached, I have watched them grow up and compete as junior teens and now they’re in the Miss category. They’re like my little babies and they have just flourished. It’s rewarding to see and it’s work that I would do for free.

AM: I think that that’s amazing when you’re able to give back and infuse peo- ple in that way. You’re always going to remember who shined a light on you and to do that across all the people that you have mentored – it’s phenomenal.

CDB: Of yeah, it’s so rewarding and I would do it for nothing – just for fun. You get to play dress up, help women decide who they want to be and you’re doing it with them! It’s like having your own children helping them out and I love opening doors or women who are al- ready so special, intelligent and wise. It’s just giving them that polish and tweak that they need to accomplish their goals in the same way that I was fable to use pageantry to accomplish mine.

AM: I don’t know how you sleep because you also have a successful hairline, Prima Hair Collection by Candiace Dillard. Why did you want to be involved in the hair industry and why are you so passionate about it?

CDB: Prima Hair Collection was really a spin-off of pageantry so I love that you put those questions together. When I was competing coming up in the 90s, it was hard to find hair extensions that worked, were human hair, that came in different lengths, different textures and different colors that worked for me and worked with women that looked like me. We were stuck with synthetic hair or bad weaves or very expensive extensions because there was a monopoly on the market. There are a lot of different hair extension companies that you can choose from now, but I still had a passion for sector of the beauty history. It was my mom who said, “this should be a business.” There’s that theme where it’s always a woman empowering me to see something great for myself. It was my mom this time and she said that we were going to do it. I was like, “really we are, yay!” She helped me do the re-search and she gave me the investment. She purchased my first large order of hair. My sister got involved and 7+ years later, we are a full-service company that does business across the world. We have international clients that will clamor to get Prima hair. We are looking to move into other products soon. I have always seen myself move into other hair care products. I see myself at some point moving into skincare – I love it so much!

AM: I could see that!

CDB: Yes, but that’s really something that I would want to take my time with and find the right people, the right chemist that will ensure I’m putting out the products that I would use myself. But that’s down the road. Right now, Prima Hair is still kicking and we’re moving into other hair products.

AM: I think it’s amazing to hear this. I graduated from college in 2001 and the first 6 to 7 years, I was modeling and what it was like then to model as a Black woman – some people didn’t know how to do my makeup, you brought your own items! When we launched this magazine, 6 years ago I said that it was unacceptable for a hair or makeup person to come to set saying that they couldn’t work with various skin tones and poking around.

CDB: Yeah! We have had to learn to bring our own makeup for ourselves and to do our own hair. Right now, if it’s not one of my own makeup artists, I’m like, “I’m ok, I can do it myself.” You just come conditioned not to feel seen and not to be represented in those spaces.

AM: It’s so sad. We had someone come to set, is super accomplished and she brought 3 bags of her own makeup and it broke my heart. To know that she was known and she still felt the need to do that, I told her that she didn’t have to do that and we had great talent on set. Of course, our MUA killed it but seeing that the feeling still exists even after all of this time – it broke my heart. I always enjoy hearing that people like you and others are doing the good work!

You joined the cast of RHOP in the 3rd season. I already loved it when it first came out and then you stepped on the stage and I was excited as your personality is like my own. What made you see this and want to be part of it?

CDB: So, I can remember – I’m originally from Georgia – when The Real Housewives of Atlanta started, I thought, “oh my God, a show about Atlanta.” I watched with my mom and we were all engrossed in the show and then of course, I went off to college in Howard and then I was living in the DMV which we call the DC, Maryland, Virginia area and my best friend called me and asked I had heard about this new Black Housewives show. I hadn’t, but then I started watching. It was exciting that on a network like BRAVO that is very popular and well known and very much engrossed in pop culture – Atlanta was the premier show for women of color and here we are now with the second iteration of women of color in this franchise. This was exciting. I wanted to know who the girls were and at that time, I had been here for 14 years – a long time. I came to Howard in 2005 and I never left. I wanted to know who was on the show, what they were wearing and where they were going. I was interested and I was watching it with my boyfriend at the time, Chris and I thought, why am I not on the show? I knew I should be on this show and I remember praying about an opportunity to be on the show. I said, “listen God, if You give me the opportunity to be on this show, I promise that I will glorify You and I will use it as a vehicle to be a catalyst to accomplish all the things that You said that I would have.” Literally, the next year I was getting a call from the casting director – the Power of the Tongue. I live by it – I manifest with the Power of the Tongue. Speak what you want – that’s the message of today.

AM: Are there things that you had to consider when you knew that you would be putting your life out there and did you think about aspects involving bringing friends, family and your relationship on there?

CDB: Yes, so obviously, I had to talk to Chris. At the time, we were not engaged. We had talked about it and he had explicit instructions on what that ring would be.

AM: Check!

CDB: My mom – I didn’t worry about her because if you watch the show, you know that that woman was made for TV! She created me – my mom named me after Candice Bergen from Murphy Brown and Dominique Deveraux played by Diahann Carroll from Dynasty. So she knew what she was doing. So that lady knew what she was doing. That lady was ready! I didn't have to tell her anything except what time and where she had to be!

AM: She might have outrun you to get there!

CDB: EXACTLY! She was getting in there. Chris and I sat down and we said that we wanted to do it and we wanted to use the show, like I said, as a catalyst and a vehicle to accomplish our goals. We agreed upfront that it would be us against everybody and that we would never allow anything to infiltrate our relationship and that we would do it until it wasn’t fun anymore. Those were solid conversations that we had. So far, we have stuck to that and we have been able to use the platform in a way that has been beneficial in our careers. I’m so grateful to BRAVO and to our production company because they have allowed me to get married on the show, truly start my music journey on the show, my acting on the show and my hair business on the show. You should come in and want to use this platform to advance yourself. Being a career housewife is wonderful, but I know that there is more to do beyond the platform and so I’m here as long as it serves me and then it’s on to the next.

AM: So, how long do you guys film for?

CDB: We shoot for about 4 months.

AM: That’s a chunk of time.

CDB: Yes and it’s a stressful chunk of time because it’s a job. You are with the pro- duction company for that entire period of time and you have to tailor your life to that time. Luckily, the show is a docuseries so they’re following our lives. Most of what we’re doing, they’re following. The more you have going on the better and I have too much going on this year! It’s making my edges fall out! The plus and the minus is that having a lot going on is great, but it is an ensemble cast, so a lot of things that are happening in your life, may not make it and may stay on the cutting room floor. They have to get equal amounts of everyone's story. So they pick and choose what makes it and we have no control over what makes it. So that’s always an interesting journey to go on to find out that right before it airs, they cut that whole story out and it’s like they shot 5 scenes for that and it won’t air.

AM: My favorite scenes are the confessionals because you’re glammed up and you’re talking about what you thought about something that is taking place on the episode. How do you come up with the outfits that you’re going to wear?

CDB: That’s always really fun! Shout out to my style team - my hair and my make-up glam team and my stylist. We come together and we decide together what we are going to do. So, one of them – sometimes it won’t be my hairstylist, my wardrobe stylist will send a hair look that she thinks would be amazing. My hairstylist, Stephanie will say that she loves it and my makeup artist Kendell will say that this is a great look to go with it. We then piece it together. One thing that people may not know is that we shoot the same look, multiple times. It’s always a challenge to find a look that is intricate and unique, but can be recreated. I’ve had braids twice now and braids are tricky because you shoot with them when they’re new and then you come back and shoot with you again in the same look in a month or month and a half and you’ve been running around in the world living with those braids and you need a touchup. But what I do, is that I have a headwrap when I have braids and you can’t tell when my roots start to show. I love confessionals, it’s like playing dress-up and you’re talking and chatting with your producer, saying what’s happening, being funny and being shady while having some champagne.

AM: It’s safe to assume that you will be back for the 7th season?

CDB: Well I think I saw somewhere that someone at BRAVO had to make an announcement that everyone was asked back because I made a little bit of a cryptic tweet and it had the Internet in an uproar.

There are just days where trolling is my ministry!

AM: It is what it is!

CDB: So yes, that was a funny day because my publicist told me that everyone was calling and E! wanted a statement and I said that they would be fine! So, I think that everybody is coming back.

AM: Like you said, you’re always using the platform to share your body of work and interests. We have seen your music career on the show and now DEEP SPACE, your debut album is out! How was that, you released it fall of last year – you’ve had over 2M streams – it’s amazing!

CDB: It’s crazy! It’s surreal because I had always seen something with music happening in my head and it really started when Chris and I got married and I knew I wanted to perform a song for him at our wedding.

AM: It was a beautiful song.

CDB: Thank you. I See You was my first recorded song. Originally I wasn’t going to do an original piece. I wanted to do a Toni Braxton song – she’s perfect at love songs. My wedding was being filmed for the show and my producer said, if you want us to capture you singing, you can’t do someone else’s song. For those that may not know about television is that there are so many rules and one of them is that you have to keep in mind the licensing. Toni Braxton is gong to demand the fees of herself, the producers, the writers and her label. That could be $40K or $100K for the show to play her song on the show and they said they weren’t going to pay that.

So I thought I would write the song and I worked with Veda Whisnant and my good friend Cliff as well as the gentleman who is now my music director, Aaron Hardin. They created I See You and that was the snowball effect and people were looking to work with me including Chucky Thompson, may he rest in peace. He did a disgustingly amazing job on the I See You the Go-go Remix – Go-go music has been a huge part of my life since I have lived in DC. It kind of snowballed from there and got bigger than what I thought it would. I knew I would put out a few songs, but then as I continued to move through the music industry, it went to doing an EP, to doing an album to performing live – it just materialized before my eyes. It’s still going!

AM: What’s it like to have Anita Baker, Nicki Minaj and Toni Braxton to bless your work? I’ve been a huge fan of Anita Baker’s work and have such a respect for her and obviously, Toni Braxton and Nicki Minaj are amazing as well. What has that been like?

CDB: I don’t even know! I have no words. When you grow up listening to these voices. For me who has a lower register, I never felt confident about my voice. Every- one celebrates Mariah Carey and Whitney Houston that has these soaring Soprano voices and I never felt like I heard anything like my voice until I heard Anita Baker, Toni Braxton and Brandy who I love. They liberated me and helped me to be proud of my voice and showed me what I could do with my voice and I studied their voices to really feel like I could sing and that I could use my voice to emote and be an artist. I owe them everything. What do you mean that Anita Baker knows who I am?

AM: I read that twice and was like, oh – Anita.

CDB: It’s still crazy to me. It’s like shut up, I can’t believe that.

AM: And yet, it happened!

You came off the Femme it Forward Tour – how was that? SWV, Faith Evans and Mya? That’s some legit superstar magic right there!

CDB: Not me – them! I’m still processing.

It's just unbelievable because again, these are Black women in R&B that wrote the soundtrack to so much of my life in the 90s and on. They wanted me to be with them on their stages, on their platforms and they respect me and they see me. That is heavy, but it’s also light in a way because I’m doing all day – that’s where I am with it. I wouldn’t be there if I wasn’t worthy and I’m just trying to live in the worthiness of it if that makes sense.

AM: It totally does! Once again, you’re manifesting up a storm. You’ve been on Netflix’s Family Reunion and being on BET’s The Christmas Lottery. The level of creativity that you have embraced and do, what does it feel like to know that it’s ok to embrace on all of these activities and to nibble on them, try them and to make it their own way. There are so many people that shy away from taking on so many things especially when they are not in the same area and I always encourage people to lean into it.

CDB: I feel like if I didn’t do all of the things that are inside of me, I would explode. It just has to come out. Some- times it doesn’t make sense and some- times I’m exhausted and sometimes I don’t know what I’m doing and I feel that sometimes.

AM: And that’s ok.

CDB: Yes, it’s ok to not know what you’re doing. If you’re following your heart, you’re following your dream, just follow it. You don’t have to ask questions – you just need to follow it and be led by it. That’s what’s calling you and you have to trust that if you’re spiritual or not but that which is leading you is coming from a higher place. That’s literally it. Some- times I’m like, “girl what are you doing and I’m like I don’t know.” But I trust and I continue and then I see the fruits and then I know why it makes sense. That’s why there is a DEEP SPACE, that’s why there is a Family Reunion, that’s why there is a Water in a Broken Glass – whatever projects I’ve worked on and there's more - so much more that I want to do in the acting realm episodically and on the big screen. I want to continue to tour and collaborate musically with new people.

AM: You’re just flowing. I always say that – I say it, I pray it, I step out on it and I just pray that God catches me.

CDB: Yasss! That’s all you can do.

AM: The rest will be figured out and if it gets messy, we’ll figure it out and make it to something else.

CDB: Exactly.

AM: Tell me about My Sister’s Keeper and why you wanted to create this organization?

CDB: So this goes back to pageantry. It was competing in pageants that led me to feel like I could create an organization that truly empowered women that were not in a position to receive resources in the same way that I was. I was a student at Howard University and it’s located in NW Washington DC. There are no gates, you are in the city. You are a part of the fabric in DC and that’s not always attractive. There’s homelessness, there’s crime – it’s a lot of pieces to that puzzle. The school directly across the street from Howard was Banneker Senior High School. I used to tudor there and I noticed that there was a lack of guidance for a lot of the young women who attended school there and just in general as I maneuvered through DC, I experienced the youth in the area – particularly in lower income areas in SE DC. I felt like I could help and part of it was ignorance. I grew up in a way that I hadn’t seen that with my own two eyes. So when I’m out in the world and I’m now doing my own thing, I realized that I had all these resources and I had someone who reared me, taught me and showed me – I said I could do that and help with that. That’s how we started. We go into schools that are mostly in the DC area and just have conversations with these young women.

We do these things called a Girl Talk Circle where we sit in a circle and put questions and thoughts into a bowl and pull them out and talk about what they’re feeling or thinking. Sometimes a girl will own it and sometimes she won’t but that’s the point. You can have an issue and not be judged. I have integrated My Sister’s Keeper into Candiace Pageant Consulting because everyone is not cut out for pageants, but you can tell when a young woman has that spark or that je ne sai quoi piece that she could rock a stage or that she could be good in this space. It’s a great way again to iron you out and give a woman poise and purpose. You have to know who you are in order to compete and it forces you to figure out who you are and I want it for all women but especially Black women because we’re not first. No one is giving us the right – it’s not a privilege – the right to feel empowered and to feel that we can have whatever we what.

AM: And to understand what the game- board is and to navigate that! And to do it one way versus the other way. Although, you might have to dig in that bag every now and then again too.

CDB: That’s part of it too. It’s knowing how and when to code switch and when to use what resources where and how – yeah!

AM: Are there any other up and coming projects that we should keep an eye out for because I feel like you’re this till that keeps on springing forth.

CDB: YES! Part of the reason why I am so tired is because I was finishing up one of my final classes for my MBA program at Howard. You’ll be seeing graduation very soon and at the same time, I made this 14 slide pitch deck that I had to do for this class, I was in the studio recording new music. I am really excited because we are going to be doing a deluxe version of the DEEP SPACE album and that will be set to come out some- time this summer! I haven’t talked about that, that’s an exclusive to you guys!

AM: I mean, you just dropped your album - last fall!

CDB: It hasn’t even been a year – I know we dropped it in Sept. But you know, I didn’t want to get stale and there’s so much left to sing about and there are so many good tracks, such good music and so much to write and I have such a cool writing team. I’m newer to writing music. My team is really patient with me and lets me make changes whether I don’t like something or I want it to feel more like this or that. We make it work. So I have been in the studio for the last 3 days so I’m finishing that. That’s done and I’ll be listening to the songs ad nauseum so I’ll be sick of that ha! But we’ll be piecing them together. It’s in the works – but a TV series that I can’t say a lot about but it’s in the works. I would be playing someone that is not a whole lot like me which is exciting and it will be shooting right here, so I wouldn’t have to leave the area which I’m excited about that! So look out for that coming out soon! I think that’s it – music, TV, the show – you’ll get all the entertainment from RHOP.

AM: Every time you hit the screen on RHOP, I’m like ok, what’s happening now ha!

CDB: It’s a mess, my God. Me enjoying life, married life and I’m still decorating my house – just living!

IG @candeegal09

PHOTOS COURTESY | PG 34 - 38 Paul Morigi | PG 41 -49 +9LIST STORI3S PG 154 Candiace Dillard-Bassett |

Read the MAR ISSUE #75 of Athleisure Mag and see MANIFESTING THIS LIFE | Candiace Dillard-Bassett in mag.

BINGELY STREAMING

BAD VEGAN: FAME. FRAUD. FUGITIVES.

Netflix Documentary Series

Netflix

We remember having editor lunches that took place at Pure Food and Wine here in as this was the cities' first raw vegan restaurant and one that was frequented by a number of celebs. It seems like at its height of fame, it suddenly was gone.

In Netflix's BAD VEGAN: FAME. FRAUD. FUGITIVES, we get the inside scoop on the rise of Sarma Melngailis' dream and how it came to an end when she began met Anthony Strangis via her Twitter feed.

We find out how she built her business, obtained financial backing and created a space in the culinary world that was ahead of its time. We also see how her need to be loved created a setup where she engaged in fraudulent business practices that ultimately derailed her business, and landed her in Rikers after being a fugitive in Las Vegas for 10 months.

It's up to the viewer to decide whether she was an active participant in the scheme or if she was a gaslit woman that truly believed that by following Anthony's instructions would allow her to finally obtain the money she desired, immortality and the life that she always wanted.

THE THING ABOUT PAM

Peacock Originals

Peacock

We enjoyed The Thing About Pam podcast hosted by Dateline's Keith Morrison. This true crime story is now a series which he continues to narrate. Renée Zellweger (Chicago, Judy, Bridget Jones's Diary) plays Pam Hupp who is seen as a pillar of her community. This series focuses on the murder of Betsy Faria who was battling a terminal cancer, had a supportive family life and a best friend, Pam who was available to pitch in and help.

Upon her death, although the police and prosecutors believe Betsy's husband is the murderer, there are a number of things that don't make sense. We see that Pam's creation of a trust to take care of Betsy's girls is in her name and it seems she has plans on these funds. She's also way too interested to assist the prosecutor in finding Betsy's husband guilty and goes to great lengths to stay in the loop on what's going on.

AMERICAN HOSTAGE

Amazon Original

Spotify

Jon Hamm (Mad Men, Bridesmaids, Top Gun: Maverick) plays Fred Heckman, a local radio reporter in Indianapolis in the true crime podcast. He finds that a call he takes connects him to Tony Kiritsis who is holding a banker hostage. Tony demands to be interviewed during a 63-hour standoff to explain how he got to this point.

Read the MAR ISSUE #75 of Athleisure Mag and see Bingely Streaming in mag.